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Lillian Blades' first solo exhibition sparkles and shines at Sarasota Art Museum

Lillian Blades' first solo exhibition, "Through the Veil," is on view at the Sarasota Art Museum (SAM) through October 26. The Bahamian-born artist presents large, quilt-like mixed-media installations made from found objects such as toys, jewelry, utensils, and mirrors, wired together and hung from PVC piping. Her work is displayed on the museum's third floor, while a concurrent exhibition of Gee's Bend quilts occupies the second floor, creating a thematic dialogue between the two shows.

Amid geopolitical tensions, Pakistani and Indian art worlds unite in London exhibitions

Amid ongoing geopolitical tensions between India and Pakistan, multiple art exhibitions in London are fostering cross-border cultural exchange. The Barbican is showing Pakistani artist Huma Bhabha alongside Swiss sculptor Alberto Giacometti, curated by Shanay Jhaveri. At SOAS, a South Asian group show organized by Pakistani artist Salima Hashmi and Indian curator Manmeet K. Walia features over 25 artists, including a collaborative textile work by Maheen Kazim and Purvai Rai. Two Indian galleries in central London have also exhibited Pakistani artists, though gallerists requested anonymity due to safety concerns in India.

Guest Artists Space Foundation announces ambitious 2025–26 programme exploring African art archives

Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation have announced the 2025–26 edition of 'Re:assemblages', a programme focused on African and Afro-diasporic archives as sites for artistic inquiry and decolonial practice. Curated by Naima Hassan with contributions from Maryam Kazeem, Ann Marie Peña, and Jonn Gale, the initiative includes international convenings, symposia, fellowships, and micro-publications, anchored by a two-day symposium in Lagos during Lagos Art Week (4–5 November 2025). The programme draws on the Picton Archive at G.A.S.'s Lagos campus and is supported by the Terra Foundation for American Art, featuring four curatorial themes: Ecotones, The Short Century, Annotations, and The Living Archive. It also launches the African Arts Libraries Lab (AAL Lab), a pan-African network of libraries and publishers across Lagos, Dakar, Marrakesh, Cairo, Nairobi, Cape Town, and Limbe.

Renewed Bern Kunsthalle works to reframe Switzerland's history

The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.

In pictures: the best of the Liste art fair in Basel

Liste Art Fair Basel is celebrating its 30th anniversary, showcasing works by artists under 40 from international galleries. Highlights include Nahum B. Zenil's self-portrait exploring LGBT and Indigenous identity, Magdalena Petroni's taxidermy rat sculptures, Al Freeman's internet-age art comparisons, Inuuteq Storch's Greenlandic love story, Javier Barrios's orchid revenge narrative, and Jonathan Sanchez Noa's Afro-Cuban spiritual installation.

Basel's new satellite fair rides the wave of interest in contemporary African art

A new satellite art fair called Africa Basel has launched in Basel, Switzerland, founded by artist Benjamin Füglister and Photo Basel director Sven Eisenhut-Hug. The fair brings together 18 galleries, half from Africa, in a 14th-century building that once housed Dieter Roth's studio. Participants include non-commercial organizations like Ghana's Nubuke Foundation and Zambia's Modzi Arts, with prices ranging from SFr3,000 to SFr150,000. The fair aims to provide a platform for galleries specializing in contemporary African art and its diaspora to enter the global scene.

A natural history of the studio

William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.

Brittany Webb is Joining Museum of Fine Arts, Houston as Curator of Modern and Contemporary Art: 'There is A Lot That Attracted Me to the MFAH'

The Museum of Fine Arts, Houston (MFAH) has appointed Brittany Webb as curator in the Department of Modern and Contemporary Art, effective late summer 2025. Webb joins from the Pennsylvania Academy of the Fine Arts (PAFA), where she served as the Evelyn and Will Kaplan Curator of 20th-Century Art and the John Rhoden Collection since 2018. At PAFA, she organized several exhibitions including a comprehensive retrospective of sculptor John Rhoden, and added over 200 works to the permanent collection. MFAH Director Gary Tinterow praised Webb's passion, community connections, and track record of thoughtful exhibitions of American and African American art.

Which galleries are returning to Frieze London and Frieze Masters 2025—and which are not?

Frieze London and Frieze Masters have announced their 2025 exhibitor lists, with nearly 290 galleries set to participate in Regent's Park from October 15 to 19. Frieze London's 22nd edition will feature over 160 exhibitors, including blue-chip names like Gagosian, Pace, Goodman, and Sprüth Magers, alongside London staples The Approach and Corvi-Mora. Notable absentees from last year include Tanja Wagner, Magician Space, and Lia Rumma, while newcomers such as Carbon 12, Anat Ebgi, and Simões de Assis join the main section. The Focus section for emerging galleries debuts eight first-time participants, and a curated section organized by Jareh Das will highlight artists from Brazil, Africa, and their diasporas. Across the park, Frieze Masters, under new director Emanuela Tarizzo, will host around 120 galleries, with first-timers including Champ Lacombe and Vito Schnabel Gallery, and the Studio section curated by Sheena Wagstaff.

Must-See Art Installations in NYC, June 2025

This article highlights several must-see art installations and events in New York City for June 2025. Highlights include "Van Gogh's Flowers" at the New York Botanical Garden, featuring floral displays inspired by van Gogh's paintings; Photoville, a citywide pop-up photography festival with over 80 international exhibits; Pigeon Fest on the High Line, celebrating Iván Argote's pigeon sculpture "Dinosaur"; AMPLIFIED, an immersive rock 'n' roll experience at ARTECHOUSE NYC presented by Rolling Stone; and Lily Kwong's living installation "Gardens of Renewal" in Madison Square Park.

DIA's revamped African American art galleries to reopen in heart of museum this fall

The Detroit Institute of Arts (DIA) announced on June 2, 2025, that its newly reimagined African American art galleries will open to the public in October 2025. The galleries are being relocated to a central position within the museum, adjacent to the Diego Rivera murals at Rivera Court, to highlight the contributions of Black artists to Detroit's and history's artistic landscape.

Artists come together to celebrate Black art at the Harn

Gainesville art enthusiasts gathered at the Harn Museum of Art for its free 'Silver Linings' Community Day, featuring line dancing, screen printing, notebook making, and a community mural activity titled 'Pieces of Us.' The event centered on the exhibition 'Silver Linings: Celebrating the Spelman Art Collection,' on loan from Spelman College, which includes 39 works by nearly 30 artists of African descent, such as Benny Andrews, Sam Gilliam, and Faith Ringgold. Artist-in-residence Jessica Clermont led the community mural project, inviting visitors to decorate abstract puzzle pieces reflecting personal 'silver linings.'

Museum openings: V&A East Storehouse and the Met’s Rockefeller Wing, plus Rachel Whiteread at Goodwood Art Foundation—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major museum developments. Ben Luke tours the V&A East Storehouse in London's Queen Elizabeth Olympic Park, a new facility offering unprecedented public access to the Victoria and Albert Museum's collection, speaking with deputy director Tim Reeve, lead technician Matt Clarke, senior curator Georgia Haseldine, and director of collections care Kate Parsons. Ben Sutton visits the Metropolitan Museum of Art's newly revamped Michael C. Rockefeller Wing, which houses collections from Africa, the Ancient Americas, and Oceania, interviewing curator Alisa LaGamma and contemporary artist Taloi Havini. The episode also features Rachel Whiteread's new work 'Down and Up (2024-25)' as Work of the Week, part of her debut exhibition at the Goodwood Art Foundation in West Sussex.

The Musée des Arts Décoratifs celebrates France’s ‘king of fashion’, who married haute couture to art

The Musée des Arts Décoratifs in Paris is presenting a new exhibition, *Paul Poiret: Fashion is a Feast*, dedicated to the early 20th-century French couturier who styled himself the “King of Fashion.” The show draws on the museum’s extensive Poiret collection, spanning from the Belle Époque through the 1920s, and features his garments alongside photographs, drawings, posters, and illustrations. It traces Poiret’s career from his start at the House of Worth to his independent house, his collaborations with artists such as Raoul Dufy and Maurice de Vlaminck, and his exotic inspirations from travels in Europe and North Africa.

Trump claims he has fired director of US National Portrait Gallery

US President Donald Trump claimed on his Truth Social platform that he has fired Kim Sajet, director of the National Portrait Gallery (NPG), alleging she is a "highly partisan person" and a supporter of diversity, equity, and inclusion programs. Sajet, who became the first woman to lead the NPG in 2013, has not commented, and the Smithsonian declined to comment. It remains unclear whether Trump has the legal authority to fire Smithsonian employees, as the institution is governed by a board of regents and receives partial federal funding.

The Met to Reopen Its Arts of Africa Galleries on May 31, Following a Multiyear Renovation

The Metropolitan Museum of Art will reopen its Arts of Africa galleries on May 31, 2025, after a multiyear renovation that began in summer 2021. The redesigned Michael C. Rockefeller Wing features some 500 works spanning from the medieval period to the present, including a 12th-century fired clay figure from Mali and Abdoulaye Konaté's 'Bleu no. 1' (2014). A quarter of the works are recent acquisitions or gifts, displayed for the first time. The project was led by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects LLP and the Met's Design Department, and involved a network of international scholars and digital partnerships with the World Monuments Fund and filmmaker Sosena Solomon.

The Met Reopens Newly Reimagined Galleries Dedicated to the Arts of Africa, the Ancient Americas, and Oceania, Following a Multiyear Transformation of The Michael C. Rockefeller Wing

The Metropolitan Museum of Art has reopened its newly reimagined galleries dedicated to the arts of Africa, the Ancient Americas, and Oceania, following a multiyear transformation of the Michael C. Rockefeller Wing. The renovated spaces present a refreshed installation of the museum's extensive collection, highlighting cross-cultural connections and updated interpretive approaches.

“Selma Burke African American Art Show” at Phillips’ Mill

Phillips’ Mill Community Association in New Hope, Pennsylvania, has announced a new exhibition titled “The Selma Burke Invitational African American Art Show,” running from May 31 through June 29. The show pays homage to Selma Burke, a prominent 20th-century sculptor and art educator who lived in New Hope for the last 40 years of her life. It features over 60 works by African American artists Burke mentored, taught, or inspired, including James E. Duprée and Kimberly Camp, alongside historical pieces by artists such as Faith Ringgold, Romare Bearden, and Thornton Dial. The exhibition also includes works loaned from collectors like Lawrence Hilton.

An UES carriage home from a celebrity architect opens up for a public art show

Art dealer and collector Adam Lindemann is presenting a free public exhibition titled "Urhobo + Abstraction" in his East 77th Street carriage house on Manhattan's Upper East Side. The show features five life-size 19th- and early-20th-century sculptures carved by the Urhobo people of southern Nigeria, paired with works by contemporary artists of African descent including El Anatsui, Alma Thomas, and Jack Whitten. The carriage house is the first Manhattan building designed by Ghanaian-British architect David Adjaye, whose renovation was completed in the late 2000s. The exhibition runs through June 13, open Mondays through Thursdays, and the sculptures are not for sale.

Metropolitan Museum receives 6,500 works from photography collector Artur Walther

The Metropolitan Museum of Art in New York has received a promised gift of more than 6,500 works from German American photography collector Artur Walther and his Walther Family Foundation. The trove spans post-war and contemporary photography from Africa, Japan, Germany, and China, alongside vernacular photos from Europe and the Americas. A special showcase of African photographers' works will debut in the Met's Michael C. Rockefeller Wing when it reopens after renovation later this month. The collection, which has operated exhibition spaces in Neu-Ulm, Germany, and New York's Chelsea district since 2010, includes major names such as Malick Sibidé, Zanele Muholi, Ai Weiwei, Bernd and Hilla Becher, and Thomas Struth.

Artist Alison Saar wins High Museum’s 20th annual Driskell Prize

Alison Saar, a Los Angeles-based artist known for sculptures exploring Black American experience through historic and symbolic imagery, has won the 20th edition of the David C. Driskell Prize from the High Museum of Art in Atlanta. The annual prize, which alternates between honoring an artist and a curator, comes with $50,000 and was announced during a reception at the Fifth Avenue Hotel in New York on 9 May. Saar succeeds 2024 winner Naomi Beckwith, and past honorees include Ebony G. Patterson, Amy Sherald, Mark Bradford, and Rashid Johnson.

Behind the scenes of the Met’s revamped Rockefeller Wing with its acclaimed architect

Kulapat Yantrasast, the Bangkok-born architect behind Why Architecture, has completed a $70 million overhaul of the Metropolitan Museum of Art's Michael C. Rockefeller Wing, which houses the arts of Africa, Oceania, and the ancient Americas. Working with executive architect Beyer Blinder Belle, Yantrasast redesigned the 40,000-square-foot exhibition hall to address longstanding conservation issues caused by a 200-foot glass wall on Central Park that exposed fragile objects to heat and light. The wing reopens to the public on May 31 after four years of construction.

Tate Modern, the ‘cathedral to contemporary art’, celebrates 25 years

Tate Modern in London celebrates its 25th anniversary this month, marking the transformation of a derelict Bankside power station into a landmark contemporary art museum. Designed by Herzog & de Meuron, the museum opened on 11 May 2000 and quickly reshaped London's art landscape, catalyzing the launch of the Frieze London art fair in 2003 and attracting international commercial galleries. Artist Michael Craig-Martin, a former trustee, recalls how the project was driven by then-director Nicholas Serota's ambitious vision to elevate modern art from its status as 'art's poor cousin.' The museum pioneered free-admission thematic collection displays and a global curatorial approach, though its inaugural exhibition 'Century City' was widely criticized as overambitious.

‘I derive a lot of inspiration from paintings and fibre art’: clothing designer Ulla Johnson on the art she collects and why

Fashion designer Ulla Johnson, founder of her eponymous clothing line, discusses her art collection in an interview with The Art Newspaper. She shares details about her first major purchase—Kathleen Ryan's sculpture *Diana* (2017)—and her most recent acquisition, a Gilbert Poillerat mirror. Johnson reveals her long-term search for a work by Olga de Amaral and expresses regret over not buying a set of Afra and Tobia Scarpa chairs. She also names upcoming New York exhibitions she plans to see, including the textile show at MoMA and Caspar David Friedrich at the Met.

Ford Foundation Gallery and NXTHVN presents THIS IS NOT A RETREAT! NXTHVN Through the Years

The Ford Foundation Gallery and NXTHVN present "THIS IS NOT A RETREAT! NXTHVN Through the Years," an exhibition opening June 5, 2025, at the Ford Foundation Center for Social Justice in New York. The show features work by alumni artists from the first five years of NXTHVN's intensive 10-month fellowship program, which has supported 41 artists and 12 curators since 2018. Co-founded by artist Titus Kaphar and impact investor Jason Price, the exhibition is curated by Marissa Del Toro and spans drawing, painting, prints, installation, etchings, and sculpture. A concurrent group show, "The Things Left Unsaid," featuring NXTHVN's Cohort 06 Fellows, runs from May 8 to June 21, 2025, at James Cohan Gallery.

Rashid Johnson Finds His Promised Land at the Guggenheim (Published 2025)

Rashid Johnson has mounted a major exhibition at the Solomon R. Guggenheim Museum in New York, titled "Rashid Johnson: The Promised Land." The show spans the artist's career, featuring his signature works in sculpture, painting, and installation that explore themes of Black identity, history, and the African diaspora. It includes iconic pieces such as his "Anxious Men" series and large-scale works incorporating materials like shea butter, books, and plants.

art positions galleries art basel miami beach

CULTURED magazine profiles emerging galleries participating in the Positions sector of Art Basel Miami Beach 2025, highlighting their experiences and aspirations. The article features interviews with Allann Seabra and Ian Duarte of Verve gallery in São Paulo, who discuss their gallery's growth, representation of Afro-Brazilian artists at the 36th Bienal de São Paulo, and their mission to broaden global understanding of Brazilian contemporary art. Also featured is Mauricio Aguirre of N.A.S.A.L., a gallery based in Mexico City and Guayaquil, Ecuador, who describes his year as challenging, hectic, and promising.

THE VENICE BIENNALE IN AN EDITION MARKED BY POLITICAL GAMES

The Venice Biennale's 2024 edition is embroiled in political controversy surrounding its national pavilions, particularly those of Russia, South Africa, and Israel. The Russian pavilion's readmission amid the war in Ukraine drew sharp criticism from the artistic community and led the European Union to withdraw approximately two million euros in funding. The Israeli pavilion, which remained empty in 2024 to protest hostage situations, now features a proposal by sculptor Belu-Simion Fainaru, prompting protests from the Art Not Genocide Alliance and over 200 artists demanding its exclusion. The curatorial team, appointed by the late curator Koyo Kouoh, resigned collectively nine days before the opening, and the Biennale's directorship canceled the opening ceremony, postponing awards to November. Demonstrations led by Art Not Genocide Alliance, Pussy Riot, and FEMEN surrounded the Russian pavilion during the press opening, and a strike by cultural workers is planned for May 8th.

Dozens of Venice Biennale Artists Demand Israel’s Exclusion

A coalition of 182 artists, curators, and art workers participating in the 2026 Venice Biennale, organized under the Art Not Genocide Alliance (ANGA), formally delivered a letter demanding the exclusion of Israel from the exhibition. The signatories, including prominent artists like Yto Barrada, Alfredo Jaar, and Miet Warlop, argue that the Biennale must not normalize Israeli policies towards Palestinians.

Iran Withdraws From 2026 Venice Biennale

Iran has withdrawn from the 2026 Venice Biennale, the world's most important art event, organizers announced on May 4. No official reason was given, but the withdrawal comes amid an uncertain ceasefire in Iran's war with the United States and Israel. The Biennale confirmed the decision in a statement, noting that 100 countries will still participate, including newcomers Tanzania and Seychelles. This follows South Africa's withdrawal over a legal dispute concerning a Gaza-focused artwork, and the closure of the Russian Pavilion to the public after the EU withdrew €2 million in funding over Russia's involvement.