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Silverman Gallery showcases “Jean Childs Buzgo: Dreamscapes & Discoveries”

The Silverman Gallery of Bucks County Impressionist Art is hosting a solo exhibition titled “Jean Childs Buzgo: Dreamscapes & Discoveries,” running from April 11 through May 3. The showcase features a diverse collection of the artist's newest paintings, including large-scale florals, local Bucks County landscapes, and works inspired by her travels to Scotland and Ireland. Many of the pieces originated during the pandemic in 2020 and have been recently revisited and resolved using a mix of oil, acrylic, wax crayon, and collage.

Dr Kurt A. Gitter, Japanese Art Collector, 89

Dr. Kurt A. Gitter, a pioneering retinal surgeon and world-renowned collector of Japanese art, has passed away at the age of 89 in New Orleans. Born in Vienna and having escaped the Holocaust as an infant, Gitter discovered his passion for Japanese culture while serving as a U.S. Air Force flight surgeon in the 1960s. Over several decades, he and his wife Alice Yelen Gitter amassed one of the most significant private collections of Edo-period paintings and self-taught American art in the Western world.

Ancient Egyptian form of ‘Tipp-Ex’ identified on papyrus at UK’s Fitzwilliam Museum

Researchers at the Fitzwilliam Museum in Cambridge have discovered a 3,300-year-old form of corrective fluid on an Ancient Egyptian papyrus. Analysis of a 'Book of the Dead' created for a royal archivist named Ramose revealed that a mixture of huntite, calcite, and yellow orpiment was used to paint over a jackal figure to make it appear slimmer. This 'ancient Tipp-Ex' was specifically tinted to match the cream-colored papyrus, demonstrating a sophisticated level of aesthetic correction and attention to detail by Egyptian craftspeople.

San Diego Museum of Art Reflects on 100 Years in New Exhibit

The San Diego Museum of Art (SDMA) is marking its 100th anniversary with a special exhibition titled 'SDMA: 100 Years.' The show, curated by Lucas Perez, traces the institution's chronological evolution from its origins after the 1915 Panama-California Exposition, through its founding in 1926 as the Fine Arts Gallery, to its present-day identity. It features rediscovered archival materials, including early children's art and photographs documenting periods like its conversion into a naval hospital during World War II.

Seven emerging Tampa Bay artists to watch in 2026 and beyond

Creative Loafing Tampa Bay's 2026 Spring Arts Issue highlights seven emerging visual artists from the Tampa Bay area, identified through recommendations from local curators. The artists include Clancy Riehm, Zack Wittman, Jesi Cason, Patrick Carew, Mary-Helen Horne, Tatiana Mesa Paján, and Fary Charles (aka Junkyrd), each with distinct practices and upcoming projects.

Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.

Illustration Major Justine Massabny Thrives as Education & Design Intern at the Montclair Art Museum

Illustration major Justine Massabny has gained extensive professional experience at the Montclair Art Museum (MAM) through a series of roles including Education Intern, SummerArt Associate, and currently Education Design Intern. She led the redesign of the Family Learning Lab in conjunction with exhibitions featuring Tom Nussbaum and Christine Romanell, managed the project from concept to completion, and assisted with installation of educational vinyls. Her work also includes designing educational materials, supporting events like exhibition openings and docent training, leading gallery tours, and exhibiting her own artwork in MAM's Summer Staff Gallery. She discovered the internship through Handshake, supported by Montclair State University's partnership with MAM.

Netherlands will return stolen ancient statue—featured at Tefaf art fair in 2022—to Egypt

The Netherlands will return a 3,500-year-old stolen Ancient Egyptian statue to Egypt after it was spotted at the Tefaf Maastricht art fair in 2022 by an eagle-eyed visitor. The stone statue, believed to depict a high official from the dynasty of Pharaoh Thutmose III, was flagged via an anonymous tip, leading the dealer to voluntarily surrender it. An investigation by Dutch police and the Information and Heritage Inspectorate confirmed it was likely plundered unlawfully and illegally exported. The statue will be handed to the Egyptian ambassador in The Hague later this year, in line with the 1970 Unesco convention against trafficking cultural property.

Putting young galleries at the front: Frieze London’s bold strategy holds

Frieze London's 22nd edition in October 2025 will retain a bold floor plan debuted in 2024 that places emerging galleries near the main entrance, pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirms the layout is permanent, citing overwhelmingly positive feedback and renewed energy. The Focus section for galleries under 12 years old gets a boost, with a rotating system ensuring fresh stands near the entrance each year. A new curated section, Echoes in the Present, explores artistic links between West Africa, Brazil, and their diasporas. Meanwhile, Frieze Masters, dedicated to pre-20th-century art, will be run by new director Emanuela Tarizzo.

Makers of Ancient Egypt to be hailed in Cambridge exhibition

The Fitzwilliam Museum in Cambridge is opening an exhibition titled "Made in Ancient Egypt" that shifts focus from pharaohs and iconic treasures to the anonymous craftspeople who built and decorated the civilization's artifacts. Featuring loans from the British Museum, Berlin State Museums, and the Musée du Louvre, the show includes jewelry, ceramics, stonework, and personal items like ostraca—pottery shards used as notepads—that reveal the lives, skills, and even the days off of ancient makers. Curator Helen Strudwick highlights recent discoveries, including a handprint on a "soul house" and an unreadable signature on a shrine, emphasizing the human connection these objects provide.

In a new exhibition, Turkey displays the success of its heavyweight heritage drive

Turkey has opened a new exhibition titled "The Golden Age of Archaeology" at a national library in Ankara, showcasing 570 ancient artifacts—most unearthed in the past two years and displayed for the first time. Highlights include 11,500-year-old Neolithic vessels, a Bronze Age tablet revealing a previously unknown language (Kalasma), and a repatriated bronze statue of Roman emperor Marcus Aurelius, which was smuggled out of Turkey in the 1960s and recently returned from the Cleveland Museum of Art after a legal battle. The exhibition is part of the government's Heritage for the Future project, which spends around $150 million annually on excavations, visitor centers, and museums, with active digs rising to about 800.

Northwest Village Network shows work of 30 area artists

Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.

4,000-year-old Ancient Egyptian handprint discovered by Cambridge museum

Researchers at the Fitzwilliam Museum in Cambridge, UK, have discovered a 4,000-year-old handprint on the base of an ancient Egyptian "soul house"—a clay model of a building used in burial rituals. The handprint was found during preparations for the museum's upcoming exhibition "Made in Ancient Egypt" (3 October–12 April 2026), when senior conservator Julie Dawson examined the object under different lighting. The soul house, excavated at Deir Rifa north of Luxor, dates to Egypt's First Intermediate Period or Middle Kingdom and was likely left by the artisan who moved it to dry before firing.

“Lives of the Gods: Divinity in Maya Art” at the Kimbell Art Museum, Fort Worth

The Kimbell Art Museum in Fort Worth presents "Lives of the Gods: Divinity in Maya Art," co-organized with the Metropolitan Museum of Art, marking the first major Maya exhibition in the U.S. in a decade. Featuring 95 works, the show includes 50 objects never before seen in the U.S. and 17 recent archaeological discoveries, with contributions from 23 lenders including the Museo Nacional de Arqueología y Etnología in Guatemala and the INAH – Museo Nacional de Antropología in Mexico City. The exhibition is organized thematically around Creations, Day, Night, Rain, Maize, Knowledge, and Patron Gods, and highlights recent scholarship in Maya glyph decipherment, archaeology, and art interpretation.

Trude Fleischmann Photography Exhibition: Famous & Family , Opens May 2

The Fairfield University Art Museum's Bellarmine Hall Galleries will host 'Famous & Family: Through the Lens of Trude Fleischmann' from May 2 through July 26, 2025. This is the first American solo museum exhibition dedicated to the Austrian-born photographer Trude Fleischmann (1895-1990), featuring over 100 photographs that span her groundbreaking career in 1920s-30s Vienna and her influential work in the United States after fleeing Nazi persecution in 1938. The show includes portraits of cultural figures such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein, alongside never-before-exhibited works from family collections and a documentary film.

Conservation of Tintoretto painting in UK reveals ‘layer of history hiding under the surface’

A two-year conservation project by the National Trust has uncovered significant compositional changes in Jacopo Tintoretto's painting *The Wise and Foolish Virgins* (around 1546), which returns to public display at Upton House in Warwickshire, UK on 28 April. X-ray imaging revealed a hidden stone balcony beneath the final architectural setting, matching a balcony in a related version at the Museum Boijmans Van Beuningen in Rotterdam. Infrared scanning and paint analysis also showed that Tintoretto removed criss-cross elements and a balcony section, replacing them with a servant laying a table, while previous restorers had misinterpreted these pentimenti as part of the intended composition.

Lifting Belly, Soft Bodies: Zuzanna Szary Talks with Wojciech Szymański

Polish painter Zuzanna Szary discusses her artistic journey and the intersection of queer identity, domesticity, and painting in an interview with Wojciech Szymański. Szary recounts discovering her lesbian identity in junior high and turning to painting after a period of clinical depression, eventually studying at the Academy of Fine Arts in Krakow. Her work, which has evolved from portraits of partners to still lifes centered on food and home, explores themes of softness, sensuality, and the politics of the body, drawing inspiration from figures like Gertrude Stein and Alice B. Toklas.

‘In Minor Keys’: discover the themes that define the 61st Venice Biennale exhibition

The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.

A big moment for a city that loves art

Geelong Gallery in Australia is preparing to host "Discovering the Impressionists: Paul Durand-Ruel, art dealer among the artists," its most ambitious international exhibition ever, running from 20 June to 11 October. The show features over 70 paintings by Claude Monet, Pierre-Auguste Renoir, Berthe Morisot, Camille Pissarro, and second-generation Impressionists, with most works from a private French collection never before seen in Australia. The exhibition marks the gallery's 130th anniversary and is supported by the Geelong Major Events committee. Separately, the genU artX Regional 2026 exhibition at Rachinger Gallery showcases over 130 works by artists with disabilities or mental illness, on view until 22 May.

Untitled (Second Night), 2021 by Louise Lawler, Dye sublimation print on museum box, 121.9 x 182.2 cm (2)

This article is a promotional description for an art platform that partners with leading galleries to showcase artists, artworks, and exhibitions. It highlights a membership model vetted by industry peers, offering visibility and access to influential galleries, collectors, and auction houses. The piece also mentions a specific artwork by Louise Lawler, "Untitled (Second Night), 2021," a dye sublimation print on a museum box.

I wanted to hate the new LACMA. Then I went back

The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

Vanderbilt Artists Showcased at Prestigious Venice Biennale

Vanderbilt University has announced its inaugural participation in the Venice Biennale, marking a major milestone for the institution's arts program. Faculty artists Maria Magdalena Campos-Pons and Kamaal Malak have been selected to present works in the 61st International Art Exhibition, curated by the late Koyo Kouoh. To complement the exhibition, the university will launch "Resonance: Vanderbilt University in Venice," a two-month public program series featuring sonic inquiries, performances, and scholarly convenings.

Coastal Discovery Museum hosting annual Beaufort County High School Regional Art Exhibition

The Coastal Discovery Museum is hosting the fifth annual Beaufort County High School Regional Art Exhibition, a juried showcase featuring over 100 works by local students. Running through May 5, the exhibition includes a diverse range of media such as painting, photography, ceramics, and digital art from eight public and private schools. A public reception and awards ceremony are scheduled for April 9 to celebrate the technical skill and creativity of these emerging young artists.

Sea-themed art exhibition to be shown at Manningtree gallery

The North House Gallery in Manningtree is set to host a solo exhibition featuring more than 40 works by artist Isabella Dyson. The show, titled "Isabella Dyson: Paintings," focuses on the transient nature of the sea and weather, utilizing a muted color palette and a mix of oil, acrylic, and pastel. The collaboration began serendipitously when the artist visited the gallery and showed her portfolio to the staff on her phone, leading to her immediate inclusion in a group show and this subsequent solo presentation.

With Love OKC spotlights local Black artists at Fear of the Black Art Show

Rapper and entrepreneur Jonathan Williams Jr., known as Jabee, is presenting the third annual Fear of the Black Art Show on February 13 at the Plaza Wall Gallery in Oklahoma City. The event, organized under his initiative With Love OKC, will feature over 20 Black artists from across Oklahoma, showcasing diverse works without a strict theme, as part of Black History Month celebrations.

Seeing Silence: The Paintings of Helene Schjerfbeck

This article introduces the work of Finnish modernist painter Helene Schjerfbeck (1862–1946), whose career spanned eight decades and evolved from naturalism to near abstraction. Born in Helsinki, she studied in Paris under French naturalist painters and initially gained recognition for history paintings celebrating Finnish heritage. Later, retreating to Hyvinkää to care for her mother, she abandoned naturalism, paring down her figure paintings and still lifes to simplified, materially intense compositions. The exhibition features key works such as 'View of St Ives' (1887) and 'Clothes Drying' (1883), highlighting her shift toward ethereal, boundary-testing imagery that early Finnish critics dismissed.

Live conservation reveals hidden surprises of unfinished Spencer painting

A new exhibition at the Stanley Spencer Gallery in Cookham, titled *Revealing Genius, Conserving Art: Stanley Spencer’s Final Masterpiece*, offers visitors a rare chance to watch conservator Olivia Leake work on Spencer’s unfinished painting *Christ Preaching at Cookham Regatta*. The large canvas, which Spencer labored over for over a decade but left incomplete at his death in 1959, has been lowered from its usual high hanging for live conservation. Using UV light and paint analysis, Leake has discovered surprising details: extremely thin paint layers, a green water area later overpainted in blue, and multiple changes to underdrawings—contradicting anecdotes that Spencer never altered his initial drawings.

Artists travel back in time with work created from ancient wood discovered at site of lost London river

The artist twins Jane and Louise Wilson are presenting a new exhibition, "Performance of Entrapment," at London Mithraeum Bloomberg Space from 17 July 2025 to 1 January 2026. The show features 2,000-year-old oak stakes unearthed during excavations by the Museum of London Archaeology (Mola) at Bloomberg's European headquarters between 2012 and 2014. These timbers, dated to AD50-80, were preserved in the waterlogged conditions of the lost Walbrook river valley. The Wilsons also incorporate films and layered works, including images from scanning electron microscopy of the ancient wood.

Palo Alto gallery adds new artist to the fold whose layered pieces unite chaos and calm

Bryant Street Gallery in Palo Alto has added Louisiana-based painter Lynn Sanders to its roster, featuring her large-scale abstract works in a solo exhibition titled "Lessons in Patience," on view through August 30. Gallery owner Karen Imperial discovered Sanders while searching online for abstract contemporary art, bypassing traditional portfolio submissions. Sanders uses a layered process with acrylic paints, stains, and ink to create fluid, color-rich compositions that she describes as a diary of her life and emotions.