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Artist Tanda Francis created the bespoke mannequin heads for the Costume Institute's spring 2025 exhibition "Superfine: Tailoring Black Style" at the Metropolitan Museum of Art. The exhibition, organized by guest curator Monica L. Miller in collaboration with Andrew Bolton, explores how Black communities across the Atlantic diaspora have used fashion and suiting as tools of self-definition, resistance, and storytelling from the 18th century to today. Francis based her mannequin on Congolese political thinker André Matsoua, a figure associated with militant Black dandyism and the Sapeur movement.

sfmoma gift pamela joyner alfred giuffrida 1950427

The San Francisco Museum of Modern Art (SFMOMA) has received a landmark gift of 31 paintings, sculptures, and drawings from the Pamela J. Joyner and Alfred J. Giuffrida Collection, which focuses on abstract works by artists of the African diaspora. The donated pieces, created by 20 American artists born before 1930—including Elizabeth Catlett, Beauford Delaney, Norman Lewis, and Richard Mayhew—are intended to fill historical gaps in the museum's collection. Joyner, who became an SFMOMA trustee in 2020, selected works that represent the earliest generation of artists in her collection, aiming to support a more inclusive art-historical narrative.

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Herman Miller has launched the New Mexico Collection, a limited-edition furniture line inspired by Georgia O'Keeffe's desert home in Abiquiú, New Mexico. Created in collaboration with the Georgia O'Keeffe Museum, the collection includes the Eames Wire Chair Low Base (300 pieces, $1,995) and the Girard Snake Table (100 pieces, $895), both drawing on O'Keeffe's friendship with textile designer and architect Alexander Girard. The chair reimagines a prototype gifted to O'Keeffe by Charles and Ray Eames, while the table is based on a never-produced Girard design from the 1950s.

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The article recounts the first meeting between artists Marcel Duchamp and Man Ray in 1915, when a language barrier threatened their connection. They broke the ice with an impromptu tennis match using old rackets and a ball, with no net, as Man Ray called out tennis scores and Duchamp simply replied 'yes.' This playful encounter launched a five-decade friendship and prolific collaboration, during which they co-created works ranging from photographs and installations to experimental films, and became central figures in New York Dada.

state of the art market understanding regional differences in the globalized art market 2444281

Artnet News and Morgan Stanley have released an analysis of the global art market, examining auction performance by artists from different regions over the past decade. The report breaks down sales by region—North America, Europe, Asia-Pacific, Africa, Latin America and the Caribbean, and the Middle East—and by genre categories including Old Masters, Impressionist and Modern, Postwar and Contemporary, and Ultra-Contemporary. Key findings show that North American and European artists dominate the market, while African-born artists have seen notable but uneven growth, and Asia-Pacific-born artists have experienced a marked decline.

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This article from Artnet News compiles a list of notable accidents in museums, where visitors, children, or even curators have inadvertently damaged valuable artworks and artifacts. Incidents include a four-year-old boy shattering a $15,000 Lego sculpture of a Zootopia character, a 12-year-old boy punching a $1.5 million Baroque painting by Paolo Porpora at Huashan 1914 Creative Park in Taipei, a Cy Twombly sculpture knocked over at the Menil Collection in Houston, and a visitor breaking a 4,000-year-old Minoan vase at the Heraklion Archaeological Museum in Crete. The article is framed as a lighthearted yet cautionary look at the fragility of museum objects and the human errors that lead to their damage.

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Sadie Coles, a prominent London contemporary art gallery, announced plans to open a new 6,000-square-foot location in Mayfair this fall, despite reporting a steep 46 percent drop in revenue for 2024, from £52.3 million to £28.3 million. Pre-tax profits plunged 93 percent to £400,000, down from £5.5 million the prior year. Coles attributed the downturn to a slowdown at the high end of the art market, but noted the gallery carries no debt and has seen a 20 percent increase in total assets over five years, growing from £23.9 million to £28.8 million.

mauritshuis museum rembrandt paintings copies 1234739388

The Mauritshuis museum in The Hague has reclassified three paintings previously attributed to Rembrandt as copies or studio works: *Portrait of Rembrandt with a Gorget* (ca. 1629), *Study of an Old Man* (ca. 1655–60), and *‘Tronie’ of an Old Man* (ca. 1630). The first was identified as a copy in 1999, the second was found to be by a student despite a genuine signature, and the third may have been painted by a student or Rembrandt himself. The museum now lists 11 works as authentic Rembrandts, including *The Anatomy Lesson of Dr. Nicolaes Tulp* (1632), and seven works whose authenticity has been questioned.

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Guy Ullens, a Belgian billionaire and pioneering collector of Chinese contemporary art, has died at age 90. The news was announced by the UCCA Center for Contemporary Art in Beijing, which he co-founded. Ullens began collecting Chinese antiquities in the 1980s before shifting to contemporary works, amassing a collection of 1,500 to 2,000 pieces by artists such as Ai Weiwei, Liu Xiaodong, and Zeng Fanzhi. He and his late wife Myriam established the Ullens Center for Contemporary Art in Beijing's 798 Art Zone in 2007, later selling it to Chinese investors in 2017, after which it was renamed UCCA. Ullens also helped build the secondary market for Chinese contemporary art, notably selling Zeng Fanzhi's 'The Last Supper' for $23.3 million at Sotheby's Hong Kong in 2013, a record at the time.

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A group of Egon Schiele scholars and curators recently discovered that the artist had a secret niece, Gertrude "Gerti" Peschka, born to his sister Gertrude and fellow artist Anton Peschka before their marriage. The revelation came from a previously unexamined box of documents in the archives of Rudolf Leopold at the Leopold Museum in Vienna, including letters from Schiele's mother about the pregnancy and a note from Schiele congratulating his sister. Gerti died tragically of starvation in a Nazi-run psychiatric hospital. The discovery was made by Verena Gamper, then head of the Egon Schiele Documentation Center, and has been incorporated into the exhibition "Egon Schiele: Last Years" at the Leopold Museum.

‘Depraved in all the right ways’: why forgotten no wave visionary Gordon Stevenson is about to take off

The article profiles Gordon Stevenson, a forgotten visionary of the no wave movement in late-1970s New York, who was an artist, jewelry designer, musician, and filmmaker best known for the notorious film *Ecstatic Stigmatic*. Decades after his death from AIDS, a storage unit full of his lost work has been discovered, including jewelry, mail-art collaborations with Ray Johnson, and clues to a surviving print of his film. His family has also recovered hundreds of letters he wrote to his parents, chronicling his life in downtown New York and his experiences as one of the city's first AIDS patients. The piece traces his journey from a small town in Georgia, where he met his wife Mirielle Cervenka (who later renamed Exene Cervenka), to their punk-era jewelry brand LHOOQ and his lasting influence on gothic fashion.

‘I shared a single bed with my mother for three years’: Sung Tieu on her monument to immigrant workers in Venice

Artist Sung Tieu has clad the German pavilion at the 2024 Venice Biennale with a mosaic replica of the Gehrenseestrasse complex, a now-abandoned housing estate in Berlin where she lived as a child. The work, titled "Human Dignity Shall Be Inviolable," uses three million mosaic stones to recreate the facade of the prefabricated blocks that housed Vertragsarbeiter—contract workers from Vietnam, Mozambique, Angola, and Cuba who bolstered East Germany's economy. Tieu, who shared a single bed with her mother in the complex for three years, conceived the pavilion alongside the late artist Henrike Naumann.

Story of enslaved boy featured in 1748 Joshua Reynolds portrait emerges in new study

A research project by the National Trust, the National Gallery in London, and Royal Museums Greenwich has uncovered new details about the identity of an enslaved boy known only as “Jersey,” who appears in a 1748 portrait by Sir Joshua Reynolds. The painting, which hangs at Saltram in Devon, depicts Jersey with his enslaver, naval officer and MP Paul Henry Ourry. Through admiralty records, muster books, and baptismal certificates, researchers identified the boy as “Boston Jersey,” later baptised as George Walker, and found evidence of his naval service and possible path to freedom.

Sketches of Spain at arms: Sim, the anarchist illustrator who drew the civil war from the frontline

The Guardian reports on José Luis Rey Vila, known as Sim, an anarchist illustrator who documented the Spanish Civil War from the frontlines in Catalonia. His bold, colorful sketches captured street battles, militias, nurses, and milicianas, and were widely reproduced in booklets and exhibitions, raising international awareness before Picasso's Guernica. After the war, Sim fell into obscurity and died in near-anonymity in 1983. Now, on the 90th anniversary of the conflict, Barcelona's Museu Nacional d'Art de Catalunya (MNAC) is exhibiting 40 recently acquired Sim illustrations, highlighting his role as a key visual chronicler of the conflict.

Georg Baselitz – a life in pictures

Georg Baselitz, the German painter known for his raw, expressive works and inverted imagery, has died at age 88. Born in 1938 in Deutschbaselitz, he lived through Nazi Germany and East German communist rule, experiences that deeply shaped his art. The Guardian's obituary traces his life through photographs, from his early years to major exhibitions at Thaddaeus Ropac, White Cube, and the Serpentine, highlighting key works such as 'Das Grosse Pathos' (1966) and his 2024 series 'A Confession of My Sins'.

Zurbarán review – ecstatic visions, primitive surrealism … and the finest loincloths ever painted

The Guardian reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his visionary and surrealist qualities. The show features works such as "The Apparition of Saint Peter to Saint Peter Nolasco" (1629), newly attributed paintings including a giant mask, and iconic pieces like "The Crucified Christ" and "Saint Serapion," all drawn from collections including the Prado and the National Gallery, London. The review emphasizes Zurbarán's ability to paint supernatural subjects with naturalistic conviction, his exquisite rendering of fabrics—especially loincloths—and his influence on modern artists like Salvador Dalí.

‘A cauldron of people with their tops off!’ Goldie, Estelle, Courtney Pine, Flo and more pick great moments in Black British music

Prominent figures in Black British music, including Goldie, Estelle, and Dennis Bovell, reflect on iconic photographs and visual artifacts that define the history of their genre. The article highlights specific works such as Eddie Otchere’s portrait of drum and bass pioneers Kemistry and Storm, Janette Beckman’s photography of Slick Rick, and Adrian Boot’s documentation of the Race Today offices in Brixton.

‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer

The British Film Institute (BFI) and the National Portrait Gallery have announced two major exhibitions to celebrate the centenary of Marilyn Monroe’s birth. The BFI will host a two-month film season titled 'Marilyn Monroe: Self Made Star,' featuring a comprehensive look at her filmography and a theatrical re-release of her final film, *The Misfits*. Simultaneously, the National Portrait Gallery will present 'Marilyn Monroe: A Portrait,' an exhibition exploring her influence on visual culture through works by artists like Andy Warhol and Richard Avedon, including rare photographs taken just before her death.

‘Old masters too’: Ghent exhibition celebrates female artists of the baroque

The Ghent Museum of Fine Arts (MSK) has opened the exhibition 'Unforgettable: Women Artists from Antwerp to Amsterdam, 1600-1750,' featuring over 40 female artists from the Baroque period in the Low Countries. The show highlights painters like Judith Leyster and Maria van Oosterwijck, as well as practitioners of crafts like paper-cutting and lace-making, aiming to restore these women to a historical narrative dominated by male 'Old Masters' like Rembrandt and Vermeer.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

Desmond Morris, zoologist, presenter and surrealist painter, 1928–2026

Desmond Morris, the zoologist, author, television presenter, and surrealist painter, has died at the age of 98. He was best known for his 1967 book *The Naked Ape* and the television program *Zoo Time*, but maintained a parallel, influential career in the visual arts as a painter and curator.

What you (perhaps) didn't know about Alexander Calder

Ce que vous ne saviez (peut-être) pas sur Alexander Calder

The Fondation Louis Vuitton in Paris has launched the exhibition "Calder. Rêver en équilibre," prompting a retrospective look at the life and technical mastery of Alexander Calder. The article explores the artist's journey from his arrival in Paris in 1926 to his interactions with avant-garde masters like Duchamp and Miró, highlighting how he defied traditional artistic labels through his innovative use of movement and simple materials.

A Preview of Museum Exhibitions Opening in North Texas this Fall

A roundup of fall 2025 museum exhibitions in North Texas highlights shows at the Crow Museum of Asian Art, the Nasher Sculpture Center, the Meadows Museum, and the Dallas Museum of Art. Key exhibitions include "Groundbreakers: Post-War Japan and Korea" at the Crow Museum, featuring Mono-ha, Dansaekhwa, and Gutai movements alongside contemporary artists Do Ho Suh and Tatsuo Miyajima; a major Antony Gormley survey at the Nasher Sculpture Center, his first U.S. museum retrospective; "Roaming Mexico: Laura Wilson" and a companion show of Manuel Álvarez Bravo at the Meadows Museum; and two Dallas Museum of Art exhibitions—"Creatures and Captives: Painted Textiles of the Ancient Andes" and "Constellations: Contemporary Jewelry." The New York Academy of Art also presents its Chubb Fellows and Friends at Green Family Art Foundation.

Stockholm's Market Art Fair is a new model art fair from which to learn something

La Market Art Fair di Stoccolma è un nuovo modello di fiera d’arte da cui imparare qualcosa

The Market Art Fair in Stockholm, founded in 2006 by galleries from Denmark, Sweden, Norway, and Finland, held its 20th edition from April 23-26, 2026, at Magasin 9 during Stockholm Art Week. The fair features 54 exhibitors from 8 countries and 150 artists, with 80% of works tied to the Nordic context and 20% international. Highlights include a solo presentation by Olafur Eliasson at i8 Gallery (Reykjavík) featuring his sculpture *Rare metallic plant* (2026), and a preview of the Nordic Pavilion at the Venice Biennale by artist Benjamin Orlow at Season 4 Episode 6 gallery. The fair has recently opened its selection to international galleries, a shift welcomed by collectors.

On Paranoid Time

Film Notes has published Qingyuan Deng's essay exploring the intersection of Lacan's concept of retroactive meaning and Eve Kosofsky Sedgwick's distinction between paranoid and reparative reading, as applied to recent artists' films and moving-image installations. The essay examines how works like Alison Nguyen's installation "Perforation, Ellipse" at New York's Storefront for Art and Architecture use cinematic techniques—such as perforations, splices, and missing scenes—to hold the temporal gap between an event and its belated political comprehension, focusing on the censorship of Vietnamese bolero songs after the American War.

Valie Export, Avant-Garde Icon and Feminist Trailblazer, Dies at 85

Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).

London’s Timothy Taylor to Close New York Outpost After a Decade

London gallery Timothy Taylor will close its New York outpost next month after nearly a decade of operation. The gallery cited current market conditions and the high costs of maintaining a second permanent space as reasons for the consolidation, though it will maintain an office and viewing room in the city.

How Dayanita Singh Got Into Venice’s Archives

Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.