‘House of Galleries (Volume 11)’: Niquu Eyeta and Ghizlane Sahli in a Shared Field of Care, Memory, and Material Becoming.

Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.

Pandolfini presents Julie Hamisky's "Alchemical Garden" at Design Week 2026

Pandolfini Auction House is hosting a solo exhibition titled "Giardino Alchemico" (Alchemical Garden) by French artist Julie Hamisky at its Milan office during Design Week 2026, from April 22 to 26. The exhibition, created in collaboration with Mitterrand gallery, features sculptures and botanical jewelry made through electroplating—a process that preserves organic matter like flowers and leaves in metal. Key works include "La Géante" (2024), an enlarged poppy sculpture, and "Aqua" (2024), a chandelier of galvanized plant elements, alongside wearable jewelry pieces.

The Update | Emerging Artist Program Exhibits Selectee’s Works

The New Castle Public Library in Pennsylvania is hosting an exhibition of works by Madeline Zimmer, an 18-year-old emerging artist, through June 17. The show, titled "Arbitrary Existence," features digital characters and pastel drawings inspired by comics and graffiti art, and is part of the Hoyt's Emerging Artist Program, which provides selected artists with hands-on support including exhibition development, installation, and promotion.

Exhibition | Bertrand Lavier, 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

San Francisco museum rejects permanent space in favour of site-specific exhibitions

The Institute of Contemporary Art San Francisco (ICA SF) has abandoned plans for a permanent physical space, instead adopting a nomadic model focused on site-specific exhibitions. Its first project under this new approach launches during San Francisco Art Week at the Transamerica Pyramid Center, featuring installations by artists Lily Kwong and Tara Donovan. Kwong's EARTHSEED DOME is a 3D-printed soil structure embedded with native seeds that will bloom in the adjacent redwood grove, while Donovan's Stratagem series uses recycled CDs to create light-scattering columns inside the building's Annex Gallery.

MAD's lucas museum of narrative art in los angeles prepares for september 2026 opening

The Lucas Museum of Narrative Art in Los Angeles's Exposition Park has announced its public opening for September 22, 2026. Designed by MAD (Ma Yansong), the futuristic building features a sculptural canopy with over 1,500 fiberglass-reinforced polymer panels, a 56-meter central archway, and a four-story elliptical oculus. Co-founded by filmmaker George Lucas and Mellody Hobson, the museum will house 9,290 square meters of galleries drawing from a collection of more than 40,000 works spanning classic illustration, muralism, comic art, science fiction imagery, and cinematic artifacts. Landscape architect Mia Lehrer is transforming surrounding parking lots into a shaded public oasis with over 200 trees. Sandra Jackson-Dumont, the former CEO, left her post in April 2025 as the museum restructured, splitting the roles of director and CEO, with Lucas steering artistic content.

Palestinian artist ‘cancelled’ by US museum comes to Frieze Masters

Palestinian artist Samia Halaby is presenting a solo stand at the Sfeir-Semler Gallery booth in the Studio section of Frieze Masters, following the abrupt cancellation of her retrospective at Indiana University’s Eskenazi Museum of Art last year. The cancellation was reportedly triggered by staff concerns over Halaby’s social media posts expressing support for Palestinian causes during the Israel-Gaza war. A petition launched by her grandniece and trustee Madison Gordon garnered over 15,000 signatures calling for the show’s reinstatement. Halaby continues her activism, recently creating a fundraising poster for the Palestinian Youth Movement and participating in the Gaza Biennale in New York.

Carmen Reviriego on Art Patronage in Spain and the Callia Foundation

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Carmen Reviriego, founder and president of the Callia Foundation, recently hosted the 11th edition of the International Patronage Awards at Madrid’s Royal Collections Gallery. The event honored significant figures in the art world, including ARTnews Top 200 collector Batia Ofer, while highlighting the foundation's broader mission of funding restorations and fostering collaboration between private donors and Spain’s public institutions. Reviriego, who transitioned from a career in finance to art philanthropy, utilizes a business-minded approach to advocate for a more balanced model of cultural funding in Spain.

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A newly released tranche of documents from the US Department of Justice reveals a $5,000 donation from Jeffrey Epstein's foundation, Enhanced Education, to the Metropolitan Museum of Art's Costume Institute Benefit (the Met Gala) in 2014. The check was part of millions of pages made public under the Epstein Files Transparency Act.

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The British Museum is reportedly considering a long-term loan of the Asante Ewer, a rare 14th-century English bronze jug, to the Manhyia Palace Museum in Kumasi, Ghana. The ewer, which was looted by British forces from the Ashanti royal palace during the Fourth Anglo-Asante War in 1896, is the largest extant medieval English bronze vessel and was likely made for King Richard II. Ghana is expected to make a formal request for the loan, which would be long-term, and is not anticipated to demand full repatriation.

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Two activists from the climate group Futuro Vegetal were arrested on October 12 after throwing biodegradable red paint on José Garnelo’s 1892 painting *First Tribute to Christopher Columbus* at the Naval Museum in Madrid. The protest occurred on Spain’s National Day, which commemorates Columbus’s arrival in the Americas. The activists unfurled a banner reading “October 12, nothing to celebrate. Ecosocial justice,” and were charged with crimes against cultural heritage. Separately, about 20 activists from Marea Palestina staged a sit-in around Picasso’s *Guernica* at the Reina Sofía Museum, demanding an end to “the genocide against the Palestinian people.”

climate activists deface christopher columbus painting on day marking his arrival to americas 1234756823

Two activists from the climate group Futuro Vegetal were arrested on October 12 after throwing biodegradable red paint on José Garnelo's 1892 painting *First Tribute to Christopher Columbus* at the Naval Museum in Madrid. The protest occurred on Spain's National Day, which commemorates Columbus's arrival in the Americas. The activists unfurled a banner reading “October 12, nothing to celebrate. Ecosocial justice” and were charged with crimes against cultural heritage. Separately, about 20 activists from Marea Palestina staged a sit-in around Picasso's *Guernica* at the Reina Sofía Museum, demanding an end to “the genocide against the Palestinian people,” temporarily closing the gallery.

MAD, 제시카 리히텐스타인 개인전 'Jessica Lichtenstein: Rewilding'(5/30, 2026-4/18, 2027)

The Museum of Arts and Design (MAD) in New York will present "Jessica Lichtenstein: Rewilding," the artist's first solo museum exhibition, from May 30, 2026, to April 18, 2027. The immersive installation transforms the third-floor gallery into a lush, overgrown terrain featuring thousands of digitally rendered female nudes that form forests, ruins, and flowering canopies. The exhibition is divided into four sections—Secret Garden, After the Fall, Leave Your Thoughts Here, and Shadow Play—and includes site-specific works like the 2026 piece "Secret Garden" and a 70-foot-long modular sculpture titled "Leave Your Thoughts Here" (2025).

MMoCA acquires major work of former UW professor, will hold exhibition

The Madison Museum of Contemporary Art (MMoCA) has acquired a significant work by artist and former University of Wisconsin-Madison professor, Warrington Colescott. The museum will present a solo exhibition of Colescott's work in the fall of 2025, featuring the newly acquired piece alongside other works from its collection.

Exhibit at National Museum of Mexican Art in Chicago is a call to climate action

Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.

Artist Ana Teresa Fernandez exhibit, 'Under Pressure,' now on display at National Museum of Mexican Art, a call to climate action

The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.

'Cigars!' exhibit at Florida Museum of Photographic Arts captures a fading history

The Florida Museum of Photographic Arts has launched "Cigars! Photography, Industry and Identity," a new exhibition by local photographer Zack Wittman. The show documents the architectural remnants of Tampa’s historic cigar industry, which once boasted over 200 factories but has dwindled to approximately 25 standing brick buildings. Through a collaboration with the J.C. Newman Cigar Company, Wittman captured both preserved and derelict structures that define the unique personality of Ybor City.

Raphael Exhibition at the Met Offers Rare Glimpse Into Renaissance Master's Genius

The Metropolitan Museum of Art has launched a major retrospective titled 'Raphael: Sublime Poetry,' featuring over 230 works sourced from more than 60 international institutions and private collections. The exhibition provides a chronological survey of the Renaissance master’s career, spanning his early years in Urbino to his definitive period at the papal court in Rome, and includes iconic paintings such as the 'Alba Madonna' alongside rare preparatory sketches and immersive projections of his Vatican frescoes.

‘OC Made’ at Fullerton Museum Center showcases local artists

The Fullerton Museum Center has launched "OC Made," a new biennial juried exhibition dedicated exclusively to artists living and working in Orange County. Curated by Georgette Collard and Jasmine McNeal, the inaugural show features over 130 artworks by more than 100 local artists selected from a pool of 260 submissions. The exhibition includes a diverse range of mediums, from glass sculptures and ceramics to photorealistic paintings of local landmarks, and awarded top honors to artists Ramón Vargas, Jaime “Germs” Zacarias, and Mahta Jafari.

The Met’s blockbuster Raphael exhibition looks beyond the artist’s idealised Madonnas

The Metropolitan Museum of Art is preparing a major retrospective of the High Renaissance master Raphael, aiming to present a more complex portrait of the artist than his reputation for serene Madonnas suggests. The exhibition will showcase his technical versatility and intellectual depth through a vast array of paintings, drawings, and tapestries, highlighting his role as a polymath who reshaped the visual language of Western art.

Asheville Art Museum exhibit spotlights American Impressionism

The Asheville Art Museum in North Carolina will present "In a New Light: American Impressionism 1870–1940 | Works from the Bank of America Collection," an exhibition featuring over 120 works that trace the development of American Impressionism and its break with academic tradition. The show runs from February 7 through June 29, 2026, and is made possible through the Bank of America Art in our Communities program, which loans exhibitions at no cost to nonprofit community museums.

Samantha Nye’s ‘Web of Love’ now open at Cuesta’s Miossi Gallery

Artist Samantha Nye's immersive video installation "Web of Love" has opened at the Harold J. Miossi Gallery at Cuesta College's San Luis Obispo campus. The four-screen work is a scene-by-scene remake of an old Scopitone film, featuring legendary Bay Area artists Annie Sprinkle and Beth Stephens, and is designed with a lounge area of heart-shaped hot tubs on red shag carpet.

What To Expect at the Denver Museum of Nature and Science’s New Brick Planet Exhibition

The Denver Museum of Nature and Science has opened "Brick Planet: A Magical Journey Made With LEGO® Bricks," a temporary exhibition by award-winning Lego artist Sean Kenney. Featuring 1.5 million bricks, the show includes life-size animal sculptures like a polar bear, a ruby-throated hummingbird, and a Galapagos tortoise, along with interactive elements such as a "Mystery Mosaic." Kenney, a former Lego Masters guest judge, has toured his Lego exhibitions globally since 2012, with this installation emphasizing nature and environmental responsibility.

Exhibit Showcases Georgia Wood Artists

The Marietta Cobb Museum of Art (MCMA) in Georgia is presenting its first juried exhibition focused exclusively on wood art and woodworking, titled "Georgia Wood Artists: A Juried Exhibition." Curated by Madeline Beck, the show features works selected from over 150 submissions by artists living in Georgia, including Arnold Abelman, Jody Pollack, Abraham Tesser, Thomas Williams, and Doug Pisik. The exhibition highlights a range of techniques such as carving, woodturning, marquetry, intarsia, joinery, and epoxy woodworking, and runs from January 10 to March 22, 2026.

Acquisitions round-up: a rare early Italian portrait of a Black man, a record-breaking Kiddush cup, and a limewood sculpture of the Madonna

The Uffizi Galleries in Florence have acquired Giacomo Ceruti's "Il mendicante moro" (1725–30), one of the earliest known portraits of a Black man in Italian painting. The Toledo Museum of Art has purchased a rare 11th-12th century Kiddush cup that set an auction record for Judaica at Sotheby's for $4m. The Bode-Museum in Berlin has acquired a limewood sculpture of the nursing Madonna from the Circle of the Biberach Master, which was restituted to the heirs of Jakob Goldschmidt in 2023 and sold at Christie's in 2024.

Vermeer’s ‘Girl with a Pearl Earring’ will head to Japan this summer in rare loan

The Mauritshuis museum in The Hague has announced it will lend Johannes Vermeer's "Girl with a Pearl Earring" (around 1665) to the Nakanoshima Museum of Art in Osaka, Japan, this summer. The rare loan is made possible because the Mauritshuis will close from August 24 to September 20 for building alterations. The painting last traveled internationally in 2012-14 for a world tour, and its only recent trip was a short loan to the Rijksmuseum in 2023 for a Vermeer survey exhibition. The exhibition in Osaka will be organized by the Asahi Shimbun, a major Japanese media organization that also sponsored the earlier tour, and will help fund the Mauritshuis's renovations and a new education center.

British Museum's looted ewer set for return to Ghana on long-term loan

The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.

Museum of Art Donors Celebrate at Impressionist Exhibit

On November 17, the Santa Barbara Museum of Art (SBMA) hosted a donor appreciation reception for its high-level supporters and special guests to celebrate two concurrent exhibitions: "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" and "Encore: 19th-Century French Art" from SBMA's own collection. Over 100 guests enjoyed cocktails and toured the galleries, welcomed by Eichholz Foundation Director Amada Cruz, who highlighted the revolutionary nature of Impressionism and its role in birthing modernism. Chief Curator James Glisson led a guided tour, noting the exhibition coincides with the 150th anniversary of the first Impressionist exhibit in 1874. Major donors recognized include The Dana and Albert R. Broccoli Charitable Foundation, Manitou Fund, SBMA Ambassadors, and several individual benefactors.

Twisting tale of ‘Henry VIII’s lost dagger’ to be told in London exhibition

An exhibition opening at Strawberry Hill House in London on November 1 will explore the history of a jewel-encrusted Ottoman dagger long believed to have belonged to Henry VIII. Curator Silvia Davoli has uncovered that the dagger was actually made in late 16th-century Istanbul, decades after Henry's death, and was mistakenly attributed to the king by 18th-century engraver George Vertue. The dagger was owned by Horace Walpole, then passed through several hands before being stolen in a 1946 heist at Hever Castle, where it was kept by the Astor family. Though the original dagger remains missing, the exhibition will display two similar Ottoman daggers from Welbeck Abbey and Vienna's Kunsthistorisches Museum.