A set of 15 bronze and copper mirrors by Claude Lalanne sold for $33.5 million at Sotheby's in New York, shattering the artist's previous auction record and surpassing the record price for works by her late husband and collaborator, François-Xavier Lalanne. The ensemble, which far exceeded its $15 million high estimate, drew fierce competition from five bidders over ten minutes.
The Association of International Photography Art Dealers (Aipad) has opened the 45th edition of The Photography Show at New York's Park Avenue Armory. The fair features around 65 exhibitors in its main section, with a new Focal Point sector highlighting 13 solo presentations by boundary-pushing artists. Returning participants include major New York photography galleries, alongside first-time exhibitors and galleries returning after an absence.
Fraenkel Gallery has partnered with New York's Metrograph theater to present a film series curated by six of its represented artists. The series, titled "Fraenkel Gallery Presents," runs from May 8–17, with each artist selecting a film and several introducing their screenings. The collaboration includes an opening event featuring artist Carrie Mae Weems and director Joel Coen.
Sculptor Barbara Chase-Riboud has revealed she declined an offer to represent the United States at the 2025 Venice Biennale, stating that for her, "this was not the moment." The offer was made by the American Arts Conservancy, the nonprofit organization commissioning the US Pavilion. The revelation comes amid ongoing scrutiny of the selection process that ultimately led to artist Alma Allen being chosen, following reports that the Trump administration removed diversity language from application materials.
Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.
The article profiles Colombian artist Delcy Morelos and her immersive earthwork installations, focusing on two major works: 'The Womb Space' in Mexico City, which has drawn over 60,000 visitors in its final month, and 'Origo', a new 24-metre-wide outdoor pavilion opening at the Barbican in London. Morelos creates vast soil sculptures sourced from specific regions, evoking sensory experiences of smell, touch, and memory, and invites visitors to contemplate their connection to the earth. The piece includes her reflections on Andean cosmovision, the sacredness of nature, and her 14-year artistic inquiry into soil as a humble yet life-sustaining material.
The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.
A collection of unseen Keith Haring works, including a crib he painted for his best friend's unborn child, is going on display at Sotheby's New York before being auctioned in May 2025. The collection belongs to Kermit Oswald, Haring's childhood friend, and features 20 works, with a 1985 self-portrait estimated at $3m-$5m and the crib valued at $250,000-$350,000. Oswald shares intimate stories of their friendship, from childhood pranks in Kutztown, Pennsylvania, to their move to New York to study at the School of Visual Arts, and Haring's later collaboration with William Burroughs.
The article reviews a salon-style exhibition curated by Matthew Higgs, director of New York's White Columns gallery, at an unnamed gallery space. The show features 43 paintings by a diverse group of artists including Denzil Forrester, Andrew Cranston, Kaye Donachie, Merlin James, Margot Bergman, Gillian Carnegie, Bill Lynch, and Adam Keay, arranged around mismatched chairs facing white windows painted on the walls. The reviewer describes moving through the space, engaging with individual works, and highlights the eclectic, unthemed curation that prioritizes personal taste and conversation over academic or political messaging.
Aipad: The Photography Show is taking place at the Park Avenue Armory in New York from April 22-26, 2026, featuring works from over 70 galleries. The exhibition highlights include Bill Brandt's 1952 nude, Rania Matar's portrait of a young woman in Lebanon, and Zanele Muholi's 2009 portrait of a lesbian pageant queen, alongside works by Tania Franco Klein, Ruth Thorne-Thomsen, and others that explore themes of identity, anxiety, and alternative realities.
The Gordon Parks Foundation held its annual Awards Dinner and Auction at Cipriani 42nd Street in New York City, raising nearly $2 million to support its mission of social justice through the arts. The gala honored a distinguished group of changemakers, including activist Angela Davis, painter Amy Sherald, philanthropist Clara Wu Tsai, producer Crystal McCrary, and businessman Raymond McGuire. Hosted by Kaseem Dean (Swizz Beatz) and Executive Director Peter W. Kunhardt, Jr., the event celebrated the enduring legacy of Gordon Parks and his commitment to documenting and advancing civil rights.
The Studio Museum in Harlem hosted a star-studded gala at the Glasshouse in Manhattan, raising $3.7 million to support its upcoming reopening. The event marked a significant milestone for the institution, which has been undergoing extensive renovations for seven years and is scheduled to open its new doors on West 125th Street on November 15. Director and Chief Curator Thelma Golden described the evening as a 'threshold' moment, celebrating the museum's legacy of shaping cultural history since its founding in 1968.
New York's major auction houses, Sotheby's and Christie's, are gearing up for their spring sales with high-value consignments from prominent collections. Sotheby's will auction Mark Rothko's "Towering Brown and Blacks in Reds" (1957), estimated at up to $100 million, from the estate of investment banker Robert Mnuchin. Christie's is offering works from the collection of the late gallerist Marian Goodman, including Gerhard Richter's "Kerze" (1982) valued at up to $50 million and "Mohn" (1995) around $15 million, alongside pieces from the estates of publisher S. I. Newhouse and collector Agnes Gund, with a Constantin Brâncuși sculpture and a Jackson Pollock painting each estimated at $100 million, and another Rothko at $80 million.
Bruno Bischofberger, the influential Swiss gallerist and art collector, has died at age 86. His gallery announced the news. Bischofberger was a key figure in the international art trade, known for introducing American post-war art to Europe. He formed a close partnership with Andy Warhol, who granted him a lifelong first-refusal right on his works. In 1984, Bischofberger initiated the collaboration between Warhol and Jean-Michel Basquiat, and also facilitated joint works with Francesco Clemente. He opened his first gallery in Zurich in 1963, showing artists like Roy Lichtenstein, Robert Rauschenberg, Claes Oldenburg, and Gerhard Richter, and later expanded to Männedorf and St. Moritz.
Lévy Gorvy Dayan gallery is presenting a new exhibition that offers fresh insights into the work of Domenico Gnoli, the Italian painter known for his meticulous, oversized depictions of everyday objects and figures. The show highlights both his perfectionist technique and a playful, goofy side to his caricatures of reality, capturing the essence of la dolce vita.
Ralph Lemon's exhibition at Paula Cooper Gallery presents 13 black-and-white photographs and three short videos focusing on sites in the Mississippi Delta connected to the 1955 lynching of Emmett Till. Rather than dramatizing the incident, Lemon records physical traces of the locations—such as Bryant's Grocery and Meat Market, the barn where Till was killed, the Tallahatchie River, and a funeral home—capturing dilapidated buildings and landscapes that suggest history slipping away. The show includes the titular video "From Out of Space" (2018–21), which offers closeups and drone footage of these sites, creating a meditative, detective-like examination of memory and erasure.
ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.
The 2026 Adelaide Biennial of Australian Art, titled 'Yield Strength,' features 24 artists across three venues, curated by Ellie Buttrose. The exhibition explores resilience under political and social pressures, with works like Erika Scott's fused assemblages from discarded domestic items, Jennifer Matthew's steel construction that manipulates visitor movement, and Nathan Beard's silicone arms critiquing exoticization of Thai culture. The title borrows an engineering term for the point at which materials transform under stress, reflecting the show's focus on art that strains formal boundaries without breaking.
Khaled Sabsabi, the artist representing Australia at the 61st Venice Biennale (2026), will exhibit works both in the Australia Pavilion in the Giardini and in the main Biennale exhibition titled "In Minor Keys." His pieces explore spirituality, migration, and shared humanity through Tasawwuf (Sufi) sensibilities, emphasizing flux and collective experience. Sabsabi is the first Australian artist to have work in both the national pavilion and the main exhibition in the same year, and he honors the curatorial vision of the late Koyo Kouoh.
The Art Gallery of New South Wales (AGNSW) named Richard Lewer the winner of the 2026 Archibald Prize on May 8. Lewer, a New Zealand-born, Melbourne-based artist and six-time finalist, won the AU$100,000 prize for his life-size portrait of Pitjantjatjara elder, senior artist, and traditional healer Iluwanti Ken. The jury of AGNSW trustees selected the work unanimously from 59 finalists culled from 1,034 entries. Additional prizes were awarded: Gaypalani Waṉambi won the Wynne Prize for The Waṉambi tree, Lucy Culliton won the Sulman Prize for Toolah, artist model, and Sean Layh won the Packing Room Prize for his portrait of actor Jacob Collins.
An auction listing for Christo and Jeanne-Claude's limited edition print 'The Pont-Neuf Wrapped' (1976-2020) has closed. The work is an archival digital print on wove paper, part of an edition of 450, accompanied by the exhibition book 'Christo et Jeanne-Claude Paris!'. The listing includes details on the artists' legacy, their monumental public projects like 'The Gates' and 'Wrapped Reichstag', and notes that similar works by Christo are available for purchase from various galleries.
Frieze New York 2026 opened at the Shed with 68 galleries from 26 countries, marking the fair's 15th year. The event drew art-world elite including curators, gallery owners, and advisers, with notable attendees such as Paulina Kolczynska, Jim Kelly, Larry Ossei-Mensah, and Ludlow Bailey. Latin American and African galleries had a strong presence, and conversations highlighted increased diversity and representation from the Global South. The fair is part of a broader art sprint that includes the Whitney and Venice Biennials, TEFAF, and the Independent Art Fair.
The article explores whether digital art platforms can replicate the experience of visiting a physical gallery. It acknowledges the impressive progress of virtual exhibitions—global accessibility, VR tours, AR overlays, and high-resolution zoom—and notes that 35% of UK adults digitally engaged with the arts in 2024/25, up from 27% in 2021/22. However, it argues that something essential is lost without physical presence: the tactile encounter with a painting's texture and scale, the serendipity of in-person discovery, and the spatial awe of standing before a Rothko in a white cube.
Fashion houses like Chanel are increasingly investing in contemporary art, not merely as inspiration for prints or patterns but as a strategic tool for brand positioning and cultural credibility. Gallery owner Tristan Paprocki, who recently opened a Milan space with partner Guido Romero Pierini, notes that brands now seek out emerging artists to demonstrate foresight and support new talent. Chanel has collaborated with Berlin's Hamburger Bahnhof museum for large-scale installations by artists such as Klára Hosnedlová and Lina Lapelytė, and has announced ten artists for the third edition of its Next Prize 2026, including Bárbara Sánchez-Kane, Pan Daijing, and Álvaro Urbano. These artists work across fashion, sculpture, and performance, blurring the lines between clothing and contemporary art.
The Lisa Yuskavage exhibition has opened at David Zwirner's 533 West 19th Street location in New York, running from May 14 through June 26, 2026. The show features new and recent paintings, works on paper, and a body of collages made on green Color-aid paper, incorporating pastel, egg tempera, gouache, and pasted elements. Many paintings expand on the theme of the artist's studio, with recurring figures appearing across compositions. This marks Yuskavage's tenth solo exhibition with David Zwirner, twenty years after her first show with the gallery in 2006. The exhibition follows her first comprehensive museum presentation of works on paper, 'Lisa Yuskavage: Drawings,' at The Morgan Library and Museum in New York from June 2025 through January 2026.
Gallerie dell'Accademia, one of Venice’s most historic museums, is hosting "Energy in Transition," a major retrospective marking performance artist Marina Abramović’s 80th birthday. The exhibition features iconic works such as "The Lovers: The Great Wall Walk" (1988) and "Balkan Baroque" (1997), for which she became the first woman to win the Golden Lion at the Venice Biennale. Visitors can interact with installations involving crystals, meditation platforms, and energy brushes, transforming Abramović’s once-violent performances into a healing journey. Separately, St. Mark’s Square is hosting an exhibition by Korean artist Lee Ufan, featuring his sculpture "The Kiss."
SFMOMA has opened 'Matisse’s Femme au chapeau: A Modern Scandal,' an exhibition that revisits the 1905 debut of Henri Matisse's iconic painting at the Salon d’Automne in Paris, which sparked the Fauvist movement. The show reconstructs Gallery VII of that salon, reuniting works by all ten original artists—including Matisse, André Derain, and Maurice de Vlaminck—and places the painting in dialogue with contemporary artists to trace its lasting influence. The painting, which was purchased by collectors Leo and Gertrude Stein at the 1905 salon, entered SFMOMA’s collection in 1991 as a bequest from Elise S. Haas and never travels, making this the exclusive venue for the exhibition.
The Brooklyn Museum opens "Iris Van Herpen: Sculpting the Senses," a mid-career retrospective of the Dutch fashion designer known for pioneering 3D-printed garments. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, features over a decade of van Herpen's work, including her first 3D-printed garment from 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new works such as an algae dress grown from 125 million living organisms. Organized by senior curator Matthew Yokobosky, the show spans eleven themes exploring van Herpen's fusion of traditional craftsmanship with technology, science, and nature.
During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.
Art Basel 2026 has announced that artist Trevor Paglen will co-curate the latest edition of Zero 10, the fair's global initiative dedicated to digital art, alongside digital art strategist Eli Scheinman. Making its debut at Art Basel's flagship Swiss edition, Zero 10 will take over the Event Hall on Messeplatz from June 17–21, 2026, with a Preview Day on June 16. The expanded presentation will feature 19 exhibitors showcasing artists working at the forefront of digital, generative, and media-based practices, and is themed "The Condition," examining life within algorithmic systems and AI. Highlights include works by Hito Steyerl, Avery Singer, Andreas Gursky, Vera Molnar, Ryoji Ikeda, John Gerrard, and Rafael Lozano-Hemmer, presented by galleries such as Hauser & Wirth, Marian Goodman Gallery, Sprüth Magers, Esther Schipper, Almine Rech, bitforms gallery, Art Blocks, and HEK (Haus der Elektronischen Künste).