In Pompeii, an immersive experience is born that takes visitors back to 79 AD. Here's how it works

A Pompei nasce un’esperienza immersiva che riporta i visitatori proprio al 79 d.C. Ecco come funziona

A new immersive experience called Discovery Pompeii Alive is set to open in June 2026 at the MaxiMall Pompeii, just steps from the archaeological site of Pompeii. Developed by 3DBA and managed by Irgenre Group in collaboration with Warner Bros. Discovery Global Experiences, the project uses multisensory technology, spatial sound design, and interactive devices to transport visitors back to the hours before the eruption of Mount Vesuvius in 79 AD. The experience aims to reconstruct daily life in ancient Pompeii—its villas, public spaces, and homes—culminating in the eruption itself, blending historical reconstruction with emotional engagement.

C’è un museo di Torino che cerca 100 lampade per realizzare una grande installazione. Ecco come partecipare

The MAO – Museo d’Arte Orientale in Turin has launched an open call titled "We need your light," inviting the public to lend up to three lamps each for a large-scale collective installation. Participants can deliver their lamps on May 17-18, 2026, by booking a time slot via Eventbrite; the museum will collect the objects, rewire them for safety, and incorporate them into a site-specific artwork debuting during Turin's Art Week in October 2026. The museum also encourages lenders to share the story behind their lamp, which will be filmed and included in the exhibition.

The Biennale and the Weight of Flags. What Is the Point of National Pavilions?

La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?

The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.

A Fiumicino torna la open call per artisti emergenti che trasforma spazi commerciali in culturali

The WOW SIDE shopping centre in Fiumicino, Italy, has launched an open call for emerging artists as part of its PostArt project, now in its second edition. The 2026 theme is "La Voce" (The Voice), inviting artists to create works during a residency inside the shopping centre from June 26 to 28, 2026. The call is open until May 30, 2026, and selected works will be exhibited in the centre's galleries.

The church, the village, the park. FAI's 'Places of the Heart' returns to save ruins

La chiesa, il borgo, il parco. Tornano i Luoghi del Cuore del FAI per salvare i beni in rovina

The Fondo per l’Ambiente Italiano (FAI) has launched the 13th edition of its "Luoghi del Cuore" (Places of the Heart) initiative, a biennial census that invites Italians to vote for cultural heritage sites most in need of restoration. Since 2003, the campaign has collected over 13.5 million votes, with the 2024 edition alone receiving more than 2.3 million votes for over 41,000 sites across 6,508 municipalities. The initiative has funded 180 recovery projects, 40% of which involve churches, followed by environmental, architectural, and archaeological assets. Notable successes include the Church of San Pietro dei Samari in Gallipoli, the Oratorio del Sasso in Orasso, and the Complesso di Sant’Angelo Magno in Ascoli Piceno.

Stefano Boeri designs a new monastery that will be born in Milan in the district where Expo 2015 was held

Stefano Boeri progetta un nuovo monastero che nascerà a Milano nel quartiere dove si fece l’Expo2015

Stefano Boeri Architetti has designed a new monastery, the Monastero Ambrosiano, to be built by 2029 in the Mind – Milano Innovation District, the tech hub developed on the site of Expo 2015 in Milan. Presented at the Abbey of Chiaravalle, the project is commissioned by the Diocese of Milan and includes a church for 300-350 worshippers, a Cloister of Religions, a Garden of Religions, and a Library of Religions, blending contemporary architecture with monastic tradition and interfaith dialogue.

The gardens are beautiful but we have stopped designing them. Analysis by architect Gabriele Mulè

I giardini sono bellissimi ma abbiamo smesso di progettarli. L’analisi dell’architetto Gabriele Mulè

Architect Gabriele Mulè analyzes the garden of Bruce Ginsberg in Hampshire, England, describing it as a masterful blend of Eastern and Western traditions. The garden, cultivated for over thirty years, features fluid curves, geometric hedges, a Tibetan stupa, and a labyrinth, embodying the concept of sharawadgi—planting without apparent order—while integrating elements from ancient Greece, the Renaissance, and Buddhist philosophy.

Near Florence there is a castle that recalls the Orient. The rebirth of the gardens begins with architect Tommaso del Buono

Vicino Firenze c’è un castello che ricorda l’Oriente. Al via la rinascita dei giardini con l’architetto Tommaso del Buono

The Castello di Sammezzano, a Moorish-style castle near Florence, Italy, is set for a major revival. Built in the 19th century by the Marquis Ferdinando Panciatichi Ximenes d'Aragona, the castle is one of Italy's most important examples of Orientalist architecture, featuring over sixty uniquely decorated rooms, a monumental park, and rare botanical species. After decades of neglect, auctions, and sporadic openings, the property was purchased in 2025 by the family of entrepreneur Giorgio Moretti, who plans a €50 million restoration. The first phase will focus on rehabilitating the historic gardens, with work beginning in June 2026.

The Story of Alexey Shor: From Mathematician to Contemporary Classical Composer. The Interview

La storia di Alexey Shor: da matematico a compositore classico contemporaneo. L’intervista

Alexey Shor, a 1970-born Ukrainian-American composer who originally earned a PhD in mathematics and worked in finance, has transitioned to a full-time career in contemporary classical music. From April 28 to 30, 2026, his neo-romantic compositions were performed at the Auditorium RAI "Arturo Toscanini" in Turin, Italy, by the RAI National Symphony Orchestra under Estonian conductor Anu Tali, alongside works by Rachmaninoff, Schubert, and Grieg. The concerts featured renowned musicians including Russian conductor Mikhail Pletnev, violinist Giuseppe Gibboni, violinist Daniel Lozakovich, and pianist Arsenii Moon. In an interview with Artribune, Shor discussed his dual career, his emotional connection to audiences, and his openness to having his music used in films.

During the Venice Biennale there is also the Ibiza Pavilion, inside a takeaway pizzeria

Durante la Biennale di Venezia c’è anche il Padiglione Ibiza, dentro una pizzeria da asporto

During the Venice Art Biennale, an independent project called the Ibiza Pavilion opens from May 7 to 9, 2026, inside Pizza al Volo, a popular takeaway pizzeria in Campo Santa Margherita, Dorsoduro. Conceived and curated by Margherita Chiarva with support from Victoria Genzini and Gabriele Della Maddalena, the three-day initiative features a group exhibition, performances, collective embroidery, tarot readings, and somatic practices by international artists connected to Ibiza through experience or collaboration, including Noemi Manser, Beatrice Dettori, Liz Kueneke, COSIMA, and Maria Giulia Alvigini.

Story of Stampé is the new social atelier in Turin: art gallery, workshop, laboratory of ideas and participation

Storia di Stampé è il nuovo atelier sociale di Torino: galleria d’arte, bottega, laboratorio di idee e di partecipazione

Stampé, a new community atelier in Turin, Italy, has opened at Via Stampatori 5, a historic street once home to printers. The space is a hybrid cultural hub combining an art gallery, a workshop, a showroom for artisanal and food products, and a social enterprise incubator. It launched with a group exhibition featuring seven cultural associations and the communication agency Hello Tomorrow, showcasing works by emerging artists and graphic artworks from past events. The initiative is part of the "Piani Generativi 2" social enterprise development project, funded by the city of Turin and the Compagnia di San Paolo foundation.

The arrival of the Orient Express hotel in Venice reopens the historic Palazzo Donà Giovannelli (filling it with contemporary art)

L’arrivo dell’hotel Orient Express a Venezia riapre lo storico Palazzo Donà Giovannelli (riempiendolo di arte contemporanea)

Palazzo Donà Giovannelli, a 15th-century Venetian palace, has reopened as the flagship Orient Express hotel after an eight-year restoration led by architect and interior designer Aline Asmar d’Amman. Located in the Cannaregio district, the 5-star luxury hotel features 47 rooms, suites, and residences, blending historical frescoes and neogothic details with contemporary sculptures, Murano glass chandeliers, and custom furnishings. The property, owned by Arsenale Group since 2019, includes a transformed courtyard lobby, a secret garden, and a rotating selection of contemporary artworks displayed in a passage called Calle Meraviglia.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.

Jury or Public? The Biennale Is Not an Algorithm, But Neither Is It a Liturgy

Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia

The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.

Artribune's Agendissima for the 2026 Venice Biennale. The complete guide to events to download

L’Agendissima di Artribune in occasione della Biennale Arte 2026. La guida completa agli eventi da scaricare

Artribune has released its "Agendissima" guide for the 61st International Art Exhibition of the Venice Biennale, curated by the late Koyo Kouoh, running from May 9 to November 22, 2026, across the Giardini, Arsenale, and various venues in Venice. The guide provides schedules, addresses, and recommendations for openings, pavilions, exhibitions, and evening events during the preview days, available for online consultation, download, and printing.

Where to eat and take a break in Venice during the 2026 Art Biennale?

Dove mangiare e prendersi una pausa a Venezia durante la Biennale Arte 2026?

The article provides a curated guide to dining and refreshment spots in Venice during the 61st edition of the Venice Biennale, which runs from May 9 to November 22, 2026. It lists several recommended venues—including ABC Zattere, Bea Vita, QuasiPronto, Adriatico Mar, Bancogiro, and Osteria Da Pampo—each described with details on location, atmosphere, and specialties, from cicchetti and tramezzini to natural wine and traditional Venetian dishes.

Svolta per il Museo del Fumetto che chiuse a Milano: nuova sede in un’ex biblioteca di Monza

The Franco Fossati Foundation's Museo del Fumetto (Comics Museum), which was evicted from Milan due to a €180,000 debt to the city, has found a new permanent home in Monza. The Monza city council approved the foundation's proposal on April 30, paving the way for the renovation of a former library in the Cederna district, which has been abandoned for years. The archive of 500,000 pieces will be temporarily stored in Desio while the Monza building is refurbished with €850,000 from the municipality and additional funds from the foundation.

A Milano esiste una community di illustratori che racconta la città disegnandola dal vivo

Urban Sketchers Milano, a local chapter of the international Urban Sketchers community, recently held an event at Casa Galimberti, a notable Liberty-style building in Milan. The group, founded in 2007 by journalist and illustrator Gabriel Campanario in Seattle, brings together illustrators who draw urban scenes directly from life, on location. The Milan chapter, active since March 2008, is currently managed by Valentín Di Salvo, Stefano Ziffarelli, and Daniela Paglia, and organizes events such as a recent gathering at the garden of Via San Martino, which drew over 90 artists.

Golden Lions of the Biennale voted by the public? 7 reasons why they cannot work

Leoni d’Oro della Biennale votati dal pubblico? 7 motivi per cui non possono funzionare

On April 30, 2026, the International Jury of the Venice Art Biennale resigned en masse. In response, the Biennale Foundation hastily announced a new initiative called the "Visitor Lions" (Leoni dei Visitatori), where paying visitors would vote to award the Golden Lions for best artist and best national participation. The voting system would rely on ticket tracking to verify attendance at the main venues, the Giardini and the Arsenale. However, just a week before the public opening, no further details had been released, raising numerous practical concerns about the mechanism's feasibility.

Cultural Observatories: Dinosaurs or Subjects Capable of Interpreting the Present?

Osservatori culturali. Dinosauri o soggetti in grado di interpretare il presente?

The Cultural Observatory of Canton Ticino has published a study on cultural observatories worldwide, including a map and list of surveyed organizations. The analysis reveals that cultural observatories are not a global phenomenon but are concentrated mainly in Europe and South America, with occasional presence in North America (especially Canada and Hispanic-oriented organizations in the US). Africa, Asia, and Oceania are almost entirely absent from the map. The study also highlights a high rate of inactive observatories: among the top 10 countries by active observatories, only Germany shows an effective activity ratio. Spain has 26 active observatories out of about 45 total, while Italy has 11 active out of over 20 inactive. The research defines observatories as non-profit organizations that combine cultural and statistical expertise to deepen and transfer knowledge about the cultural sector, and classifies as inactive those with no recent activity on web or social channels.

Veneto: In Place of a Liberty Café in Recoaro Terme, a Contemporary Art Center Opens. Interview with the Curator

Veneto: al posto di un caffè liberty di Recoaro Terme apre un centro d’arte contemporanea. Intervista alla curatrice

The historic Palazzo Caffè Nazionale in Recoaro Terme, a small spa town in the Veneto region of Italy, is being transformed into a contemporary art center called Cantiere del Contemporaneo, set to open on May 2, 2026. The project, curated by Elisabetta Bacchin, will focus on artist residencies, with the inaugural group including Romesh Bothalage, Pietro Chiarello, Francesco Pizzocchero, and Virginia Stevenin, who will work for two months in the converted spaces. The initiative is part of a broader regeneration plan funded by the National Plan for Borghi and the European Union's PNRR funds, aiming to revitalize the town's cultural and economic identity through contemporary art.

No, the closed Museum of Comics in Milan has not found a new home in Brianza

No, il Museo del Fumetto chiuso a Milano non ha trovato la nuova sede in Brianza

The Museum of Comics (Museo del Fumetto) in Milan, which suspended operations in June 2025 due to a €180,000 debt to the city, has not found a permanent new home despite online rumors. Instead, the Fondazione Franco Fossati, which runs the museum, has secured temporary storage for its archive in Desio (Monza-Brianza) for up to two years, using spaces granted free of charge by the local municipality. The archive—containing over 500,000 items including publications, original boards, and memorabilia—will be cataloged and preserved there, but the museum itself remains closed to the public.

Aumenti salariali e welfare per i lavori della cultura. È stato firmato il nuovo Contratto Nazionale di Lavoro. L’intervista

A new national labor contract for Italy's cultural sector has been signed. The Federculture National Labor Contract, finalized on April 30, 2026, includes a 7.5% increase in minimum wages (effective December 1, 2024), doubled welfare contributions for healthcare, and a simplified job classification system. The agreement was reached between Federculture and major unions including FP CGIL, CISL FP, UIL FPL, and UIL PA, with negotiations for the 2025-2027 term set to resume on May 26.

In Valcamonica il Parco archeologico di Luine ha chiuso e non si sa se e quando riaprirà: la storia

The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.

“La preistoria non è stata solo violenza, ma anche cura”. Intervista all’archeologa femminista Marga Sánchez Romero

Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.

In Piazza Navona the École française de Rome opens a space for exhibitions (all will be free admission)

A Piazza Navona l’École française de Rome apre uno spazio per le mostre (saranno tutte ad accesso gratuito)

The École française de Rome, founded in 1875 and housed at Palazzo Farnese, has opened a permanent exhibition space at Piazza Navona 62 in Rome. A current exhibition running until April 30, 2026, traces the institute's 150-year history of historical, archaeological, and social science research, highlighting its Italian and Mediterranean focus and the collaborative spirit between France and Italy. The new gallery will host a regular program of free-admission exhibitions and events dedicated to cultural heritage, archaeology, and history, starting with the show "Isole e santi – Monasteri e santuari dell’Adriatico orientale, da san Girolamo a Gregorio VII" from May 27, 2026.

A new certification has been created to improve the management and valorization of Italian cultural heritage

È nata una nuova certificazione per migliorare gestione e valorizzazione del patrimonio culturale italiano

A new certification standard called SGPI01:2024 has been launched in Italy to improve the management and valorization of cultural heritage. Developed by Certiquality and the Stati Generali del Patrimonio Italiano (SGPI), the standard was presented in Florence at Palazzo Guadagni Strozzi Sacrati, with the patronage of the Tuscany Region. It applies to all public and private entities that own or manage cultural and landscape assets, introducing a comprehensive management system that goes beyond legal compliance, focusing on conservation, economic sustainability, accessibility, and safety through independent third-party audits.

The Dragon's Coils, the Flower and the Cloud. The Museo del Tappeto Antico of Brescia Looks to China

Le spire del drago, il fiore e la nuvola. Il Museo del Tappeto Antico di Brescia guarda alla Cina

The Museo Internazionale del Tappeto Antico (MITA) in Brescia, Italy, has opened a new exhibition titled "Le trame del dragone. Tappeti cinesi delle dinastie imperiali" (The Dragon's Wefts: Chinese Carpets of the Imperial Dynasties). The show presents around forty antique Chinese carpets from the MITA collection, the world's most important private collection of antique rugs, assembled by Romain Zaleski and housed in a glass cube designed by OBR. Curated by Giovanni Valagussa, the exhibition traces the history of Chinese carpet-making from the 15th to the 19th century, highlighting two main typologies: red-ground rugs from the Xinjiang region with geometric and floral motifs, and gold-and-blue rugs from the Ming and Qing capitals featuring dragon and auspicious symbols. The exhibition is free and runs until June.

Sarzana failed to become Capital of Culture 2028 but relaunches: 'The dossier will be implemented anyway'

Sarzana non è riuscita a diventare Capitale della Cultura 2028 ma rilancia: “Il dossier sarà realizzato ugualmente”

Sarzana, a city in Liguria, Italy, failed to win the title of Italian Capital of Culture for 2028, which was awarded to Ancona. However, instead of shelving its candidacy dossier, the city has decided to implement its strategic cultural plan, titled "L'Impavida," as its official cultural governance program for 2026-2028. The plan treats culture as a permanent infrastructure, integrating urban planning, tourism, welfare, and economic development, and was developed through a decade-long process involving co-design with associations and citizens.

Cultural heritage reform. The 'Italia in scena' law gives some answers but raises many questions

Riforma dei beni culturali. La legge “Italia in scena” dà alcune risposte ma produce tante domande

Italy's parliament approved the "Italia in scena" law in March 2026, a cultural heritage reform aligned with right-wing priorities: territorial valorization, local identity promotion, autonomy, and private-sector involvement. The law establishes a digital registry (Anagrafe), a roster of accredited operators, and a framework for private management of cultural assets, but allocates only €4.5 million annually—a symbolic sum compared to France's cultural mediation budgets. It also opens participation to the Third Sector (cooperatives, community foundations) but defers all critical details to implementing decrees with no strict deadlines or enforcement mechanisms.