A major exhibition titled "The Great Camouflage" is on view at the Rockbund Art Museum in Shanghai, curated by X Zhu-Nowell and Kandis Williams. The show explores 20th-century Afro-Asian revolutionary alliances and Black feminist thought through contemporary art, featuring works by artists like Pope.L, Tuan Andrew Nguyen, and Onyeka Igwe that process these histories from feminist perspectives.
Robert Wiesenberger has been appointed as the new senior curator of contemporary art at the Brooklyn Museum. The position had been vacant since 2023, following the departure of Eugenie Tsai after 15 years. Wiesenberger is moving from his current role as a curator of contemporary art at the Clark Art Institute in Massachusetts.
First Presbyterian Church in Topeka, Kansas, is selling one of its ten Tiffany stained-glass windows at Sotheby's Design sale on December 10. The Jonathan Thomas Memorial Window, a rare medallion window designed by Louis Comfort Tiffany himself in 1910, carries an estimate of $1.5 million to $2 million. The church cites the high cost of maintaining its historic building and the Tiffany windows—sending just one window for repair cost over $50,000—as the reason for the sale. The auction also features a magnolia floor lamp designed by Agnes Northrup, estimated at $2 million to $3 million.
Sotheby's Hong Kong sold 125 works from Japan's Okada Museum of Art in a white-glove auction on Saturday, netting $88 million (plus fees). The sale set auction records for Japanese artists Kitagawa Utamaro and Hokusai, with Utamaro's *Fukagawa in Snow* fetching $7.1 million and Hokusai's *The Great Wave Off the Coast of Kanagawa* selling for $2.8 million. The collection was sold by museum founder Kazuo Okada, an 83-year-old billionaire, to settle a $50 million legal bill stemming from a long-running feud with casino magnate Steve Wynn. Okada's law firm, Bartlit Beck, successfully pursued the fee in binding arbitration after Okada contested the amount.
Crystal Bridges Museum will present an exhibition dedicated to singer-songwriter Jewel during the Venice Biennale, running from May 10 to November 22 at the Salone Verde, near Fondazione Prada. Titled “Matriclysm: An Archeology of Connections Lost,” the show is organized by Crystal Bridges curator-at-large Joe Thompson and features paintings from Jewel's “Ceremony” series, a tapestry, and three large-scale sculptures—including “Heart of the Ocean,” an eight-foot-tall piece that uses live oceanic data from NASA and Stanford University to control 60,000 programmable lights. The exhibition explores themes of feminine memory, matriarchy, and connection.
The Museum of Modern Art (MoMA) in New York has acquired and put on display a capsule from the demolished Nagakin Capsule Tower in Tokyo. The capsule, designated A1305, is the centerpiece of a year-long exhibition titled "The Many Lives of the Nakagin Capsule Tower," which also includes archival materials such as photographs, models, films, and recordings. The tower, designed by Kisho Kurokawa and completed in 1972, was a landmark of the Metabolism movement, featuring 140 prefabricated modules. After years of decline, it was demolished in 2022, but 23 capsules were salvaged, with 16 finding homes in institutions including MoMA.
Frieze Seoul 2025 will bring together 120 galleries from over 30 countries for its fourth edition, running September 4–6 at the COEX convention center with a preview day on September 3. The fair coincides with Kiaf Seoul and is split into three sections: the main Galleries section (90 exhibitors), Focus Asia (10 solo presentations of emerging artists), and Frieze Masters (20 booths covering works from the Middle Ages to the 20th century). Blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, alongside leading Korean galleries such as Gallery Hyundai and Kukje Gallery. Five galleries have graduated from Focus Asia to the main section, and 20 first-time participants join the main section.
A new analysis by The Asia Pivot reveals that total global auction sales for Asian artists born between 1990 and 1999 dropped to $9.7 million in 2024, the lowest level in three years. The market for these young artists shows clear signs of cooling, with 696 lots sold out of 1,128 offered, a 62% sell-through rate, and an average price per lot falling 26.5% year-over-year to $13,905. Top-ranked artists like Raghav Babbar and Anna Park saw steep price declines, while a few consistent performers like Yukimasa Ida, Sun Yitian, and Chris Huen Sin-Kan maintained strong market recognition.
Major art collectors Warren Stephens, Ken Griffin, Paul Singer, and Charles and Helen Schwab were among the top individual donors to President Donald Trump’s 2025 inauguration fundraising committee, according to data from the Federal Election Commission and Open Secrets. Stephens, a major donor to the Arkansas Museum of Fine Art, gave $4 million, the largest individual contribution, while Griffin, Singer, and the Schwabs each donated $1 million or more. The article also details additional political donations from these collectors, including Griffin's $100 million in conservative election spending, and notes that many large corporations like Amazon and BlackRock also contributed.
A conversation between German author and filmmaker Alexander Kluge and curator Hans Ulrich Obrist, originally published in 2017, has been republished following Kluge's recent death at age 94. The dialogue explores the unique capacities of different art forms, the need for interdisciplinary collaboration, and the role of art as an "oasis" or "garden" within an overwhelming technological landscape.
ArtReview interviews Amar Kanwar, a New Delhi-based artist known for films and multimedia installations that blend poetry, activism, and documentary to explore power, conflict, and social justice. Kanwar discusses his career trajectory from documentary filmmaking to occupational health research in a coal mining region, and back to filmmaking on his own terms. His best-known work, *The Sovereign Forest* (2012), addresses government-corporate collusion in Odisha, while his latest, *The Peacock's Graveyard* (2023), is a seven-channel film installation currently paired with *The Torn First Pages* (2004–08) at Palazzo Grassi in Venice under the heading "Co-Travellers." Kanwar has participated in four consecutive editions of Documenta (2002–2017) and was a curator of the 2022 Istanbul Biennial.
The Centre Pompidou is expanding its global footprint with the opening of a new satellite museum in Seoul this June. Housed in a former aquarium within the Hanwha Group's headquarters in the Yeouido financial district, the Centre Pompidou Hanwha is the result of a four-year partnership between the French institution and the Hanwha Foundation of Culture. The renovated 108,000-square-foot space, designed by architect Jean-Michel Wilmotte, will debut with an exhibition titled "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its intersections with Korean art.
W. David Marx's book "Blank Space: A Cultural History of the Twenty-First Century" argues that 21st-century culture has stagnated, blaming the Internet and its economies for a lack of innovation. The book cites critics like Jason Farago and Alex Ross who lament the death of monoculture and the failure of the Internet's promised diversity, while Marx himself longs for a past era of linear artistic progress defined by -isms like Realism and Cubism. However, the review criticizes Marx's framework as rooted in a 19th-century positivist fallacy, noting that art history has never been a clean linear progression and that overlooked artists—such as Hilma af Klint and Hector Hyppolite—have always complicated the canon.
Peter Doig and Marina Abramović were honored at the Praemium Imperiale Awards ceremony in Tokyo, hosted by the Japan Arts Association at the Meiji Kinenkan hall. Princess Hitachi presented the laureates with gold medals; other winners included Eduardo Souto de Moura (architecture), András Schiff (music), and Anne Teresa De Keersmaeker (theatre/film). Each received 15 million yen. Attendees included international advisors Hillary Rodham Clinton, Lord Patten, and Lamberto Dini, as well as past laureates Hiroshi Sugimoto and Lee Ufan. Clinton spoke about art's unifying power, while Dini warned of declining arts education worldwide.
The Martha Graham Dance Company, the oldest professional dance troupe in the United States, is celebrating its 100th anniversary with a worldwide centennial tour. The company is marking the milestone by performing Graham's classic works, like the 1946 ballet *Cave of the Heart*, alongside newer commissions that continue her innovative legacy.
Cultured magazine surveyed 30 New York-based artists to find out where they hang out in 2026, as affordable and easy gathering places have become scarce. The responses range from iconic spots like the Rose Reading Room at the New York Public Library and the Metropolitan Museum of Art to more offbeat locales such as a karaoke bar on Bowery, a Cantonese noodle house in Chinatown, and a church hosting vogue sessions. Artists including Coco Klockner, Jamian Juliano-Villani, Tiffany Sia, Amanda Ba, Lucy Bull, and others share their personal favorites, highlighting a diverse mix of libraries, restaurants, bars, and community spaces.
Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.
The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.
The 18th edition of the Lyon Biennale, titled "Passer d’un rêve à l’autre" (Moving from One Dream to Another), will run from September 19 to December 13, 2026. Curated by Catherine Nichols, an Australian-born art historian and editor based in Berlin, the biennial will take place across ten venues in Lyon, including the Grandes Locos, macLyon, and for the first time the Musée des Tissus et des Arts décoratifs. More than half of the works will be new productions, and over half of the artists are women, with a substantial focus on Oceanian artists such as Timo Hogan, Jazz Money, and Kaylene Whiskey. The exhibition draws inspiration from Lyon's traboules (hidden passageways) and the writings of artist Robert Filliou, exploring themes of dreams, critical analysis, and a "poetic economy."
Europe is set to host a series of major exhibitions in 2026 that bridge the cultural divide between the East and West. Key highlights include a massive Yayoi Kusama retrospective at the Stedelijk Museum in Amsterdam, a showcase of Thai royal haute couture and Pierre Balmain’s designs at the Musée des Arts Décoratifs in Paris, and an exploration of ancient Korean gold at the Musée Guimet. Additionally, the Victoria and Albert Museum in London will partner with Australia’s QAGOMA for a large-scale survey of contemporary art from Asia and the Pacific.
The Spring Arts Guide 2026 highlights several major exhibitions opening in the Washington D.C. area, ranging from local photography to expansive collection surveys. Alan Sislen’s 'AMBIGUITY' at Multiple Exposures Gallery explores architectural abstraction, while the National Museum of Women in the Arts hosts 'Making Their Mark,' a traveling exhibition of the Shah Garg Collection featuring luminaries like Howardena Pindell and Joan Semmel. Additionally, the National Museum of African Art presents 'Here: Pride and Belonging in African Art,' a landmark show centering queer voices within the African diaspora.
Sotheby’s has announced the sale of the personal art collection of Enrico Donati, often referred to as the 'last Surrealist.' The 45-lot collection, titled "A Night in May," features works amassed by Donati and his wife Adele, including a rare 1909 Cubist portrait by Pablo Picasso, 'Arlequin (Buste),' estimated at $40 million. The auction marks the first time these intimate pieces—many acquired through direct exchanges with friends like Marcel Duchamp and Yves Tanguy—have been offered since the artist's death in 2008 and his wife's passing last year.
Marianna Simnett has opened a new multimedia exhibition titled "Circus" at the Secession in Vienna. The show features a combination of light, sound, and sculptural works that delve into her Yugoslav heritage, weaving together personal family history with folklore.
The article announces a photo exhibition titled "Melting Glaciers, Water Futures from the Alps to the Nile" at the Goethe Institute in Cairo, featuring Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis. Jeanneret's work documents the rapid melting of Swiss glaciers and its impacts on hydroelectric dams, tourism, and new landscapes, while Anis explores water, climate, and human resilience along the Nile. The exhibition is part of SABBART, a cultural initiative by EUNIC Cluster Egypt focusing on climate and environmental issues, and runs from 17 May to 4 June.
The article is a roundup of current and upcoming art exhibitions in Cairo, Egypt, spanning May 2025 through June 2026. Highlights include Mostafa El-Razzaz's "Fractals of Art and Soul" at Bibliothek Arkan Plaza, Mahmoud Hamdi's "Journey to the Core" at Difaf, a retrospective for Said El-Sadr and his students at Gezira Arts Centre, and the Egyptian debut of "Beyond Van Gogh: The Immersive Experience" at District 5 by Marakez in New Cairo. Also featured are a Swiss-Egyptian photography exhibition on glaciers and the Nile at the Goethe Institute, a Colombian embassy exhibition, a Korean embassy show, and a permanent ceramics display at Al-Fustat Centre.
Walid Nayif is holding a painting exhibition at Yassin gallery, which the article describes as not to be missed. The article also lists numerous other art events in Cairo, including photographic projects, immersive digital exhibitions, and ceramic showcases, featuring artists such as Judi Yassin, Tia Khalil, Mostafa El-Razzaz, Khaled Taher, Mahmoud Hamdi, and Pierre Jeanneret, as well as the 'Beyond Van Gogh' immersive experience directed by Mathieu Saint-Arnaud.
Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.
The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.
The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.