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Arts of Africa

This article explores the deep history and cultural significance of Africa's artistic traditions, focusing on the continent as the cradle of human creativity. It traces the development of diverse cultures south of the Sahara over 160,000 years, highlighting how artists and workshops translated worldviews into enduring creations. The text also examines Africa's Atlantic Coast engagement from 1445 onward, detailing early European contact, trade agreements along the Gold Coast, and the forced exodus of captives during the transatlantic slave trade, which deprived the region of its productive youth.

For the Painter Michael Armitage, Art Comes With a ‘Sense of Responsibility’

The New York Times profiles Kenyan British painter Michael Armitage, who is currently exhibiting his paintings and studies in Venice. The article explores his artistic practice, his deep connection to his Kenyan roots, and his recent relocation to Indonesia, which has influenced his work and perspective.

The Interview: Gabrielle Goliath

Gabrielle Goliath, a South African artist, created the performance work "Elegy" in 2015 after hearing a father mourn his daughter, Ipeleng Christine Moholane, who was raped and murdered. The piece features seven operatic women sustaining a single note in relay for an hour, evolving over a decade into a series of iterations that address systemic violence and grief. In January 2026, South Africa's Minister of Sport, Arts and Culture, Gayton McKenzie, cancelled Goliath's presentation of the latest version of "Elegy" at the 61st Venice Biennale, which was to include tributes to victims in South Africa, Namibia, and Gaza, including journalist Hiba Abu Nada. Goliath refused to alter the work, took legal action, and will now show it independently at the Chiesa di Sant'Antonin in Venice, while the official South African Pavilion will remain empty for the first time since 2011.

The National Museum of Mexican Art’s Special Mission

The National Museum of Mexican Art (NMMA) in Chicago was founded in 1987 by a group of public school educators, led by Carlos Tortolero, to address a lack of Mexican history and culture in the curriculum. It has grown into a 48,000-square-foot institution with a collection of over 20,000 objects, spanning from Pre-Columbian times to the present, and was the first Latino museum in the U.S. to be accredited by the American Alliance of Museums.

Cover | DIA Welcomes Jewish Museum Treasures in ‘Guests of Honor' Exhibit

The Detroit Institute of Arts (DIA) has launched a long-term exhibition titled 'Guests of Honor,' featuring significant loans of Jewish ceremonial objects from the Jewish Museum in New York. Running through January 2027, the display includes intricate items such as Torah crowns, pointers, menorahs, and spice boxes sourced from Europe, the Middle East, and North Africa. The objects are integrated into various galleries, including the Arts of the Islamic World section, to highlight shared aesthetic motifs and historical connections between different cultures.

Exhibition | Nyakallo Maleke, 'A Soft Language of Distance' at Bode, Berlin, Germany

Johannesburg-based artist Nyakallo Maleke presents her solo exhibition, 'A Soft Language of Distance,' at Bode in Berlin. The show features an expanded practice of drawing that incorporates textiles, wax paper, and intricate stitching to explore themes of movement, memory, and spatial experience. Maleke, who was recently named the recipient of the 2025 Standard Bank Young Artist Award, utilizes these unconventional materials to create a tactile vocabulary that bridges the gap between intimate gesture and architectural form.

Gregory Olympio at blank projects

Gregory Olympio has opened a new solo exhibition titled "Vaisseaux" at blank projects in Cape Town. The show, which runs from January 29 through March 14, 2026, features a substantial body of new work, documented by 27 installation images. This marks a significant presentation for the artist at the prominent South African gallery.

Alfred Ceramic Art Museum to host “Fihankra,” exhibition by Eugene Ofori Agyei, former Turner Teaching Fellow at Alfred University

The Alfred Ceramic Art Museum will host “Fihankra,” an exhibition of ceramic sculptures by Eugene Ofori Agyei, opening February 12 and running through July 19. The works, created during Agyei’s tenure as Turner Teaching Fellow at Alfred University, incorporate Adinkra symbols from Ghana’s Akan ethnic group, wooden benches, batik fabric, yarn, and found objects to explore themes of diaspora, cultural adaptation, and belonging. A reception will be held from 5 to 7 pm on opening day, and the exhibition will be accompanied by the 2026 Perkins Lecture featuring a conversation between Agyei and independent curator Larry Ossei-Mensah.

New Cope House exhibit highlights the art of collecting

William Skeet Jiggetts, a longtime art collector and trustee of several museums, founded the Museum of African American Art Collections (MAAAC) to celebrate Black collectors and display their private holdings. The organization's inaugural exhibition, “Collectors’ Life,” runs from Nov. 1 to Dec. 30 at Awbury Arboretum’s Cope House Gallery in Germantown, featuring works curated by local collectors including Diana Tyson, Stephanie A. Daniel, Vashti Dubois, Dr. Robyn Jones, and Adrian Moody. Two accompanying talks will explore portraiture and the evolving relationship between collectors and artists.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

More than 150 US arts organisations pledge to resist political pressure

More than 150 US arts organizations and over 320 artists and cultural workers have signed a public statement affirming their commitment to resisting political pressure. Organized by the National Coalition Against Censorship (NCAC) and the Vera List Center for Art and Politics (VLC) at the New School, the statement does not explicitly name President Donald Trump or his administration's actions, but was precipitated by Trump's pressure campaigns against the Smithsonian Institution and the Kennedy Center, as well as deep cuts to the NEA, NEH, and IMLS. Signatories include institutions from both Democratic- and Republican-controlled states, such as the Museum of Contemporary African Diasporan Arts in New York and Diverseworks in Houston, Texas.

Guest Artist Exhibition Opens at Center for the Visual Arts

The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.

metropolitan museum of art's new rockefeller wing to open this weekend with public party

The Metropolitan Museum of Art will reopen its Michael C. Rockefeller Wing on May 31, 2025, after a four-year renovation led by Kulapat Yantrasast and WHY Architecture. The redesigned wing houses the museum's collections of Arts of Africa, Oceania, and the Ancient Americas in distinct galleries with improved sight-lines, filtered daylight, and a more navigable layout. A day-long public festival featuring a ribbon-cutting, live performances, workshops, artist talks, and food will celebrate the opening.

3rd Annual Envisioning A Just Pittsburgh Call for Art

The 3rd Annual Envisioning A Just Pittsburgh Call for Art has closed its 2025 submissions as of November 2. The theme asks artists to explore how libraries, archives, and storytelling can serve as conduits for education, activism, and a more equitable Pittsburgh. Categories include writing, visual art, performance, video/interdisciplinary work, and youth arts. Juried winners will be announced in December 2025, with exhibitions and performances held at venues such as Carnegie Museums, Carnegie Library of Pittsburgh, the University of Pittsburgh, 1Hood Media, and the August Wilson African American Cultural Center in February 2026. Monetary awards range from $50 to $2,000.

From DJing club nights to gallery walls, Scots artist returns home for major show

Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.

WORDS WORDS WORDS at Everard Read shows the power of words in contemporary art

The article reviews 'WORDS, WORDS, WORDS,' an exhibition at Everard Read Gallery's CIRCA space in South Africa, which explores the role of language in contemporary visual art. Curated with a focus on how words are bent, repeated, fragmented, and reassembled, the show features works by South African artists including Willem Boshoff and Luca Evans, who engage with conceptual art traditions from Dada to Barbara Kruger. Boshoff's braille-inset wooden piece 'Planet of Echinus' questions inclusion and exclusion in language, while Evans' work riffs on Joseph Kosuth's iconic text pieces using ancient wood-inlay techniques.

Southern Guild Stakes Its Claim in Tribeca

Southern Guild, a South African gallery founded by Trevyn and Julian McGowan in 2008, has opened a new outpost in Tribeca, New York, after closing its Los Angeles location. The gallery, which began in Cape Town and expanded to a 32,000-square-foot campus, now occupies a 19th-century heritage building with 17-foot ceilings and cast-iron columns. Its inaugural exhibitions feature South African artists Usha Seejarim and Mmangaliso Nzuza, showcasing large-scale works that take advantage of the dramatic vertical space.

New Exhibit Gives You the Chance to Support SA Artists and Own Original Prints!

Johannesburg’s Artist Proof Studio (APS) is celebrating its 35th anniversary with a benefit exhibition and online auction hosted in partnership with Strauss & Co. Running through April 17, 2026, the event features original prints from a diverse roster of talent, ranging from world-renowned figures like William Kentridge to emerging students currently enrolled in the studio’s programs. The initiative includes a physical showcase at Strauss & Co’s Houghton gallery and a digital sale designed to engage both seasoned and first-time collectors.

Picasso’s most radical work returns through Bedri Baykam’s Istanbul exhibition

Turkish artist Bedri Baykam has launched a major solo exhibition titled “Baykam on Picasso: Les Demoiselles Revisited” at Piramid Sanat in Istanbul. Following its debut at Galerie S/Beaubourg in Paris, the show centers on a multi-layered reinterpretation of Pablo Picasso’s 1907 masterpiece, "Les Demoiselles d’Avignon." The exhibition features a mix of paintings and immersive installations, including a conceptual Turkish bath and historical recreations of brothels in Paris and Istanbul, all designed to bridge the gap between Western modernism and Eastern influences.

Rwanda boosts culture infrastructure with new non-profit contemporary art centre

The Gihanga Institute of Contemporary Art (GICA) opened this week in Kigali, Rwanda, as the country's first non-profit centre dedicated to promoting Rwandan art, culture, and history while fostering local and Pan-African artistic exchange. Founded by curator Kami Gahiga and artist-educator Kaneza Schaal, the institute was designed by Rwandan architect Amin Gafaranga and features an exhibition space, reference library, screening room, and residency studios. Its inaugural exhibition, "Inuma: A Bird Shall Carry the Voice," includes works by Rwandan artists and explores themes of faith and subtle expression. The Mellon Foundation provided crucial development support.

Tyler’s reimagined Pyramid Club gallery enters final exhibition month

Tyler School of Art and Architecture at Temple University opened an archive exhibition at the Tyler Contemporary Art Gallery on September 5, reimagining the historic Pyramid Club, a cultural hub for Black professionals in North Philadelphia from 1937 to 1963. Curated by Matthew Jordan-Miller Kenyatta, the show features 34 paintings and 35 photographs by John Mosely, alongside works by contemporary artists like Shawn Theodore, and draws from archives by William Dodd, Leslie Willis-Lowry, and the Charles L. Blockson Afro-American Collection. The exhibition runs through its final month, with events drawing over 200 attendees.

The Big Review | 36th Bienal de São Paulo ★★★★

The 36th Bienal de São Paulo has opened with a site-specific installation by Nigerian-American artist Precious Okoyomon, titled "Sun of Consciousness. God Blow Thru Me – Love Break Me" (2025), which features a spiraling path of moss-covered earth and waterfalls evoking Brazil's deforested Cerrado region. The biennial, curated by Bonaventure Soh Bejeng Ndikung with an international team, includes 125 artists—97 international and 28 Brazilian—with more than half of the works commissioned for the exhibition. Notable presentations include a career-spanning display of over 20 paintings by British artist Frank Bowling, alongside works by Brazilian artist Gervane de Paula, who has the largest presence in the show.

New London venue to focus on global majority arts—and host ‘necessary conversations’

A new cultural centre called Ibraaz is opening on 15 October in a historic Grade II-listed mansion at 93 Mortimer Street in London’s Fitzrovia. The inaugural exhibition is Ibrahim Mahama’s installation *Parliament of Ghosts*, which fills the ballroom with colonial furniture and plinths evoking Ghana’s past. The multi-disciplinary art space is entirely funded by the Kamel Lazaar Foundation and led by Lina Lazaar, who previously founded Jeddah Art Week and worked at Sotheby’s. Ibraaz will host talks, performances, film screenings, and exhibitions, and includes a bookshop, café, screening room, and a library-in-residence by the Otolith Group.

Torggler Celebrates African American Artists And Their Stories

The Mary M. Torggler Fine Arts Center in Virginia will present two new exhibitions this fall: "Gateways: African American Art from the Key Collection" and "Transcendence" featuring works by Norfolk artist Luisa Adelfio. "Gateways" showcases ninety works from the collection of Eric Key, a Smithfield native who began collecting African American art in the 1990s as a means of exploring his identity and supporting Black artists, including pieces by Henry Ossawa Tanner, Jacob Lawrence, and Elizabeth Catlett. "Transcendence" presents Adelfio's paintings, drawings, and sculptures from the last five years, blending Classical architecture, Renaissance panel painting, and Surrealism, with a series titled "Corona Chronicles" that juxtaposes domestic objects with pandemic-era headlines.

Exploring environment, humanity at core of new art exhibition opening in Flint

A new art exhibition titled “This Bitter Earth: Living in Harmony with Nature” opens on September 12 at MW Gallery in downtown Flint, Michigan. The show features artworks from the Mott-Warsh Collection by artists including Ron Adams, Bisa Butler, Nick Cave, Maren Hassinger, Pope.L, and Howardena Pindell, exploring humanity's complex relationship with the natural world and the four classical elements. A featured video installation, “Zion” by South African artist Mohau Modisakeng, addresses themes of displacement and belonging. The exhibition runs through January 24, 2026, with free admission.

Art and Soul: Inside Madagascar’s Burgeoning Creative Scene

The article explores Madagascar's burgeoning contemporary art scene, centered on Hakanto Contemporary, a non-profit art space in Antananarivo founded by artist Joël Andrianomearisoa. It highlights the group exhibition "Lamba Forever Mandrakizay," featuring 21 Malagasy artists reflecting on the traditional lamba textile, and the innovative culinary-art fusion by chef Lalaina Ravelomanana. The piece also mentions the Musée de la Photo, founded in 2018, which preserves Malagasy photographic heritage.

Everything to Know About Christie’s Modern Middle Eastern Art Auction

Christie’s has opened an online auction of Modern and Contemporary Middle Eastern Art, running through May 8th and featuring 69 works from across the Gulf, Levant, North Africa, Iraq, and Iran. The sale is led by pioneering artist Samia Halaby’s 2013 painting 'Water Lilies', estimated at $100,000–$150,000, and includes a dedicated 'Saudi Now!' section with 12 pieces by Saudi artists such as Ahmed Mater and Manal AlDowayan. Over a third of the lots are by women artists, including Etel Adnan, Helen Khal, Huguette Caland, Tala Madani, and Tagreed Darghouth, alongside North African figures like Mohamed Melehi and Hassan Hajjaj.

New Sandton art space celebrates African creativity

Standard Bank has launched The Standard Bank Art Lab, a new visual arts space at Nelson Mandela Square in Sandton City, South Africa, on June 5. The inaugural exhibition, titled "Follow the Blue Thread: It’s Woven Into Who We Are," features works by artists including Penny Siopis, Judith Mason, Sam Nhlengethwa, William Kentridge, and Miriam Ndebele, focusing on tapestry and African creativity.

The rise of contemporary African art in a global market

The article reports on the rapid growth of the contemporary African art market, which has more than doubled in value since 2016 to an estimated annual combined value of $72 million. Sales of ultra-contemporary works by African-born artists under 45 surged from $16.2 million in 2020 to $40.6 million in 2021, and the market could reach $1.5 billion this year. Aspire Art, a South African auction house, has set records for artists like Joseph Ntensibe, whose painting *Forest Scene* sold for R924,200, and Nicholas Hlobo, whose work *Intlambo yochulumanco* fetched R1,479,400.

May Exhibitions

The article lists May art exhibitions and events in Charlottesville, Virginia, including the grand opening of Milkweed Clay Studio, a new creative space offering pottery demonstrations and workshops. Other highlights include "Spring Bouquets in Oils" at Atlas Coffee, "Artful Gardens Bouquet Display" at The Center at Belvedere, and shows at Chroma Projects, Create Gallery, Crozet Artisan Depot, C’ville Arts Cooperative Gallery, and Fairhaven Guesthouse. The Fralin Museum of Art at UVA presents multiple exhibitions featuring works by Joan Mitchell, Jody Folwell, and African American artists, among others.