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‘This is an opportunity that will never happen again’: Syrian artist Sara Shamma on rebuilding her country

Syrian artist Sara Shamma has been selected to represent Syria at the 2026 Venice Biennale, marking the country's return to the event with a single-artist national pavilion for the first time. Her immersive installation, 'The Tower Tomb of Palmyra,' curated by Yuko Hasegawa and commissioned by Syria's ministry of culture, combines painting, architecture, light, sound, and scent. It draws on the ancient funerary towers of Palmyra destroyed by Islamic State in 2015, addressing cultural loss and the possibility of reconstruction. Shamma, who returned to Syria in September 2024 after eight years abroad, describes living through the fall of the Assad regime and the country's rebirth as a transformative personal and national moment.

Shirin Neshat's Venice exhibition explores identity, exile and a social media tragedy

Shirin Neshat presents a new film trilogy, *Do U Dare!*, at the 16th-century Palazzo Marin in Venice alongside the Biennale. The work explores exile, fractured identity, and power through a female protagonist whose public isolation transforms into empowered expression in private. The trilogy is directly inspired by the story of Nasim Aghdam, an Iranian American known as the 'YouTube Shooter,' who in 2018 attacked YouTube's headquarters before taking her own life. Neshat interprets Aghdam's double life as a recluse and a social media star, focusing on the unstable boundary between self and performance in digital culture.

Stockholm's Market Art Fair wants to prove the 'periphery is now essential'

The 20th edition of Stockholm's Market Art Fair for Modern and contemporary art opens in a new waterfront venue at Magasin 9 in the Frihamnen docks area, running until 26 April. This year, 54 dealers—mostly from the Nordics—are joined by international galleries from the US and UK, including Anthony Wilkinson gallery (London) and albertz benda (New York). The fair expanded its reach last year by opening applications to galleries without existing Nordic ties. Notable presentations include new works by Ólafur Elíasson (i8 gallery, Iceland), dystopian paintings by Munan Øvrelid (Galleri Haaken, Oslo), and textile works by Petra Lindholm (Magnus Karlsson gallery). Prices range from SEK 28,000 to €195,000, with strong early sales reported.

Art Dubai Unveils Leaner ‘Special Edition’ Built Around Regional Core

Art Dubai has announced a streamlined "special edition" for its 2026 iteration, featuring a reduced roster of approximately 75 exhibitors. Scheduled for May 15–17 at Madinat Jumeirah, the fair is pivoting toward a regional core, with 60 percent of participants hailing from the Gulf and Southwest Asia. To address economic pressures and regional instability, the fair is implementing a novel risk-sharing financial model where booth costs are partially tied to sales performance.

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Alserkal Avenue in Dubai is expanding its traditional Art Week into a five-week "Art Month" running from April 18 to May 18. This strategic extension includes 16 gallery exhibitions, over 100 public events, and a new commercially focused group show featuring 12 UAE-based galleries. The initiative aims to provide a more sustainable platform for the local art ecosystem, especially as the Art Dubai fair has been rescheduled to mid-May and adapted in response to regional instability.

Artists respond to the continuing toll of colonialism in the Americas

The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition is the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.

Alex Heilbron at as-is

Artist Alex Heilbron presents a solo exhibition at the Los Angeles gallery as-is. The show is featured as a lead review in the February 2026 issue of Contemporary Art Review LA, highlighting Heilbron's continued exploration of painting and visual language within the Southern California art scene.

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Art Basel has launched its inaugural edition in Doha, Qatar, debuting a specialized format that emphasizes solo artist presentations and a slower, more meditative pace compared to its flagship fairs. The event features a curated selection of international galleries including Pace, Lisson, and Almine Rech, with a layout designed to foster deeper engagement and introduce regional collectors to the fair circuit.

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Brazilian artist Laura Lima is currently the subject of two major concurrent solo exhibitions in London. At Goodman Gallery, her show "Communal Nests for Windows, Balconies, Verandas, Gardens, and Forests" features woven, nest-like sculptures made from organic materials like jute and sisal, which she encourages collectors to install outdoors to be used by wildlife. Simultaneously, the Institute of Contemporary Arts (ICA) is hosting "The Drawing Drawing," a career-spanning survey centered on a site-specific performance piece involving life models and artists on mechanized orbiting platforms.

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Chinese authorities have concluded a major investigation into the Nanjing Museum, revealing decades of alleged mismanagement and corruption that led to nationally significant artworks being funneled into the private market.

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New York’s Jeffrey Deitch gallery apologized to artist Miles Greenberg after rapper Lexa Gates staged a performance inside a giant wheel at the gallery on January 14 to promote her album. Greenberg noted striking similarities to his own endurance piece Oysterknife, in which he walked on a conveyor belt for nearly a full day, first performed at the Marina Abramović Institute in 2020 and restaged at Jeffrey Deitch in 2021. Gates responded that she had never seen Greenberg’s work, but the gallery later acknowledged an “unauthorized derivative” of Greenberg’s work had taken place without his consent.

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A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.

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Soho Beach House in Miami has reoriented its art collection around photography in late 2025, featuring works by established figures like Isaac Julien, JR, Laurie Simmons, Marilyn Minter, and Ming Smith alongside emerging artists such as René Matić, Caroline Allison, and Walead Beshty. The rehang, overseen by chief art director Kate Bryan, spans polaroids, performance-derived imagery, collage, and cameraless prints, with a focus on artists who use photography as a tool for broader inquiry.

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Alex Prager has created "Mirage Factory," an immersive installation inside a former Miami Beach cinema that pays tribute to her hometown of Los Angeles while critiquing its illusions. The installation features meticulously crafted sets, a new photograph, and a dining experience by chef Dave Beran, alongside a live performance by Diana Ross. It opened with private events for Capital One cardholders and the Cultivist art club, and is now public through December 4, with proceeds benefiting Heal the Bay.

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The article reports on the state of the art market at the end of 2025, noting that while it has been a difficult year with three years of contraction, there are signs of improvement. Recent sales in Miami and $2.2 billion in marquee auctions in New York last month have boosted optimism. Factors such as lower interest rates and easing geopolitical tensions are contributing to a slightly rosier outlook for 2026, though the article warns that some sectors will recover while others may not for some time.

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Los Angeles-based artist Alex Prager has opened "Mirage Factory," an immersive installation on Miami Beach's Lincoln Road, taking over the historic Beach Theatre. The project features three constructed set pieces that explore Los Angeles history, including a 1:12 scale model of Hollywood Boulevard with landmarks like Grauman's Chinese Theatre and Musso & Frank's, an orange grove with real trees and fake citrus, and a lush garden party set in Griffith Park. The installation is part of an ongoing collaboration between Capital One and the Cultivist, and includes an immersive dining experience by chef Dave Beran, with a performance by Diana Ross. The public can visit on December 4 and 5, 2025.

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French artist JR will wrap Paris's oldest bridge, the Pont Neuf, in images of the limestone rock formations from which it was originally built in the 16th century. The project, titled "La Caverne du Pont Neuf," is scheduled for June 2026 and marks the 41st anniversary of Christo and Jeanne-Claude's iconic wrapping of the same bridge in 1985. JR's installation was delayed by a year due to logistical and technical complications, echoing the famously tardy nature of Christo and Jeanne-Claude's large-scale works. The project was offered to JR by Vladimir Yavachev, director of the Christo and Jeanne-Claude Foundation, who wanted an interpretation rather than a reinstallation.

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Ayoung Kim's video "Delivery Dancer's Sphere" (2022) captures the experience of delivery workers during the Covid-19 pandemic in Seoul, following two female riders navigating the city via app-based systems. Kim shadowed real delivery workers to create the work, which blends documentary footage, anime-style animation, and AI-generated imagery. The video is part of a series that will be featured in Kim's first US solo exhibition at MoMA PS1 in New York, opening this week, and she will also debut a new motion-capture piece at the Performa festival later this month. Kim recently won a $100,000 award from the Guggenheim Museum and LG.

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Jacob Pabst, CEO of Artnet, reflects on the company's transformation since taking the helm in 2012, including the launch of Artnet News in 2014 as a digital-first publication. In an interview, he discusses how the platform grew to become the most-read art publication globally, with over 200 million annual page views, by prioritizing real-time news and market analysis over traditional print cycles.

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Artist Fulton Leroy Washington, known as Mr. Wash, is establishing the Art By Wash Studio & Community Center, a 13,000-square-foot campus in Compton, California, to serve recently incarcerated individuals and local youth. Released in 2016 after President Barack Obama commuted his life sentence for nonviolent drug offenses, Mr. Wash taught art in prison for 18 years and later gained recognition in the art world, including a breakout appearance at the 2020 Made in L.A. biennial. The center, designed pro bono by Morphosis Architects and The NOW Institute, will offer art-making instruction, studio space, materials, and exhibition opportunities, with the goal of connecting emerging artists to curators and galleries. The project is currently fundraising $100,000 for its first phase, with completion targeted for 2028.

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Artist Lita Albuquerque staged a 25-minute performance titled "The Sea Is Within Me" in the Buffalo Bayou Park Cistern, a 1926 underground reservoir in Houston, during the inaugural edition of Untitled Art, Houston. The piece featured Albuquerque's daughter and dancer Jasmine Albuquerque, vocalist Carmina Escobar, and double bassist Laura Dykes, guiding small groups through a meditation and a dramatic call-and-response between the vocalist and dancer, exploring themes of joy, despair, and symbiosis.

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Paul Pfeiffer's studio visit reveals his ongoing exploration of media spectacles, particularly through his "Four Horsemen of the Apocalypse" series (2001–), which digitally isolates NBA basketball players by erasing teammates, opponents, and jersey details from archival images. The artist discusses his counterintuitive relationship to sports, his intense Christian upbringing in Hawaii and the Philippines, and the influence of horror films like "The Exorcist" on his work, which examines the religious undertones of secular activities and the mechanics of voyeurism.

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English artist Rachel Whiteread, the first woman to win the Turner Prize in 1993, has collaborated with French silversmith company Puiforcat on a new seven-piece silverware collection. Inspired by corrugated cardboard, the collection includes serving trays, a pitcher, tumblers, and napkin rings, with surfaces that mimic the grooves and overlapping corners of cardboard, as well as watermark-like concentric circles. The trays echo Whiteread's recent artworks, such as *Untitled (Silver Pallet)* (2023), a flattened cardboard cast in lacquered silver.

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Mary Boone, the influential New York art dealer, has reemerged in the art world five years after her release from prison. She collaborated with Lévy Gorvy Dayan on the exhibition “Downtown/Uptown: New York in the Eighties,” featuring artists she championed like Jean-Michel Basquiat, Ross Bleckner, Keith Haring, and Julian Schnabel. In a recent interview with New York magazine, Boone described her time at Danbury Correctional as “very relaxing,” noting she went to the gym daily and read a book a day. She also revealed that Martha Stewart advised her to get a criminal lawyer early in her tax evasion case, though Boone initially ignored the suggestion. Boone served 13 months of a 30-month sentence after securing early release during the Covid-19 pandemic.

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Anne Imhof, the German artist known for her sprawling performances and winner of the 2017 Venice Biennale Golden Lion, has created her first brand collaboration with Nike. She designed two rival jerseys for Nike's revived Total 90 line, inspired by the warring 'houses' from her Park Avenue Armory project *Doom: House of Hope*: a black-and-blue short-sleeve jersey for the Tigers and a red long-sleeve jersey with a wolf's head for the Wolves. The designs, realized with Zak Group, feature the Doom crest and 'Imhof 25' on the back, and were launched with a live performance by Berlin musicians Lia Lia and ATK44 during Berlin Art Week. The jerseys will be available from September 16 at Voo Berlin and Dover Street Market in London.

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Rena Bransten Gallery in San Francisco is celebrating its 50th anniversary with a series of exhibitions highlighting key moments in its history. The second installment, "RBG at 50: Photo & Video," on view through August 23, 2025, features works by artists such as Dawoud Bey, Sophie Calle, Jim Campbell, and Vik Muniz. The show traces the gallery's expansion beyond its original focus on ceramics, which began in 1979 with a solo exhibition of photographer Judith Golden. Highlights include Sophie Calle's "La Robe de Mariee" (1989) and a photograph by Dawoud Bey documenting a performance by David Hammons.

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Five major art world figures have formed a new advisory firm called New Perspectives Art Partners, aimed at serving high-end collectors and institutions. The founders include former Christie’s and Philips CEO Ed Dolman and his son Alex (Dolman Partners), Brett Gorvy of Lévy Gorvy Dayan, Philip Hoffman of the Fine Art Group, and former Sotheby’s rainmaker Patti Wong of Patti Wong and Associates. All five will maintain their existing roles while collaborating on complex, project-driven client needs, leveraging their collective expertise and regional networks.

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Mario Cristiani, co-founder of Galleria Continua, reflects on the gallery's 20-year journey in Beijing, describing how a meeting with three friends united by admiration for artist Chen Zhen led to opening a space in China. He recounts the vibrant early 2000s art scene, the transformative impact of the 2008 Beijing Olympics, and the gallery's initial five years without sales, emphasizing that success in China required credibility, consistency, and genuine cultural integration rather than commercial exploitation.

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London Gallery Weekend (LGW) returned for its fifth edition from June 6 to 8, 2025, drawing art enthusiasts across 126 participating spaces despite dark clouds and drizzle. The event showcased cutting-edge performances, digital experiments, and bold textile art, but faced challenges as several trendy younger galleries—including Union Pacific, Guts Gallery, The Sunday Painter, and Xxijra Hii—chose not to participate this year. The weekend also overlapped with the debut London edition of South by Southwest (SXSW), a tech and arts conference that brought 20,505 pass-holders from 77 countries, including King Charles III, and featured visual art offerings such as LDN LAB curated by Alex Poots. While SXSW included works by Andy Warhol and Beeple, coordination between the two events was minimal, though a hastily planned SXSW VIP gallery tour occurred before LGW officially began.

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Mumbai-based artist Shilpa Gupta (b. 1976) presents a solo exhibition at Galleria Continua in San Gimignano, on view through September 7, 2025. The show features a range of works from her career, including the large-scale embroidered piece *Untitled (Rectangles on flags of the world)* (2021–25), the monumental sculpture *Truth* (2025), and *100 Hand-drawn Maps of Italy* (2007–2023). Through video, installation, performance, and sculpture, Gupta explores themes of censorship, migration, borders, control, and resilience, engaging viewers with multisensory works that question societal norms.