The Argentine artistic duo Roberto Behar and Rosario Marquardt have received the $75,000 Lifetime Achievement Award at The Ellies Oolite Arts Awards. The pair, founders of R&R STUDIOS, are recognized for their decades-long collaborative practice that merges art, architecture, and public space to create social sculptures.
The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.
Israeli artist Ilan Adar, whose Jaffa studio was a cultural hub before October 7, found himself unable to paint after the attacks as tourism and daily visitors vanished. Encouraged by collector Josh Liberman, Adar created 'Echoes of the Tribe,' an exhibition now showing in Melbourne, Australia. The works, built from red pigment and layered with emotion, explore themes of shared human connection, memory, and resilience. The exhibition was organized with the help of Alexandra Pyke to support Israeli artists facing discrimination and economic hardship post-October 7.
At the Venice Biennale, the UAE Pavilion at the Arsenale presents 'Washwasha,' a project curated by Bana Kattan that focuses on sound as an invisible infrastructure crossing cultures, memories, and identities. Featuring artists Tala Safié, Farah Al Qasimi, and Ala Younis, the pavilion eschews visual shock and political slogans for an immersive, auditory experience that prioritizes listening, proximity, and disorientation. Architect Koray Duman, who designed the space, explains in an interview that the pavilion is a deliberate counter to the contemporary culture of hyperstimulation and monetized attention, using architecture not as a container but as a system that organizes perception and emotional tension.
Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché
The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.
The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).
The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.
A legal dispute between brothers Prajit and Projjal Dutta over the branding of their respective New York galleries has escalated into allegations of physical violence. Harry Hutchison, a director at Aicon Art, filed a complaint alleging he was severely injured after being assaulted by Projjal Dutta at their shared Great Jones Street business premises in April 2024. Projjal Dutta has countered these claims, asserting he acted in self-defense after being shoved by Hutchison and accusing Hutchison of filing false police reports.
A new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" has opened at The Art Museum of Eastern Idaho in Idaho Falls, featuring works by six contemporary artists—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson. The show, curated by museum Executive Director Alexa Stanger, focuses on the agricultural landscapes of the American West, portraying farms, ranches, and working spaces not as scenic backdrops but as living environments shaped by labor, memory, and generational stewardship. It runs through July 3.
The United Asian American Alliance hosted the 3rd Annual AAPI Art Exhibit at the Cinema Arts Centre in Huntington, a month-long showcase of Asian American creativity and heritage. Curated by artist Joan Kim Suzuki, the exhibition features works in painting, mixed media, photography, and textile that explore themes of memory, identity, migration, and belonging. The opening reception welcomed distinguished guests including Tracey Edwards, New York State NAACP Vice President, and actor Lisa Yang, a Golden Horse Award nominee.
Seven local Indigenous artists were featured in this year's Indigenous Art exhibition at Gallery 121 in Belleville, Ontario. The exhibition, curated by Maureen Swann, showcased works including Tyler Tabobondung Rushnell's painting "Howling into the Sunset," alongside pieces by Mohawk artists David R. Maracle, Janice Brant, and Jennifer Brant, among others. The artists emphasized personal storytelling, cultural heritage, and the use of traditional materials and themes.
Claudia Keep's solo exhibition "Water, Water, Everywhere" is now on view at Parker Gallery in Los Angeles, featuring oil paintings that focus on water in everyday settings such as pools, beaches, cafes, and car windows splattered with rain. The show includes multi-panel panoramic works like "River swimmer" and "Pool swimmer," which depict swimmers in dynamic, distorted forms, and frames that extend each painting's color palette. The exhibition runs through May 30, 2026.
Two Rooms gallery in Auckland presents 'Past Perfect,' a group exhibition featuring works by Gretchen Albrecht, Noel Ivanoff, John Nixon, Jeena Shin, and Helen Calder. The show explores geometric abstraction and the interplay of light, shadow, and transparency through works produced over the last several decades.
Der letzte lebende Surrealist
Alejandro Jodorowsky, the 97-year-old Chilean-French artist and filmmaker, is profiled in his Paris apartment as the last living Surrealist. The article reflects on his century-spanning career, from his early pantomime work with Marcel Marceau in the 1950s to his cult films like "El Topo" and "The Holy Mountain," as well as his famously unrealized adaptation of Frank Herbert's "Dune." Jodorowsky shares his philosophy that true art has a beginning but no end, offering a retrospective on a life lived at the intersection of performance, cinema, and visionary creativity.
Artnet and Artsy, both acquired in 2025 by British fund Beowolff Capital, are beginning their integration under a shared management structure while maintaining separate brands and websites. The reorganization has already involved job cuts and aims to more closely align market data, online visibility, and transactions amid a fragile online art sales environment.
Longtemps menacé, le Palais de la découverte va finalement rouvrir en 2027 après sept ans de fermeture
The Palais de la découverte in Paris will officially reopen in March 2027 following a seven-year closure for extensive renovations. Located in the Palais d’Antin wing of the Grand Palais, the institution faced the threat of permanent closure or relocation to the Cité des sciences due to economic constraints. However, a joint decision by the French Ministries of Research and Culture has secured its future at its historic site, where it will feature a shared entrance with the Grand Palais to foster a unique dialogue between art and science.
SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.
The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.
Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.
The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.
Chefs Lucho Martínez, Elena Reygadas, Gabriela Cámara, and Tyler Henry share their personal recommendations for navigating Mexico City's food scene during Zona Maco week. The article covers best breakfast spots, chilaquiles, bakeries, quick bites, tacos al pastor, and other tacos, with specific restaurant names and dishes highlighted by each chef.
Mariah Nielson, director of the JB Blunk Estate, reflects on growing up in the Blunk House—a home built by her father, artist JB Blunk, in the 1950s from salvaged materials in Point Reyes Station, California. She describes the house as a living sculpture where art, craft, and daily life merge. Today, she runs Blunk Space, the estate's gallery, and currently presents the exhibition “100 Candleholders,” featuring works by artists connected to the Blunk legacy. Nielson shares how her father's philosophy of functional, un-precious art shapes her collecting and curatorial practice.
A group of Hamptons locals—including fashion designer Ulla Johnson, hotelier Sean MacPherson, and landscape designer Edwina Von Gal—share their favorite under-the-radar spots in the East End for CULTURED's July/August Hamptons issue. Recommendations range from the curated art and design space Galerie Sardine in Amagansett to secluded beaches like Culloden Point, hiking trails at Camp Hero and Shadmoor, and nature preserves such as the Walking Dunes. The guide emphasizes quiet, scenic alternatives to crowded hotspots, with personal anecdotes about kayaking, bonfires, and local services like barber Danny Dimauro.
The Muscogee (Creek) Nation has opened the first Mvskoke-owned and operated art gallery in the Greater Tulsa area, Mvskoke Waters Gallery, in Jenks, Oklahoma, on December 13. The inaugural exhibition, “Mvskokvlke: Road of Strength,” features nearly two dozen Mvskoke artists from across the country, including George Alexander, Joy Harjo, and Sterlin Harjo, and includes a tribute to the late artist Mary Edward Smith. Co-curated by Bobby C. Martin and Carly Treece, the show celebrates Mvskoke resilience, strength, and cultural continuity.
Illustrator Molly Maine, who has been traveling the world since 2016 while running her remote design studio, is opening her first solo exhibition in London. Titled "Nomad: Perspectives on Home in a Changing Japan," the show grew out of her experiences at the Colive Fukuoka conference and an artist residency in Kanazawa. During her time in Japan, Maine interviewed both earthquake evacuees from the Noto Peninsula and digital nomads who had relocated there, exploring contrasting experiences of displacement and belonging. The exhibition weaves together these voices through illustration commissions that examine what defines home.
Opera singer Davóne Tines and filmmaker Julie Dash collaborated on the short film "HOMEGOING," commemorating the 10-year anniversary of the 2015 mass shooting at Mother Emanuel AME Church in Charleston, South Carolina. The film was created as part of the exhibition "MONUMENTS" at The Brick and MOCA in Los Angeles, curated by Hamza Walker, which interrogates American identity through historical relics. Tines and Dash discuss their shared Southern roots, the role of ritual in healing, and the emotional process of filming inside the historic church.
Haley Art Gallery in Kittery, Maine, has opened its 21st season with the group exhibition "Shared Spaces," featuring works by Paul Burke, Sheridan Cudworth, Barbara D’Antonio, Jozimar Matimano, Bill Oakes, and Carlos Vega. The show runs through August, with gallery artist talks scheduled for June 13 and June 27. The gallery also offers special purchasing incentives for local business owners and designers, as well as a Victorian Tea-Time Art experience for groups.
A Venezia puoi adottare una rivista per sostenere l’emeroteca della Fondazione Querini Stampalia
The Fondazione Querini Stampalia in Venice has launched an initiative called 'Adotta una rivista' (Adopt a Magazine) to support its periodicals library (emeroteca). The campaign invites individuals to sponsor subscriptions to the approximately 200 Italian and international magazines the library receives annually, covering topics from art and architecture to politics and society. The goal is to double the number of donors and ensure the continuity of this dynamic resource for students, scholars, and readers.
The Metropolitan Museum of Art will present "Creatures of Myth and Imagination: Europe and the Americas" at the Met Cloisters from May 18 to October 18, 2026. The exhibition explores hybrid mythical beings in visual arts from 500 to 1500 CE, featuring over 50 objects including paintings, sculpture, ceramics, ivories, textiles, and metalwork drawn mainly from the Met collection. It marks the first time ancient American art will be shown at the Met Cloisters, with key loans from the Museo del Templo Mayor in Mexico City, including a never-before-seen-in-New-York sculpture of the Zapotec "bat lord."
The Clark Art Institute in Williamstown, Massachusetts, is launching a free gallery talk program called Meet Me at the Clark on May 18, designed specifically for people living with dementia and their care partners. The tours take place on select Mondays from 1–4 pm when the museum is closed to the public, offering private access to the galleries with specially trained educators leading guided, open-ended conversations about art.