The Campbell River Art Gallery is currently hosting the 44th Annual Member’s Show, a long-standing tradition presented in partnership with the Campbell River Arts Council. Running through April 25, 2026, the exhibition features nearly 80 artworks from local creators living within the region.
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Pedro Friedeberg, the prolific artist and designer central to Mexico’s Surrealist-aligned circles, has died at age 90 in San Miguel de Allende. Born in Italy and having fled to Mexico to escape fascism, Friedeberg became a singular figure in Latin American art, known for his architectural paintings and whimsical, absurdist sculptures. His death was confirmed by his New York representative, Ruiz-Healy Art.
Thaddeus Mosley, the acclaimed American sculptor known for his monumental wood abstractions, has died at the age of 99 in Pittsburgh. Throughout a career spanning seven decades, Mosley transformed salvaged walnut, sycamore, and cherry wood into curvaceous, gravity-defying forms that balanced immense weight with a sense of lightness. Though he was a long-standing pillar of the Pittsburgh creative community, he achieved widespread national recognition and major museum representation only in his 90s.
Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at the age of 81 in Berlin. Renowned for his intellectual approach to collecting, Marzona focused on the 20th-century avant-garde, including movements such as Bauhaus, Dada, Fluxus, and Arte Povera. Unlike traditional collectors, he prioritized the preservation of archives, letters, and ephemera alongside physical artworks, viewing the "paper trail of ideas" as essential to understanding artistic history.
Calvin Tomkins, the legendary New Yorker writer who chronicled the contemporary art world for over six decades, has died at the age of 100. Joining the magazine's staff in 1960, Tomkins became the preeminent profiler of his era, translating complex aesthetic shifts and avant-garde movements into accessible, witty, and insightful prose. His career-defining focus on art began unexpectedly in 1959 with a chance interview with Marcel Duchamp, sparking a lifelong fascination with the creative process.
Agosto Machado, a seminal figure in the Downtown New York art scene and a veteran of the Stonewall uprising, has died following a brief illness. Known as a 'pre-Stonewall street queen,' Machado transitioned from a community activist and archivist to a recognized artist whose intricate altar sculptures are currently featured in the 2024 Whitney Biennial. His work, which utilizes found objects and ephemera to create shrines for queer icons and AIDS victims, serves as a vital act of 'ancestor worship' and historical preservation for a community often marginalized by mainstream institutions.
The South African pavilion at the Venice Biennale will remain empty after Gabrielle Goliath’s performance artwork, which commemorates Palestinian poet Hiba Abu Nada, was banned for its "divisive" content. The work will now be staged as a video installation at the Chiesa di Sant’Antonin in Venice starting May 4, in partnership with the London arts center Ibraaz. Meanwhile, researchers at the Art Gallery of Ontario have successfully identified the subject and artist of a 1775 portrait; the painting depicts an enslaved woman named Eleonora Susette and was painted by Jeremias Schultz.
The Ferens Art Gallery in Hull has issued an open call for artists across the UK to submit work for its 2026 Open Exhibition. The submission window runs from April 30 to May 21, 2025, with a panel of judges selecting works for display from October 2026 to January 2027. There is a fee per submission, with a concessionary rate for younger and disabled artists, and selected artists are eligible for cash prizes.
The Mitchell Art Museum at St. John’s College has announced its spring programming lineup, headlined by the exhibition "In the VIDEODROME: Abjection and Alienation." Opening March 26, the show features seminal video works by Martha Rosler and Pipilotti Rist that critique systemic injustice and the societal treatment of women's bodies. The museum is also continuing its survey of Fluxus artist Ken Friedman, which encourages community participation through instructional art scores.
The Quest Emporium in Montclair, New Jersey, launched a group exhibition on March 7 to celebrate Women’s History Month. The show features a diverse array of local, national, and international women artists working across various mediums, accompanied by a month-long series of events including wellness circles, jazz performances, and culinary experiences.
The Jordan Schnitzer Museum of Art at Washington State University has unveiled its spring 2026 exhibition program, featuring four distinct showcases that emphasize sensory awareness and embodied perception. The lineup includes a solo exhibition of sculptural works by Montana-based artist Mimi Jung, a site-specific kinetic sound installation by Trimpin titled 'Ambiente432', a curated selection of photography from the permanent collection focused on light, and the annual MFA Thesis Exhibition featuring emerging artists Keegan Baatz, S. Camille Comer, and Kahyun Uhm.
Philadelphia’s major art institutions are entering an unprecedented era of collaboration, launching a series of joint exhibitions that pool resources and collections. The centerpiece of this movement is “Bodies and Souls,” a dual-site exhibition hosted by the Pennsylvania Academy of the Fine Arts (PAFA) and the Woodmere Art Museum featuring the contemporary art collection of Robert and Frances Coulborn Kohler. Other notable partnerships include a three-museum retrospective of sculptor Syd Carpenter and an upcoming 18-gallery initiative titled “Radical Americana” led by the Clay Studio.
Renowned Ghanaian artist El Anatsui is currently experiencing a significant professional moment with concurrent exhibitions at White Cube in Hong Kong and Seoul, timed to coincide with Art Basel Hong Kong. The artist, known for his monumental sculptures crafted from discarded liquor-bottle caps and copper wire, recently saw his 2023 work "G6" sell for $995,000 at Sotheby’s London to benefit the Royal Academy of Arts. Now living back in Ghana after decades teaching in Nigeria, Anatsui continues to explore the fluidity of his medium, which mimics the organic processes of growth and decay.
Artist and former art critic Matthew Collings has sparked intense controversy with his exhibition 'Drawings Against Genocide' at Joseph Wales Studios in Margate. The show features provocative imagery, including a Star of David juxtaposed with Nazi symbols and depictions of IDF soldiers, which critics argue cross the line into antisemitism. The backlash intensified after Sunday Telegraph columnist Zoe Strimpel reported a hostile confrontation with the artist, leading to public condemnation from figures such as Dover MP Mike Tapp and Israel’s charge d’affaires, Daniela Grudsky.
Massimiliano Gioni and Beatrice Trussardi have launched the Beatrice Trussardi Foundation, a nomadic art initiative that debuted with an installation by Polish artist Paweł Althamer in a remote 17th-century hut in Switzerland's Engadin Valley. The project, featuring a sculpture of St. Francis and a series of happenings, marks a new chapter for the duo who previously spent two decades staging ephemeral public art projects in Milan. The foundation aims to operate without a permanent home, bringing site-specific contemporary art to unexpected global locations.
A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.
The Community of Digital Artists (CODA) is launching its juried exhibition, "Color Stories: 2026," at the R. Blitzer Gallery in Santa Cruz. Featuring works from 54 local photographers, the show was curated by Shelby Graham, the former longtime director of the Sesnon Gallery at UC Santa Cruz. The exhibition includes a series of public programs, including a juror’s talk and artist presentations, running through early May.
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The Venice Biennale organizers have reaffirmed their decision to allow Russia to participate in the upcoming exhibition, despite intense pressure from the European Commission and Italy’s own Culture Minister, Alessandro Giuli. The Biennale maintains that it has fully complied with all international sanctions and that its mission is to reject censorship while providing a platform for artistic freedom. This stance has been bolstered by Italian Deputy Premier Matteo Salvini, who argued against "Russophobia" and stated that culture should serve as a bridge rather than a tool for division.
The Owensboro Art Guild recently held its 64th Annual Juried Exhibition at the Owensboro Museum of Fine Art, marking a record-breaking year for both participation and prize money. Juror Daniel Pfalzgraf selected 57 works from 81 entries across Kentucky, Indiana, and Tennessee, with over $8,000 in merit and purchase awards distributed. Local artist Vicki Hast secured the Best in Show title for her mixed-media sculpture "A Willow Orb," a non-utilitarian piece woven from willow she cultivates and harvests herself.
The Beauty Shop collective, a group of five female artists based in the Puget Sound region, has launched a new group exhibition titled "The Party Mix" at Gallery 110 in Seattle's Pioneer Square. Featuring works by Arni Adler, Lynette Charters, Saundra Fleming, Kate Harkins, and Ingrid Sojit, the show presents a diverse array of media unified by a "psychedelic" sense of play, intuitive creative processes, and a focus on the female figure. The exhibition, which runs through March 28, was born out of a collaborative support network that began during the COVID-19 pandemic.
The Kemper Museum of Contemporary Art has launched "The World in Kansas City," a new exhibition timed to coincide with the city's role as a host for the upcoming World Cup. Featuring a diverse array of textiles, ceramics, photography, and mixed-media works, the show highlights international artists who have established deep roots within the Midwestern United States.
The Elk Grove Fine Arts Center has announced its upcoming April programming, headlined by the Gallery Artist Studio Collection exhibition running from April 4 to 29. This showcase features work from over 20 local artists across various mediums, including painting, sculpture, and ceramics, offered at studio prices. Additionally, the center will host the Fifth Annual Elk Grove Festival of the Arts on April 25 at Old Town Plaza, featuring over 40 vendors and a dedicated showcase for student artwork.
Stephen Friedman Gallery has announced it will close its New York location in Tribeca by the end of February 2026, less than 30 months after its high-profile opening. The gallery framed the decision as a "strategic evolution" intended to consolidate resources at its London headquarters while maintaining a presence at major international art fairs. Despite the closure, the gallery maintains that its artist roster remains unchanged and its influence in the U.S. will continue through institutional exhibitions.
Stephen Friedman Gallery, a fixture of London’s Mayfair district since 1995, has abruptly entered administration and closed its doors to the public. The gallery confirmed the insolvency process following its last-minute withdrawal from the inaugural Art Basel Qatar. Approximately 25 employees are expected to be laid off, and represented artists have been advised to retrieve their works immediately as the firm undergoes a financial review by FRP Advisory.
San Antonio’s art scene is characterized by a rapid-fire schedule of artist-run exhibitions and pop-up events that often center around the Blue Star Arts Complex. A recent survey of the city's offerings highlighted diverse installations, including Scott Martin’s immersive automotive video work at Slab Cinema Arthouse and Lauren Raye Snow’s mystical portraiture at FL!GHT gallery. The local landscape is defined by a DIY spirit where openings are frequent, fleeting, and deeply communal.
Indiana Heritage Arts has officially opened the call for entries for its 2026 annual exhibition, a long-standing tradition that showcases regional talent. Artists specializing in traditional styles are invited to submit their work for consideration in this juried show, which typically features a variety of media including oil, watercolor, and pastel.
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Researchers from France’s National Centre for Scientific Research (CNRS) have identified a missing page from the Archimedes Palimpsest at the Musée des Beaux-Arts in Blois. The leaf, identified as page 123, contains geometric diagrams and passages from the mathematician’s treatise on the sphere and the cylinder, which were scrubbed and overwritten by monks with religious texts in the 13th century. The discovery was confirmed by comparing the leaf to 1906 photographs taken by scholar Johan Ludvig Heiberg before the manuscript was broken up and partially forged by an art dealer in the 1930s.
British artist Dylan Doe explores the physical manifestations of digital saturation in his solo exhibition, "Muscle Memory," at Mandy Zhang Art in London. The body of work focuses on "bodily glitches"—involuntary physical actions, such as attempting to zoom in on a physical drawing, that stem from repetitive interactions with technology. Through a surrealist lens, Doe’s paintings depict disembodied limbs and futuristic armatures that reflect a synthesis of sentient and non-sentient elements.
Slippery Rock University recently concluded its Annual Juried Student Art Exhibition at the Martha Gault Art Gallery, showcasing the diverse creative output of its student body. Out of 90 submissions, guest juror Clayton Merrell selected 49 pieces for the three-week installation, spanning mediums such as sculpture, painting, printmaking, fiber art, and ceramics. The exhibition culminated in an awards ceremony where senior Kayla Stallings took first place for her sculpture titled "Fur."
The 2014 Whitney Biennial has debuted with a controversial three-curator structure, tasking Michelle Grabner, Stuart Comer, and Anthony Elms with organizing separate floors of the museum. This meta-review aggregates the initial critical reception from major publications, noting that the fragmented format has forced critics to evaluate the exhibition as three distinct shows rather than a unified vision.