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Comment | Why Frank Gehry was the ultimate artist’s architect

Frank Gehry (1929-2025) is remembered as the ultimate artist's architect, a figure whose career was deeply intertwined with the visual arts. The article highlights his lifelong friendships with numerous Los Angeles artists, his design of exhibitions for them, and his creation of iconic art museums like the Museo Guggenheim Bilbao (1997) and the Fondation Louis Vuitton in Paris (2014). Gehry believed his buildings offered artists a strong alternative to the white cube, and he renovated museums such as the Geffen Contemporary at MOCA and the Philadelphia Museum of Art with a remarkably light touch. His early exposure to art through a ceramics course with Glen Lukens at USC helped steer him toward architecture.

Omar Lopez-Chahoud’s fresh curatorial project debuts at Miami Produce

Curator Omar Lopez-Chahoud has launched his first independent project since leaving his role as artistic director of Untitled Art Miami Beach. Titled *Fragments of Displacement*, the group exhibition debuted on December 2 at Miami Produce, an open-air fruit and vegetable market in the Allapattah neighborhood. Co-organized with Eduardo Lopez, founder of Mexico’s FF Projects, the show features works by established artists including Jorge Méndez Blake, Helmut Lang, and Andrea Geyer, alongside emerging talents like Chantal Peñalosa Fong. The exhibition runs until March 1, 2026, and is designed to activate unconventional spaces and engage the local community.

Van Gogh’s family used an erotic Gauguin ceramic as a flower vase

A researcher at the Van Gogh Museum, Joost van der Hoeven, has revealed that Paul Gauguin's erotic ceramic, the Cleopatra Pot (winter 1887-88), was used as a flower vase by Vincent van Gogh's family. Gauguin brought the pot to Arles when he stayed with Van Gogh in 1888, and after Van Gogh's ear incident, Gauguin gave the pot to Vincent's brother Theo as a gift. The pot later remained with Theo's widow, Jo Bonger, and a photograph from 1925-26 shows it on her piano holding flowers, surrounded by still-life paintings.

Gagosian’s Kara Vander Weg On Shaping the Afterlife of an Artist’s Work

Gagosian debuted a show titled “Walter De Maria: The Singular Experience” at its Le Bourget gallery in Paris, featuring The Truck Trilogy—three vintage Chevrolet pickup trucks fitted with the artist’s signature stainless-steel rods. The exhibition is part of the gallery’s “Building a Legacy Program,” launched in 2017 after De Maria’s death without a will threw his estate into turmoil. The program, spearheaded by managing director Kara Vander Weg, aims to preserve and promote artists’ legacies through educational efforts, ambitious shows, symposia, and content in Gagosian Quarterly.

One Fine Show: “Anselm Kiefer, Becoming the Sea” at the Saint Louis Art Museum

The Saint Louis Art Museum has opened “Anselm Kiefer: Becoming the Sea,” an exhibition featuring 40 works by the German artist from the 1970s to the present, including over 20 pieces made in the last five years and five monumental site-specific paintings. The show highlights Kiefer's 1991 journey up the Mississippi River during a visit to St. Louis, a formative trip that inspired new works such as the 30-by-27-foot painting *Missouri, Mississippi* (2024), which depicts the artist encountering the Melvin Price Lock and Dam in Alton, Illinois. The exhibition also includes pieces like *Die Milchstraße* (1985-87) and two works dedicated to beat poet Gregory Corso, whose lines about eternal life gave the show its title.

8 Must-See Exhibitions in Tokyo Right Now

Art Week Tokyo returns for its fourth edition from November 5–9, 2025, co-hosted by over 50 venues across the city. Instead of a traditional art fair, visitors can use free shuttle buses to explore participating galleries, museums, and nonprofit spaces, including Pace, Perrotin, Kaikai Kiki Gallery, the Mori Art Museum, and the Museum of Contemporary Art Tokyo. Highlights include a curated Focus exhibition titled “What Is Real?” by documenta 14 artistic director Adam Szymczyk, a survey show “Prism of the Real” co-curated with M+, a mid-career retrospective for Aki Sasamoto, and special programming such as a guided tour of micro homes by architect Kazuyo Sejima and a pop-up bar designed by Ichio Matsuzawa with a menu by Michelin-starred chef Shinobu Namae.

Out of the wrapper and into the gallery: the art of chocolate

Artist Anya Gallaccio discusses her use of chocolate as an art material, tracing her first experiments in 1992 at Rodolphe Janssen gallery in Brussels, where she commissioned chocolate guns, and her 1994 solo show "Brown on White" at Galerie Krinzinger in Vienna, where she painted gallery walls with melted couverture chocolate. The work invited visceral audience reactions, including licking the walls, and engaged with themes of desire, decay, and the colonial and class histories of chocolate consumption.

9 Standout Solo Gallery Shows to See in Paris

The article highlights nine standout solo gallery shows currently on view in Paris, coinciding with Art Basel and other art fairs taking place in the city. Featured exhibitions include Elmgreen & Dragset's lifelike office worker installation at MASSIMODECARLO's Piece Unique window, Jessie Makinson's new surreal figurative paintings at Brigitte Mulholland, a tribute to Robert Rauschenberg's 100th birthday at Thaddaeus Ropac, Jeffrey Gibson's first Paris solo show at Hauser & Wirth, and Mickalene Thomas's new portrait series at Galerie Nathalie Obadia, among others.

‘Like a carefully choreographed performance’: meet the logistics professionals who bring art fairs to life

Art fairs appear serene on the surface, but behind the scenes, logistics professionals work frantically to ship, install, and present hundreds of artworks. The article shares dramatic installation tales from galleries and shippers, including Gianpietro Carlesso's heavy sculpture at Frieze Sculpture 2020, a Calder Stegosaurus transported for Art Basel Miami Beach 2013, and Mandy El-Sayegh's immersive booth installation at Frieze London 2023. These stories highlight the challenges of tight schedules, extreme weather, and complex installations that require structural engineers, cranes, and overnight work.

A manure mystery: why did Van Gogh depict heaps of sand in a painting of his beloved Yellow House?

A new study by Van Gogh Museum senior researcher Teio Meedendorp proposes that the mysterious piles of sand in Vincent van Gogh's 1888 painting "The Yellow House" are not, as previously thought, related to gas pipe installation, but rather cleansing sand used to absorb horse manure and urine on the streets of Arles. Meedendorp supports his theory with historical postcards from 1902 showing similar sand piles and street-cleaning practices, as well as municipal records indicating the city had outsourced dung removal in August 1888.

An exhibition on the potato in art? Only Van Gogh could pull it off

The Noordbrabants Museum in 's-Hertogenbosch, Netherlands, opens a focused exhibition titled "Van Gogh and the Potato" on 11 October, running until 1 February 2026. The show features five Van Gogh paintings, two drawings, and a print centered on the potato motif, including "Still life with Potatoes" (autumn 1886), which has been newly identified as depicting "rat's back" potatoes. A key highlight is the study "Head of a Woman (Gordina de Groot)" (March-April 1885), acquired by the museum last year for €8.6 million. The exhibition also includes a lithograph of "The Potato Eaters" and explores Van Gogh's shift from peasant subjects to flower still lifes after moving to Paris.

Five must-see UK exhibitions this Black History Month

Five must-see UK exhibitions for Black History Month 2025 are highlighted, including 'Nigerian Modernism' at Tate Modern (8 Oct 2025–10 May 2026), which explores the development of Modern art in Nigeria through over 250 works by artists like Ben Enwonwu and El Anatsui; 'Stan Douglas: Birth of a Nation and The Enemy of All Mankind' at Victoria Miro (until 1 Nov 2025), a multi-channel video installation confronting racial perception; and 'Jennie Baptiste: Rhythm & Roots' at Somerset House (17 Oct 2025–4 Jan 2026), the photographer's first UK solo exhibition capturing Black diaspora life. Other shows include works addressing the Caribbean Windrush generation in Cambridge.

The story behind the Van Gogh still life that looks destined to become his most expensive Paris painting

Van Gogh's 'Parisian Novels' (November-December 1887) will be the leading lot in the Pritzker sale at Sotheby's, New York on 20 November, with an estimate of $40 million. The still life, depicting 22 books and three pink roses, has been consigned by the estate of Cindy Pritzker, who died in March at age 101. The painting was created during Van Gogh's time living with his brother Theo in Paris and was among the first three works publicly exhibited during his lifetime, at the Société des Artistes Indépendants in March 1888. The Pritzker collection sale also includes 36 other works estimated at $120 million, featuring pieces by Paul Gauguin and Henri Matisse.

Lovers to friends: the intimate story of Van Gogh's sister-in-law and the artist Isaac Israëls

The Van Gogh Museum in Amsterdam has published 103 letters from Dutch Impressionist painter Isaac Israëls to Jo Bonger, Vincent van Gogh's sister-in-law, revealing a previously secret romantic relationship between them. The museum is also presenting an exhibition titled "Captivated by Vincent: The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls" (through January 25, 2026), which explores their brief physical relationship in the 1890s and its aftermath, including how Israëls incorporated Van Gogh's paintings into his own portraits—a practice he called "Vincenting." Twelve of these portraits are on display for the first time.

Chiharu Shiota Stages First New York Solo Museum Show—and a Rundown of the Latest in Asia’s Art World

Chiharu Shiota is staging her first solo museum show in New York, marking a significant milestone for the Japanese artist known for her immersive thread installations. The article also provides a comprehensive rundown of recent developments across Asia's art world, including gallery expansions, new exhibitions, art fairs, and institutional news. Highlights include Mire Lee's Los Angeles solo debut at Sprüth Magers, Bluerider Art's new U.S. outpost in Manhattan Beach, and Lisson Gallery's first show with Shanghai-based artist Ding Yi in London. Art fairs such as Frieze House Seoul, Tennoz Art Week, Art Busan, Tokyo Gendai, and Art SG are also covered, alongside the relaunch of New York's Art in General under curator Xiaoyu Weng.

Largest-ever Tracey Emin exhibition will be a ‘true celebration of living’, artist says

Tracey Emin's largest-ever exhibition, titled 'A Second Life,' will open at Tate Modern in London in February 2026, featuring over 90 works spanning 40 years. The show includes her iconic installation 'My Bed' (1998), alongside neons, sculptures, paintings, videos, and textiles, tracing her career from her first solo show at White Cube in 1993 to recent works reflecting her recovery from bladder cancer. The exhibition draws heavily on her adolescence in Margate, addressing themes of love, trauma, abortion, and personal growth through an unflinchingly confessional lens.

Adam Dressner’s Portraits Are for the People

Adam Dressner, a self-taught former corporate lawyer, opened his debut solo gallery exhibition "Hello Stranger 2" at 1969 Gallery in Tribeca. The show features large-scale oil paintings and a salon wall of 60 small acrylic portraits, many painted live in public spaces like Washington Square Park and Grand Central Terminal. Subjects range from celebrities like Joyce Carol Oates and Anna Delvey to everyday New Yorkers such as a neighborhood waiter and a 90-year-old park acquaintance. Dressner painted 18 works on-site in the days before the opening, continuing his practice of wheeling an "art cart" of supplies to make expressive plein-air portraits.

Most expensive, suicide not murder and more: celebrating 300 Adventures with Van Gogh

Adventures with Van Gogh, a weekly blog launched in 2018, has published its 300th post. To mark the milestone, the blog compiled a list of its most-read posts since the 200th edition in February 2023, updated with new information. Topics range from the ten most expensive Van Gogh paintings at auction (led by *Orchard with Cypresses* at $117m) to a geological feature near Saint-Rémy-de-Provence that appears in *The Olive Trees*, a defense of the suicide theory over murder, the real-life view behind *Starry Night over the Rhône*, Picasso’s granddaughter Marina Picasso quietly buying and selling a Van Gogh watercolour, and the artist’s preference for simple wooden frames over ornate gold ones.

The 10 Exhibitions to See in September 2025

The article previews ten major art exhibitions opening in September 2025, highlighting the 36th Bienal de São Paulo curated by Bonaventure Soh Bejeng Ndikung, which takes inspiration from estuaries and rivers and features artists like Frank Bowling and Huguette Caland. It also covers the Okayama Art Summit 2025, directed by Philippe Parreno, which reimagines the city as a site of balance between nature and construction, and Hayv Kahraman's solo show 'Ghost Fires' at Jack Shainman Gallery in New York, reflecting her experience as a refugee from the Gulf War.

Amy Sherald Exhibition Lands at Baltimore Museum of Art After Artist Canceled Presentation at Smithsonian's National Portrait Gallery Over Censorship Concerns

Amy Sherald's mid-career retrospective, "American Sublime," will open at the Baltimore Museum of Art (BMA) in November after the artist canceled its presentation at the Smithsonian's National Portrait Gallery in Washington, D.C. Sherald withdrew the exhibition in July, citing censorship concerns over the museum's internal discussions about removing her painting "Trans Forming Liberty" (2024), which depicts a Black trans woman posed like the Statue of Liberty. The show, featuring about 40 works from 2007 to 2024, previously traveled to the San Francisco Museum of Modern Art and the Whitney Museum of American Art, where the contested portrait was included. The BMA version will also feature the painting.

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

How did the only painting sold by Van Gogh in his lifetime end up in Russia?

The article explores the history and conservation of Vincent van Gogh's "The Red Vineyard," the only painting he is certain to have sold during his lifetime. Sold for 400 francs at a Brussels exhibition in March 1890, the work now resides at the Pushkin State Museum of Fine Arts in Moscow. A recent conservation project used modern scientific techniques to uncover new details about the painting's creation, including Van Gogh's use of paint straight from the tube, compositional changes, and the fading of chrome yellow pigments. The article also recounts the painting's origin during Van Gogh's time in Arles with Paul Gauguin and its journey to Russia.

Saatchi Yates raises a glass to London

Saatchi Yates gallery in London has opened an exhibition titled 'London Rules The World,' running until August 17, which celebrates the city's influence on the global art scene. The show features prominent artists such as Jenny Saville, Grayson Perry, Cecily Brown, Peter Doig, and Lynette Yiadom-Boakye, alongside ancillary events like afternoon tea at the Royal Academy of Arts, a Paula Rego studio tour, and a tea-towel collaboration with interior designer Nicky Haslam. The gallery is also launching a Friends scheme for £80 per month, which includes entry to gallery parties and a case of wine from their Tuscan vineyard.

How to Feel Confident Visiting an Art Gallery, According to Gallerist Hannah Traore

Gallerist Hannah Traore offers advice on how to feel confident visiting commercial art galleries, addressing common anxieties like intimidation, unclear etiquette, and perceptions of elitism. The article follows a group of newcomers who visited galleries in New York and reported their experiences, which Traore then responds to with practical tips for making gallery visits more approachable and inclusive.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

What’s on now at San Francisco museums, July 2025

The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.

William Kentridge Wants to Starve the Algorithm

William Kentridge, the South African artist known for his multidisciplinary practice, has created a new film series titled "Self-Portrait as a Coffee-Pot" (2020–2024), comprising nine half-hour segments. The work, which features his signature blend of drawing, animation, performance, and music, is currently on view at Hauser & Wirth's 22nd Street gallery in New York under the exhibition "A Natural History of the Studio." The article explores Kentridge's improvisational process, where he starts without a plan and lets gestures and materials guide him, often interviewing himself in the film to dramatize the artist's dual nature and the act of creation.

Basel native Irène Zurkinden makes a long-overdue return

Kulturstiftung Basel H. Geiger has opened a two-room exhibition dedicated to Basel native Irène Zurkinden (1909-87), her first major hometown show since the 1980s. The exhibition spans portraits, self-portraits, still-lifes, landscapes, drawings, and several sketchbooks on public view for the first time. Zurkinden studied fashion illustration in Basel before finishing her training at Paris’s Académie de la Grande Chaumière, inspired by Henri de Toulouse-Lautrec. She lived between Paris and Basel and was close friends with Meret Oppenheim, whose portrait by Zurkinden, Meret à l’orange (1932-35), is in Kunstmuseum Basel’s permanent collection and included in the show.

Anna Maria Maiolino: ‘My body speaks to me and I’ve been listening to it since I was really young’

Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.

8 Must-See Solo Gallery Shows in June

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.