An exhibition titled 'Café Society: Art and Sociability in Belle Epoque Paris' is opening, featuring over 50 paintings that explore the role of cafés in late 19th-century Parisian social and artistic life. The show will travel from the Ordrupgaard museum in Copenhagen to two venues in the United States: the Dixon Gallery and Gardens in Memphis and the Joslyn Art Museum in Omaha.
South Africa's culture minister, Gayton McKenzie, has cancelled the country's planned pavilion at the upcoming Venice Biennale, a project by artist Gabrielle Goliath and curator Ingrid Masondo. The artist and curator are fighting the decision, appealing to the nation's president and filing a case with the high court.
A delegation of senior UK museum directors, including Tim Reeve of the Victoria and Albert Museum, Doug Gurr of the Natural History Museum, Keith Merrin of North East Museums, Sara Wajid of Birmingham Museums Trust, and Laura Pye of National Museums Liverpool, accompanied Prime Minister Keir Starmer on a three-day diplomatic and trade mission to China. The trip aimed to strengthen bilateral relations, with the museum leaders highlighting existing partnerships and exploring new opportunities for cultural exchange and commercial collaboration in the Chinese market.
A marble portrait bust by 19th-century sculptor Edmonia Lewis, previously known only as a portrait of an unidentified woman, has been reattributed to depict social reformer Ednah Dow Littlehale Cheney. The bust, held by the Bowdoin College Museum of Art, will be included in the upcoming national touring exhibition "Edmonia Lewis: Said in Stone," opening at the Peabody Essex Museum in February 2026.
The 'Korean Treasures: Collected, Cherished, Shared' exhibition at the Smithsonian's National Museum of Asian Art in Washington D.C. concluded on February 1st after drawing an estimated 65,000 visitors. The show featured over 200 works from the vast personal art collection of the late Samsung Chairman Lee Kun-hee and was celebrated with a gala event hosted by Samsung Electronics and the museum, attended by the Lee family, U.S. politicians, and business leaders.
The Smithsonian's National Museum of Asian Art announced it will return three looted bronze sculptures to India: "Shiva Nataraja" (ca. 990), "Somaskanda" (12th century), and "Saint Sundarar with Paravai." Provenance research linked the works to art dealers known for trafficking looted antiquities. The museum partnered with the Photo Archives of the French Institute of Pondicherry in 2023, finding the bronzes had been photographed in Tamil Nadu temples between 1956 and 1959 and removed in violation of Indian laws. This follows the museum's December return of three Khmer-period sculptures to Cambodia, also determined to be looted.
Phoenix Sky Harbor International Airport has opened a new immersive exhibition titled 'Spectral Alchemy' in its Terminal 4 Museum Gallery. Curated by the Phoenix Airport Museum, the show features works by 15 Arizona artists exploring the spiritual and transformative qualities of light through paint, neon, glass, and digital animation. Highlights include a large-scale video installation by Kenaim Al-Shatti, mixed-media neon works, and paintings by Pierston Doctor and Christina Thomas.
A new documentary, *Once Upon a Time in Harlem*, is screening at the Sundance Film Festival in Utah, offering an intimate look at the Harlem Renaissance. The film is assembled from 28 hours of 16mm footage shot in 1972 by the late filmmaker William Greaves at Duke Ellington's home in Harlem, capturing a gathering of key figures from the movement. Greaves's son David, who was one of the original cameramen, completed the film after his father's death. The footage includes interviews and reflections from artists, writers, musicians, and activists such as Romare Bearden, Aaron Douglas, James Van Der Zee, Eubie Blake, and Arna Bontemps.
Six opera gowns worn by Maria Callas onstage at La Scala in Milan are on display at the Luther W. Brady Art Gallery in Washington, D.C., as part of the exhibition “Callas at La Scala.” The exhibition, located within the Corcoran School of the Arts and Design, features costumes from roles including Anna Bolena and Ifigenia, alongside costume sketches by designers Nicola Benois and Piero Tosi and photographs of Callas. Students from the Corcoran School, guided by assistant professor Tanya Wetenhall, contributed by researching, writing labels, and installing the show, while ambassadors from Greece and Italy spoke at the opening.
Michael McGraw, a prominent figure in the design public relations world, is opening a new gallery called Dernier Cri on New York's Upper East Side. The space debuts on January 29, 2026, with an exhibition titled "Night Shift," featuring sculptural works by artists including Julian Mayor, Casey Johnson, Todd Marshard, Jessie Nelson, and Marit Harte, all rendered in a single black palette. McGraw, who has spent years shaping narratives for design studios and brands, describes the gallery as a physical extension of his work as a design publicist, aiming to showcase compelling art and design that inspires interior designers.
The New Orleans Museum of Art (NOMA) will debut "Hayward Oubre: Structural Integrity," the first monographic exhibition dedicated to American modernist Hayward L. Oubre, Jr. (1916–2006). Organized by the Birmingham Museum of Art, the show features 48 sculptures, paintings, and prints, including Oubre's notable wire coat hanger sculptures, and runs from January 30 through May 3. Oubre, a New Orleans-born artist, was the first BFA graduate of Dillard University and later chaired art departments at Alabama State University and Winston-Salem State University, shaping a network of Black artists in the South.
A roundup of current and upcoming exhibitions at San Francisco museums in January 2026 highlights several shows closing soon, including "Manet and Morisot" at the Legion of Honor and "Suzanne Jackson: What is Love" at SFMOMA, both ending March 1. New exhibitions opening include "The art of Cece Carpio" at SOMArts on Jan. 30, and "Trina Michelle Robinson: Open Your Eyes to Water" at 500 Capp Street and Root Division in February. The de Young Museum features "Boom and Bust: Photographing Northern California" and artist Rose B. Simpson's show "LEXICON," part of the newly opened galleries dedicated to Arts of Indigenous America. The Museum of the African Diaspora presents "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time," while the Asian Art Museum hosts "Jitish Kallat: Covering Letter (Terranum Nuncius)."
Art Karlsruhe returns for its 23rd edition from February 5–8, 2026, at Messe Karlsruhe in Rheinstetten, Germany. The fair brings together roughly 180 galleries from 18 countries, spanning 120 years of art history with dedicated halls for classical Modernism and contemporary art. New participants include Boston's Chase Young Gallery and Tehran's Maryam Fasihi Harandi Gallery, alongside a strong German contingent. Special sculpture areas feature works by Robert Schad, Martin Hollebecq, Koloman Wagner, and Sonja Edle von Hoeßle.
Spielzeug Gallery, a nomadic curatorial project founded by Evan Karas, opened a temporary brick-and-mortar space at 131 Chrystie Street in New York through a collaboration with 1 Day at a Time, an enterprise that helps nomadic creatives secure footholds in the city. The inaugural exhibition, “TOYS! TOYS! TOYS!”, featured works by Thomas Liu Le Lann, Josh Rabineau, and Michelle Im, exploring themes of control, psychosexuality, and the interplay of objects and space. The gallery’s model, described as an “itinerant fantasy,” has previously staged shows in venues including a Czech bunker, a party bus, and a Bushwick apartment.
A rediscovered portrait by Sofonisba Anguissola, a pioneering female artist of the Italian Renaissance, has gone on public display for the first time in over a century at the Winter Show in New York. The painting, *Portrait of a Canon Regular* (1552), is Anguissola's earliest signed and dated work and was long considered lost until it was found in a private collection in North Carolina after being referenced in a 2019 monograph. It is being presented by Robert Simon Fine Art.
Artsy profiles 14 influential women who are shaping India's rapidly evolving art market, including Nita Mukesh Ambani, Jaya Asokan, Shireen Gandhy, and others. The article highlights their roles as founders, directors, collectors, and patrons, with a focus on the upcoming 17th edition of the India Art Fair, which will feature a record 135 exhibitors. Each woman is described as contributing to the growth of galleries, auction houses, biennales, and cultural institutions across the country.
A priceless 2,500-year-old golden helmet and three golden bracelets from Romania's Dacia civilization, stolen from the Drents Museum in the Netherlands in January 2025, were returned to Romania on Tuesday. The artifacts arrived at Bucharest Henri Coanda International Airport under guard and were displayed at Bucharest's National History Museum, flanked by armed security. The recovery followed 14 months of investigations, diplomatic tensions, and an ongoing trial of three suspects; one bracelet remains missing but Dutch authorities vow to continue the search.
Bellarmine Hall Galleries at Fairfield University Art Museum will host an exhibition from September 18 to December 12, 2026, exploring 'Egyptomania'—the 19th-century European fascination with ancient Egyptian art and culture. The show features paintings, prints, photographs, and decorative art from the early 19th century to the present, including works like Charles-Théodore Frère's *Along the Nile* (ca. 1870). Curated by Megan Paqua, the exhibition examines how Egyptian symbols and motifs were adopted, exoticized, and commercialized, often erasing the ancient Egyptian people themselves. It aims to contrast simplified or stereotypical narratives with current archaeological understanding.
Warren Isensee's new paintings at Miles McEnery Gallery in Chelsea, New York, explore optical structure with loosened rules, where warm and cool tones trade dominance across repeating frameworks. On view through February 14, 2026, the exhibition is the artist's third solo outing with the gallery and includes a fully illustrated publication with an essay by Stephen Westfall. The works interrupt their own logic, introducing irregular breaks that reroute the eye, creating a test of looking rather than a display of visual effects.
The FOG Design+Art fair in San Francisco opened with a glitzy preview gala at Fort Mason Center, serving as a fundraiser for SFMOMA's education initiatives. VIP tickets started at $10,000 for the first hour, and by 7 p.m., the event filled to capacity as prices dropped to $250. Dealers reported a different energy this year, partly due to the recent Los Angeles wildfires affecting many participating galleries. Sales were strong, with New York dealer Ales Ortuzar selling multiple works by Suzanne Jackson in the first few hours. Local collector Sonya Yu, a recent ARTnews Top 200 listee, highlighted the resilience and sophistication of the Bay Area art community.
The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" on May 16, 2026, timed with the annual Brooklyn Artists Ball where Van Herpen will be honored. The exhibition features over 140 haute couture creations alongside contemporary art, design pieces, and scientific artifacts, exploring the designer's fusion of craftsmanship with cutting-edge technology, sustainability, and natural phenomena. Previously shown at the Musée des Arts Décoratifs in Paris, QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam, the show is curated by Cloé Pitiot and Louise Curtis, with the Brooklyn Museum presentation organized by Matthew Yokobosky and Imani Williford.
Taschen has released a monumental two-volume monograph titled "Art Sin Fin" (2026) dedicated to the 96-year-old Chilean filmmaker and polymath Alejandro Jodorowsky. The book, priced at $1,500 and packaged in a Plexiglass box, spans over 2,000 pages and includes film stills, collages, drawings, photographs, comic strips, and performance images curated by Jodorowsky himself in collaboration with Donatien Grau, head of contemporary programs at the Louvre Museum. It covers his entire career, from his surrealist films "El Topo" (1970) and "The Holy Mountain" (1973) to his failed "Dune" adaptation, his comic series like "The Incal" and "The Metabarons," his psychomagic therapy practice, and recent collaborations with his wife Pascale Montandon.
FOG Design + Art opened its 2026 edition on January 21 with a gala benefit for SFMOMA's education initiatives, drawing strong attendance and sales. The fair, which blends contemporary art and collectible design, featured 85 works acquired by SFMOMA, including pieces by Ruth Asawa, Michael Armitage, Firelei Báez, Dorothea Lange, Gabriel Orozco, and Indigenous artists such as Jaune Quick-to-See Smith and Kay WalkingStick. Galleries like Wendi Norris presented ambitious, institution-worthy works, with a focus on visionary artists and the intersection of art, science, and spirituality.
Studio Ahead, led by curators Homan Rajai and Elena Dendiberia, has created an installation for The Future Perfect titled 'The Houses Are Haunted by White Night-Gowns,' running as a satellite to the 12th edition of FOG Design+Art in San Francisco through January 25, 2026. The show features 13 designers who each produced unique bowls, displayed on a stacked arrangement of vintage furniture sourced from Berkeley-based Mid Century Møbler and San Francisco's C. Mariani Antiques, blending Scandinavian design from the 1940s–1970s with 17th–19th century antiques.
Albert Barnes, the pioneering US collector who built the Barnes Foundation in Philadelphia, twice declined the opportunity to acquire Vincent van Gogh's iconic 'Starry Night' paintings. Unpublished correspondence in the Barnes Foundation archives reveals that in 1923, agent Frank Washburn Freund offered Barnes *Starry Night over the Rhône* (1888), but Barnes did not pursue it; the painting later went to the Musée d'Orsay. In 1936, the Van Wisselingh gallery offered Barnes *Starry Night* (1889), but he again passed; it was eventually acquired by the Museum of Modern Art in New York. Despite these missed chances, Barnes was the first American to buy a Van Gogh, ultimately owning seven works by the artist, including *The Postman* and *Still Life*.
The Pennsylvania Academy of the Fine Arts (PAFA) has appointed Kristen Shepherd as its new president and CEO, effective February 9. Shepherd, 54, previously served as executive director and CEO of the Museum of Fine Arts in St. Petersburg, Florida, and held leadership roles at the Los Angeles County Museum of Art, the Whitney Museum in New York, and Sotheby’s in New York and London. She also runs her own consulting firm, Shepherd Lane + Associates. Shepherd takes over at a challenging time for PAFA, which closed its college last May due to rising costs and low enrollment, though it continues to offer K-12 and continuing education programs.
The Institute of Contemporary Art San Francisco announced a major public art commission by Jeffrey Gibson for Super Bowl LX festivities. The work, an adaptation of Gibson's 2022 video installation "THIS BURNING WORLD," will be installed as a 433-foot-long vinyl mural on the former Bloomingdale's building at San Francisco Centre, wrapping an entire city block. It will be fully unveiled on February 2, 2026, coinciding with the FOG Design+Art Fair. The project is funded by the San Francisco Downtown Development Corporation and the Yerba Buena Partnership, which have previously supported public art by Sarah Sze and Hank Willis Thomas.
Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.
Tate Modern's upcoming exhibition "Frida: The Making of an Icon," opening in June, will feature only 36 works by Frida Kahlo, a significant drop from the 50-plus works shown in the museum's last major Kahlo exhibition in 2005. Curators cite the artist's soaring global popularity as a practical obstacle: her paintings have become scarcer, more valuable, and harder to borrow. A key example is Kahlo's 1940 painting "El sueño (La cama)," which sold at Sotheby's New York for $54.7 million last fall, setting a new auction record for a woman artist. Tate is still trying to secure that work for the show, but curator Tobias Ostrander says chances are slim. Notably, Madonna, who lent works in 2005, has declined to loan this time. The exhibition, which premieres at the Museum of Fine Arts Houston before traveling to London, will not be a traditional retrospective but will instead place Kahlo's work within a broader cultural context, including works by over 80 artists she influenced and a section examining "Fridamania" and the mass merchandising of her image.
On January 21, 2026, the 2.16 Contemporary art gallery opened at 325 Constitución Street in Puerto Vallarta's Zona Romántica with a gala event featuring the exhibition “Liberatio” by Guadalajara-based artist Victor Haro, celebrating his 40-year career. The ribbon-cutting ceremony included owners and gallerists Orlando Santamaría and Abrajam Romero, Culture Councilwoman Laurel Carrillo, and Haro himself, with the show presenting hyperrealistic works in acrylic paste and airbrushing that explore human liberation.