Glimpsing the future: William Kentridge opera has its New York premiere in Brooklyn

William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.

Folkestone Triennial 2025 review: environmental catastrophe—but also hope, joy and a jolly salamander

The Folkestone Triennial 2025, titled "The Lie of the Land," features 18 artists across the seaside town in southeast England. Works include Sara Trillo's chalk cob sculptures inspired by Iron Age urns, Emilija Skarnulyte's film on nuclear decommissioning at Lithuania's Ignalina plant, Katie Paterson's amulet installation made from planetary crisis materials, and Cooking Sections' activist project on UK sewerage pollution. The triennial runs through the ancient port's historic role as a site of arrival and departure.

Artists travel back in time with work created from ancient wood discovered at site of lost London river

The artist twins Jane and Louise Wilson are presenting a new exhibition, "Performance of Entrapment," at London Mithraeum Bloomberg Space from 17 July 2025 to 1 January 2026. The show features 2,000-year-old oak stakes unearthed during excavations by the Museum of London Archaeology (Mola) at Bloomberg's European headquarters between 2012 and 2014. These timbers, dated to AD50-80, were preserved in the waterlogged conditions of the lost Walbrook river valley. The Wilsons also incorporate films and layered works, including images from scanning electron microscopy of the ancient wood.

Folk is having a revival—in the art world too

The article reports on the growing revival of folk culture in the visual arts, centered on the Neo Ancients festival in Stroud, Gloucestershire, UK. The second edition of the festival, held over May Day weekend, featured an eclectic mix of music, Morris dancing, talks, film screenings, and exhibitions celebrating British folklore. Art dealer James Elwes organized a show at the local gallery Rattle and Brash, featuring artists like Sue Webster, Jeremy Deller, and Stanley Donwood, who presented works outside their usual practices. Exhibitions included Donwood's 'Floralia' and Webster's new self-portraits exploring pregnancy and reinvention.

Lucas Museum unveils inaugural exhibitions curated by George Lucas himself

The Lucas Museum of Narrative Art in Los Angeles will open to the public on September 22, 2026, with about 20 inaugural exhibitions curated by George Lucas himself across more than 30 galleries. The $1-billion, 300,000-square-foot museum in Exposition Park, designed by Ma Yansong of Mad Architects, will display over 1,200 objects from Lucas's collection of more than 40,000 works, including manga, comics, children's illustrations, and narrative art by artists such as Norman Rockwell, Beatrix Potter, and Dorothea Lange, with only one exhibition focused on "Star Wars" memorabilia.

Bocconi University opens an art gallery in its new Rome headquarters: the first exhibition speaks of the sacred

L’Università Bocconi ha aperto una galleria d’arte nella sua nuova sede a Roma: la prima mostra parla di sacro

Bocconi University has inaugurated a new art gallery at its Rome campus, Villa Morgagni, launching the Bocconi Art Gallery (BAG) program in the capital. The debut exhibition features the work of Brazilian artist and Franciscan friar Sidival Fila, who is known for transforming discarded ecclesiastical textiles and liturgical objects into contemporary art. His practice involves stitching, cutting, and remodeling ancient fabrics to explore themes of transcendence, immanence, and human history.

A CONTEMPORARY QUIPU TRAVERSES CASTELLO DI RIVOLI

Castello di Rivoli Museo d’Arte Contemporanea has opened Cecilia Vicuña's first solo museum exhibition in Italy, titled 'El glaciar ido (The vanished glacier).' The exhibition, curated by Marcella Beccaria and running until September 2026, features a major new site-specific commission: a monumental, horizontal 'quipu acostado' installation suspended in the Manica Lunga gallery, created from raw wool and incorporating participatory elements from local communities.

Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

A giugno 2026 a Pietrasanta apre il Museo Igor Mitoraj. Opere dell’artista ma anche mostre

The article announces the opening of the Museo Igor Mitoraj in Pietrasanta, Italy, scheduled for June 6, 2026, after several years of delays. The museum is the first space entirely dedicated to the Polish sculptor Igor Mitoraj, who died in 2014 and was known for transforming Tuscan marble into works blending classical forms with fragmented, contemporary themes. Designed by OBR, Politecnica, and Studio Lumine, the museum results from collaboration between the Italian Ministry of Culture, the Municipality of Pietrasanta, and the artist's heirs, united in the Fondazione Museo Igor Mitoraj. Frank Boehm, director of the foundation, envisions the space as a research-oriented center that will engage with different artistic languages and contemporary issues, not limited to Mitoraj's work alone.

The Syrian Pavilion returns to Venice after the fall of the regime. The interview

A Venezia torna il Padiglione della Siria dopo il crollo del regime. L’intervista

The Syrian Pavilion returns to the Venice Biennale after the fall of the regime, marking the country's first participation since 2024. The pavilion, curated by artist Sara Shamma, is housed in the former refrigerated warehouses of Santa Marta at the Iuav University of Venice and runs until November 22. It features an installation inspired by the ancient funerary towers of Palmyra, combining painting, architecture, light, sound, and scent to explore cultural heritage and the restitution of looted antiquities.

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

Mexico to Divert Train Route After Cave Art Discovery

Archaeologists in Mexico discovered 16 pre-Hispanic paintings and petroglyphs along the planned route of a high-speed passenger train connecting Mexico City to Querétaro. The discovery, made in the state of Hidalgo, includes rock art dating from 4,000 years ago to the Postclassic period (900-1521 CE), with imagery linked to Aztec deities and the Toltec city of Tula. In response, President Claudia Sheinbaum announced the $8 billion train project will be rerouted to preserve the ancient site.

Two American artists have invented a pedal-powered basketball court that now arrives in Milan to regenerate the suburbs

Due artisti americani hanno inventato un campo da basket a pedali che ora arriva a Milano per rigenerare le periferie

Artists Marisa Morán Jahn and Rafi Segal, both faculty members at MIT, have brought their 'HOOPCycle' project to Milan for Design Week. The installation consists of a mobile basketball hoop mounted on a cargo bike, designed to transform urban spaces into spontaneous playgrounds and community hubs. This Italian iteration features backboards made from recycled plastic by the design collective IlVespaio and includes a vertical hoop inspired by the ancient Mesoamerican game of pok-ta-pok.

egypt prince waserif re tomb discovered saqqara

Archaeologists in Egypt have discovered the tomb of Prince Waserif Re, son of King Userkaf, founder of the Fifth Dynasty, at the Saqqara necropolis. The multi-chamber tomb features a 15-foot-tall pink granite false door inscribed with the prince's name and titles, a red granite offering table, and statues of Third Dynasty pharaoh Djoser, his wife, and ten daughters that were moved there during the Late Period. A black granite statue with hieroglyphic inscriptions from the 26th Dynasty suggests the tomb was reused nearly 2,000 years after its original construction. The joint Egyptian mission was led by the Supreme Council of Antiquities and the Dr. Zahi Hawass Foundation for Antiquities and Heritage.

New SLAM exhibition brings ancient Rome to life in ‘Ancient Splendor: Roman Art in the Time of Trajan’

The Saint Louis Art Museum (SLAM) has opened “Ancient Splendor: Roman Art in the Time of Trajan,” a major traveling exhibition featuring a seven-foot-tall marble statue of Emperor Trajan and a vast array of artifacts from his reign. Organized in collaboration with the Italian organization StArt and curated by Roman expert Lucrezia Ungaro alongside SLAM’s Hannah Segrave, the show is structured into three thematic sections: the imperial household, the domestic lives of everyday Romans, and the public sphere. To enhance immersion, the museum has integrated sensory elements including scent stations that replicate ancient fragrances and a commissioned soundscape.

Alchemist of Colors

Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.

Under Water, We Who Are Deaf Are Freer

"Unter Wasser sind wir Gehörlosen freier"

Artists Bogna Burska and Daniel Kotowski have been selected to represent Poland at the upcoming Venice Biennale with their collaborative project, "Liquid Tongues." The exhibition features elaborate video works that draw parallels between the ancient, complex vocalizations of whales and the visual communication of sign language. By filming underwater, the duo explores an environment where the traditional sensory advantages of hearing people are neutralized, and the gestural fluency of the Deaf community becomes a primary mode of connection.

Creating artistic and innovative kites: the astonishing practice of artist Victor Guerithault

Créer des cerfs-volants artistiques et innovants : l’étonnante pratique de l’artiste dans le vent Victor Guerithault

Artist Victor Guerithault is redefining the traditional craft of kite-making through geometric innovation and 3D-printing technology. Showcasing his work at the 32nd Festival du cerf-volant in Châtelaillon, Guerithault utilizes complex tetrahedral structures inspired by the aerodynamic experiments of Alexander Graham Bell. His approach moves away from traditional bamboo frames toward a modular construction system involving custom-designed 3D-printed connectors that allow for hundreds of unique, gravity-defying aerial forms.

Oviedo to host the world's first philosophy museum

Oviedo accueillera le premier musée de philosophie au monde

The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.

Linocuts by Eduardo Robledo Celebrate Mexican Heritage and Community

Eduardo Robledo, a Mexico City-based artist from Xochimilco, creates detailed linocuts that celebrate Mexican heritage, community, and spiritual motifs. His work features traditional symbols like skulls, skeletons, and Sacred Hearts alongside regional animals and cultural references such as Xochimilco's canal boats. Robledo also engages in social activism through printmaking, viewing it as a democratic medium for spreading messages about causes he supports. His prints are available at Hecho a Mano in Santa Fe, and he co-founded Lugar de Huida, a gallery in Mexico City that highlights Mexican printmakers.

Navid Baraty’s Atmospheric Photos Explore Contrasting Scales of Time

Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.

12,000 Years Ago, Native Americans Were Playing Games of Chance with Handmade Dice

Archaeologists have discovered that Native Americans were engaging in games of chance using handmade dice as far back as 12,000 years ago, during the Late Pleistocene. A new study by researcher Robert Madden reveals that these artifacts, found in sites across Wyoming, Colorado, and New Mexico, predate the previously oldest known dice from Mesopotamia and the Indus Valley by over 6,000 years. These early dice, often made of bone and decorated with pigments, were used by the hunter-gatherer Folsom culture.

Ohio Collage Society exhibit opens at Ashland University gallery

The Coburn Art Gallery at Ashland University in Ashland, Ohio, is hosting a regional exhibition featuring 70 works by members of the Ohio Collage Society from May 29 to July 24. The free opening reception takes place on May 29 from 6 to 7:30 p.m. The show includes both two-dimensional and three-dimensional collages, highlighting diverse materials and techniques. Featured artists include Anita Burgess, Nancy S. Sotka, Mary Ann Sedivy, and others. The Ohio Collage Society was founded in 2007 by Gretchen Bierbaum, who also founded the National Collage Society.

Probing the Intergalactic Art Installations of Thai Artist Torlarp “Hern” Larpjaroensook

Thai artist Torlarp “Hern” Larpjaroensook creates immersive sci-fi sculptures and installations using found and ready-made objects. His recent work 'Cosmos of Nostalgia' was displayed at the NTU Museum in Singapore from January to April 2026, part of a campus-wide exhibition featuring three Southeast Asian artists. Earlier notable works include 'U.S.O. – Unidentified Standing Object' (2018) at Subhashok The Arts Centre in Bangkok and 'Spiritual Spaceship' (2018) at the Bangkok Art Biennale, which explored the contrast between modern technology and traditional Thai spirituality.

Al Museo Egizio di Torino ora c’è un centro di ricerca per studiare la scrittura dell’Antico Egitto attraverso tremila anni di storia

The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.

Mythical Creatures at the Met Cloisters

The Metropolitan Museum of Art will present "Creatures of Myth and Imagination: Europe and the Americas" at the Met Cloisters from May 18 to October 18, 2026. The exhibition explores hybrid mythical beings in visual arts from 500 to 1500 CE, featuring over 50 objects including paintings, sculpture, ceramics, ivories, textiles, and metalwork drawn mainly from the Met collection. It marks the first time ancient American art will be shown at the Met Cloisters, with key loans from the Museo del Templo Mayor in Mexico City, including a never-before-seen-in-New-York sculpture of the Zapotec "bat lord."

(Video) Kazakhstani artist bridges ancient and modern worlds with textile exhibition in Hong Kong

Hong Kong is hosting 'Dowry of the Soul,' a solo exhibition by Kazakhstani artist Gulnur Mukazhanova at the Centre for Heritage, Arts and Textile (CHAT). The show blends ancient Central Asian textile traditions with contemporary abstraction, featuring large-scale felt works and a textile collage created during the artist's 2022 residency using fabrics sourced from local Hong Kong markets and Central Asia.

Wicked Stepmother No Longer, a Female Pharoah Gets a Reputational Makeover

A new analysis of damaged statues from ancient Egypt is reshaping the historical narrative of Queen Hatshepsut. Researchers have re-examined 3,500-year-old statuary, finding evidence that the deliberate defacement of her images occurred decades after her death, challenging the long-held belief that her successor, Thutmose III, orchestrated an immediate campaign of destruction against her legacy out of personal animosity.

Irina Werning Chronicles 18 Years of Photographing ‘Las Pelilargas’ in a New Book

Photographer Irina Werning has spent 18 years traveling across Latin America to document Indigenous women with exceptionally long hair for her series "Las Pelilargas." Her new book, published by GOST Books, features nearly 90 portraits taken between 2006 and 2024, starting with the Kolla community in Argentina. Werning sought subjects by posting signs in remote mountain towns and organizing hair competitions, capturing a tradition rooted in ancestral beliefs that hair connects to life, thoughts, and the land.

A Doomed Mission to Mars Awaits Henry Wood’s Lanky Explorers

Artist Henry Wood has created a series of wooden figures depicting doomed explorers on Mars, titled 'We went to Mars and it was a disaster.' Each lanky, meticulously carved figure represents a colonist with a specific tragic history, such as being stranded or buried, imagining a future archaeological dig on the terraformed planet. The work reflects on humanity's ambitious but potentially flawed drive to colonize other worlds, using the medium of wood and ancient relic aesthetics to critique grand narratives of exploration and progress. Wood's process, influenced by travel and traditional techniques, transforms speculative science fiction into tangible artifacts that question the costs of expansion and the stories we tell about our future.