Alexandria Turns Into an Open-Air Gallery for Contemporary Art Days

Alexandria Contemporary Art Days launches from October 9th to 16th, 2025, transforming the Egyptian city into an open-air gallery. The festival features site-specific works by local and international artists across venues including the French Institute, Behna Warehouse, El Garage Cultural Space, and the Bibliotheca Alexandrina. Highlights include a performance connecting breath and sound by dancer Salma Salem and trombonist Simon Petermann, a drawing-based installation by Mohamed Adel Dessouki, and Tiana Kader's evolving participatory installation 'The House of the Fat Lady'. The programme also includes exhibitions, live performances, workshops, talks, and guided walks such as 'Art on Foot'.

Collectors' collective: Private art enthusiasts work together to bring world-renowned artists to Daejeon

Fourteen Korean collectors have formed a collective called Arche II to jointly acquire and display works by world-renowned artists in Daejeon, a city 140 km from Seoul. Their exhibition "Tracing the Unfinished" at the multidisciplinary complex Heredium features 30 works, including 14 jointly owned pieces, by artists such as Le Corbusier, Robert Longo, Olafur Eliasson, David Hockney, Yang Hae-gue, Anicka Yi, and Choi Byung-so. The group, founded in 2017 by business leaders including a radiologist and a former prosecutor, contributes a fixed annual budget to purchase three to five works at major art fairs, focusing on emerging artists rather than established names.

Architecture as Microcosm: Interview with Architects Barclay & Crousse Coming to an Exhibition in Milan

Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano

Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.

Tell Me About Love…

Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.

‘Studio Iron’ to Launch at Saatchi Yates, Blurring the Boundaries Between Art and Design

Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.

Rediscovered Rubens and a woolly mammoth head star at Brafa fair in Brussels

Brafa, Belgium's premier art and antiques fair, has expanded for its 71st edition, now featuring 147 exhibitors across three halls in the Brussels Expo convention centre. Highlights include a newly rediscovered Peter Paul Rubens painting, *Portrait of an Old Man* (around 1609), priced at over €1 million, and a 50,000-year-old woolly mammoth head from Siberia that sold for €45,000. The fair runs from 25 February to 1 March, with a strong focus on painting from Old Masters to Modern art, and a notable presence of Belgian and early 20th-century French artists.

In pictures: flora and fauna at Design Miami

Design Miami celebrates its 20th anniversary with the theme "Make. Believe.," curated by Glenn Adamson, emphasizing the evolving possibilities of collectible design. The fair features the 10th anniversary of the Curatorial Lab Annual Design Commission, including a mirrored carousel by ceramicist Katie Stout, alongside works by artists such as Bea Pernia, Pia-Maria Raeder, Joyce Billet, Teemu Salonen, Jennifer Trask, Roham Shamekh, and Clotilde Ancarani. Pieces range from a chrome-and-stone chair inspired by marine life to benches that double as planters, reflecting a pervasive focus on flora and fauna.

Two Exhibitions in Paris Galleries

Deux expositions dans les galeries parisiennes

Two notable drawing exhibitions are currently on view in Paris galleries. The first, organized by dealer Nicolas Schwed on Rue Saint-Honoré, features a strong selection of old and modern master drawings, with a surprising emphasis on 18th-century French works alongside Italian pieces. Highlights include a preparatory study by Federico Zuccaro for a Roman fresco and a rare drawing of the Trinity by Cornelis Schut, which is linked to a lost altarpiece from Cologne.

Architects Behind Frick Renovation Tapped for Louvre’s ‘New Renaissance’

The French government has selected STUDIOS Architecture to lead a major renovation of the Louvre Museum in Paris, including new galleries and a second entrance. The project, called the 'New Louvre Renaissance,' was announced by President Emmanuel Macron in early 2025 but stalled after a jewel heist and staff strikes led to the resignation of former Louvre president Laurence des Cars, who was succeeded by Christophe Leribault. The $778 million plan aims to ease overcrowding at the museum, which hosts 9 million visitors annually, and includes a dedicated 33,000-square-foot gallery for the Mona Lisa.

Parliamentary report calls for major changes at French museums in the wake of Louvre heist

A French parliamentary report published on 13 May, following the October 19 heist of the crown jewels at the Louvre, issues a damning assessment of the country's museum security and management. The commission heard around 100 testimonies and examined some 2,000 museums, dedicating a special chapter to the Louvre. It blames former director Laurence des Cars's leadership for a "dysfunctional drift" that prioritized contemporary art interventions and fashion shows over basic infrastructure and collection protection, allowing the heist to occur. The report lists rising threats including riots, burglaries, cyberattacks (which forced the National Museum of Natural History in Paris to cancel an exhibition after a ransomware attack in July 2025), and terrorist plots. It proposes 40 recommendations, including raising budgets by an estimated €20–25 billion over a decade, enhancing staff training, and overhauling museum leadership.

Man Arrested for Allegedly Planning Terrorist Attack at Louvre

French authorities arrested a 27-year-old Tunisian man, identified as Dhafer M., on May 7 for allegedly planning a terrorist attack at the Louvre in Paris. The arrest, confirmed by the National Anti-Terrorism Prosecutor’s Office (PNAT) and first reported by Le Monde, followed an investigation that began in late April after a traffic stop. Investigators found jihadist propaganda videos, photos of weapons, and searches for bomb-making instructions on his phone, as well as messages discussing access points to the Louvre and plans to make poison. The man has denied the allegations and was brought before an anti-terrorism judge to be formally charged.

archimedes palimpsest manuscript rediscovered

A missing page from the Archimedes Palimpsest, the oldest surviving copy of the Greek mathematician’s writings, has been rediscovered at the Museum of Fine Arts in Blois, France. The 10th-century parchment, which had been missing for 120 years, contains portions of the treatise 'On the Sphere and the Cylinder' hidden beneath 20th-century illumination. The page was identified by a researcher from the French National Center for Scientific Research (CNRS) after being unaccounted for since 1906.

louvre reopens delay galleries closed staff strike

The Louvre Museum in Paris reopened to the public on Monday after a three-hour delay, though several galleries remained closed as staff resumed strike action over pay, working conditions, and staffing levels. The renewed strike follows a pause on December 19 for the Christmas holiday and is part of ongoing disputes between unions and museum management. The museum has also faced recent challenges, including a $102 million jewel theft in October and infrastructure problems such as a water leak that damaged ancient books.

tv art authenticator claims he was contacted to authenticate stolen louvre jewels

British art authenticator Curtis Dowling claims he received two phone calls on Sunday, October 19, 2025, from individuals asking him to authenticate "some important French jewelry," just hours after a $102 million jewel heist at the Louvre. The stolen pieces once belonged to Emperor Napoleon III and Empress Eugénie and were taken by three masked men using chainsaws to breach a museum window. Dowling, who hosts the TV series "Treasure Detectives" on CNBC Prime Time, said the callers offered him cash far above his usual fee, which he declined, suspecting the jewels were stolen and that organized crime was involved.

french museum heists continue the house of enlightenment denis diderot

Thieves have stolen nearly 2,000 gold and silver coins from the House of Enlightenment, Denis Diderot, in Landres, France, in a nighttime break-in. The heist occurred just hours after a daylight robbery at the Louvre, where eight Napoleon-era jewels worth approximately $102 million were taken from the Galerie d’Apollon. Authorities are investigating possible connections to a series of recent museum burglaries in France, including incidents at the Jacques Chirac Museum in Sarran, the National Adrien Dubouché Museum in Limoges, and the Natural History Museum in Paris.

musems worried trump will end major tax deduction funding

French museums are alarmed that the Trump administration may eliminate a key tax deduction mechanism known as the “equivalency determination,” which allows foreign organizations to receive tax-deductible donations from American patrons. The status is critical for museum-affiliated “American Friends” groups, such as the American Friends of the Musée d’Orsay and the American Friends of the Louvre, the latter of which raised $10 million last year. Lionel Sauvage, president of the Museum of Decorative Arts in Paris, noted that about one-third of his museum’s annual donations—over $2 million—come from American donors. While no concrete action has been taken, Bloomberg reported in April that the administration was considering the move as part of a broader crackdown on tax-exempt nonprofits. Jewish philanthropic organizations have also expressed concern, with the Jewish Funders Network advising compliance amid uncertainty.

old condom erotica rijksmuseum show

Two print curators from the Rijksmuseum, Huigen Leeflang and Joyce Zelen, discovered a rare 19th-century condom with an erotic print at an auction house in Haarlem, Netherlands, in November 2023. They acquired the 1830s condom for €1,000 ($1,140) with no other bidders, and it is now the centerpiece of a small exhibition titled "Safe Sex?" at the Rijksmuseum, which explores 19th-century sex work and sexual health through Dutch and French prints. The condom, likely made from sheep's appendix, features an etching of a half-naked nun with clergymen and is believed to be a souvenir from an upmarket French brothel.

france hikes museum fees non europeans

Beginning January 1, 2026, major French museums including the Louvre and the Château de Versailles will charge non-European Union visitors €30 (about $35), up from €22 ($25). The new "differential tariff" is driven by cultural budget cuts, waning corporate sponsorships, and rising restoration costs. Versailles, where 42 percent of 8 million annual visitors come from outside Europe, sees the funds as a lifeline for repairs, while the Louvre faces €400 million in renovation needs over 15 years. The policy is expected to spread to other sites like the Arc de Triomphe and Château de Chambord, and more institutions may adopt it in 2027.

ukraine russia icom expulsion open letter

A group of arts professionals, including art historian Konstantin Akinsha and Francesca Thyssen Bornemisza, has published an open letter in Le Monde calling for the International Council of Museums (ICOM) to expel Russia for violating its code of ethics. The group threatens to take ICOM to court in France if it fails to act, citing Russia's systematic erasure of Ukraine's cultural identity since the 2022 invasion, including looting of museum collections and destruction of cultural sites documented by UNESCO. Signatories demand the exclusion of ICOM Russia and Russian museum staff involved in looting, and seek either negotiation or legal proceedings in a French court.

air de paris gallery withdrawal art basel switzerland

Air de Paris, a leading French contemporary art gallery, has withdrawn from the 2025 edition of Art Basel in Switzerland after a dispute over booth placement. The gallery was offered a less desirable second-row spot (N3) despite its long history of prime placement (L23) on the second floor. Cofounders Florence Bonnefous and Edouard Merino described the allocation process as "brutal and unfair" in a letter to the fair, which was circulated online. Art Basel defended its decision, stating that placement is at its sole discretion and made in consideration of all 290 participating galleries.

A Singaporean Gallery Lands In The Heart Of Paris

Cuturi Gallery, founded by Spanish gallerist Kevin Troyano Cuturi, has opened its first European space in Paris's Domaine National du Palais-Royal, following its original establishment in Singapore in 2019. The gallery occupies the former boutique of legendary couture dealer Didier Ludot and launched in March with a group show. Its forthcoming exhibition, "Arbres de la Forêt, Vous Connaissez Notre Âme" (May 28 to September 26, 2026), is a solo presentation for French artist-designer Hubert Le Gall, curated by Bruno Gaudichon. The project extends to Villa Noël in Provence, which will serve as a second exhibition space for large-scale outdoor sculptures.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

“Trading in the Unknown” : the exhibition marking the new edition of the Reiffers Initiatives Prize

The fifth edition of the Reiffers Initiatives Prize has opened in Paris with the exhibition "Trafiquer l'inconnu" ("Trading in the Unknown"), running until June 6, 2026, at the Reiffers Art Initiatives center. The group show features eight emerging artists based in France: Khaled Jarada, Louis Le Kim, Stanislava Kovalcikova, Arthur Marie, Eva Helene Pade, Ibrahim Meïté Sikely, Minh Lan Tran, and Manon Wertenbroek. Curated by Bernard Blistène, former director of the National Museum of Modern Art – Centre Pompidou, the exhibition presents works spanning painting, archival imagery, and explorations of the body. Stanislava Kovalcikova was named the winner of this edition, and Khaled Jarada received a new Special Mention from the jury.

Hungarian Modernity: the exhibition that sheds light on an overlooked painter at the Petit Palais, our photos

The Petit Palais in Paris is hosting the first French retrospective dedicated to Károly Ferenczy, a seminal figure in Hungarian art history. Running from April 14 to September 6, 2026, the exhibition features nearly 140 paintings and drawings, many on loan from the Hungarian National Gallery and private collections in Budapest. The showcase traces Ferenczy’s stylistic evolution from naturalism to symbolism and impressionism, highlighting his role as a founder of the Nagybánya artists' colony and a pioneer of en plein air painting in Central Europe.

A Paris exhibition spotlights Estonian women artists

The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.

Exhibition Tour— Seeing Silence: The Paintings of Helene Schjerfbeck

The Metropolitan Museum of Art is hosting a virtual exhibition tour of "Seeing Silence: The Paintings of Helene Schjerfbeck," led by Dita Amory, Robert Lehman Curator in Charge, and Max Hollein, Marina Kellen French Director and CEO. The exhibition highlights the Finnish painter Helene Schjerfbeck (1862–1946), who is celebrated in Nordic countries for her highly original style but remains relatively unknown elsewhere. Featuring nearly 60 works, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the show traces her evolution from traditional realism to a spare, abstract style developed in isolation.

Museum of Art Donors Celebrate at Impressionist Exhibit

On November 17, the Santa Barbara Museum of Art (SBMA) hosted a donor appreciation reception for its high-level supporters and special guests to celebrate two concurrent exhibitions: "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" and "Encore: 19th-Century French Art" from SBMA's own collection. Over 100 guests enjoyed cocktails and toured the galleries, welcomed by Eichholz Foundation Director Amada Cruz, who highlighted the revolutionary nature of Impressionism and its role in birthing modernism. Chief Curator James Glisson led a guided tour, noting the exhibition coincides with the 150th anniversary of the first Impressionist exhibit in 1874. Major donors recognized include The Dana and Albert R. Broccoli Charitable Foundation, Manitou Fund, SBMA Ambassadors, and several individual benefactors.

Exhibition Tour—Arts of Africa | Michael C. Rockefeller Wing

The Metropolitan Museum of Art in New York has reopened its renovated Arts of Africa galleries in the Michael C. Rockefeller Wing. The exhibition tour was led by curator Alisa LaGamma, assistant curator Jenny Peruski, director Max Hollein, and special guests Manthia Diawara and Angélique Kidjo. The reinstallation foregrounds the creativity of artists across the African subcontinent, shifting the narrative to focus on artworks within their original contexts and as masterpieces. It celebrates recognized masters from sculptor Ọlọ́wẹ̀ of Ìsẹ̀ to contemporary photographer Seydou Keïta, and places works such as Afro-Portuguese ivories and Kente cloth in visual dialogue with adjacent European galleries and contemporary pieces.

After a century in storage, an 18th-century tapestry goes on show at Blenheim Palace

A rare 18th-century tapestry, *The Battle of Arbela*, has gone on public display at Blenheim Palace in Oxfordshire, UK, after more than a century in storage. The tapestry, part of the *Story of Alexander the Great* series commissioned by the first Duke of Marlborough in 1707, was woven by Flemish weaver Judocus de Vos and designed by French artist Charles Le Brun. It depicts Alexander the Great's victory over the Persian Army at the Battle of Gaugamela in 331 BC. The piece is now exhibited in the palace's Great Hall until 26 August, following conservation work completed in the early 2000s.

Exhibition Tour—Arts of Oceania | Michael C. Rockefeller Wing

Maia Nuku, Evelyn A. J. Hall and John A. Friede Curator for Oceanic Art, along with Max Hollein, Marina Kellen French Director and CEO of the Metropolitan Museum of Art, and special guests Michael Mel and Arapata Hakiwai, lead an exhibition tour celebrating the renovation and reopening of the Arts of Oceania galleries in the Michael C. Rockefeller Wing. The tour highlights exceptional works from Oceania, including carved bisj poles from the Asmat region, towering slit drums from Vanuatu, and contemporary pieces by Aboriginal artist Noŋgirrŋa Marawili, as well as insights from artists from Mariwai village, Papua New Guinea, on the reconfiguration of panels from the Kwoma ceremonial ceiling.