Lubaina Himid, the Turner Prize-winning artist, discusses her latest exhibition that reflects on the evolving cultural and social landscape of contemporary Britain. The show features her signature vibrant paintings and installations that explore themes of diaspora, identity, and historical narratives, drawing on her own experiences as a Black British artist.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global agricultural shifts at Pirelli HangarBicocca and Anselm Kiefer’s monumental tributes to female alchemists at Palazzo Reale. The city's galleries and institutions are showcasing a diverse range of media, from intricate textile works that challenge traditional hierarchies to immersive digital installations.
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Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental portraits of female alchemists. Other notable shows feature diverse practices ranging from historical rediscoveries to contemporary installations across the city's major institutions and galleries.
A curated selection of seven essential exhibitions in Milan highlights the city's vibrant art scene during the Miart fair. The guide features a diverse range of artists, including Cao Fei’s exploration of global farming practices and Anselm Kiefer’s monumental portraits of female alchemists, showcasing both international heavyweights and emerging voices across the city's premier institutions and galleries.
Gallery Applications Open for Frieze Abu Dhabi
Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental tributes to female alchemists. Other notable shows feature historical and contemporary dialogues, ranging from Italian post-war masters to experimental multimedia installations.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, ranging from Cao Fei’s exploration of global agriculture to Anselm Kiefer’s monumental tributes to female alchemists. Marsha Pels stands out with a deeply personal presentation that utilizes industrial materials to navigate the complexities of grief and memory.
Milan’s art scene is currently anchored by 'New Humans' at Pirelli HangarBicocca, a major solo exhibition by Cao Fei that explores the intersection of technology, labor, and human identity. The show features immersive installations and films that document global farming practices and the surreal evolution of social structures in the digital age, alongside other key city-wide exhibitions including Anselm Kiefer’s portraits of female alchemists.
The article reviews the exhibition 'Danh Vo: Untitled' at the Pirelli HangarBicocca in Milan, which presents a collection of objects curated and arranged by the artist. The show features a diverse array of items, including a 17th-century Flemish painting, a meteorite, a taxidermied peacock, and personal memorabilia, all displayed without explanatory labels in a large, warehouse-like space.
Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental portraits of female alchemists. The city's galleries and institutions are showcasing a diverse range of media, from immersive installations to historical retrospectives, positioning Milan as a critical hub for contemporary art during this peak seasonal moment.
Could ‘The Antwerp Six’ Thrive in Today’s Fashion Industry?
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, ranging from Cao Fei’s exploration of global agriculture to Anselm Kiefer’s monumental tributes to female alchemists. Key highlights include solo presentations by established figures like Liliana Moro and emerging voices, alongside thematic shows that bridge the gap between industrial history and contemporary digital aesthetics.
New York: An Artist’s City
Milan's art scene is currently anchored by several major exhibitions, ranging from Cao Fei’s exploration of global agricultural shifts at Pirelli HangarBicocca to Anselm Kiefer’s monumental tributes to female alchemists. Other highlights include solo presentations by emerging and established artists across the city's commercial galleries and institutional spaces, coinciding with the Miart fair.
Mirosław Bałka has opened a major solo exhibition at the Pirelli HangarBicocca in Milan, featuring a new, large-scale installation titled 'CROSSOVER/S' (2026). The work, a monumental steel structure filled with salt, continues the Polish artist's decades-long exploration of memory, trauma, and the body, using industrial materials to evoke profound personal and historical narratives.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair. Highlights include Isa Genzken’s architectural investigations at the Triennale Milano, Cao Fei’s exploration of global agriculture at Pirelli HangarBicocca, and Anselm Kiefer’s monumental tributes to female alchemists. These shows span the city's major institutions, offering a diverse look at how contemporary artists engage with history, technology, and the built environment.
An exhibition at the Musée du quai Branly–Jacques Chirac in Paris is showcasing the personal art collection of the late Martinican philosopher and poet Édouard Glissant. The show, titled 'Édouard Glissant: Un monde en relation,' features over 150 works he and his wife, Sylvie Glissant, acquired, including pieces by artists like Wifredo Lam, Roberto Matta, and Hervé Télémaque, offering a tangible map of his intellectual and aesthetic affinities.
Mashonda Tifrere, a former singer turned curator and art advisor, discusses her journey from the music industry to becoming a prominent figure in the visual arts. Through her organizations ArtLeadHER and Art Genesis, she has curated over 40 exhibitions focusing on women and underrepresented artists, including a recent Faith Ringgold show at the University of California, San Diego.
The Art Newspaper, in collaboration with L'Officiel, is launching a pop-up takeover at Shreeji, a historic newsagent on Chiltern Street in Marylebone, London, during Frieze week. The pop-up will run from 8:30am to 6pm on Saturday 18 and 8:30am to 4pm on Sunday 19, offering free copies of The Art Newspaper's daily Frieze papers, the October issue with a special supplement on the British Museum, the autumn/winter issue of Art of Luxury magazine, and the latest L'Officiel. Visitors can also enjoy L'Officiel coffee and complimentary drinks on Saturday evening.
Frieze New York 2026 returns to The Shed in Hudson Yards from May 13–17, featuring over 65 international galleries in its 15th edition. The fair emphasizes Latin American art with new committee members Fátima González and Omayra Alvarado, and includes highlights such as Southern Guild's expansion into Tribeca and Yeni Mao's cyborg sculptures in the Focus section. Collectors and enthusiasts can explore a diverse range of contemporary and blue-chip works across multiple fairs during Art Week.
Frieze Masters London opened with notable sales including a 68-million-year-old Triceratops skull priced at £650,000, sold by dealer David Aaron to a private collector. Other strong sales included small drawings by Alexandre-Louis Leloir from Charles Ede, priced between £150 and £10,500, with twenty sold on opening day. Berry Campbell sold four paintings by Janice Biala, priced $18,000 to $55,000, and Stephen Friedman Gallery sold five works by Anne Rothenstein to private collectors. Hauser & Wirth reported the only seven-figure deals, while a €7.5m Rubens painting remained unsold.
Anna Ridler and Sofia Crespo have won the Artist of the Year award at the ABS Digital Art Prize 2025, recognizing their collaborative work combining analog photography and AI to explore nature and technology. The Emerging Artist of the Year category, introduced this year, was awarded to Cezar Mocan for his artwork "World Upstream," a real-time simulation that intersects contemporary art, game design, and media theory. The prize, established by Arab Bank Switzerland, received over 120 applications from 38 countries for the emerging category, and winners receive networking opportunities and a solo show or exhibition at a cultural institution within 12 months.
The 12th edition of NADA New York is now open through May 17 at the Starrett-Lehigh building in Chelsea, featuring 120 galleries and nonprofit spaces from around the world. The fair emphasizes intimacy and scale, with presentations ranging from wrestling-scene paintings by Ursula Dilley to miniature landscapes stitched onto shirt cuffs by Chang Suyung, alongside collaborations rooted in regional craft traditions and psychedelic excess. Cultured magazine highlights seven must-see booths, including solo shows by Douglas Rieger and Loucia Carlier, and a transatlantic dialogue between Saenger Galería and COHJU.
The 12th annual New Art Dealers Alliance (NADA) fair opened at the Starrett-Lehigh Building in Manhattan, featuring a wide array of contemporary works. Critic Rhea Nayyar notes that while many booths felt interchangeable due to prevalent trends like zany sculptures, shiny materials, and kitschy vibrancy, several standout pieces offered genuine engagement. Highlights include Elena Roznovan's maternal ephemera embedded in concrete with bondage tape, Kelly Tapia-Chuning's deconstructed serapes addressing colonial violence, and Niniko Morbedadze's folkloric illustrations.
Heather Hubbs, executive director of the New Art Dealers Alliance (NADA), reflects on the organization's evolution from a grassroots initiative into an international coalition with over 250 gallery members and fairs in New York and Miami. The 12th edition of NADA New York returns to the Starrett-Lehigh Building from May 13–17, featuring more than 100 galleries and the return of the Curated Spotlight, organized by curator Anthony Elms in partnership with TD Bank. Hubbs discusses the fair's growth, its commitment to supporting galleries and artists year-round, and highlights 51 first-time exhibitors and experimental works by artists like Chang Sujung and Douglas Rieger.
Frieze has appointed Frank Lasry as its new Chief Operating Officer, effective this June. Lasry joins the organization with an extensive pedigree in the art market, having previously served as COO at Perrotin and managing director at Art Basel, where he was instrumental in launching Art Basel Paris. His career also includes senior leadership roles at major auction houses Christie’s and Phillips, positioning him as a veteran executive with deep operational expertise across multiple sectors of the industry.
Independent, the New York art fair, will relocate to Pier 36 on Manhattan’s Lower East Side for its May 2026 edition. The 70,000-square-foot venue more than doubles the size of its previous home at Spring Studios, accommodating increased gallery participation post-pandemic. The fair hosted 83 exhibitors in 2025, and founder Elizabeth Dee noted that even the coat check was repurposed for a special project. The architectural redesign will be led by Solid Objectives Idenburg Liu (SO–IL), with exhibition design by Berlin’s D_P_S.
Artist Nat Faulkner has opened his first public exhibition, 'Strong water,' at Camden Art Centre in London. The show features large-scale photographic works and installations, including 'Aperture (Iodine),' which uses a light-sensitive iodine solution to filter light through the gallery's Victorian skylights, and a multi-panel silver gelatin print of an Italian scrap facility. Faulkner, winner of the Camden Art Centre Emerging Artist Prize at Frieze 2024, discusses his analogue, process-driven practice, likening the darkroom to a collaborator that introduces elements of chance.
British artist Nat Faulkner has opened a new solo exhibition titled 'Strong Water' at Camden Art Centre, exploring themes of transformation, alchemy, and photographic processes. The show features works that incorporate light-sensitive chemicals like iodine, sculptures, and photographic prints, including a large-scale photograph of scrap metal printed on collaged paper. Faulkner, who won the Emerging Artist Award at Frieze in 2024, describes his studio-darkroom as a collaborative 'machine' that produces works through indirect interventions.
Borough of Manhattan Community College's Shirley Fiterman Art Center will present two concurrent exhibitions from September 10 to December 20, 2025: Courtney McClellan: Simulations and Victoria Dugger: Late Bloomer. McClellan's installation features photographs of mock courtrooms at law schools across the American South, exploring performance and the law through what she calls 'applied fiction.' Dugger's mixed-media works, including painting and sculpture, use playful yet grotesque imagery to interrogate growth, identity, and embodiment as a Black, disabled woman. Both artists, who live and work in Georgia, will participate in an opening discussion and reception on September 10.
During New York's Frieze week, over a dozen art fairs opened in four days, creating a bustling atmosphere that masked underlying economic and political uncertainties. Dealers and advisers reported strong preview-day attendance and a palpable energy, with some noting that the crowded calendar and a recent US-UK trade deal helped buoy spirits. However, the art market has not returned to its 2022 peak, with auction estimates down $250 million from 2024 and high interest rates still deterring average collectors.
Suki Seokyeong Kang's posthumous exhibition at Tina Kim Gallery in New York presents a body of work characterized by its mobility and open-ended nature. The show features paintings and sculptures that are designed to be rearranged, challenging static notions of display and completion.