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Art Basel Miami Beach Diary: big feet, big muscles and big voices descend on Miami

Art Basel Miami Beach 2024 has kicked off with a series of high-energy events, including a Japanese women's wrestling match at the Miami Beach Bandshell featuring the Sukeban league, where Ichigo Sayaka was crowned victor with a belt designed by Marc Newson. The fair also features a performance by Diana Ross at Alex Prager's Mirage Factory launch, a set by rapper 2 Chainz at Soho Beach House, and notable artworks such as Sadao Hasegawa's erotic paintings at Garth Greenan's stand and Pat Oleszko's 13ft-tall inflatable 'Big Foots' at the David Peter Francis stand.

In pictures: a season for newcomers at Art Basel Miami Beach’s Meridians

Yasmil Raymond returns for her second year as curator of Art Basel Miami Beach’s Meridians sector, focusing on showcasing a more diverse group of artists and providing opportunities for newcomers. She highlights several works, including Huang Yong Ping’s political sculpture referencing a US spy plane incident, Stephanie Syjuco’s critique of Western culture through a photography-studio installation, Ward Shelley’s post-truth library, Jesús Rafael Soto’s immersive Pénétrable, Luisa Rabbia’s feminist reimagining of a labor strike painting, and Anne Samat’s woven family portrait made from thrift-store objects.

Art Basel Miami Beach Diary: a pettable bronze piece, an un-buttoned up party and tarot in a grotto

At Art Basel Miami Beach, the art collective MSCHF invites fairgoers to touch their bronze sculpture *Touch Me Sculpture One More Time* (2024) on Perrotin’s stand, featuring a counter that tracks each pat. The Institute of Contemporary Art Miami hosted a VIP opening night with figures like director Alex Gartenfeld and artist Andreas Schulze, while the Thom Browne club stood out in matching attire. Other highlights include kinetic sculptures by Breakfast (Andrew Zolty) at 1 Hotel South Beach, a tarot-reading grotto by Julie Schenkelberg at Nada fair, and Robbie Williams’s furniture debut with Moooi at Design Miami.

Untitled Art fair displays new dimensions on Miami's South Beach

Untitled Art fair opened its 14th edition on Miami's South Beach, featuring 160 exhibitors and a strong focus on emerging talent through its Nest sector and new solo and non-profit booth sections. Notable works include Márton Nemes's multisensory Stereo Paintings 11b (2025), Siebren Versteeg's media-critique piece History (2003), and Tanya Aguiñiga's socially engaged cotton-rope sculpture. The fair saw institutional visitors like collectors Don and Mera Rubell and curator Hans Ulrich Obrist, with sales reported for works by Élise Peroi and Samuel Nnorom.

Southern Guild gallery to close in Los Angeles, open in New York

Southern Guild, a gallery founded in Cape Town, South Africa, is closing its Los Angeles location, which opened in February 2024, and will open a new 4,000-square-foot space in Manhattan's Tribeca neighborhood in March 2026. The gallery is making its debut at Art Basel Miami Beach this week, featuring works by artists including Zizipho Poswa, Marcus Leslie Singleton, Zanele Muholi, Chloe Chiasson, and Ambrose Rhapsody Murray. Director Andréa Delph, who led the LA outpost, will relocate to New York to head the new space.

Karma gallery debuts representation of Yvonne Jacquette in Miami

Karma gallery has taken over representation of the estate of Yvonne Jacquette (1934-2023), the American painter known for her aerial nighttime cityscapes and unconventional perspectives. The gallery, with locations in New York, Los Angeles, and Maine, is already showing Jacquette's work in a Manhattan group exhibition and at Art Basel Miami Beach, with a solo show planned for 2026 at its Chelsea space. The decision follows nearly three decades of representation by DC Moore Gallery.

Editorsʼ picks: 6 projects not to miss at Art Basel Miami Beach 2025

Six notable projects at Art Basel Miami Beach 2025 are highlighted, including presentations by Chicago-based galleries Document, Gray, moniquemeloche, and Patron, which showcase artists who experiment with material form and lived experience. Other featured works include Aleksandra Waliszewska's cat-centered paintings at Dawid Radziszewski, Myungmi Lee's vibrant game-inspired works at Wooson, Etel Adnan's rare 1960s drawings at Galerie Lelong, and Mary Bauermeister's newly discovered 1950s works on paper at Michael Rosenfeld Gallery.

In Ho Chi Minh City, Art Feels Urgent Again

The article reports on a vibrant season of exhibitions in Ho Chi Minh City, where artists are turning to abstraction, faith, and innovation to question perception and belief. Key shows include Bùi Thanh Tâm's "Christ, Buddha, and the Jigsaw" at Gate Gate Gallery, which fuses religious iconography, folk traditions, and pop media, and Trần Văn Thảo's "New Moon" at Galerie Quynh, reimagining darkness as creative space. The scene reflects a lineage of defiance dating back to post-war restrictions on artistic expression.

Modern Freskos: Berlin Artist Paul Kuntze Debuts Solo Show at Black Cube Gallery

Berlin-based contemporary artist Paul Kuntze (b. 1995) will debut his first solo exhibition in India, titled “Modern Freskos,” at Black Cube Gallery in Hauz Khas, New Delhi, from December 5 to 27, 2025. The show presents Kuntze’s reinterpretation of European Baroque frescoes—inspired by masters like Pietro da Cortona, Giovanni Battista Tiepolo, and Andrea Pozzo—merged with 20th-century Abstract Expressionism and street-art techniques, using layered acrylic sprays to create atmospheric perspectives.

Bowdoin College Museum of Art Will Present Landmark Josefina Auslender Retrospective and Hung Liu’s "Happy and Gay"

The Bowdoin College Museum of Art (BCMA) will present two exhibitions this winter: "Josefina Auslender: Drawing Myself Free" (December 11, 2025–May 31, 2026), the first museum retrospective of Argentine-born, Maine-based artist Josefina Auslender, featuring over 90 drawings from the 1970s to the present; and "Hung Liu: Happy and Gay" (January 22–May 31, 2026), which examines how Hung Liu reinterpreted Chinese propaganda from her childhood during the Cultural Revolution through ten paintings, prints, archival materials, and a video. Both shows explore themes of immigration, history, memory, and personal experience.

Queer sexuality in Islamic art explored in Norway exhibition

A new exhibition titled "Deviant Ornaments" opens at the National Museum (Nasjonalmuseet) of Norway in Oslo, running from 27 November 2025 to 15 March 2026. Curated by Noor Bhangu, a South Asian curator and scholar based in Norway, the show explores queer desires and practices in the visual cultures of the Islamic world, bringing together over 40 works spanning 1,000 years. It connects historical objects—such as a Safavid textile, a 19th-century armband, and 13th-century Iranian wall tiles—with works by 12 contemporary artists, including Lynette Yiadom-Boakye, Alize Zorlutuna, Shahzia Sikander, Taner Ceylan, Damien Ajavon, Rah Eleh, Kasra Jalilipour, and Sa’dia Rehman. Four works are newly commissioned.

Stephen Friedman to close New York gallery, two years after opening the Tribeca space

Stephen Friedman, the Canadian-born, London-based dealer, will close his New York gallery in Tribeca at the end of February 2026, less than three years after opening the space in October 2023. The decision is described as a strategic evolution to consolidate operations in London, where several new directors have been hired. The gallery's artist roster will remain unchanged, and Friedman plans to stay active in the US art scene through major fairs. The closure follows a challenging period marked by a £1.7m loss in 2023 due to renovation costs and a downturn in the art market, with cash flow currently tight after slow exhibition sales.

Community-Driven Exhibition Transforms Cars Into Unconventional Vehicles for Site-Specific Art

Over a crisp weekend in October, a Harlem parking lot hosted Stay Frosty, a community-driven exhibition organized by BravinLee Programs. The show transformed cars into unconventional vehicles for site-specific art, with works installed in trunks, truck beds, and on rearview mirrors. Highlights included Baloney's "Piggies Undo the World," featuring pigs attacking a red pickup; Ellie Murphy's tapestries draped over the fence; and Amy Rose Khoshbin's interactive "Altars to Agency." Artists, independent curators, galleries, and non-profits participated, turning the lot into an enclosed, vibrant environment for visual art.

New York gallery Sperone Westwater to close after 50 years amid lawsuit between co-founders

Sperone Westwater, a prominent New York gallery representing artists like Richard Long and Bruce Nauman, will close at the end of 2025 after 50 years. The closure follows a lawsuit filed by co-founder Gian Enzo Sperone against fellow co-founder Angela Westwater, alleging unlawful handling of funds and a "parasitic deadlock" over the gallery's finances, including rent disputes and salary increases. The gallery will continue its current Richard Long exhibition until December 13 and participate in Art Basel Miami Beach before shutting down on December 31.

Rock star’s first art exhibit a bright, brash pop culture provocation at CT gallery

Rob Zombie, the heavy metal musician and filmmaker, is holding his first-ever visual art exhibition, "What Lurks on Channel X?", at the Morrison Gallery in Kent, Connecticut, through November 16. The show features 18 large-scale paintings created between 2012 and 2020, drawing on pop culture, horror, and crime iconography. Zombie briefly studied at the Parsons School of Design before leaving to pursue music and film.

Looking Beyond the Conflict: What's driving contemporary artists from Sri Lanka?

Contemporary artists from Sri Lanka are gaining visibility across South Asia through gallery exhibitions, institutional shows, and art fairs. At Experimenter in Colaba, Pushpakanthan Pakkiyarajah's solo show 'No Race, No Colour' features installations like 'Charred Hyphal Mat' that explore organic communication and wounded ecologies rooted in the country's three-decade civil war. At the Art Mumbai fair, Hema Shironi uses fabric and green mesh to address post-war reconciliation, while earlier in Delhi, the twin exhibitions 'Homes Wrapped in Cloth, Borders Raised in Flags' and 'After Aphantasias' by Shrine Empire showcased similar themes. Artists such as Anoli Perera, Kingsley Gunatillake, Pala Pothupitye, and others are collectively presenting nuanced perspectives on memory, ecology, and joy beyond the conflict.

David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)

David Shrigley has unveiled a new exhibition titled 'Exhibition of Old Rope' at London's Stephen Friedman Gallery, featuring ten tonnes of discarded rope sourced from seaports, climbing schools, tree surgeons, offshore wind farms, and shorelines across the UK. The rope, roughly 20 miles in length, has been intensively cleaned and piled high in the Mayfair gallery, with a deliberately provocative price tag of £1 million. The show runs until 20 December 2025.

The British artist David Shrigley wants £1m for piles of old rope

British artist David Shrigley has opened an exhibition at Stephen Friedman gallery in London featuring approximately ten tonnes of discarded rope, collected from seaports, climbing schools, tree surgeons, and other sources over eight months. The rope is piled in four rooms of the gallery, with a neon sign reading “exhibition of old rope”. Shrigley has priced the installation at £1 million plus VAT, describing the figure as a “provocation” that highlights the gap between art-world valuation and public perception. He acknowledges the work may not sell but insists every artwork needs a price.

In a risk-averse market, Paris Photo offers diversity

Paris Photo returns to the Grand Palais for its 28th edition, featuring 220 exhibitors from 33 countries, including 178 galleries and 42 publishers. The fair opens amid a risk-averse market where dealers report slower acquisitions, increased production costs, and reduced collector risk-taking, yet attendance reached 81,000 in 2024. Notable trends include a resurgence of Japanese galleries after a five-year absence, strong Latin American presentations from Buenos Aires, São Paulo, Santiago, and Mexico City, and a rise in women artists to 39% of practitioners, up from 20% in 2018. Highlights include MEM's exhibition of the August 6 Hiroshima Day student photography project and Claudia Andujar's Yanomami works shown by Galeria Vermelho.

Tania Willard wins Canada’s top contemporary art prize

Tania Willard, a member of the Secwépemc First Nation, has won the 2025 Sobey Art Award, Canada’s top contemporary art prize, at a ceremony at the National Gallery of Canada in Ottawa. The award, announced by last year’s winner Nico Williams, comes with C$100,000 ($71,200). Willard’s multidisciplinary practice spans basketry, sculpture, public art, and land-based projects, and she is also a prominent curator. The five other finalists each received C$25,000. Works by all finalists are on view at the NGC until February 2026.

'I never imagined we'd get here': Beirut gallery Marfa' Projects turns ten

Beirut gallery Marfa' Projects celebrates its tenth anniversary, a milestone founder Joumana Asseily never expected to reach given the immense challenges faced since opening in 2015. The gallery, located in the city's port district, survived widespread civil protests, Lebanon's economic crisis, and the devastating 2020 Port of Beirut explosion that destroyed its premises. Asseily rebuilt within a year, supported by a global network of fellow dealers who inspired her with virtual shows and offered solidarity during Israel's 2024 bombardment. The anniversary group exhibition features works consigned by partner galleries including Sadie Coles HQ, Experimenter, and Emalin, alongside Marfa' Projects artists like Mohamad Abdouni and Stéphanie Saadé, both of whom won major art fair prizes last year.

Painting in Space

The article announces "Singing in Unison: Painting in Space," an exhibition curated by Michael David at Art Cake in Brooklyn, running from October 18 to December 7, 2025. It features works from the 1980s and '90s by four abstract artists—Al Held, Frank Stella, Elizabeth Murray, and Judy Pfaff—who each explored the interplay between two-dimensionality and three-dimensionality, flatness and depth, and spatial boundaries in painting. The exhibition includes an opening reception with a cooking performance by Rirkrit Tiravanija and Tomas Vu, a panel discussion, and a closing poetry reading.

Heavy in more ways than one: Confederate statues hit the road for Los Angeles exhibition

The exhibition "Monuments" opens this week at the Museum of Contemporary Art (Moca) and the Brick in Los Angeles, featuring decommissioned Confederate statues alongside contemporary artworks. The show includes a double monument of Robert E. Lee and Stonewall Jackson on loan from Baltimore, which required road closures and careful logistics to install, as well as works by Kara Walker, Hank Willis Thomas, and Karon Davis that recontextualize these symbols of white supremacy. Curators Hamza Walker, Bennett Simpson, and Kara Walker collaborated on the exhibition, which runs from October 23 through May 3, 2026.

Bharti Kher Makes a Powerful Return to Painting: ‘I Wanted to Break This Sort of Spell’

Artist Bharti Kher has returned to painting after a long period focused primarily on sculpture, with a new exhibition titled “The Sun Splitting Stones” opening at Perrotin Paris. The show features monumental, vividly colored oil paintings alongside sculptures, exploring themes of animism, the female body, and the harmony of nature and energy. Kher describes her painting process as introspective and fluid, moving between canvases to create works that feel both intimate and expressive.

Across The Block

A series of regional auctions across the United States and the UK saw figural artworks and antique furniture achieve top prices. Highlights include Demétre Chiparus's bronze "Shimmer" selling for $33,275 at Ahlers & Ogletree, Andy Warhol's "Marilyn" screenprint reaching $425,000 at Heritage Auctions, and a Mission oak stand attributed to Gustave Stickley surprising at $87,600 at Kaminski Auctions. Other notable sales include a Ken Howard painting at Sworders, a Donald Roller Wilson chimpanzee painting pair at Brunk Auctions, and a Sorel Etrog bronze at Clarke Auction Gallery.

15 Solo Shows at Frieze London and Frieze Masters

Frieze London and Frieze Masters have announced 15 solo shows featured across both fairs, highlighting emerging and established contemporary artists. The presentations span painting, sculpture, and installation, with participating galleries including major international dealers.

Altman Siegel, stalwart of San Francisco’s gallery scene for 16 years, will close

Altman Siegel, a prominent San Francisco gallery, will close on 22 November after 16 years in business. Founder Claudia Altman-Siegel announced the decision on 15 October, citing the difficulty for a gallery of its size to scale in the current climate. The gallery, which opened in 2009 at 49 Geary, expanded to a 5,000-square-foot space in the Minnesota Street Project complex and an outpost in Presidio Heights. Over its history, it staged 213 exhibitions and art fairs, representing artists such as Lynn Hershman Leeson, Trevor Paglen, Richard Mosse, Simon Denny, and Kiyan Williams. Its final exhibition will be an eighth solo show with Japanese painter Shinpei Kusanagi.

Making Their Mark: Works from the Shah Garg Collection | Exhibition

The exhibition "Making Their Mark: Works from the Shah Garg Collection" will be on view from February 27 to July 26, 2026, featuring approximately 80 works by nearly 70 influential women artists from the 20th and 21st centuries. Artists include Magdalena Abakanowicz, Cecily Brown, Sheila Hicks, Jenny Holzer, Julie Mehretu, Joan Mitchell, Faith Ringgold, Tschabalala Self, Amy Sillman, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Sarah Sze, Kara Walker, and Zarina. The show is organized into seven thematic sections—Gestural Abstraction, Luminous Abstraction, Pixelated Abstraction, Disobedient Bodies, Of Selves and Spirits, The Power of Form, and Craft is Art—juxtaposing emerging artists with their predecessors to highlight intergenerational connections and subversions of traditional art hierarchies.

Inside Clarissa, the Hottest Art Show of Frieze Week

Clarissa, a new curatorial platform from Émergent Magazine, launched its first group exhibition during Frieze Week in London. Staged across three levels of a former club and sex shop in King’s Cross, the show features a mix of established and emerging artists—including Michael Dean, Hilary Lloyd, Tobias Spichtig, Joel Wycherley, Remi Ajani, and Tiago Francez—alongside works by Patricia L Boyd, Oscar Enberg, Hamish Pearch, and others. Curated by Reuben Beren James and Albert Riera Galceran in collaboration with the nomadic collective Soft Commodity, the exhibition aims to ignore art-world hierarchies and focus on intuitive dialogues between artists across generations and geographies.

Comment | Galleries are looking to merch to keep spirits up—it's a joyful move in challenging times

The article discusses how galleries are increasingly turning to merchandise and playful, low-cost art items to maintain public engagement during a downturn in the art market. It cites the example of Lucy Sparrow's hand-stitched felt fish and chip shop at Lyndsey Ingram gallery in London, which drew large crowds and media attention but generated far less revenue than traditional fine art sales. The piece notes that while the global art market fell 12% to $57.5bn in the past year, according to the Art Basel and UBS Art Market Report, galleries like Unit and Palmer are offering items such as Gavin Turk T-shirts and Andy Holden records to attract visitors.