Artists accuse Whitney Museum of censorship for cancelling pro-Palestine performance

The Whitney Museum of American Art has been accused of censorship by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi after canceling their performance titled *No Aesthetics Outside my Freedom: Mourning, Militancy and Performance*, scheduled for May 14 as part of the exhibition *A Grammar of Attention*. The museum cited the work's "exclusionary and inflammatory" content, referencing a prior iteration where Tbakhi called for those who believe in Israel or America to leave the audience and valorized specific acts of violence. The artists argue the cancellation is an act of anti-Palestinian censorship, while the museum claims the decision was necessary to uphold its policies. In response, Sara Nadal-Melsió, associate director of the Whitney Independent Study Program (ISP), canceled a related critical studies symposium, and the ISP cohort alleged the museum surveilled and intervened in their work.

Portraits of the student artists in the 2025 Senior Thesis Exhibition

Bates College's 2025 Senior Thesis Exhibition, titled "Under the Parachute," opened on April 11 at the Bates College Museum of Art, showcasing works by seven studio art majors. The exhibition features a range of media including mixed-media pieces, cyanotype quilts, ceramics, watercolors, and sculptural installations. Student artists such as Avery Lehman, Miryam Keller, Danny Zuniga Zarat, Alex Provasnik, Lila Schaefer, and Lizi Barrow presented year-long projects that explore themes of memory, empathy, family, and modern life. The exhibition is open through May 24, with faculty advisers Carolina González Valencia and Susan A. Dewsnap supporting the seniors.

MFA Boston to return Benin Bronzes to wealthy donor, close gallery

The Museum of Fine Arts (MFA), Boston will close its Benin Kingdom Gallery on April 28, and most of the Benin Bronzes displayed there will not be repatriated to Nigeria. Instead, all but five of the 34 objects will be returned to their donor, filmmaker and banking heir Robert Owen Lehman, who rescinded his 2008 gift after stalled negotiations with the museum. The MFA had sought to acquire full ownership of the works to ensure their display, but Lehman asked for them back. The five bronzes the museum does own will remain in its collection and be shown in its Art of Africa Gallery starting in June.

Sécurité dans les musées

This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

Olivia Bourrat revient au Quai Branly

Olivia Bourrat, a 45-year-old chief heritage curator trained at the École du Louvre, the INP, and the Sorbonne, has been appointed director of the heritage and collections department at the Musée du quai Branly-Jacques Chirac in Paris. She succeeds Anne-Solène Rolland, and returns to the museum after previous stints there, as well as at France-Muséums, the Louvre Abu Dhabi, the French Ministry of Culture, and Paris Musées.

Biennale, rules announced for Visitor's Lion. But dozens of artists withdraw

The Venice Biennale has announced the voting rules for the new Visitors' Lion awards, which replace the traditional Golden Lions after the original jury resigned before the opening. On the same day the popular voting opened, dozens of artists from the central exhibition 'In Minor Keys' and several National Pavilions announced their withdrawal from the competition in solidarity with the resigned jury, releasing a statement via e-flux on May 9, 2026. The voting system requires visitors to have attended both the Giardini and Arsenale venues, with anonymous voting open until November 22, 2026.

In Antwerp, as photography show asks 'What is a normal family?'

The FOMU photography museum in Antwerp has opened a new exhibition titled 'Families', curated by Anne Ruygt. The show explores the evolving concept of family through historical and contemporary photography, featuring works by artists such as Mous Lamrabat, Cecil Beaton, Omar Victor Diop, Mayara Ferrão, Peter Hujar, Carmen Winant, and Seiichi Furuya. It includes diverse perspectives, from 'hidden mother portraits' and post-mortem photography to AI-generated images of queer Black and Indigenous women, questioning traditional notions of kinship and representation.

Rago and Wright: Post War & Contemporary Art

Artsy is hosting a live auction titled 'Rago and Wright: Post War & Contemporary Art,' which closed on January 28, 2026. The sale features 78 lots of works by artists including Donald Judd, Tom Wesselmann, Niki de Saint Phalle, Sol LeWitt, Louise Nevelson, Anna Weyant, and Willem de Kooning, among others. Bidders could place max bids in advance or participate live through the Artsy platform, with all lots shipping from Rago/Wright/LAMA facilities.

Degenerate! Hitler’s War on Modern Art

The National WWII Museum in New Orleans will host the traveling exhibition "Degenerate! Hitler's War on Modern Art" from November 6, 2025, through May 10, 2026. Originally created by the Jewish Museum Milwaukee, the show examines the Nazi campaign against modern art and music, featuring over 65 original works by artists such as Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall. It explores how modernist art was labeled "degenerate" by the Third Reich, used as propaganda, and systematically suppressed, with many works seized, destroyed, or sold. The exhibition also expands into music, highlighting the suppression of jazz and works by Jewish composers.

Check out first look images of L.A.’s trippy museum of AI arts — and its new opening plan

Media artist Refik Anadol has announced that Dataland, the world's first museum of AI arts, will open in spring 2026 at the Frank Gehry-designed Grand L.A. complex in downtown Los Angeles, delayed from its original 2025 schedule. The museum spans 25,000 square feet and includes five galleries; a sneak peek was released of the Infinity Room, an immersive multisensory space featuring swirling colors, AI-generated scents, and a proprietary AI model called the Large Nature Model. The Infinity Room concept originated in 2014 at UCLA and has since toured 35 cities, attracting over 10 million visitors.

Luxury Art Gallery Debuts in Nashville, Launches Profound Exhibit Exploring Shared Culture

CASS Contemporary, a Tampa-based luxury art gallery, opened its new Nashville location in the Wedgewood-Houston neighborhood on September 12, 2025, with a grand opening event. The gallery launched its inaugural group exhibition, "CLTRL CNTXT," featuring eight artists from eight countries, including Florian Eymann, Michal Mraz, and Faith47, running through November 7. Founded by Cassie and Jake Greatens over a decade ago, CASS Contemporary has expanded from a gallery into art consulting and management, serving high-profile clients such as celebrities, athletes, and developers.

Pro-Palestine mural boarded up overnight at University of North Carolina

A pro-Palestine mural at the University of North Carolina (UNC) in Chapel Hill was boarded over overnight on August 17 by university administration without warning to the art department. The mural, created by students and community members in a course taught by artist Hồng-An Trương, had been displayed in the Hanes Art Center lobby for over a year. It features collaged prints in the colors of the Palestinian flag and the text “I told you I loved you and I wanted genocide to stop.” University officials cited the need to remove the artwork after its one-year display period and to repair the wall, but faculty and students have condemned the action as censorship.

Venice Banksy mural removed as part of ‘innovative’ restoration project

A fading Banksy mural, *Migrant Child* (2019), depicting a child holding a flare and wearing a life vest, was removed from the façade of the 17th-century Palazzo San Pantalon in Venice on Wednesday night. Restorers cut out the wall section using angle grinders and hand tools from a barge, in an operation funded by the banking group Banca Ifis, the building's owner. The work—one of only two Banksy pieces officially attributed in Italy—had deteriorated significantly due to six years of exposure to the elements, with about a third of the image lost. It will undergo analysis and restoration under Federico Borgogni, who previously oversaw the removal of Banksy's *Aachoo!* in Bristol.

New photography venue to open in Dublin’s gentrifying east docklands

PhotoIreland, the organization behind Ireland's longest-running photography festival, will open the International Centre for the Image in Dublin's east docklands on July 17. The 1,000-square-metre underground venue, located beneath a mixed-use complex developed by Kennedy Wilson, will feature an inaugural exhibition titled Foreword, showcasing works by artists including Anna Safiatou Touré, Alex Prager, and Basil Al-Rawi. The space includes a studio, artist workspace, and PhotoIreland's library, which is relocating from its Temple Bar location. The project is jointly funded by Kennedy Wilson and Ireland's Arts Council.

Millom: Art exhibition set to bring town's industrial past to life

An art exhibition in Millom, Cumbria, will honor the late artist David Frederick Bates (1929–2024), whose sketches and paintings from 1949–50 document the town's ironworks, mines, and landscapes. Organized by Millom and District Local History Society in partnership with Holy Trinity Church, the show runs June 13–15, 2025, and includes a talk by Bates's son Malcolm. The exhibition also features works by Bates's wife June Moss and by Jim Billsborough, a former student of Bates.

HOW TO READ A POROUS WORK AT PINTA LIMA 2026

Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.

Ethics and Parafiction: A Conversation

Ethics and Parafiction: A Conversation

e-flux Screening Room hosted an event featuring artist and filmmaker Salomé Lamas on December 6, 2025. The program included screenings of her films 'Eldorado XXI' (2016) and 'Gold and Ashes' (2025), a presentation of her related publication, and a public conversation with curator Lukas Brasiskis. The published transcript focuses on Lamas's filmmaking process, particularly the logistical and ethical challenges of shooting in extreme locations like La Rinconada, Peru.

Russia and Israel cannot win any prizes at the next Venice Art Biennale 2026. The jury takes a stand

Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione

The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.

Between heroes, anti-heroes and pure humanity: an exhibition in Rome becomes a metaphor for the current crisis

Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale

The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.

Interview with Nina Wakeford of the Swiss Pavilion at the 2026 Venice Biennale

Intervista a Nina Wakeford del Padiglione Svizzero alla Biennale di Venezia 2026

Nina Wakeford, artist and curator of the Swiss Pavilion at the 2026 Venice Biennale, discusses the pavilion's project "The Unfinished Business of Living Together." The exhibition draws on two Swiss television broadcasts from 1978 and 1984—Telearena and Agora—in which gay, lesbian, and trans individuals spoke on national television. Rather than treating these as historical artifacts, Wakeford and her team (Gianmaria Andreetta, Luca Beeler, Miriam Laura Leonardi, Lithic Alliance, and Yul Tomatala) reactivate them as points of tension, creating a multimedia environment that explores unresolved issues of coexistence, visibility, and social difference.

Rome and its visions in contemporary photography: from Carbone to De Angelis, to Hervé Gloaguen

Roma e le sue visioni nella fotografia contemporanea: da Carbone a De Angelis, fino a Hervé Gloaguen

The article critiques a recent trend in contemporary photography of Rome, exemplified by a 2020 exhibition at the Mattatoio (Nuove produzioni 2020 per la collezione Roma) that presented black-and-white images reducing the urban landscape to a dark, lifeless mass. The author contrasts this with a personal photograph of a horse taken during the Covid-19 pandemic, which captures Rome's periphery with warmth and specificity, and praises the 2024 exhibition "Roma 1975, città, volti e storie dell'anno giubilare" featuring photojournalist Fabio De Angelis's rediscovered work as a vital counterpoint.

“Yellow Letters”: arte e politica, libertà e censura nel nuovo film di İlker Çatak

Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.

UK Heritage Department feared ‘mass restitutions’ when Stone of Scone was returned to Scotland

Newly released UK government files reveal that in 1996, the Department of National Heritage strongly opposed Prime Minister John Major's decision to return the 13th-century Stone of Scone to Scotland. The department's cultural property unit head, Lynn Gates, warned that the return would set a 'precedent to mass restitution,' triggering claims from Greece for the Parthenon Marbles, Egypt for the Rosetta Stone and Sphinx's Beard fragment, and Nigeria for the Benin Bronzes, with fears of further demands from Ethiopia, India, Pakistan, and other nations. The internal memo criticized Major for failing to consult the department before agreeing to the transfer from Westminster Abbey.

London gallery cancels controversial art show over antisemitic imagery

An exhibition titled 'Drawings Against Genocide' by British artist Matthew Collings, scheduled to open at Delta House Gallery in Wandsworth, London, has been cancelled after complaints from UK Lawyers for Israel (UKLFI) about antisemitic content. The show, planned for May 2026, included graphic drawings depicting Jews with horns, devouring babies, and denying Hamas's October 7 attacks, and had previously sparked outrage at a Margate gallery. Gallery owners Pineapple Corporation and Delta House Studios Ltd confirmed the cancellation after UKLFI warned of legal risks under the Public Order Act 1986.

Monopol is giving away 1 × 2 tickets for "Arv og miljø" at the Schaubühne Berlin

Monopol verlost 1 × 2 Tickets für "Arv og miljø" in der Schaubühne Berlin

The Schaubühne Berlin is hosting the Norwegian production "Arv og miljø" (Will and Testament) as part of the Festival Internationale Neue Dramatik (FIND). Based on Vigdis Hjorth’s controversial novel, the play follows Bergljot, a woman who confronts her estranged family during an inheritance dispute over summer houses, leading to a harrowing clash over suppressed childhood memories and the nature of truth.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

“Show d’Houdini” at CAC Brétigny, Brétigny-sur-Orge

The article reviews the group exhibition "Show d’Houdini" at CAC Brétigny in Brétigny-sur-Orge, which explores the figure of the magician as a cultural archetype. Drawing on the legacy of Harry Houdini and the historical context of late 19th- and early 20th-century illusionism and spiritualism, the show presents works that examine the magician's dual nature—oscillating between charlatanism and miracle, deception and wonder.

‘Rostos da Imigração’: Faces That Refuse Silence

Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.

art young photographer michael wolever

Cultured magazine profiles Pennsylvania-born photographer Michael Wolever, nominated by David Brandon Geeting as part of its "28—NEW YORK" series. Wolever creates images that evoke surrealist ’90s filmmaking, exploring themes of shame, attraction, and melodrama through soft lighting, monsters, and woodland scenes. His work draws heavily on his own "pretty weird life" and memories, using photography as a "funhouse mirror" and "shame ritual." The article includes several of his titled works—Big Flirt, Evidence, Tove, and Untitled—and quotes Wolever reflecting on the culture of picture-taking, mass self-awareness, and his critical approach to intention in photography.

“Conspiracies” Aby Warburg Institute / London by Frank Wasser

The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.