This article lists 14 of the best art galleries to visit in New York City, highlighting major commercial spaces such as Hauser & Wirth, Gagosian Gallery, David Zwirner, Gladstone Gallery, Greene Naftali, Cavin-Morris Gallery, and Neue Galerie. It describes each gallery's location, specialty, and notable represented artists, from blue-chip contemporary stars to historical figures and self-taught visionaries.
Artist Meg Webster, now 80, is receiving overdue recognition for her contributions to Land art and Minimalism. Nine of her sculptures—made from moss, beeswax, salt, and other natural materials—recently went on long-term view at Dia Beacon in Upstate New York. Webster, who worked as Michael Heizer's studio assistant in her late 30s, has spent decades creating intimate, urban-sited Land art in downtown Manhattan, challenging the movement's reputation as a macho, remote, monumental practice. She will also feature prominently in a Minimal art group exhibition at the Bourse de Commerce in Paris this October.
Los Angeles-based collector Rina Mark discusses her four-decade history of acquiring art, highlighted by her deep connection to the legendary printmaking studio Gemini G.E.L. Mark, a former LACMA docent, reveals a spontaneous approach to collecting, often purchasing works on instinct. Her collection features a strong emphasis on iconic West Coast and Pop artists, including John Baldessari, Roy Lichtenstein, and Ed Ruscha, whose work "Pico and Sepulveda" she recently acquired due to its personal connection to her college years.
The Stedelijk Museum and Kunstmuseum St. Gallen have co-organized an exhibition titled "Beyond the Manosphere: Masculinities Today," which aims to critically examine contemporary masculinity and its online manifestations such as incels, looksmaxxing, and pickup artists. The show features works by artists including Reba Maybury and Richard Serra, and is curated by Melanie Bühler, with directors Rein Wolfs and Gianni Jetzer overseeing the project. The exhibition will travel from the Stedelijk to the Kunstmuseum St. Gallen later this year.
This article explores a critical reevaluation of Alberto Giacometti’s career, specifically focusing on the decade between 1935 and 1945. While Giacometti is globally recognized for his spindly, post-war 'Existentialist' figures, art historian Joanna Fiduccia’s new book, *Figures of Crisis*, argues that his mid-career departure from Surrealism to study human likeness was not a mere transition but a profound response to the political crises and nationalism of interwar France.
The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.
moma ps1 rooftop sprouts salad party
Artist Julia Sherman and urban farmer Camilla Hammer have transformed the rooftop of MoMA PS1 into a functional salad garden and social space. The initiative recently celebrated its launch with a rooftop party featuring herb-infused cocktails and fresh produce grown on-site. The garden serves as a platform for Sherman’s "Artist-Made" salad series, where notable figures from the art world collaborate on culinary creations.
Hundreds of artists, gallery owners, and collectors staged coordinated sit-ins at major Spanish museums, including the Museo Reina Sofía, to protest the country's 21 percent Value Added Tax (VAT) on art sales. Demonstrators gathered around Richard Serra’s 'Equal-Parallel/Guernica-Bengasi'—a replica of a work that famously vanished from storage—to symbolize the potential disappearance of the Spanish art sector under current fiscal pressures. The protests included demands for the resignation of the culture and finance ministers and calls for tax parity with European neighbors.
The article highlights Medardo Rosso, an Italian sculptor largely overlooked despite his pioneering role in modernist sculpture. A new exhibition at the Kunstmuseum Basel, "Medardo Rosso: The Invention of Modern Sculpture," showcases 50 of his works alongside pieces by over 60 artists including Rodin, Degas, and Brancusi, aiming to reassert his influence. Rosso's radical approach rejected monumentality for materiality and process, embracing subjects from society's fringes and anticipating 20th-century art developments. The show also revisits his bitter rivalry with Rodin, whom Rosso accused of borrowing his signature tilting effect.
"Ich glaube, ich habe viele Künstler nicht verstanden"
Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.
A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.
Amy Sillman, a 69-year-old abstract painter based in New York, is preparing for a new solo exhibition titled "Alternate Side (Permutations #1–32)" at Dia Bridgehampton, opening June 28. The show will feature a series of recently completed silkscreen and painted works, which Sillman describes as being like Sol LeWitt's line forms but less structured. She plans to paint the gallery walls herself, creating an improvised backdrop for the works. The article also discusses her recent institutional survey "Oh, Clock!" at the Kunstmuseum Bern and Ludwig Forum Aachen, where she curated selections from their collections and painted the walls on a whim.
American artist Mel Kendrick, who began his career in the early 1970s integrating Minimalism and architecture, presents his ninth solo exhibition at David Nolan Gallery in New York. Titled “Mel Kendrick: Tilt,” the show runs through June 6, 2026, and features new and recent wood sculptures alongside older works, including pieces like *Walnut Shelf* (2026), *Gemstone* (2026), and *Yellow Drum* (2025). Kendrick works without pre-planning, allowing the material to guide his process, and treats color as a material with its own weight, inspired by Gothic and medieval architecture.
Rena Bransten Gallery in San Francisco is celebrating its 50th anniversary with a series of exhibitions highlighting key moments in its history. The second installment, "RBG at 50: Photo & Video," on view through August 23, 2025, features works by artists such as Dawoud Bey, Sophie Calle, Jim Campbell, and Vik Muniz. The show traces the gallery's expansion beyond its original focus on ceramics, which began in 1979 with a solo exhibition of photographer Judith Golden. Highlights include Sophie Calle's "La Robe de Mariee" (1989) and a photograph by Dawoud Bey documenting a performance by David Hammons.
The Sceners Gallery in Paris is hosting “Forms and Temptations,” an exhibition of works by British Pop Art pioneer Allen Jones, coinciding with Kim Kardashian wearing a Jones-inspired fiberglass breastplate at the 2026 Met Gala. The show features Jones’s eroticized female mannequins and sculptures, including “Red Refrigerator” and “Cover Story 4/4,” displayed alongside high-end decorative furniture from designers like Carlo Bugatti and Émile-Jacques Ruhlmann. Jones, now 88, collaborated with Kardashian on her Met Gala look, which re-edited a cast from 1967/68.
Art Basel Hong Kong 2026 commenced against a backdrop of global economic uncertainty and geopolitical tension, yet the city's local scene demonstrated remarkable resilience. The week was characterized by a surge of grassroots activity, including the debut of three alternative art fairs and the opening of several new gallery outposts. Key highlights included the launch of GOLD, a cross-disciplinary salon in Wong Chuk Hang, and the expansion of Shanghai’s Antenna Space into the city, signaling a shift toward more flexible, community-oriented art spaces.
Paris is hosting a busy week of art fairs, headlined by Art Basel Paris returning to the Grand Palais from October 24–26, 2025, under outgoing director Clément Delépine. The fair features 206 galleries across three sections, public programs at nine iconic venues including an inflatable Kermit the Frog by Alex Da Corte and a participatory installation by Harry Nuriev, and a talks series hosted by Edward Enninful. Satellite fairs include Design Miami Paris at L’Hôtel de Maisons, the dealer-run 7 Rue Froissart co-founded by Brigitte Mulholland and Sara Maria Salamone, and others like Paris Internationale and Asia Now.
Hauser & Wirth has announced plans to open a new gallery in Palo Alto, California, in spring 2026. The location, a historic former post office at 201–225 Hamilton Avenue, will offer 2,600 square feet of exhibition space, a bookshop, and a program of talks and events. Designed by architect Luis Laplace, it will be the gallery's sixth U.S. outpost and its third in California, joining existing spaces in downtown Los Angeles and West Hollywood. The expansion comes as the broader art market faces contraction, but mega-galleries continue targeting wealthy collector hubs like Silicon Valley.
Two wealthy Kazakh entrepreneurs, Kairat Boranbayev and Nurlan Smagulov, are opening private art institutions in Almaty this year: the Tselinny Center of Contemporary Culture and the Almaty Museum of Arts. The Tselinny Center, designed by British architect Asif Khan, will open in September in a repurposed Soviet-era cinema, while the Almaty Museum of Arts, a 10,000 sq. m building by Chapman Taylor, aims to open the same month. These developments come as Kazakhstan cautiously strengthens ties with western Europe to reduce dependence on Russia, following the 2022 invasion of Ukraine, and positions itself as an energy supplier to Europe and a logistical hub for China's Belt and Road Initiative.
Galerie Templon in Brussels is presenting a solo exhibition of Claude Viallat, celebrating the 60th anniversary of his signature bone-shaped motif. The show features around thirty recent experimental canvases and objects from 2024 to 2026, exploring his practice of repetition and variation on diverse fabrics and found materials.
Alexander Morrison, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes to his contributions, though the provided text is limited to subscription prompts and footer information, lacking full details on his life and career.
The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.
Sarasota Art Museum (SAM) has opened a new exhibition titled "Something Borrowed, Something New," featuring works from private collectors across Southwest Florida. The show includes pieces by renowned artists such as Chuck Close, KAWS, Richard Serra, Yoko Ono, Ai Weiwei, and Louise Bourgeois, spanning paintings, prints, sculptures, and mixed media from the 20th and 21st centuries. The exhibition was inspired by a museum trip program, during which executive director Virginia Shearer noticed that local collectors owned significant works by artists featured in major institutions like the Renwick Gallery and Glenstone.
Loyal, a gallery founded by Martin Lilja and Amy Giunta, has relocated from Stockholm to a 19th-century chapel in the university town of Lund, Sweden. The move represents a deliberate shift away from the fast-paced commercial art world towards a slower, more contemplative model of exhibition-making.
Washington University in St. Louis community members—including students, faculty, and alumni—share their favorite places to view visual art around the St. Louis region during the summer. Recommendations include the St. Louis Virtuoso Collective, a co-op gallery of over 50 local artists on Cherokee Street; the Contemporary Art Museum St. Louis, which is showing exhibitions like “Like Water” and “Make the River Present”; the Saint Louis Art Museum, featuring works by Van Gogh, Sorolla, and Cézanne; and neighborhood public art projects in areas such as Holly Hills, The Grove, and the Delmar Loop.
The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," opens May 9 as a tribute to its late curator Koyo Kouoh. Alongside the Biennale, Venice hosts numerous concurrent exhibitions: Marina Abramović's "Transforming Energy" at Gallerie dell'Accademia (the only living female artist with a major show there); the Matthew Wong Foundation's inaugural exhibition "Interiors" featuring unseen works by the late Chinese Canadian artist; retrospectives of Michael Armitage at Palazzo Grassi and Lorna Simpson at Punta della Dogana; Hernan Bas's new paintings at Ca' Pesaro; Lu Yang's "DOKU The Illusion" at Espaces Louis Vuitton Venezia; and "Minimal Legends" at the Vincenzo de Cotiis Foundation, staging a dialogue among Minimalist masters.
Time Out has published a list of the 10 best art galleries in the U.S., highlighting commercial spaces that offer free, museum-quality experiences. The article features blue-chip giants like David Zwirner, Gagosian, and Pace Gallery in New York, as well as regional gems like Conduit Gallery in Dallas, emphasizing that visitors can enjoy world-class contemporary art without a collector's budget.
A listicle from Time Out Los Angeles presents the 21 best museums to visit in Los Angeles, highlighting essential institutions like LACMA, The Broad, and the Getty Center. The article provides practical details such as addresses, hours, pricing, and notes on free admission days, while also mentioning specific current attractions like the newly opened David Geffen Galleries at LACMA and Yayoi Kusama's Infinity Mirrored Room at The Broad.
The Pulitzer Arts Foundation in St. Louis is marking its 25th anniversary with the exhibition 'Dialogues & Conversations,' organized by its founder and chair, Emily Rauh Pulitzer. The show features over 85 works by more than 30 artists, including Edgar Degas, Willem de Kooning, and David Hammons, drawn from Pulitzer's personal collection, institutional loans, and works featured in past Pulitzer exhibitions.
Agnes Gund, the influential American arts philanthropist and collector, has died at age 87. Gund was a transformative figure at the Museum of Modern Art (MoMA) in New York, serving on its board from 1976, as president from 1991 to 2002, and later as president emerita. She helped raise funds for MoMA's $858m expansion, donated around 100 works to the museum, and pushed for acquisitions of women and artists of color. Beyond MoMA, she founded Studio in a School in 1977 to bring art education to New York City public schools and co-chaired a Sotheby's auction to support Miss Porter's School. Her death was first reported by The New York Times; she is survived by four children.