Persian miniatures and mermaids: Hiba Schahbaz’s garden of delights at the Museum of Contemporary Art North Miami

The Museum of Contemporary Art North Miami has opened "Hiba Schahbaz: The Garden," the first major retrospective of Karachi-born, Brooklyn-based artist Hiba Schahbaz. Curated by Jasmine Wahi, the exhibition spans 15 years of Schahbaz's practice, including loans from private collections, studio works, and new commissions. Anchored by the concept of the jannat (Paradise Garden) rooted in Islamic tradition and Sufi poetry, the show is organized around the elements of earth, water, fire, and air. Schahbaz, trained in the Indo-Persian miniature tradition, works with water-based pigments and tea on handmade paper, and her practice has evolved from small formats to large-scale works, including a 45-foot-by-14-foot mermaid painting commissioned for the Miami show.

Ecological fables set in the Everglades: Kat Lyons stages first US institutional solo show at Marquez Art Projects

Kat Lyons has opened her first US institutional solo show, "Full Earth," at Marquez Art Projects (MAP) in Allapattah, Miami. The exhibition features newly commissioned large-scale oil paintings that draw on the ecology, history, and mythology of the Florida Everglades, blending personal narrative with environmental commentary. Lyons, who rarely depicts humans, instead populates her canvases with native and invasive animal species, using them as protagonists in visual fables that explore humanity's relationship with nature.

Concrete cars for coral reefs: Miami's underwater eco-sculpture park takes shape

The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.

Experience the wonders of Pippin Frisbie-Calder’s art inspired by LSU Vet Med residency

Pippin Frisbie-Calder, LSU School of Veterinary Medicine's 2025 artist-in-residence, will present a public exhibition and talk on November 10, 2025, at the LSU Vet Med Library. During her August residency, she engaged with clinicians, researchers, and the hospital environment to create original artworks inspired by veterinary science, using printmaking, woodcutting, and large-scale installations that explore climate change, species extinction, and environmental stewardship.

Comment | Bristol's Spike Island has become an environmental beacon—here's why it makes financial sense for others to follow suit

Spike Island, a creative hub in Bristol housed in a historic tea packing factory, has been recognized by the Gallery Climate Coalition (GCC) as a model of environmentally sustainable practice. After an energy audit revealed that 85% of its emissions and running costs came from heating the leaky 1950s building, the organization installed solar panels and began a major retrofit. Since March, the panels have saved 6,000 kilograms of CO2, and further upgrades—including heat pumps and insulation—are planned as part of a long-term capital masterplan developed with Max Fordham and 6a Architects.

New City of West Hollywood ‘Moving Image Media Art’ Exhibition Series Artworks Debut October 1

The City of West Hollywood has announced the debut of the next exhibitions in its Moving Image Media Art (MIMA) program, featuring artworks by Isabel Beavers, Diana Thater, Maya Kell-Abrams and Adam Agostino, Sara Silkin, Nina McNeely, and Noper. Starting October 1, 2025, through January 31, 2026, these works will be displayed at the top of every hour on various digital billboards along Sunset Boulevard, with specific locations and schedules for each piece.

The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

Exploring environment, humanity at core of new art exhibition opening in Flint

A new art exhibition titled “This Bitter Earth: Living in Harmony with Nature” opens on September 12 at MW Gallery in downtown Flint, Michigan. The show features artworks from the Mott-Warsh Collection by artists including Ron Adams, Bisa Butler, Nick Cave, Maren Hassinger, Pope.L, and Howardena Pindell, exploring humanity's complex relationship with the natural world and the four classical elements. A featured video installation, “Zion” by South African artist Mohau Modisakeng, addresses themes of displacement and belonging. The exhibition runs through January 24, 2026, with free admission.

Artist Maya Lin poses probing questions around New York City during Climate Week

Artist Maya Lin, in collaboration with the non-profit Art 2030, has launched a public art campaign titled "What If?" across New York City during Climate Week (21-28 September). The project features large-scale posters at the United Nations Headquarters Plaza and on JCDecaux-owned bus shelters, posing probing environmental questions and galvanizing answers to inspire curiosity and action. Additional activations include a mural by Amanda Phingbodhipakkiya at the Nest Climate Campus, a caption contest for Tom Toro's New Yorker cartoon at the Climate Museum, and new didactic interventions at the American Museum of Natural History's dioramas highlighting climate change threats.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

Folkestone Triennial 2025 review: environmental catastrophe—but also hope, joy and a jolly salamander

The Folkestone Triennial 2025, titled "The Lie of the Land," features 18 artists across the seaside town in southeast England. Works include Sara Trillo's chalk cob sculptures inspired by Iron Age urns, Emilija Skarnulyte's film on nuclear decommissioning at Lithuania's Ignalina plant, Katie Paterson's amulet installation made from planetary crisis materials, and Cooking Sections' activist project on UK sewerage pollution. The triennial runs through the ancient port's historic role as a site of arrival and departure.

Prospect, New Orleans’ international art exhibition, cancels its next big show in 2027

Prospect, New Orleans' international art exhibition, has canceled its next planned show in 2027. The decision was announced by the organization's most recent director, Nick Stillman, who cited the current political climate and cuts to government arts funding as making the financial outlook for the multi-million-dollar event "ominous." Stillman has since left the organization. Instead of mounting another exhibition, Prospect will publish a book titled "20 Years of Prospect" and shift focus to exploring sustainable models for presenting global art discourse while archiving its past work.

Capitalism, cityscapes and the climate crisis take centre stage at Luma Arles

Peter Fischli's exhibition "People Planet Profit" at Luma Arles presents hundreds of cheap, poorly designed business books he photographed over seven years, exploring the tension between capitalism, climate crisis, and social wellbeing. The show includes sculptures and screen prints that critique late-stage capitalism and mass tourism. Alongside it, landscape architect Bas Smets presents "Climates of Landscape," a practical exhibition proposing urban ecological solutions to rising temperatures and tides, featuring a microclimate installation within the former industrial building.

Winona gets a new art gallery, THIS, with grand opening this weekend

Winona, Minnesota, is getting a new independent art gallery called THIS, opening this weekend with its inaugural group show “Friends & Family.” The gallery is run by artist Anne George, who transformed a former consignment shop into the space. The exhibition features 18 artists, each invited by George or by another participating artist, fostering an inclusive, community-driven approach. George, who moved to Winona from Minneapolis after a major life change, sees the gallery as an extension of her artistic practice and a gift to the local arts community.

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Uzbek artist Saodat Ismailova has opened a major solo exhibition, "When the Water Turns to Wind," at Portikus in Frankfurt. The presentation features a new, immersive film installation that weaves together ancestral myths, sonic landscapes, and the ecological history of Central Asia, focusing on the region's disappearing rivers and steppes. The work continues her long-term exploration of memory and cultural preservation.

MAYA WATANABE IN A GROUP EXHIBITION AT THE HOSPEDALETTO COMPLEX IN VENICE

The In Between Art Film Foundation has announced "Canicula," the final installment of its "Trilogy of Uncertainties," set to open at the Ospedaletto Complex during the 2026 Venice Biennale. Curated by Alessandro Rabottini and Leonardo Bigazzi, the exhibition features eight international artists, including Peruvian video artist Maya Watanabe, whose work investigates memory and the politics of representation. The show utilizes the unique architecture of the Ospedaletto’s church and music hall to create immersive environments exploring themes of environmental and political pressure.

THE WIND AS PROTAGONIST AT THE FINLAND PAVILION

Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.

An exhibition at a historic villa in Prato brings together the artificial and the natural

In una villa storica a Prato una mostra che fa incontrare artificiale e naturale

Artist Andrea Marini presents "Anomale Intrusioni" (Anomalous Intrusions) at the historic Villa Rospigliosi in Prato, an exhibition organized by Associazione Chorasis. Curated by Riccardo Farinelli, the show features sculptural interventions that blend conceptual minimalism with the villa's centuries-old architecture and natural landscape. Marini’s works function as "programmed interferences," creating a dialogue between the organic and the artificial through metallic structures and zoomorphic forms that react to the surrounding environment and climate.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

Climate Activists Smear Palazzo Vecchio

Klimaaktivisten beschmieren Palazzo Vecchio

Members of the climate activist group Ultima Generazione targeted the historic Palazzo Vecchio in Florence, spraying its facade with orange washable paint using fire extinguishers. The protest was swiftly interrupted by security forces and Florence's Mayor Dario Nardella, who happened to be on-site and personally tackled one of the activists. Following the incident, the mayor joined cleaning crews on scaffolding to help scrub the medieval stonework with brushes and high-pressure hoses.

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.

art frieze la art production fund

Frieze Los Angeles has announced its 2025 public art program, titled "Body & Soul," developed in partnership with the Art Production Fund. Seven Los Angeles-based artists—including Patrick Martinez, Amanda Ross-Ho, Kelly Wall, Shana Hoehn, Polly Borland, Dan John Anderson, and Cosmas & Damian Brown—will present site-specific installations outside the fair's main venue at Santa Monica Airport. Works include a neon billboard by Martinez addressing ICE raids, a durational performance by Ross-Ho rolling a giant inflatable Earth, and a resurrected newsstand by Wall filled with disappearing glass magazines. The program also features youth art workshops and three prizes for emerging artists.

How Australian Chefs and Farmers Are Rediscovering the Ingredients That Have Been There All Along

Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.

London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.

Q&A with Sarah Koff, an environmental artist with an exhibition at AVA Gallery

Sarah Koff, a woodblock printmaker and environmentalist based in New Hampshire, discusses her exhibition “Object Permanence” at AVA Gallery in Lebanon, which runs from July 11 to August 9. Koff, a 2024 Juror Recognition Award winner from the Alliance for the Visual Arts Gallery, creates intricate prints that explore local environmental issues, such as invasive species like Japanese Knotweed and chemical pollution. She describes her slow, tactile process of woodcutting and her commitment to non-toxic printmaking through her work with Zea Mays Printmaking.

Unsilenced exhibition explores mental health through art in Moose Jaw

The Moose Jaw Museum and Art Gallery in Saskatchewan is hosting 'Unsilenced,' an interactive art exhibition that explores mental health through the work of five artists. The show features Peter Tucker, Ruth Cuthand, Derek Poe, Amy Snyder, and Richard Boulet, using mediums such as sculpture, ceramics, beadwork, and fibre art to address topics like anxiety, OCD, climate anxiety, and intergenerational trauma. Visitors can engage with installations, including a clay pot piece about eco-stress and a reflection room for deeper contemplation.

newly excavated maya settlement climate change adaptation 1234776855

Archaeologists and geologists have uncovered a Postclassic Maya settlement at the Birds of Paradise field complex in the Rio Bravo floodplain of Belize. Utilizing LiDAR mapping and 20 years of field research, the team discovered exceptionally preserved wooden architecture, stone structures, and domestic artifacts dating from 800–1500 CE. These findings reveal that Maya communities successfully migrated to wetland environments after inland urban centers were abandoned due to prolonged droughts.

world monuments fund 2026 commitment heritage sites 1234773184

The World Monuments Fund (WMF) has pledged $7 million for 2026 to fund 21 new heritage preservation projects globally. These projects, selected from its 2025 Watch List and other sites, range from restoring mural paintings at the Church of Saint-Eustache in Paris and gardens at Safdar Jang’s Tomb in New Delhi, to repairing earthquake damage in Japan and supporting community-led stewardship at Bear’s Ears National Monument in Utah.

trump administration withdraws cultural organizations 1234769313

The Trump administration has withdrawn the United States from 66 international organizations, conventions, and treaties, including 31 UN-affiliated bodies, as announced in a presidential memorandum. Among the cultural organizations dropped are the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), the International Federation of Arts Councils and Culture Agencies (IFACCA), the Freedom Online Coalition, and the UN Alliance of Civilizations. The withdrawal follows a review ordered by President Trump in February 2025, with Secretary of State Marco Rubio asserting that many of these groups are "dominated by progressive ideology."

typhoon halong scattered huge trove yupik artifacts along southwestern alaskan coast 1234759492

Typhoon Halong severely damaged an archaeological site near Quinhagak, Alaska, that had been preserved in permafrost. The storm scattered thousands of Yup’ik artifacts—including wooden masks and tools—along the southwestern Alaskan coast. Archaeologist Rick Knecht of the University of Aberdeen raised the alarm about climate change threats, and salvage efforts are underway with the Nunalleq Museum to recover and conserve the items.