Euan Uglow monograph offers a fresh perspective through memoirs, papers and contributions

Andrew Lambirth's new book, *The Uglow Papers*, takes an unconventional approach to the monograph on British painter Euan Uglow (1932-2000). Instead of a traditional narrative, Lambirth compiles around 30 personal memoirs, papers, and contributions from friends, students, and colleagues—gathered through interviews, phone calls, emails, and letters. These firsthand accounts, paired with a concise introduction and a glossary of names, offer intimate recollections of Uglow's rigorous studio practice, his teaching methods, and his social life, including details about his Sunday night open houses and shared meals. The book also traces Uglow's artistic development from his studies at Camberwell School of Arts and Crafts and the Slade School of Fine Art, through his mentorship under William Coldstream, to his own distinctive geometric and emotionally charged works like *The Diagonal* (1971-77) and *Pyramid* (1993-96).

August Book Bag: from a ‘behind-the-scenes’ studio book to artists joining in with the American Revolution

The article reviews four new art books released in August. It covers 'In the Studio: Jack Whitten' by Yinka Elujoba (Hauser & Wirth Publishers), a compact overview of the US artist's work and his Black Monoliths series; 'Selected Writings, Volume 1, Towards a New African Art Discourse' by the late Okwui Enwezor (Duke University Press), collecting his essays on decolonizing the art world; 'The Painter’s Fire: A Forgotten History of the Artists Who Championed the American Revolution' by Zara Anishanslin (Harvard University Press), examining three artists—Robert Edge Pine, Prince Demah, and Patience Wright—who contributed to the American War of Independence; and 'Beyond Blue and White: The Hidden History of Delftware and the Women Behind the Iconic Ceramic' by Genevieve Wheeler Brown (Pegasus Books), highlighting women like Barbara Rotteveel in the history of Delftware.

Boston’s streets transform into open-air galleries

Boston has launched its first-ever citywide public art exhibition, the Boston Public Art Triennial, titled "The Exchange." The exhibition features 21 large-scale installations by local and international artists placed across neighborhoods including Dorchester, Roxbury, Mattapan, Downtown Crossing, and the Charlestown Navy Yard. Works address themes such as indigeneity, sustainability, shared humanity, affordable housing, and Black motherhood. The triennial also includes an accelerator program that funds and supports local artists with professional development. The exhibition runs through October 31, 2025, with over 100 associated events citywide.

New photography venue to open in Dublin’s gentrifying east docklands

PhotoIreland, the organization behind Ireland's longest-running photography festival, will open the International Centre for the Image in Dublin's east docklands on July 17. The 1,000-square-metre underground venue, located beneath a mixed-use complex developed by Kennedy Wilson, will feature an inaugural exhibition titled Foreword, showcasing works by artists including Anna Safiatou Touré, Alex Prager, and Basil Al-Rawi. The space includes a studio, artist workspace, and PhotoIreland's library, which is relocating from its Temple Bar location. The project is jointly funded by Kennedy Wilson and Ireland's Arts Council.

SLEEK Art Space: Ingeborg Lüscher

Visual artist Ingeborg Lüscher, celebrated as the grand dame of contemporary art, opens an exhibition at SLEEK Art Space on 26 June. In an interview with art historian Sebastian C. Strenger, she discusses her career trajectory from actress to artist, her influences from Fluxus and Nouveau Réalistes, and pivotal moments such as the Prague Spring in 1968 and encountering Joseph Beuys's work. Lüscher was featured at Documenta in 1972 and 1992, the Venice Biennale in 2001, and recently received the Hans Platschek Prize for Art and Writing. Her current exhibition, The Magnificent Seven⁺, is also on view at Galerie BASTIAN Paris, with a forthcoming show at the Centre Culturel Suisse.

And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

parties kidsuper dinner cultured nyfw

Colm Dillane, designer and artist behind KidSuper, co-hosted an intimate dinner with CULTURED magazine at his 10,000-square-foot Williamsburg studio during New York Fashion Week. Guests toured the brand's headquarters—featuring a recording studio and rooftop soccer field—before enjoying an Italian dinner prepared by Eric Madonna of Bar Madonna. Attendees included fashion tastemakers, gallerist Hannah Traore, curator Zoe Lukov, and musician Gashi, and each received a tote bag with the inaugural CULTURED at Home interiors issue and KidSuper's new book with Rizzoli, *The Misadventures of KidSuper*.

Who Are These People? A Conversation with Kai Althoff by Carlo Antonelli

In an intimate interview with Carlo Antonelli, German artist Kai Althoff discusses the psychological origins of the figures that populate his paintings and his collaborative history with Isa Genzken. Althoff describes his characters as a mix of imagined friends, despicable archetypes, and spirits that emerge subconsciously to outshine his own perceived mediocrity. He also reflects on his early influences, ranging from German-localized Marvel horror comics to the improvisational 'home video' skits he produced with Genzken, which he characterizes as a film about love.

Husband-and-wife artist team behind new Collingwood gallery

Ryan Sobkovich, who began painting at age nine and sold his first work at 11, has opened Nōma Gallery in Collingwood, Ontario, with his wife and fellow artist Colleen. The gallery, which launched on September 20 on Huron Street, represents 11 Canadian artists and plans to expand while exclusively featuring Canadian talent. Sobkovich insists on framing every artwork displayed and offers client services like a trial program and digital wall superimposition to help buyers decide.

An Italian Photographer Traveled to Palestine to Document the Growth of Two Bedouin Twins

Una fotografa italiana ha viaggiato in Palestina per documentare la crescita di due gemelle beduine

Italian photographer Monica Biancardi presents a nearly two-decade-long photographic project documenting the growth of two Bedouin twins, Sara and Sarah, in Palestine. The exhibition, titled 'Il capitale che cresce' (The Capital That Grows), opens at the MAN museum in Nuoro on April 24, 2026, and features black-and-white pigment prints from 2009 to 2023, alongside plexiglass maps and a travel video.

We Interviewed Pixar's Historic Archivist: The History and Secrets of the Legendary Production House

Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione

Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.

What Can $500 Buy at the Affordable Art Fair?

A reporter set a $500 budget to explore the Affordable Art Fair in Chelsea, discovering that at that price point, collectors must focus on very small-scale works. The search yielded options like miniature pet portraits, tiny tulle and resin wall hangings, food-themed art, and small abstract paintings, though these pieces were often overshadowed by more prevalent, flashy pop art clichés that dominate the fair's visual landscape.

UNM Art Museum pauses gallery exhibitions for ‘Collections Year’

The University of New Mexico Art Museum (UNMAM) has paused its gallery exhibitions to launch a "Collections Year" project, prompted by a major gift of over 100 photographs from collectors Daniel Greenberg and Susan Steinhauser. The museum's galleries are now temporary workspaces where staff and 12 collections apprentices are cataloging, condition-reporting, and processing hundreds of new artworks, including prints and drawings dating back to the 15th century. Study rooms remain open for visitors and classes during this period.

Behind the Uniform Art Exhibition

The DC Commission on the Arts and Humanities gallery in Washington, D.C., is hosting "Behind the Uniform," an exhibition featuring artwork by 125 artists, including several Capitol Hill veterans. Curated by Kasse Andrews-Weller, an Army and Air Force veteran, and co-curated by Moira McGuire, the show presents works that express wartime experiences and personal stories, with many artists using art as a means of healing from trauma. Highlights include a large quilt by the Treasured Piece Makers, led by Anne Crouch, made from uniform fabric and mission logos, and a painting by Jeremiah Foxwell honoring his bomb-disposal partner Kevin Powell.

'60 Years Of The Grateful Dead' Unveils Band’s Most Comprehensive Art Exhibition Yet [Photos]

The Chambers Project Gallery in Grass Valley, CA, has opened '60 Years of the Grateful Dead,' billed as the most comprehensive exhibition of original Grateful Dead artwork ever assembled. Curated by Brian Chambers, the show features historic posters, album covers, sketches, and rare artifacts from key artists like Rick Griffin, Stanley Mouse, Alton Kelley, Victor Moscoso, and Wes Wilson, alongside collaborators such as Bill Walker and Owsley 'Bear' Stanley. Highlights include Bill Walker's original Anthem of the Sun mandala, stored for years in his sister's garage, and Edmund J. Sullivan's 1900 'Skeleton Amid Roses' illustration, reinterpreted for the band's iconic 1971 album cover. The opening weekend also featured a concert by the supergroup White Lightning at the Bodhi-Hive.

Explore the projects of the 2024 and 2025 graduating classes of Ésad

Explorez les projets des promotions 2024 et 2025 de l’Ésad

The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.

The Raphaels, the Italian Gang and the Olive Oil Maker: The Spectacular Theft of 7 Paintings in Budapest During the Cold War

Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide

On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.

Even More Drawings for Versailles

Encore d'autres dessins pour Versailles

The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.

Court Decision Ends Dispute Over Who Actually Bought Beeple’s Everydays: The First 5000 Days for $69.3 M.

A federal judge in New York has approved a final settlement in a lawsuit between the two pseudonymous figures behind the record-breaking $69.3 million purchase of Beeple's NFT "Everydays: The First 5000 Days." The agreement legally prohibits Anand Venkateswaran (Twobadour) from claiming any involvement in the 2021 Christie's purchase, confirming that Vignesh Sundaresan (Metakovan) was the sole buyer. Venkateswaran must also pay an undisclosed sum, dissociate from related online profiles, and correct third-party biographical information.

A powerful photo project became a love letter to the workers who built L.A. Metro's D Line

Photographer Ken Karagozian, who began documenting L.A. Metro construction workers in 1995, has collaborated with historian India Mandelkern on a photo book titled "Wilshire Subway: The Making of the D Line Subway Extension." The book chronicles the history, conflicts, and the workers behind the D Line extension along Wilshire Boulevard, ahead of its May 8 opening. A related exhibition, "Wilshire Subway: Photographed by Ken Karagozian," is on view at the 1301PE art gallery through May 14.

art brick hamza walker curator

Hamza Walker, the renowned curator and director of the Los Angeles nonprofit art space the Brick, is featured as a 2026 CULT100 honoree. He was a key driver behind the ambitious exhibition “Monuments,” which places decommissioned Confederate monuments alongside contemporary art at a time when American cultural history is increasingly politicized. The article includes a brief Q&A with Walker, touching on his personal tastes, work philosophy, and reflections on his career.

“Conspiracies” Aby Warburg Institute / London by Frank Wasser

The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.

Discover the story behind the art at Depot Art Gallery’s new exhibit

Depot Art Gallery in Littleton, Colorado, has opened a new juried exhibition titled “Tell Me a Story,” running until May 16. The show features 57 works by members of the Littleton Fine Arts Guild, including paintings, photographs, and jewelry, each accompanied by a printed label explaining the personal story behind the piece. The exhibition was organized by artists Mary Clark and Anastasya Kossyrev, and judged by Jo Ann Nelson of Rox Arts Gallery. Awards were given at the April 24 opening reception, with top honors going to Teresa Maone, Peggy Dietz, and others.

fashion van cleef arpels paris atelier

Van Cleef & Arpels opened its Paris atelier to Cultured magazine for a rare behind-the-scenes look at the jewelry house's craft traditions. The article profiles artisans such as a smelter, diamond cutter, threader, quality controller, polisher, and jeweler, who describe their work on iconic pieces like the Zip necklace—a design originally conceived in 1938 at the suggestion of the Duchess of Windsor and perfected over decades.

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.

Tom Vattakuzhy’s Mumbai exhibition follows the feeling a story leaves behind

Tom Vattakuzhy's new exhibition "Where Words End" opens in Mumbai from May 3–17, 2026, at ICIA Gallery in Kalaghoda. The show presents a series of "story paintings" that explore the emotional residue left behind after reading a narrative, focusing on moods and sensations rather than plot or illustration. Vattakuzhy, who began his career as an illustrator, shifts here toward open-ended scenes where figures appear mid-gesture and rooms feel charged with unspoken meaning, drawing from literary sources as points of departure rather than literal subjects.

Frodsham art group marks 30 years with Amazing Nature show

Eddisbury Artists, a long-running art group based at Castle Park Arts Centre in Frodsham, is celebrating 30 years at the venue with a new exhibition titled 'Amazing Nature.' The show runs from May 19 to June 27 and features artwork inspired by the natural world, including landscapes and wildlife of Cheshire. The group, comprising 17 artists from north west Cheshire, originally met behind Frodsham Post Office before moving to the arts centre in 1996. Member Sam Robson, a Royal Society prize-winning artist, noted the exhibition coincides with the arts centre's 40th anniversary, making it a dual milestone.

Introducing the Intelligence Report: The Year Ahead 2026

The art auction market showed signs of recovery in 2025, with total sales increasing for the first time since 2021, driven by a strong late-season surge in New York. The U.K. market grew by 11.3%, aided by major sales like the $136 million dispersal of Pauline Karpidas's Surrealist collection, while the ultra-contemporary sector declined for a fourth year as investment flowed to established Impressionist and Modern works.

Native artists highlighted Thursdsay

An event highlighting Indigenous art, the “Evening of Native American Artistry,” will take place Thursday at the Jackson Hole History Museum in conjunction with the seventh annual Teton Powwow. Curated by Susan Durfee and Al Hubbard of Central Wyoming College, the exhibit “Behind Linear Narratives” focuses on ledger art—drawings on repurposed accounting paper—featuring historic works from the late 1800s alongside contemporary pieces by father-and-son artists Terrance Guardipee and Terran Last Gun. Six other downtown galleries will each host an Indigenous artist, and Central Wyoming College’s culinary program will collaborate with chefs from Owamni Restaurant and NATIFS to create heritage-inspired appetizers.

Underground Railroad stop in New York threatened by real-estate development

A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.