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High school students to showcase 'Revolutionary Art' at Attleboro Arts Museum

Thirteen high schools from Massachusetts and Rhode Island are preparing installation artworks for the Attleboro Arts Museum's annual High Art exhibition, which runs May 12–18, 2026, under the theme 'Revolutionary Art.' Students from schools including Dedham High School, Hope High School in Providence, and Seekonk High School are creating pieces such as 'Americana' and 'Re-revolution,' with guidance from art instructors like Bridget O'Leary, Delsin Jean-Louis, and Elizabeth Machado-Cook.

Memorial Art Gallery raises $9 million to make admission free in 2027

The Memorial Art Gallery (MAG) at the University of Rochester has raised over $9 million through its "Free for All, Forever" fundraising initiative, surpassing its original goal and timeline. The museum will now open its doors free of charge to all visitors sometime in 2027, much sooner than anticipated. Key donors include Alexander and Lucy Levitan, who contributed a $1 million capstone gift; Doug and Abby Bennett and the Sands Family Foundation, who gave a $3 million leadership gift; and Mary Ellen Burris, who donated $2 million. The announcement was celebrated at MAG's Flourish For All, Forever gala on May 9, 2026.

Penda Diakité talks prior to her solo art exhibition: Bokolo Roots

Portland-born artist Penda Diakité discusses her upcoming solo exhibition "Bokolo Roots" at Nine Gallery in Portland, opening December 4, 2025. The installation-based show explores bicultural identity through her lived experience between Mali and America, featuring ceramic clay sculptures created through a hands-on process involving plaster molds. Diakité previously exhibited at the Portland Art Museum in the group show "Black Artists of Oregon."

Newport Art Museum hosts artist panel tied to ‘Springboard’ exhibition April 16

The Newport Art Museum is set to host "Voices of Springboard" on April 16, a moderated panel discussion featuring four artists from its current members' juried exhibition. Led by juror and art consultant Julie Keyes, the event features artists Karin Gielen, Tas Mahr, Saberah S. Malik, and Janice Smyth. The discussion will explore the transition from emerging to professional status, the impact of branding on artistic careers, and how contemporary practices engage with historical museum collections.

Germany Creates New Council to Oversee Returns of Looted Art

The German government has established a new council, the Coordination Council for Returns of Cultural Property and Human Remains from Colonial Contexts, to oversee the restitution of artifacts acquired during the colonial era. The council will include representatives from federal, state, and municipal authorities and is intended to provide a structured, national approach to handling these complex returns.

Other Worlds of Light: Zarina’s “Beyond the Stars”

Luhring Augustine gallery in New York is presenting 'Beyond the Stars,' the first posthumous solo exhibition of the late Indian-born artist Zarina. The show features prints, collages, cast paper works, and sculptures spanning seven decades, focusing on themes of borders, displacement, and exile shaped by the Partition of India and her nomadic life.

Jack White’s first visual art show to open in London this spring

Musician Jack White is set to debut his first solo visual art exhibition, titled ‘These Thoughts May Disappear’, at Damien Hirst’s Newport Street Gallery in London. Running from May 29 to September 13, the show will feature a diverse array of mediums including sculpture, furniture design, and large-scale installations, many of which are constructed from reclaimed industrial materials and hardware remnants.

Pinta Lima Offered Curated Content–and Context–for the Curious

Pinta Lima, the 13th edition of the art fair, opened with a vibrant VIP preview and strong attendance of 16,000 visitors. The fair features around 50 booths and special presentations, with a curation-driven approach that includes sections like NEXT (curated by Juan Canela) and RADAR (curated by Ilaria Conti), as well as FORO panel discussions. The fair emphasizes Latin American art, particularly Peruvian contemporary art, and is part of the broader Pinta network that stages fairs and Art Weeks across Latin America and the U.S. Textile, fiber, and ceramic works are notably prominent, recontextualizing indigenous craft traditions.

Exhibition | Yue Minjun, 'Crab' at Tang Contemporary Art, Hong Kong

Tang Contemporary Art in Hong Kong is hosting 'Crab', a comprehensive solo exhibition by the renowned Chinese contemporary artist Yue Minjun. The show traces three decades of his career, featuring his iconic 'Laughing Face' series alongside newer works like the 'Flower Series' and 'Stack Series' that utilize diverse mediums including oil, sculpture, and printmaking.

Post-Fair delivers by keeping it simple

Post-Fair concluded its second edition in Los Angeles, featuring a curated selection of 31 galleries including PPOW, White Columns, and Tomio Koyama Gallery. Held in a former post office, the event maintained an open floor plan and a relaxed atmosphere that attracted high-profile attendees like artist Paul McCarthy and collectors Beth Rudin DeWoody and Maja Hoffmann. Sales were reported across various price points, with Ehrlich Steinberg selling half of its presentation of Joel Otterson’s sculptures.

New and relaunched satellite fairs spread across Los Angeles during Frieze

A wave of new and relaunched satellite art fairs is debuting in Los Angeles to coincide with Frieze Los Angeles, offering lower-cost alternatives for galleries and artists. Newcomers like the Indianapolis-based Butter Art Fair, the photography-focused Show LA, and the New York-centric Enzo Art Fair are positioning themselves as intimate, artist-centric, or zero-fee options. These ventures aim to capitalize on the influx of global collectors while bypassing the high overhead costs associated with major international fairs.

Black.2; Family Values; Studio Exhibition

Amelia Winata reviews three concurrent group exhibitions in Melbourne galleries: 'Black.2' at Void_Melbourne (15 Nov–20 Dec 2025), 'Family Values' at Futures (6 Dec–20 Dec 2025), and 'Studio Exhibition' at Haydens (6 Dec 2025). The article opens with a metaphor comparing the gallery-goer's experience to the rescue ship Carpathia navigating icebergs, reflecting the glut of end-of-year group shows in Melbourne's commercial spaces. Winata visits each space, describing the deco-chic building housing Void_, the formalist black-themed works by artists like Nick Devlin, Elvis Richardson, Sarah Goffman, and Suzie Idiens, and the broader context of Melbourne's gallery scene.

A Guide to Minneapolis Art Galleries for Beginners

This article serves as a beginner's guide to art galleries in Minneapolis, highlighting several venues that welcome newcomers. It features All My Relations Arts, a gallery in the American Indian Cultural Corridor showcasing Native artists; Northern Clay Center, which challenges perceptions of pottery with subversive and political clay works; and Dreamsong, a gallery founded in 2021 focusing on female-identified emerging and mid-career artists. The guide emphasizes that galleries are accessible, free, and low-commitment spaces for exploration.

Getty Center will close for a year to undergo major renovations

The Getty Center in Los Angeles will shutter for one year beginning March 15, 2027, to undergo its most significant renovation since opening in 1997. The $600 million to $800 million project focuses on infrastructure and visitor experience, including a total replacement of the campus's aging tram system, a redesign of the welcome hall, and the renovation of 27,000 square feet of gallery space. While the hilltop campus is closed, the Getty Villa will remain open, and a new permanent space will debut on Sepulveda Boulevard.

LA’s Getty Center to Close for Renovations Beginning in 2027

The Getty Center in Los Angeles has announced a year-long closure for extensive renovations, scheduled to begin in March 2027. This marks the first major modernization of the Richard Meier-designed campus since its opening in 1997. The project will focus on updating the galleries, the Welcome Hall, and the tram system, while also introducing new artist commissions and improving infrastructure like HVAC systems and digital connectivity.

ukraine adopts new resolution on evacuating museum objects from conflict zones

The Ukrainian government has enacted a new resolution to streamline the evacuation of over three million cultural objects from conflict zones as the Russian invasion nears its fourth year. The policy establishes a mandatory evacuation zone for museum items within 50 kilometers of the frontline and requires storage at least 75 kilometers away. Crucially, the resolution empowers museum directors to act independently during crises and introduces a three-stage evacuation system based on the cultural value of the property.

netherlands returns 119 benin bronzes to nigeria in landmark repatriation agreement

The Netherlands has signed an agreement to return 119 Benin Bronzes to Nigeria, one of the largest repatriations of looted artifacts to date. The transfer, formalized on February 19 by Dutch culture minister Eppo Bruins and Nigerian official Olugbile Holloway at the Wereldmuseum in Leiden, includes 113 bronzes from the Dutch National Collection held at the museum and six additional objects from the municipality of Rotterdam. The artifacts were plundered by British forces in 1897 and later acquired by Dutch institutions, with provenance research confirming the museums were aware of their looted origins.

artist hannelie coetzee eco queer creature series

Johannesburg-based artist Hannelie Coetzee is the subject of a solo exhibition, “Eco Queer Creature Series,” at Morton Fine Art in Washington, D.C., on view through June 24. The show, an official partner event of WorldPride 2025, features drawings and studies of non-reproductive animal behavior, including a fox series based on a pack near Oxford University. Coetzee, who has a background in documentary photography and community development, returned to drawing in 2020 and uses the medium to explore animal behavior on its own terms, challenging patriarchal and anthropocentric assumptions.

How This Palestinian-Canadian Artist is Bringing Her Voice to the Met Museum

Dubai-based Palestinian-Canadian artist Samar Hejazi has been commissioned to create mirrored sculptural mannequin heads for the Costume Institute's Spring 2026 exhibition at The Metropolitan Museum of Art, opening alongside the Met Gala. Hejazi's reflective works, designed for the exhibition "Costume Art," aim to collapse the distance between viewer and object, creating moments of surprise and questioning about identity, perception, and belonging.

Savannah African Art Museum Celebrates Ribbon Cutting And Opening Of Two New Exhibitions

The Savannah African Art Museum will host a ribbon cutting and gallery opening on April 30th, unveiling two new exhibitions: The Liren Wei Collection, a permanent gallery of works from West and Central Africa, and “Roots and Rituals: Agriculture and Spirituality in the West African Interior,” which explores farming and spirituality in Mali and Burkina Faso. The free public event runs from 5:30 PM to 8 PM, with the ribbon cutting at 6:00 PM.

Top 6 arts events this week in the Sarasota area, April 19-25

The Sarasota area is set to host a diverse array of cultural programming from April 19-25, highlighted by two major exhibition openings at the Sarasota Art Museum. These include a solo presentation and a group show featuring prominent figures in modern art, alongside a series of high-profile musical performances by the Sarasota Orchestra, ensembleNewSRQ, and the Venice Symphony.

Sanctus Artem Hosts “The MET MU” Art Exhibition

The Sanctus Artem club at Manhattan University recently hosted "The MET MU," a formal art exhibition held in Smith Auditorium. Designed to emulate the high-end atmosphere of the Metropolitan Museum of Art, the event showcased a diverse array of student and alumni work, including 2D and 3D art, digital media, and fashion-related projects. The exhibition featured contributions from over a dozen artists and offered a professional gallery experience complete with formal attire and refreshments.

Richard Hunt Legacy Foundation Releases First Posthumous Artist's CV

The Richard Hunt Legacy Foundation has released the first comprehensive posthumous CV for the pioneering American sculptor Richard Hunt. Drawing from digital archives and research, the document reveals a career far more expansive than previously recorded, documenting 193 solo exhibitions and over 350 group shows across seven decades. This release follows the 2022 acquisition of Hunt’s massive physical archive by the Getty Research Institute, which continues to process over 1,000 linear feet of historical material.

200 Works By Female Artists Make A Statement At Museum Of Modern Art In Warsaw

The Museum of Modern Art in Warsaw has launched "The Woman Question 1550-2025," a landmark exhibition featuring 200 works by nearly 150 female artists spanning five centuries. Curated by Alison M. Gingeras and designed by Dorota Terlecka of Biuro Kreacja, the show is organized into nine thematic sections within the museum’s new contemporary building. The exhibition design utilizes a minimalist approach, featuring neutral palettes and intentional spatial proportions to ensure the diverse artworks remain the primary focus.

Artist recreates snapshots of 1950s resort with colorful quilts, paintings at WAM

The Wichita Art Museum (WAM) is presenting a new exhibition by an artist who recreates snapshots of a 1950s resort using colorful quilts and paintings. The works draw on vintage photographs to evoke the leisure and social life of mid-century American resort culture, rendered in textile and paint.

Art Gallery of Algoma celebrates 50 years and Group of Seven Day

The Art Gallery of Algoma celebrated its 50th anniversary on July 7, which also marked the inaugural Group of Seven Day in Ontario. The gallery opened its current home with a ribbon-cutting by A.J. Casson, the last living member of the Group of Seven. Festivities included family art activities, live music, an exhibition tour, a talk on the Group of Seven in Algoma, birthday cake, and Indigenous art activities led by Lucia Laford. The gallery's connection to the Group of Seven dates back to its first exhibition, which featured works by the group, and the artists frequently painted in the Algoma region during the 1920s.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

Seydou Keïta: A Tactile Lens

The Brooklyn Museum is presenting "Seydou Keïta: A Tactile Lens," an exhibition dedicated to the renowned Malian photographer Seydou Keïta. The show highlights his iconic studio portraits from the 1940s through the 1960s, emphasizing the tactile and material qualities of his photographic prints.

Mexico City: El Desagüe by Luis Ortega Govela

Francis Alÿs’s 1997 performance piece, *Paradox of Praxis I*, serves as a starting point for an exploration of Mexico City’s violent hydrological transformation. By pushing a block of ice through the streets until it evaporates, Alÿs retraces the vanished canals of Tenochtitlán, the Aztec capital that was systematically drained by Spanish colonizers to establish a terrestrial, European-style urban grid.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.