Art Dubai has postponed its 2026 fair from April to May 14–17, shifting to an "adapted format" at its usual venue, the Madinat Jumeirah resort. The fair, a cornerstone of the Middle Eastern art scene, will proceed with a more focused model, featuring galleries from over thirty-five countries but altering its financial structure, with participating galleries paying a percentage of sales instead of standard booth fees.
Animierte Körper
Latefa Wiersch presents her exhibition "Atlas Studios" at the Istituto Svizzero in Rome, featuring unsettling, puppet-like sculptures that resemble film sets. The works explore themes of bodily helplessness, imperfection, and geopolitical displacement, drawing on her earlier project "Hannibal" at the Dortmunder Kunstverein, which addressed post-migrant German realities and the demolition of a housing complex. The new installation references the Atlas Studios in Ouarzazate, Morocco, and the history of cinema, with figures made from rags and nylon stockings that appear as actors or set workers.
Ethics and Parafiction: A Conversation
e-flux Screening Room hosted an event featuring artist and filmmaker Salomé Lamas on December 6, 2025. The program included screenings of her films 'Eldorado XXI' (2016) and 'Gold and Ashes' (2025), a presentation of her related publication, and a public conversation with curator Lukas Brasiskis. The published transcript focuses on Lamas's filmmaking process, particularly the logistical and ethical challenges of shooting in extreme locations like La Rinconada, Peru.
Ecuador has unveiled "Kanua: listening practices," a public program for its pavilion at the 2026 Venice Biennale, launching on May 8 with solar-powered boat tours through Venice's canals. Developed by the anticolonial film collective Tawna in collaboration with the Kara Solar Foundation and curated by Manuela Moscoso, the project features six intimate boat journeys with discussions on extractivism, aqua-feminism, and territorial resistance, involving artists such as Carolina Caycedo, Mariana Castillo Deball, and Tabita Rezaire. The initiative reactivates Tawna's floating Amazonian film festival, which originally brought cinema to remote communities in Ecuador via a solar-powered boat.
As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.
Swiss photographer and artist Walter Pfeiffer, now in his late 70s, is the subject of a profile in which he discusses his daily life, his love for Marlene Dietrich, his disdain for rude people, and his habit of wearing the same clothes every day. The article offers an intimate glimpse into his personality and creative philosophy.
Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché
The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.
Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.
Vedere con il calore: a Pavia 5 opere contro lo sguardo della termocamera
The University of Pavia is hosting a specialized study day and exhibition on April 30, 2026, titled "Thermal Imaging and Visual Culture." The event explores how artists are reclaiming thermal imaging—a technology originally developed for military surveillance and pandemic control—to transform it into a medium for creative expression. By showcasing five specific works, the program examines the tension between the camera's role as a tool for dehumanized monitoring and its potential as a vehicle for artistic resistance.
Di testamenti e di trasfigurazioni. Intervista alla poeta Silvia Righi
Italian poet Silvia Righi discusses her latest collection, *Ex voto suscepto*, published by Pungitopo as part of the Remedia series. The book originated from a narrative concept involving the arrival of God's daughter on Earth and features a unique interdisciplinary collaboration with artist Mattia Barbieri, who provided China ink illustrations. The interview explores the collection's focus on the decaying body, the fluidity of the lyrical 'I', and the intersection of poetic language with visual art.
A Ravenna aprono gli Archivi Sonori: a disposizione il meglio delle arti performative nazionali e internazionali
The city of Ravenna has officially inaugurated the Archivi Sonori (Sound Archives) at Palazzo Malagola, a new international center dedicated to vocal and sonic research. Founded by actress Ermanna Montanari and scholar Enrico Pitozzi, the archives offer public access to a vast collection of audio and video materials documenting the experimental work of 33 influential Italian and international performers, including Demetrio Stratos, Joan La Barbara, and Alvin Curran. The facility features specialized listening and viewing rooms, including an immersive sonic chamber and a cinema hall, all navigated via touchscreens featuring anatomical heart motifs designed by artist Stefano Ricci.
Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione
Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.
Serakai Studio presents 'dreamedcore', its second exhibition at GOLD in Hong Kong's Wong Chuk Hang district, running from June 6 to August 1. Curated by Shirley Lau and Tobias Berge, the show blends an art exhibition, concept store, and runway format to explore digital-age nostalgia through the lens of 'dreamcore' aesthetics—drawing on 1990s and early 2000s visual textures. Featuring 22 emerging multi-disciplinary artists and creative practitioners from across Asia, including Li Shuang, Wong Ping, and Peng Ke, the exhibition is divided into two chapters: 'The Lure' and 'The Twist', with a central runway stage, ambient lighting, and a mini cinema screening a video by Wong Ping.
The United Asian American Alliance hosted the 3rd Annual AAPI Art Exhibit at the Cinema Arts Centre in Huntington, a month-long showcase of Asian American creativity and heritage. Curated by artist Joan Kim Suzuki, the exhibition features works in painting, mixed media, photography, and textile that explore themes of memory, identity, migration, and belonging. The opening reception welcomed distinguished guests including Tracey Edwards, New York State NAACP Vice President, and actor Lisa Yang, a Golden Horse Award nominee.
Korean American visual artist Sungmo Cho is returning to South Korea after 14 years to exhibit his 'Along the LOVE Road' series in Seoul and Buyeo. Cho, who moved to New York in 1992, has created over 30 solo shows and 150 group shows across four countries. His works explore themes of migration, memory, and the tension between civilization and nature, with roads serving as a central symbol of both human progress and environmental destruction.
Der letzte lebende Surrealist
Alejandro Jodorowsky, the 97-year-old Chilean-French artist and filmmaker, is profiled in his Paris apartment as the last living Surrealist. The article reflects on his century-spanning career, from his early pantomime work with Marcel Marceau in the 1950s to his cult films like "El Topo" and "The Holy Mountain," as well as his famously unrealized adaptation of Frank Herbert's "Dune." Jodorowsky shares his philosophy that true art has a beginning but no end, offering a retrospective on a life lived at the intersection of performance, cinema, and visionary creativity.
Ella Maillart, photographe baroudeuse des années 30 mise en lumière dans une exposition à Lausanne
Ella Maillart, a Swiss photographer and adventurer from the 1930s, is the subject of a new exhibition in Lausanne. Born in Geneva in 1903, Maillart was an Olympic sailor and champion skier before turning to travel and photography. She journeyed across the Soviet Union, Central Asia, and China, often by train, ski, or camel, documenting remote cultures and political landscapes. Her travels included a 6,000-kilometer trek from Beijing to Kashmir with British writer Peter Fleming, and a road trip from Geneva to Kabul with friend Annemarie Schwarzenbach. The exhibition highlights her photographs and writings, which blend geographical exploration, political chronicle, and personal meditation.
Emmy Award-winning director and photographer Daniel Sackheim is set to release a new photography book titled 'The City Unseen,' which explores the noir aesthetic of Los Angeles. Moving away from the city's sunny stereotypes, Sackheim utilizes high-contrast black-and-white photography to capture a gritty, cinematic underbelly inspired by hardboiled detective novels and historic urban architecture. The project features dramatic silhouettes and deep shadows that create a sense of timeless mystery across iconic L.A. locales.
Finland-based artist researcher Sheung Yiu presents his long-term project "(Inter)faces of Predictions" at C/O Berlin, exploring how faces have been used across cultures and the implications of facial reading technologies. The exhibition examines the shift from spiritual to economic imperatives in facial interpretation, highlighting the progressive deterioration of human agency.
The article revisits the six-day nationwide women's protests in Iran that began on International Women's Day, March 8, 1979. Thousands of women marched in Tehran and other major cities in response to Ayatollah Ruhollah Khomeini's declaration mandating the hijab in public ministries, marking the first mass organized resistance against the compulsory hijab and the rising Islamic Republic.
The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.
Hajra Waheed’s upcoming solo exhibition at Kunstinstituut Melly, titled 'There Is a Fountain Even If Pale That Flows Beneath Us All', explores the intersection of sound, politics, and collective resistance. Curated by Hera Chan as part of the Call & Response series, the show features a multidisciplinary array of new commissions and recent works, including the central multichannel sound installation 'HUM' (2020), which amplifies the voices of political prisoners.
Ronan Day-Lewis, son of legendary actor Daniel Day-Lewis, has directed his debut feature film *Anemone*, which premiered at the New York Film Festival. The film stars Daniel Day-Lewis as a traumatized veteran living in self-exile in Northern England after the Irish Troubles, whose estranged brother arrives to trigger a reckoning filled with magic realism. Ronan, who also works as a painter, describes the film as being about brotherhood and the silence within it, developed over five years of collaboration between father and son. A concurrent exhibition of his paintings is on view at Megan Mulrooney gallery in Los Angeles.
Tappan Collective in Los Angeles unveiled its latest group exhibition, “ELSEWHERE,” on Tuesday with a festive evening event. The show explores and expands the landscape genre, featuring works by artists including Gia Coppola, Michael Harnish, Sasha Court, Marleigh Culver, Michael DeSutter, Lisa Hardy, and Marina Ross. Founder Chelsea Nassib hosted a conversation with painter Satsuki Shibuya and CULTURED contributor Janelle Zara, drawing a crowd of cultural insiders and LA tastemakers such as entrepreneur Holly Liss Jammet, gallerist Rosa Park, and art advisor Kipton Cronkite.
The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.
"In meinem Auntieversum sind alle frei, es gibt keine Regeln"
Wenhui Lim, a Singapore-raised artist and former architecture designer, creates AI-generated images and videos featuring older Asian women she calls 'Aunties.' Her surreal 'Auntieversum' depicts these figures bathing in oversized ramen bowls, playing with pastel jellyfish, and driving sushi cars—a fantastical parallel universe where they are free from societal and familial expectations. Lim began the project in early 2023 as a personal exploration to reconcile her own feelings toward the aunties in her life, who often made blunt comments about her appearance while also plying her with food.
Beijing's Ullens Center for Contemporary Art (UCCA) will open a new museum, UCCA OneM Center for Contemporary Art, in Guangzhou in 2027. This marks the institution's first expansion into South China, created through a partnership with Guangzhou's existing OneM Center for Contemporary Art.
Photographer David Bird has unveiled a new exhibition titled "Cold Water Swimmers" at the Royal Bournemouth Hospital’s Art Space gallery. The series features before-and-after portraits of local swimming groups, such as Beyond the Blue in Poole, capturing the physical and emotional transformation of participants who brave the sea at sunrise without wetsuits. The project was developed during Bird's recent MA in Photography at Arts University Bournemouth, marking a return to academia after a 30-year career in commercial and press photography.
London-based artist Irum Rahat presents her first solo exhibition in India, 'Yeh Kab Ki Baat Hai', at Pristine Contemporary in Delhi. The show features 16 new works that draw from her upbringing in a South Asian household, transforming mundane domestic scenes—making chai, sitting in rooms, family interactions—into a visual archive of memory and intimacy. Rahat's paintings, influenced by cinema and her own photography, use soft, hazy colors to evoke nostalgia and the ambiguity of time.
The article reviews 'Forge', a new crime thriller directed by Jing Ai Ng, which follows Chinese American siblings Coco and Raymond Zhang who forge early 20th-century landscape paintings and sell them as authentic works in South Florida. The film features FBI agent Emily (Kelly Marie Tran) investigating the scheme, while the forgers navigate a world of wealthy collectors, a hurricane-destroyed art collection, and a family legacy of deception. The movie is described as 'Miami Vice' for the art-world crowd, with a dusky palette and pulsing soundtrack set against the backdrop of Art Basel Miami Beach's booming art market.