New Light Art Charity to Auction Prestigious Northern Collection in Newcastle

The Northern England-based charity New Light Art has announced the forced sale of its prestigious permanent collection due to a critical lack of funding. Comprising over 80 works by prominent Northern artists such as Norman Ackroyd and Anne Desmet, the collection will be auctioned at Anderson & Garland in Newcastle on April 2, 2025. The decision follows the departure of a long-term patron and rising logistical costs, with proceeds intended to keep the charity’s exhibition and education programs operational.

Monumental Rubens ceiling painting revealed once more after two-year renovation

The monumental Whitehall Ceiling at London’s Banqueting House, painted by Peter Paul Rubens, is set to reopen to the public following a comprehensive two-year renovation and conservation project. Managed by Historic Royal Palaces, the initiative included the installation of advanced climate control systems to preserve the 17th-century canvases, structural stabilization of historic plaster, and the addition of a lift to provide the first-ever step-free access to the Main Hall.

Catalyst: Art as Activism

Summerhall Arts in Edinburgh has launched "Catalyst: Art as Activism," a major exhibition featuring four solo shows by artists Eilidh Appletree, Taraneh Dana, Kasia Oleskiewicz, and Molly Wickett. The project utilizes sculpture and installation to confront urgent global issues including the climate crisis, capitalist extraction, disability rights, and the realities of migration. A central component, Eilidh Appletree’s "Net Worthy," uses materials like mycelium, soya wax, and sand to create a submerged seascape that warns of biodiversity loss and the ecological consequences of industrial food production.

University of North Texas Shutters Exhibition of Artworks Critical of ICE

The University of North Texas abruptly closed the exhibition 'Ni de Aquí, Ni de Allá' by artist Victor "Marka27" Quiñonez, which was on view at its College of Visual Arts and Design Galleries. The university terminated its loan agreement with Boston University Art Galleries, removed all online mentions of the show, and covered the gallery windows with paper, offering no public explanation. The artist learned of the closure through students and received only a brief email notification.

Exhibition of Black artists reinterpreting the US flag opens without key Dread Scott work

An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.

Comment | Art and science rely on freedom of thought—and on each other

The article argues that art and science are deeply interconnected, both relying on freedom of thought and cross-disciplinary collaboration. It cites examples like birds' colorful feathers being explained by a study supported by Schmidt Sciences, which found that birds use a layer of white and black feathers to accentuate color—a technique painters have used for centuries. The piece highlights the Artist-at-Sea programme aboard the Schmidt Ocean Institute's research vessel Falkor (too), where artists like Constance Sartor and Jill Pelto collaborate with scientists to communicate marine science to broader audiences. The author, who works with scientists and is married to one, emphasizes that both disciplines pursue truth through different but complementary methods, from Leonardo da Vinci's anatomical studies to medieval Islamic tilework and Alexander von Humboldt's naturalist drawings.

Inside Kashi Hallegua House, The Historic Kochi Mansion Hosting One of the Biennale’s Most Provocative Art Exhibition

The historic 200-year-old Kashi Hallegua House in Kochi's Jewish quarter has been transformed into Ishara House, hosting the exhibition "Amphibian Aesthetics" during the Kochi-Muziris Biennale season. Running from December 13, 2025, to March 31, 2026, the show features 12 international artists including Shilpa Gupta, Michelangelo Pistoletto, and Dima Srouji, with works responding directly to the building's architecture and maritime histories. The exhibition is organized by Ishara Art Foundation and curated with an "amphibian" lens, exploring themes of transition, climate crisis, and cultural displacement.

Persian miniatures and mermaids: Hiba Schahbaz’s garden of delights at the Museum of Contemporary Art North Miami

The Museum of Contemporary Art North Miami has opened "Hiba Schahbaz: The Garden," the first major retrospective of Karachi-born, Brooklyn-based artist Hiba Schahbaz. Curated by Jasmine Wahi, the exhibition spans 15 years of Schahbaz's practice, including loans from private collections, studio works, and new commissions. Anchored by the concept of the jannat (Paradise Garden) rooted in Islamic tradition and Sufi poetry, the show is organized around the elements of earth, water, fire, and air. Schahbaz, trained in the Indo-Persian miniature tradition, works with water-based pigments and tea on handmade paper, and her practice has evolved from small formats to large-scale works, including a 45-foot-by-14-foot mermaid painting commissioned for the Miami show.

Ecological fables set in the Everglades: Kat Lyons stages first US institutional solo show at Marquez Art Projects

Kat Lyons has opened her first US institutional solo show, "Full Earth," at Marquez Art Projects (MAP) in Allapattah, Miami. The exhibition features newly commissioned large-scale oil paintings that draw on the ecology, history, and mythology of the Florida Everglades, blending personal narrative with environmental commentary. Lyons, who rarely depicts humans, instead populates her canvases with native and invasive animal species, using them as protagonists in visual fables that explore humanity's relationship with nature.

Concrete cars for coral reefs: Miami's underwater eco-sculpture park takes shape

The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.

Comment | Bristol's Spike Island has become an environmental beacon—here's why it makes financial sense for others to follow suit

Spike Island, a creative hub in Bristol housed in a historic tea packing factory, has been recognized by the Gallery Climate Coalition (GCC) as a model of environmentally sustainable practice. After an energy audit revealed that 85% of its emissions and running costs came from heating the leaky 1950s building, the organization installed solar panels and began a major retrofit. Since March, the panels have saved 6,000 kilograms of CO2, and further upgrades—including heat pumps and insulation—are planned as part of a long-term capital masterplan developed with Max Fordham and 6a Architects.

New City of West Hollywood ‘Moving Image Media Art’ Exhibition Series Artworks Debut October 1

The City of West Hollywood has announced the debut of the next exhibitions in its Moving Image Media Art (MIMA) program, featuring artworks by Isabel Beavers, Diana Thater, Maya Kell-Abrams and Adam Agostino, Sara Silkin, Nina McNeely, and Noper. Starting October 1, 2025, through January 31, 2026, these works will be displayed at the top of every hour on various digital billboards along Sunset Boulevard, with specific locations and schedules for each piece.

The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

Artist Maya Lin poses probing questions around New York City during Climate Week

Artist Maya Lin, in collaboration with the non-profit Art 2030, has launched a public art campaign titled "What If?" across New York City during Climate Week (21-28 September). The project features large-scale posters at the United Nations Headquarters Plaza and on JCDecaux-owned bus shelters, posing probing environmental questions and galvanizing answers to inspire curiosity and action. Additional activations include a mural by Amanda Phingbodhipakkiya at the Nest Climate Campus, a caption contest for Tom Toro's New Yorker cartoon at the Climate Museum, and new didactic interventions at the American Museum of Natural History's dioramas highlighting climate change threats.

Folkestone Triennial 2025 review: environmental catastrophe—but also hope, joy and a jolly salamander

The Folkestone Triennial 2025, titled "The Lie of the Land," features 18 artists across the seaside town in southeast England. Works include Sara Trillo's chalk cob sculptures inspired by Iron Age urns, Emilija Skarnulyte's film on nuclear decommissioning at Lithuania's Ignalina plant, Katie Paterson's amulet installation made from planetary crisis materials, and Cooking Sections' activist project on UK sewerage pollution. The triennial runs through the ancient port's historic role as a site of arrival and departure.

Prospect, New Orleans’ international art exhibition, cancels its next big show in 2027

Prospect, New Orleans' international art exhibition, has canceled its next planned show in 2027. The decision was announced by the organization's most recent director, Nick Stillman, who cited the current political climate and cuts to government arts funding as making the financial outlook for the multi-million-dollar event "ominous." Stillman has since left the organization. Instead of mounting another exhibition, Prospect will publish a book titled "20 Years of Prospect" and shift focus to exploring sustainable models for presenting global art discourse while archiving its past work.

Winona gets a new art gallery, THIS, with grand opening this weekend

Winona, Minnesota, is getting a new independent art gallery called THIS, opening this weekend with its inaugural group show “Friends & Family.” The gallery is run by artist Anne George, who transformed a former consignment shop into the space. The exhibition features 18 artists, each invited by George or by another participating artist, fostering an inclusive, community-driven approach. George, who moved to Winona from Minneapolis after a major life change, sees the gallery as an extension of her artistic practice and a gift to the local arts community.

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Uzbek artist Saodat Ismailova has opened a major solo exhibition, "When the Water Turns to Wind," at Portikus in Frankfurt. The presentation features a new, immersive film installation that weaves together ancestral myths, sonic landscapes, and the ecological history of Central Asia, focusing on the region's disappearing rivers and steppes. The work continues her long-term exploration of memory and cultural preservation.

Due giovani artisti in una mostra a Matera si confrontano sulle tracce della memoria

The article reports on "Remain(s)," a dual exhibition at Momart Gallery in Matera, Italy, featuring young artists Luca Granato and Michela Rondinone. Curated by Antonella Marino, the show explores the aesthetics of fragments and memory through installations, sculptures, and video works. Granato's pieces address loss, migration, and climate change, while Rondinone's works focus on childhood, play, and relational practices. The exhibition runs until May 26, 2026.

THE WIND AS PROTAGONIST AT THE FINLAND PAVILION

Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.

An exhibition at a historic villa in Prato brings together the artificial and the natural

In una villa storica a Prato una mostra che fa incontrare artificiale e naturale

Artist Andrea Marini presents "Anomale Intrusioni" (Anomalous Intrusions) at the historic Villa Rospigliosi in Prato, an exhibition organized by Associazione Chorasis. Curated by Riccardo Farinelli, the show features sculptural interventions that blend conceptual minimalism with the villa's centuries-old architecture and natural landscape. Marini’s works function as "programmed interferences," creating a dialogue between the organic and the artificial through metallic structures and zoomorphic forms that react to the surrounding environment and climate.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

Climate Activists Smear Palazzo Vecchio

Klimaaktivisten beschmieren Palazzo Vecchio

Members of the climate activist group Ultima Generazione targeted the historic Palazzo Vecchio in Florence, spraying its facade with orange washable paint using fire extinguishers. The protest was swiftly interrupted by security forces and Florence's Mayor Dario Nardella, who happened to be on-site and personally tackled one of the activists. Following the incident, the mayor joined cleaning crews on scaffolding to help scrub the medieval stonework with brushes and high-pressure hoses.

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.

reefline blue arts award ximena caminos

The ReefLine nonprofit launched its new Blue Arts Award on the Greek island of Hydra, calling on artists to create site-specific underwater sculptures that function as artificial reefs. The award is part of the larger ReefLine project, a seven-mile underwater sculpture park and hybrid reef off Miami Beach, designed by Shohei Shigematsu of OMA, with construction set to begin in September 2025. The first winning artwork will be installed in 2027. ReefLine Founder and Artistic Director Ximena Caminos envisions the project as a blend of public art, marine science, and climate action, aiming to restore the Florida Reef Tract, combat shoreline erosion, and boost biodiversity.

Nomad Artist Explores the Meaning of Home Through a London Exhibition

Illustrator Molly Maine, who has been traveling the world since 2016 while running her remote design studio, is opening her first solo exhibition in London. Titled "Nomad: Perspectives on Home in a Changing Japan," the show grew out of her experiences at the Colive Fukuoka conference and an artist residency in Kanazawa. During her time in Japan, Maine interviewed both earthquake evacuees from the Noto Peninsula and digital nomads who had relocated there, exploring contrasting experiences of displacement and belonging. The exhibition weaves together these voices through illustration commissions that examine what defines home.

How Australian Chefs and Farmers Are Rediscovering the Ingredients That Have Been There All Along

Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.

Local creatives weave together art and action with month-long Orozco Gallery exhibit

Curator Yen Ospina has organized "We Are La Voz II," a month-long pop-up exhibition at Orozco Gallery on The Commons in Ithaca, running from April 3 to May 2. The nomadic gallery highlights Latine fiber artists, featuring works that evolve over time and include textiles, embroidery, and fiber paintings. The exhibition serves as a tribute to Debra Castillo, a Cornell professor who co-founded the first Orozco Gallery exhibit in 2024 and passed away in October 2025. Artists like Sarah Lopez and Carolina Osorio Gil contribute pieces that explore themes of identity, memory, and resilience, with Ospina using the project to process her grief and counter rising anti-immigrant rhetoric.