Il Padiglione Italia alla Biennale è il più internazionale di sempre

Chiara Camoni presents the Italian Pavilion at the 2026 Venice Biennale with her exhibition "Con Te Con Tutto" in the Arsenale. The show is divided into two sections: the first features monumental yet intimate sculptures, including her signature "sister" figures made from necklaces and terracotta fragments, while the second section continues the installation with a focus on circular production and zero waste. Camoni emphasizes a return to front-facing statuary, avoiding the gigantism of past editions, and works with sustainable, handmade processes.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

Are the Visitors' Lions at the Venice Biennale an Opportunity for Art Criticism? Let's Seize It?

I Leoni dei Visitatori alla Biennale di Venezia sono un’opportunità per la critica d’arte. Cerchiamo di coglierla?

The article discusses the newly instituted "Leoni dei Visitatori" (Visitors' Lions) at the Venice Biennale, established after the resignation of the International Jury. The author, Alberto Villa, argues that this change shifts significant influence to art media and critics, as visitors will rely on reviews and recommendations from specialized magazines, websites, and social media to decide which pavilions to prioritize. Villa calls on critics to embrace this responsibility with heightened critical rigor, seeing it as an opportunity to revive the mediating role of art criticism.

A brand-new novel is set in Renaissance Venice and its powerful Arsenal (where the Biennale is held)

Un nuovissimo romanzo è ambientato nella Venezia rinascimentale e nel suo potente Arsenale (quello dove si tiene la Biennale)

Allegra Scattaglia and Luca Josi have co-authored a new novel titled "Venetians – Il segreto dell’Arsenale," published by Sonzogno. Set in Renaissance Venice, the story follows young patrician Marcantonio Bragadin as he becomes entangled in a plot driven by the city's sophisticated and ruthless political system. The narrative highlights the Arsenal, one of the world's first proto-industrial shipbuilding complexes, which also hosts the Venice Biennale. The book weaves together art, technology, diplomacy, and intrigue, featuring historical figures such as Titian, Tintoretto, Albrecht Dürer, Leonardo da Vinci, and Aldus Manutius.

A Venezia sta aprendo un nuovo Palazzo delle Arti e delle Culture grazie alla Fondazione Giancarlo Ligabue. L’intervista

A new Palazzo delle Arti e delle Culture – Collecto is opening in Venice at Palazzo Erizzo Ligabue, a 15th-century palace on the Grand Canal. The initiative, spearheaded by Inti Ligabue (45), son of the late paleontologist and entrepreneur Giancarlo Ligabue, will open to the public from May 7 to May 24, 2026, offering guided tours of a collection of over 400 pieces spanning from 4.5-billion-year-old fossils to contemporary works by artists such as Arcangelo Sassolino, Nico Vascellari, and Giorgio Andreotta Calò. The project builds on the Fondazione Giancarlo Ligabue, established in 2016 from the original Centro Studi founded in 1973, and will feature a residency by artist Marta Spagnoli.

Waiting for the 2026 Venice Biennale, on Sky Arte Artbox tells the story of the Turin festival EXPOSED

Aspettando la Biennale Arte 2026, su Sky Arte Artbox racconta il festival torinese EXPOSED

The 24th episode of Sky Arte's program "Artbox" airs on May 5, 2026, coinciding with the official start of the Venice Biennale Arte 2026. The episode focuses on the third edition of EXPOSED Torino Photo Festival, themed "Mettersi a nudo" (Stripping Bare), inspired by Baudelaire. Artistic director Walter Guadagnini, photographers Toni Thorimbert and Paola Agosti, and curator Giangavino Pazzola discuss the festival's exhibitions, including Paola Agosti's feminist photography at the Museo Nazionale del Risorgimento and Yorgos Lanthimos's photographs at the Cripta di San Michele Arcangelo. The episode also covers a Max Bill retrospective at the m.a.x. museo in Chiasso, Switzerland, and features segments on art and truth, a book on Milan's Central Station, and a project from Milan Design Week 2026 by Spanish artist Pau Aguilò.

C’è un artista che ha deciso di vivere in povertà come un monaco francescano. La storia

Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.

The Daughters of Sound. Hildegard of Bingen and Patti Smith are at the Vatican Pavilion at the Biennale

Le figlie del suono. Ildegarda di Bingen e Patti Smith sono al Padiglione Vaticano alla Biennale

The article profiles a meeting between the author and Patti Smith, exploring her new memoir "Bread of Angels" and her connection to the 12th-century Benedictine abbess and mystic Hildegard of Bingen. Both women are presented as figures who see music as a living resonance that can awaken a primordial, sacred vibration within humanity. The piece also notes that Smith wrote the preface to the author's book "A passo d'uomo" and that both she and Hildegard are featured at the Vatican Pavilion at the Venice Biennale.

This unpublished comic tries to tell us what the Biennale of the future will be like

Questo fumetto inedito prova raccontarci come sarà la Biennale del futuro

Hurricane (Ivan Manuppelli), a leading figure in Italian underground comics, creates an original comic titled "Biennale 2126" for Artribune, imagining what the Venice Biennale might look like in the future. In an accompanying interview, he discusses his satirical approach, the enduring relevance of underground comics, and the importance of critiquing power through art.

Qatar's Pavilion at the Venice Biennale Is Not Yet Built. But It Takes Shape Under a Tent in the Giardini with a Rich Cultural Program

Il Padiglione del Qatar alla Biennale di Venezia ancora non c’è. Ma prende forma sotto una tenda ai Giardini con un ricco programma culturale

Qatar's national pavilion at the Venice Biennale, designed by architect Lina Ghotmeh, is still under construction in the Giardini. For the 2026 Venice Art Biennale, Qatar Museums and Rubaiya Qatar have commissioned artist Rirkrit Tiravanija to present "Untitled 2026 (a gathering of remarkable people)" under a tent structure on the site. The project, curated by Tom Eccles and Ruba Katrib, will feature a film by Sophia Al-Maria, live performances by Tarek Atoui, a culinary program by chef Fadi Kattan, and a large-scale sculpture by Alia Farid, bringing together artists, musicians, and chefs from the Arab world.

Italian culture minister will not attend opening of Venice Biennale

Italian culture minister Alessandro Giuli has announced he will not attend the opening of the Venice Biennale next week, protesting Russia's involvement in the exhibition. Russia, which has a permanent pavilion in the Giardini, has been absent from the Biennale since 2022 but is returning this year, sparking widespread criticism. The European Union recently cut its €2 million grant to the Biennale following Russia's return, and Golden and Silver Lion jurors have stated they will not consider pavilions from countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Russia.

Kunsthaus Paradiso is Born in Venice: Italian Art Has a Home, Despite the Biennale

Nasce a Venezia la Kunsthaus Paradiso: l’arte italiana ha una casa, malgrado la Biennale

A new project called Kunsthaus Paradiso has opened in Palazzo Molin Querini in Venice, running from May 4 to May 31 in conjunction with the Venice Biennale. Founded by curator Caroline Corbetta, the initiative evolved from her earlier Crepaccio project (2012–2016) in Milan and the Padiglione Crepaccio, which debuted at the 2013 Biennale Arte curated by Massimiliano Gioni. Kunsthaus Paradiso focuses on Italian and Venice-based artists—including Thomas Braida, Fabio De Meo, Caterina Rossato, Ornella Cardillo, Alessandro Miotti, Melania Fusco, Mauro Campagnaro, Marta Spagnoli, Barbara De Vivi, Spazio Punch, Giorgio Andreotta Calò, Mattia Sinigaglia, and the collective Scafandra—offering a platform for emerging and local talent during the Biennale.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

France reopens its historic pavilion at the 2026 Venice Art Biennale after restorations with artist Yto Barrada

La Francia riapre il suo storico padiglione alla Biennale Arte 2026 dopo i restauri con l’artista Yto Barrada

France will reopen its historic pavilion at the 61st Venice Biennale (May 9–November 22, 2026) after restoration, with Franco-Moroccan artist Yto Barrada (b. 1971) presenting the immersive textile-based project "Comme Saturne," curated by Myriam Ben Salah. The exhibition uses the "dévoré" technique—acid selectively corrodes fabric—as a metaphor for destruction and creation, featuring a goat-skin kite, a Room of Folds with wool drapery that fades in natural light, a Laboratory inspired by Saturnalia, and a Study Room linked to Barrada's garden of dye plants in Tangier, culminating in the Room of the Devoured where chemically attacked material fragments into an aesthetic of wear and formlessness.

Il Padiglione della Gran Bretagna alla Biennale d’Arte di Venezia 2026 spiega cos’è l’appartenenza

The British Council has selected artist Lubaina Himid to represent Great Britain at the 2026 Venice Biennale. Her exhibition, titled "Predicting History: Testing Translation," will transform the British Pavilion into a large-scale installation exploring belonging, displacement, and the recreation of home in new contexts. Created in collaboration with artist Magda Stawarska, the show features multi-panel paintings and a surreal soundscape that engages with the neoclassical architecture of the pavilion. Himid, a Turner Prize winner and pioneer of the Black British Art Movement, focuses on cultural memory and identity, challenging Eurocentric narratives and highlighting overlooked Black figures in Western history.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

Since 1968, Protests Have Revealed the Real Impact of the Venice Biennale

The article recounts the 1968 protests at the Venice Biennale, where artists, students, and activists clashed with police over the event's perceived ties to bourgeois power and capitalist commodification. It draws parallels to the 2024 Biennale, where groups like Art Not Genocide Alliance, Pussy Riot, and Femen demonstrated against the participation of Russia and Israel, while artists staged strikes and performances like the Solidarity Drone Chorus to highlight the Gaza conflict.

‘Africa in the Spotlight’ exhibition in Lisbon

An exhibition titled 'Africa in the Spotlight' has opened at the Lisbon Alliance Française, curated by Tatyana Jolivet. The show features seven contemporary African artists from Burkina Faso, Angola, and São Tomé e Príncipe, including Casimir Bationo (CasziB), SDZabila, Flore Kaboré, and Valdemar Dória. Jolivet, a Russian-born curator based in Lisbon who runs the online Jolie Art Gallery, organized the exhibition to promote cultural diversity and dialogue, highlighting the deep-rooted African presence in Portugal dating back five centuries.

Art Gallery Shows in Bangkok to Check Out in May

A roundup of art gallery exhibitions in Bangkok for May 2026 highlights four shows: 'The Fourth Decade of the Bualuang Paintings' at The Queen's Gallery, featuring 141 works by 52 Thai artists from the Bualuang painting contests; 'New Beginning' at ART Space by MOCA Four Seasons, a group show with artists from Japan and Thailand exploring renewal; 'Museum of Monsters' at River City Bangkok, a solo exhibition by artist FAHFAHS (Napath Kuntaruck) confronting hidden memories; and 'Beneath the Horizon Line' at Art Jewel Gallery, Siam.

Venice Biennale Opens Amid Strikes, Protests and Institutional Rupture.

The 61st Venice Biennale opened in May 2026 amid strikes, protests, and political unrest, rather than celebration. Coordinated by Italian labor groups and transnational coalitions, demonstrators targeted the Biennale's decision to allow participation by Israel and Russia during the ongoing wars in Gaza and Ukraine. The Art Not Genocide Alliance (ANGA) led protests against Israel's participation, while Pussy Riot and FEMEN activists staged a protest outside the Russian pavilion. The Israeli pavilion's relocation from the Giardini to the Arsenale added symbolic weight, with critics viewing it as institutional endorsement. The late curator Koyo Kouoh's vision for the exhibition, titled "In Minor Keys," emphasized tenderness and complexity, contrasting with the volatile atmosphere.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

Israel’s Artist Reportedly Pressured Venice Biennale Before Jury’s Resignation

Artist Belu-Simion Fainaru, Israel’s representative at the Venice Biennale, reportedly pressured the exhibition’s organizers before the five-person jury abruptly resigned last week. The jury, tasked with selecting Golden Lion winners, had stated it would not consider nations charged with crimes against humanity by the International Criminal Court—applying to Israel and Russia. According to Italian news agency Adnkronos, Fainaru alleged “racial discrimination” and “antisemitism,” threatened to take his claims to the European Court of Human Rights, and the Biennale warned jury members they could be held personally liable for damages. Hyperallergic confirmed the threats of legal action, and a Biennale spokesperson acknowledged the reports were true.

How sweet it is: chocolate Russell Crowe at the Malta Pavilion

Artist Charlie Cauchi presents a 150-kg chocolate sculpture of Russell Crowe as Maximus from *Gladiator* in her installation *Dolce* at the Malta Pavilion's group exhibition *No Need To Sparkle: Experiments in Love and Revolution* in the Arsenale during the Venice Biennale. The chocolate effigy, originally made by Tiziano Cassar for the Hamrun Chocolate Festival in 2023, was previously admired by Crowe himself, who joked about being made of chocolate.

From Eurovision to the Venice Biennale, culture contests are being overshadowed by politics

The Venice Biennale and Eurovision Song Contest are being overshadowed by political controversies rather than artistic merit. At the Venice Biennale, the Russian pavilion opened for press previews for the first time since the Ukraine invasion, a decision that may cost the festival €2m in EU funds. The Israeli pavilion will open despite protests from 200 artists and curators, while the South African pavilion will remain empty after its government blocked an artist's tribute to a Palestinian poet. The Iranian pavilion is also shut, and the awarding jury has resigned en masse, meaning no Golden or Silver Lion awards will be given for the first time in 40 years. Similarly, Eurovision's 70th anniversary is dominated by five countries boycotting over Israel's participation, with little focus on the music.

Iran Abruptly Drops Out of Venice Biennale as US and Israel’s War Continues

Iran has abruptly withdrawn from the 61st Venice Biennale, scheduled for May 9–November 22, 2026, reducing the number of participating nations from 101 to 100. The Biennale confirmed the withdrawal in a statement but did not provide a reason; Iran is now the only country listed without any artist representatives, though Aydin Mahdizadeh Tehrani remains listed as the pavilion's commissioner. The announcement comes as the Biennale opens to press amid ongoing controversy over the participation of Israel and Russia, whose pavilions have drawn protests from artists and politicians.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

Metal Detectorists Unearth Norway’s Largest-Known Viking Coin Hoard

Two hobbyist metal detectorists, Rune Sætre and Vegard Sørlie, discovered Norway's largest-known Viking Age coin hoard in a field in Østerdalen, east-central Norway. Starting with 19 silver coins on April 10, the find grew to over 3,250 coins dating from the 980s to the 1040s, surpassing the previous record of 1,800 coins found in the 1800s. The hoard includes coins minted under Æthelred the Unready, King Cnut, and Holy Roman Emperor Otto III, as well as early Norwegian coins from after Harald Hardråde's return from Byzantium. The coins have been transferred to the Museum of Cultural History in Oslo for expert analysis.

What Biennials Reveal About the Art World

Ben Davis and Jo Lawson-Tancred of Artnet News have published complementary projects analyzing global art biennials. Davis compiled data from major biennials including Istanbul, Gwangju, São Paulo, Sharjah, and Venice over the past four years, tracking which artists have been shown most frequently worldwide since the 2022 Venice Biennale. Lawson-Tancred examined the upcoming Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, comparing the demographics of its artists to previous editions to trace shifts in the global art conversation.

U.S. Returns Hundreds of Looted Antiquities to Italy

U.S. officials formally returned 337 looted antiquities, archival materials, and artworks to Italy during a ceremony at Rome’s La Marmora barracks. The objects, spanning from the Villanovan era (900–700 B.C.E.) through the Hellenistic period (323–31 B.C.E.), include Etruscan, Greek, Italic, and Egyptian artifacts. The repatriation was coordinated by Italy’s Carabinieri Command for the Protection of Cultural Heritage, the U.S. Federal Bureau of Investigation, the Department of Homeland Security, and the office of Manhattan District Attorney Alvin Bragg Jr. Key items include a marble head of Alexander the Great, a bronze sculpture from Herculaneum, and Egyptian basalt sculptures. Some 221 objects were recovered via the Manhattan DA, while the remaining 116 were secured with help from Christie’s.

Italian Culture Minister Launches Inspection of Venice Biennale’s Russian Pavilion

Italian Culture Minister Alessandro Giuli has launched an official inspection of the Russian Pavilion at the 61st Venice Biennale, just days before the exhibition opens. An inspector has been sent to Venice to review all documentation related to Russia's participation, focusing on potential irregularities such as visa issues for Russian artists and delegation members. The investigation follows the Biennale's international jury decision to exclude Russia and Israel from awards due to accusations of crimes against humanity. The Russian Pavilion will be open only during the pre-opening vernissage, after which it will close, with digital documentation displayed in its windows.