Litavie Art Gallery in Glendale presented a solo exhibition titled 'Where Motion Becomes Memory' by artist Zareh from April 2 to 11. The opening night featured remarks from artist Seta Injeyan, who analyzed Zareh's work, and the event was documented with photos of Zareh alongside Injeyan and art critic Peter Frank.
The Angular Festival, curated by Focus Group Radio, takes over four spaces at Palomar by Crossway in Chennai, blending music stages, an art gallery, listening sessions, artist installations, and a makers market. Five artists—Arya, Poorvaja Rathi, BVS, Sasithar, and co-curator Rhea Fabian—present works across painting, sculpture, installation, and film, while musical acts like Komododo, CDV, and The Dipshit Ladies perform on two stages. The event also features listening sessions curated by non-musicians and interactive installations by Television Dust and Abhishek Jayaprakash.
Visual artist Aly Roshdy will open his solo exhibition "Inside Out" at Sofia Green Gallery in Sofia, Bulgaria, with a vernissage on May 7. The show runs through May 21 and features a series of paintings and collages inspired by the artist's travels, each depicting a specific place seen through a window. Roshdy describes the window as both a literal frame for observing different cultures and a symbolic lens for documenting his journeys, capturing moments of silence and contemplation.
The Leslie Powell Gallery in Lawton, Oklahoma, will open two art exhibitions in May 2026. "Beauteous Maximus" features paintings by New Zealand-born Polynesian artist Tania Landers, whose work explores memory, identity, and generational storytelling through vibrant colors and collage. "Between the Front Door and the Kitchen Sink" showcases artwork by Texas artist Abigail Rainey, focusing on themes of home, inheritance, and the sacred within the mundane. Both exhibitions open with a reception on May 16 and run through June 26.
The Lehman College Art Gallery is presenting the 2026 BFA, MA, and MFA Thesis Exhibition from May 20 to May 28, 2026. The show features the culminating work of over thirty graduating undergraduate and graduate artists from the Lehman College Art Department, spanning digital media, painting, sculpture, printmaking, photography, and interdisciplinary forms. Themes include identity, memory, technology, migration, and social space. An opening reception on May 20 will include an awards announcement and a year-end celebration.
The article explores the artistic practice of Thai painter Vichit Nongnual, examining how his work engages in a continuous dialogue with art history. It highlights his unique approach to blending traditional Thai artistic elements with contemporary techniques, positioning his paintings as a bridge between past and present visual cultures.
An exhibition titled "Vahepealsuse lävel. Kõik teed tõid Eestimaale" ("At the Threshold of In-Betweenness. All Roads Lead to Estonia") has opened at the People's Museum of Tallinn (Tallinna Rahvaste Muuseum). Curated by Ouddhena Teern, an artist originally from Malaysia who moved to Estonia in 2019, the show explores themes of migration, identity, memory, and belonging. It features works using batik, mixed media, and tie-dye, alongside contributions from expat women who shared personal stories and objects of sentimental value.
Japan Osaka Art Gallery TIME is presenting a group exhibition titled "The World of Emerging Forms," running from January 15 to January 29, 2025. The show features works by artists IWACO, Taro Mizushima, Marin, and HISATO, who explore forms derived from memory, emotion, and inner sensation through painting and sculpture, aiming to create a quiet dialogue between diverse expressions and the viewer's imagination.
Artist Ana María Hernando currently has solo exhibitions at both the Museum of Contemporary Art Denver and the Colorado Springs Fine Arts Center, a rare double-header in Colorado art history. In Denver, "Seguir cantando (Keep Singing)" fills the museum's second floor with new and recent works, while in Colorado Springs, "Cantando Bajito (Singing Softly)" functions more as a career retrospective. Both shows feature Hernando's signature textile installations made from yards of tulle, including the monumental new piece "Seguimos cantando (Waterfalls)" at MCA Denver.
The Copper Country Community Arts Center in Hancock, Michigan, has opened a new exhibit titled 'Emergence,' featuring the work of local artist Rob Kangas. The exhibit, which runs through the end of the month, showcases Kangas's paintings inspired by the waters and forests of Lake Superior, exploring themes of isolation, memory, and solitude. A public reception is scheduled for Thursday evening from 6 p.m. to 7:30 p.m.
Wild Skies Art Gallery, located in the Renaissance Edmonton Airport Hotel, is hosting an opening party for Brandi Hofer's new exhibition "Bloom, Everything is Temporary" on Saturday, May 9, from 2 to 4 p.m. The show runs until July 9 and features Hofer's mixed-media portraiture that combines recycled materials with organic forms, exploring themes of impermanence, transformation, and emotional memory. Hofer will attend the event, which includes an interactive art-making component and refreshments.
The WaterFire Arts Center in Providence, Rhode Island, is launching two large-scale summer exhibitions in its 15,000-square-foot Main Hall. From June 9–12, artist Yuval Gur presents "RIFT: A Sonic Environment for Multi-Timescale Listening," an immersive sound installation using environmental recordings from Iceland that transforms sound into a physical, felt experience. From July 2 through August 30, the group show "America, Unfinished?!" features artists from Rhode Island and across the country, selected via open call, exploring themes of labor, migration, memory, and civic life through interactive installations and mixed media, with live performances on Thursday evenings.
Equatorial Guinea makes its debut at the Venice Biennale with a national pavilion at Palazzo Donà dalle Rose, featuring Paraguayan artist Ingrid Seall and her work "Manar." The pavilion, titled "The Forest: The Undergrowth," runs from May 9 to November 22, 2026, and presents an immersive journey inspired by Equatorial Guinea's forests. Seall's piece uses materials like paper, cellulose, iron, and cassava paste to create a vertical, living organism that transforms waste into vital matter. The exhibition includes works by multiple international artists and is curated by Joan Abelló, with Brazilian commissioner Paulo Speller.
On 22 April, Art Corner by Clark and Leo opened its ninth exhibition, 'Art Is Therapy', featuring works by Hungarian artist Judit Horváth Lóczi at the Hotel Clark Budapest and Leo Bistro. The show includes paintings and small-scale sculptures that explore personal experience, emotional memory, and female identity through geometric structures and vivid colors. The exhibition builds on material first presented in Berlin in 2020, now expanded with new works, and was inaugurated with a private vernissage attended by prominent figures from the Hungarian art scene, accompanied by a performance from Zoltán Grecsó and cellist Endre Kertész, plus a specially curated gastronomic program.
The 15th Annual High School Juried Art Show at the Mann Art Gallery in Prince Albert, Saskatchewan, held its awards ceremony at the E.A. Rawlinson Centre, drawing students, families, teachers, and community leaders. Peter Smallboy, a Grade 12 student from Big River Public High School, won Best in Show for his charcoal work "Inner Sight," inspired by the beauty of the human eye. Other award winners included Alice Rosetti, Tatianna Trautmann, Cristyn Mitchell, Jorja Hanson-Lemaigre, Arrow Anderson, Kiara Levesque, and Abeedah Saka-Bello, with 67 artists exhibiting works in media ranging from painting and sculpture to photography and textiles.
A student-curated exhibition titled 'The Shape of Being' opens Friday at Washington Gallery in Waco, Texas. Organized by Baylor University senior Aleah Burns, the show features work from five female Baylor student artists, each contributing three pieces plus a collaborative installation centered on hands. The exhibition focuses on figurative painting, exploring themes of identity, memory, human connection, and technology-mediated relationships. Featured works include Kate Swayze's 'Left Unsaid,' which uses layered materials like reused painting rags, and Burns' own 'Unstable Connection,' depicting fragmented figures embracing through screens.
An exhibition titled "Ceija Stojka: Making Visible" at The Drawing Center in New York City highlights the persecution of Roma and Sinti people during the Holocaust, a lesser-known chapter of Nazi atrocities. The show features paintings and drawings by Ceija Stojka, a Romani artist, writer, and activist who survived the genocide and died in 2013 at age 79. Her works, described as acts of memory and imagination rather than documentary, depict her experiences and stories passed down to her, with the exhibition also including documentary films by Karin Berger and Stojka's writings, such as her 1988 memoir "We Live in Secrecy."
The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.
Mär Martinez's first solo museum exhibition, “A loom, a fence, a wire, a thread,” opens at The Art & History Museums of Maitland, featuring paintings inspired by traditional Turkish and Middle Eastern textile practices. The works, developed during her 2024-2025 Fulbright research in Istanbul, weave together her Cuban and Syrian heritage, exploring themes of cultural memory, displacement, and resilience through imagery of carpets, barbed wire, and urban barriers.
An art exhibit titled "Where the Seed Remembers: A Celebration of Earth, Lineage and Memory" opened on March 29 at the University of Minnesota’s Landscape Arboretum’s Reedy Gallery in Chaska, featuring 10 artists of color. Co-curated by Northside artist Joshua Gillespie (Brotha Aśe), the show includes works by Ron Brown, Ayolanda Evans, Imani Mansfield, and Allena Sweats, among others, and opened with a libation ceremony by Vusumuzi Zulu and Mariama Imani. The exhibition runs through May 17.
Contemporary painter Mär Martinez, a Fulbright scholar and UCF alum, presents her first solo museum exhibition, “A loom, a fence, a wire, a thread,” at the Art & History Museums of Maitland (A&H) in Maitland, Florida. The show features works developed during her 2024–25 Fulbright research in Istanbul and builds on ideas from her 2021–2023 Studio Artist Residency at A&H. Inspired by traditional Turkish and Middle Eastern textile practices, Martinez explores themes of urban life, surveillance, and cultural memory, using imagery from nighttime walks through Istanbul—fences, checkpoints, and barbed wire—combined with historic textile patterns. Her Cuban and Arab heritage and family’s experience of displacement inform her work, with weaving serving as a metaphor for endurance and resistance. The opening night is free to the public, with live music, food, and a cash bar.
Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.
Artist Joanna Tam's solo exhibition "when blue meets blue" opened at the 25/8 Art Gallery on April 13, 2026. The show, presented in partnership with the Harvard Square Business Association and Intercontinental Management, features photographic works and installations exploring the ocean and sky as motifs tied to migration, memory, and the complex duality of nature. Tam, who grew up in Hong Kong and moved to the US, draws from personal experience to create a space for meditation on comfort, freedom, trauma, and tension.
The Grayson Gallery & Art Center (GGAC) in Grayson, Kentucky, is hosting an opening reception for its annual 'Celebrate the Earth 2026' art show and sale on April 24. The event, part of the non-profit's monthly Final Fridays series, will feature original, handmade works from regional artists focused on Earth Day themes, alongside a display of art by homeschooled children. Live music will be provided by the band Kentucky Memories, and the evening will include an awards ceremony with cash prizes and ribbons.
Visual artist Mustapha Boucenna opened a solo exhibition and sale titled 'The Memory of Dreams' in Algiers. The show features approximately fifty contemporary paintings that blend abstraction, cubist ornamentation, and symbolic motifs drawn from history, mythology, and global literature.
Calligraphy artist Gema Martínez has opened a new solo exhibition titled 'Evocâre' at the tourist information office in Torre del Mar on Spain's Costa del Sol. The exhibition presents a series of works that use distorted, superimposed, and invented calligraphic signs to explore the mechanisms of memory, transforming personal recollections into visual, often illegible, writing.
Ein anderes Deutschland
The German Pavilion at the Venice Biennale, historically burdened by its Nazi-era origins, presents a new exhibition titled "Ruin." For the first time, the pavilion explicitly adopts an East German perspective, confronting its fraught past from a fresh angle. The show features massive pillars and a prominent "Germania" inscription above the entrance, directly engaging with the building's controversial history.
Vereine schließen sich Warnung vor AfD-Kulturpolitik an
Nearly 30 cultural institutions in the German state of Saxony-Anhalt have issued a warning against the cultural policy proposals of the far-right Alternative for Germany (AfD) party, which is leading in polls ahead of state elections. The state network of cultural support associations, representing around 680 member groups, has now joined this warning, stating the AfD's plans amount to a restriction of artistic freedom and the instrumentalization of culture according to nationalist guidelines.
Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux
The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.
Gijs Van Vaerenbergh, the Belgian design studio founded by Pieterjan Gijs and Arnout Van Vaerenbergh, has created "CLAUSURA," a life-size steel sculpture tracing the footprint of the vanished 16th-century Gothic church at Herkenrode Abbey in Hasselt, Belgium. The ethereal framework of slender steel rods rises from the original site, offering a transparent, abstract reconstruction that evokes the abbey's lost architecture through suggestion rather than literal rebuilding. The first phase opens to the public on June 18 as part of a broader restoration led by Herita.