How is ethical knitwear made? The founder of Milanese brand Vitelli explains

Come si fa maglieria etica? Il fondatore del brand milanese Vitelli ci spiega

Mauro Simionato, founder of the Milanese brand Vitelli, discusses the evolution of his label as it returns from a year-long hiatus. Known for its 'Doomboh' regenerative process, Vitelli utilizes recovered yarns and vintage 1980s machinery to transform knitwear into a medium for aesthetic and cultural experimentation. The brand draws heavy inspiration from the 'Gioventù Cosmica' counterculture scene, blending music, material culture, and inclusive community-building into its production model.

'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern, Taipei, Taiwan on 25 Apr–6 Jun 2026

The group exhibition 'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern in Taipei explores the cognitive processes behind artistic creation. Featuring works by DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu, the show examines how human thought remains distinct from artificial intelligence by focusing on the 'neural algorithms' of the brain. The curatorial framework breaks down the creative act into three stages: the initial sensory trigger, the critical judgment between experience and transcendence, and the final decision that collapses multiple possibilities into a singular work.

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The 2026 Whitney Biennial features a wave of artists grappling with the unsettling intersection of human identity and advanced technology. Works by Cooper Jacoby and Isabelle Frances McGuire highlight a shift away from the sleek, optimistic 'Y2K' tech aesthetic toward a 'techno-horror' that explores data extraction and biometric surveillance. Jacoby’s 'Estate' series uses AI-generated scripts derived from the social media data of deceased individuals, while McGuire’s sculptures utilize 3D medical scans to create distorted, ghostly figures that blur the line between the organic and the digital.

'There's no point in an art gallery without artists'

Artists and curators in the UK are increasingly mobilizing to address the rapid integration of artificial intelligence in the creative sector. Following a public backlash against an AI-focused workshop at a local gallery in Hull, curator Lucy Brooke organized forums to discuss the ethical implications of machine learning, including copyright, plagiarism, and environmental impacts. While some creators are calling for stricter institutional policies and collective lobbying against AI exploitation, others, like illustrator Eleanor Tomlinson, view the technology as a transitional challenge similar to the invention of photography, focusing on public education rather than opposition.

AI Art Copyright Supreme Court Ruling

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The U.S. Supreme Court has declined to hear an appeal from computer scientist Stephen Thaler, effectively upholding lower court rulings that AI-generated artwork cannot be copyrighted. The case centered on a 2012 digital work titled "A Recent Entrance to Paradise," which Thaler claimed was created autonomously by his AI system, DABUS. By refusing the case, the court leaves in place the U.S. Copyright Office's stance that copyright protection requires "traditional human authorship."

One of London’s greatest art institutions will be transformed by a vast immersive exhibition this summer

The Barbican Centre in London has announced a massive immersive exhibition titled 'In Other Worlds,' set to open in May 2026. Led by BAFTA-nominated filmmaker and 'speculative futurist' Liam Young, the exhibition marks his first major solo show in the UK and will feature collaborations with creators from major productions like Westworld, Fallout, and Lord of the Rings. The installation will span three locations within the institution, including the Curve gallery and a car park, utilizing film, soundscapes, and costumes to explore imagined futures.

Dozens of Artists Bring Their Studios to Hauser & Wirth New York

Hauser & Wirth New York has launched "Studio Visit," a sprawling group exhibition co-curated by artists Anicka Yi and Josh Kline in collaboration with Performance Space New York. Featuring works by 27 international artists including Jean-Michel Basquiat, Huma Bhabha, and Wolfgang Tillmans, the show pairs physical artworks with AI-generated "machine-generated memories" based on the artists' written recollections of their early workspaces. The project revives the spirit of Circular File, an experimental collective formed by Yi and Kline in the late 2000s.

Art exhibition showcases connection between Hope Art Machine and gallery

The Hope Art Machine is set to launch its annual exhibition, "Retrospective 17," running from March 1 to March 27 across two venues: the Hope Art Gallery and the Blue Moose Coffee House. The showcase features diverse works from over 20 artists, including teachers and students, spanning mediums such as ceramics, watercolors, acrylics, and paper art. An opening reception is scheduled for March 7, providing a platform for the community to engage with local creators and learn about the studio's educational offerings.