The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.
Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.
The art world is witnessing a significant shift toward 'one-work exhibitions,' where entire gallery or museum spaces are dedicated to a single object. This curatorial trend, often referred to as 'slow looking,' prioritizes deep engagement and spatial experience over the traditional model of high-volume, rapid-fire viewing. By isolating a single masterpiece or installation, institutions are challenging the 'speed and glut' that defines modern digital and visual consumption.
Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.
Stefano Boeri Architetti has been commissioned to transform a former ATAC bus depot in Rome's Prati-Delle Vittorie district into a multifunctional hub called Depositi delle Vittorie. The project, owned by the family behind the Fondazione Memmo, will convert the 16,000-square-meter disused site into a mixed-use complex featuring commercial, cultural, and leisure spaces, along with a 8,000-square-meter rooftop park suspended 15 meters high that will host art installations. Construction is set to begin in late 2027 and conclude by 2030.
An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.
On May 14, 2026, the Salt Lake Art Museum (SLAM) hosted a launch event for X5, a new convergence platform, inside the historic B'nai Israel Temple in Salt Lake City. The event featured an interactive moment where attendees drew on the museum's bare walls before they are painted over. The following day, the Salt Lake Art Show opened at the Mountain America Expo Center in Sandy, serving as X5's first public activation. X5 Vice Chair Joe Ross outlined the platform's three clusters—industry/STEM, culture, and capital/workforce—positioning it as a successor to Sundance's economic impact in Utah.
KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.
Les Rothschild et la porcelaine de Sèvres : une passion de collectionneurs au cœur d’une exposition à Paris
An exhibition at the Galerie des Gobelins du Mobilier national in Paris explores the Rothschild family's centuries-long passion for Sèvres porcelain. Titled "Sèvres, une passion Rothschild. De la Villa Ephrussi à Paris," it traces how the banking dynasty collected, traded, and bequeathed these delicate objects from the Ancien Régime, with a centerpiece table setting featuring pieces lent by family members from Vienna, England, and beyond. The show also highlights Béatrice Ephrussi de Rothschild, who amassed thousands of pieces and left them to the Villa Ephrussi de Rothschild, and includes a section on the Nazi looting of Rothschild collections in 1940, during which 22 Sèvres pieces were acquired by the Musée de Sèvres.
Double vandalisme place de la Concorde
During the PSG Champions League semi-final victory celebrations last Wednesday, vandals destroyed an exhibition by Yann Arthus-Bertrand on the theme of 'Living Together' on the Place de la Concorde in Paris. The article describes this as a double vandalism: the physical destruction by rioters compounded what the author considers the original vandalism—the exhibition itself, which was supported by the French government, the Paris city hall, and several other entities.
Hugo décorateur
An exhibition and accompanying book explore Victor Hugo's lesser-known role as an interior decorator, focusing on the elaborate interiors he created for his homes in Paris and during his exile on the island of Guernsey. Curator Gérard Audinet conducted extensive research to reconstruct these lost environments, which were filled with eclectic objects, artworks by friends, and prestigious gifts.
Chilean artist Catalina Bauer presents her exhibition "El volcán, la ballena y otros mundos" at the Sala Capilla of Centro Cultural Montecarmelo in Santiago de Chile, 2026. The show features an immersive installation centered on a whale-like sculptural form that has beached inside the chapel, surrounded by cosmic and natural elements such as stars, ferns, and maranta plants, creating a dreamlike ecosystem that invites tactile and contemplative engagement.
The Bendheim Gallery in Westport, Connecticut, opens its annual juried art exhibition today, a tradition that has been running for more than a century. The show features selected works from local and regional artists, chosen through a competitive jury process, and is a staple of the community's cultural calendar.
The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.
The 81st May Show has opened at the Mansfield Art Center in Ohio, featuring over 100 works selected from nearly 600 submissions by guest juror Wendy Earle, curator of the Akron Art Museum. The exhibition, which runs through the end of May, showcases a diverse range of mediums from Ohio artists aged 16 to their late 80s. Awards include the Fred "Fritz" Culler Award for Best of Show to Bradley Wallace for "Venus 1K Views," the Mechanics Bank Award of Excellence to Barbara Morejon and Luanne Bole-Becker, and the Jeff McBride & Maura Teynor Emerging Artist Award to high school senior Katerina Prykodko.
Local Strathmore artist Emmeline Keeling will participate in the one-day Obsidian Art Show at the Calgary Chinese Cultural Center. She is among over 50 artists selected for the event, which is organized by the Public Display Agency to connect artists with gallery owners from Webster Galleries, The New Gallery, and Gallery Underground.
A new exhibition titled 'In the Shadow of the Pavilions: Expo 86 and Contemporary Art' has opened at the Surrey Art Gallery, running from April 18 to June 7, 2026. It is the first exhibition to focus specifically on the art of Expo 86, featuring original works and archival materials from 35 artists that examine both official and unofficial art from the 1986 world's fair. The show includes photography, painting, installation, performance, and video art, and is accompanied by a symposium on May 9 and a curator's tour with Jordan Strom on May 28.
Cal State Fullerton recently hosted its biannual Associated Students Inc. (ASI) Art Show at the Titan Student Union Center Gallery, centered on the theme of "Memory and Nostalgia." The exhibition showcased 20 student works spanning traditional oil paintings, digital illustrations, and 3D-printed media. Awards were presented across multiple categories, highlighting pieces such as Michael Butorac’s acrylic painting "Unforgotten Friday’s" and Victor Castaneda’s digital photograph "Becoming."
The St. Tammany Art Association (STAA) has launched its call for entries for the 56th National Juried Artists Exhibition, titled "The Summer Show." Open to artists across the United States, the competition offers $3,500 in total cash prizes, including a $2,000 Best of Show award. The exhibition will run from July 11 to September 12, 2026, at the STAA Art House in Covington, Louisiana, with New Orleans-based ceramicist and educator MaPó Kinnord serving as the guest juror.
The Amarillo Museum of Art is launching its annual collaborative exhibition featuring works from the students and faculty of Amarillo College and West Texas A&M University. Opening this Friday with a reception and gallery talks, the showcase highlights the premier artistic output from the region's two primary higher education art programs.
El Dorado High School and the Artists in Education program have launched a collaborative exhibition titled "Let's Collaborate" at the South Arkansas Arts Center. The show features artworks created jointly by high school students and professional teaching artists, showcasing the results of a partnership program.
The City of Vincent in Australia has launched a new community arts program that transforms its library lounge into a gallery space for local emerging and under-represented artists. The first exhibitor is local artist and storyteller Brad Martin, who will present his joyful paintings and drawings, including his signature Grumpy Bug series, at a free opening night on December 4.
The Bangkok Art and Culture Centre (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese embassy. The exhibition, which opened on July 24, featured works by exiled artists from Myanmar, Iran, Russia, and Syria exploring authoritarian alliances. Following a visit by Chinese embassy staff, several works were removed, including a multimedia installation by a Tibetan artist, and texts mentioning 'Hong Kong', 'Tibet', and 'Uyghur' were redacted. The curator, Sai, a Myanmar artist in exile, said the interference was not unexpected.
A new EU regulation (2019/880) taking effect on 28 June aims to prevent trafficking of looted antiquities by requiring importers to provide extensive provenance records and export permits for cultural goods over 200 years old or worth more than €18,000. While the law includes an exemption for temporary exhibitions, implementing rules limit this exemption to loans from museums outside the EU, excluding private collectors. Museum directors and art fair officials warn that the administrative burden may discourage private lenders from participating in temporary exhibitions, potentially reducing the diversity of cultural offerings in the EU.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
Funun Arts Group, in collaboration with Novotel Sharjah Expo Center, launched the fourth chapter of its Epochs of Art series titled 'Light in Motion: Impressionism to Post-Impressionism' at the hotel in Sharjah, UAE. The exhibition runs from April 24 to June 24 and was inaugurated by artist-guests including Ahmed Al Awadhi, Abdul Jabbar Weiss, Majd Faraj, and Anjini Prakash Laitu, alongside Robin Solomon, General Manager of Novotel Sharjah Expo Center. The event featured an immersive meditative painting session and direct artist-visitor interactions, showcasing works by international artists exploring the interplay of light, movement, and emotion.
The inaugural Salt Lake Art Show will debut May 14–17, 2026 at the Mountain America Expo Center in Sandy, Utah. Founded by father-daughter team Kevin O’Keefe and Briana Dolan of Peaks Art Fairs and the Reno Tahoe International Art Show, the fair features nearly 200 exhibitors from 20 U.S. states and five countries, organized into six segments including Galleries, Studios & Collectives, Utah Treasures, Bespoke Furniture, Sculpture Walk, and First Nations, Indigenous Peoples. The show emphasizes accessibility, interdisciplinary programming, and community engagement, building on the Reno Tahoe model that has doubled in size twice and generated millions in art sales.
The 73rd annual Greeley Park Art Show, hosted by the Nashua Area Artists Association, will take place August 29-30, 2026, at Greeley Park in Nashua, New Hampshire. The two-day outdoor juried show is open to artists 18 and older working in 2D and 3D media, with an early registration deadline of May 30. New features this year include options for one- or two-day participation, tent sharing, tent rentals, senior discounts, and expanded entertainment. Awards will be given in categories including 3D, acrylic, drawing, mixed media, oil, pastel, photography, watercolor, digital art, Best in Show, and Viewer’s Choice. The show is free and open to the public, drawing thousands of visitors from New Hampshire and Massachusetts.
The South Pasadena Spring Arts and Music Crawl is set to return on April 25, 2026, featuring a significant group art exhibition at Jones Coffee Roasters. Curated by Sector Seven Contemporary Art Gallery (S7CAG), the showcase includes a mix of medium-to-large format paintings, ceramics, and woodworking from local artists such as Stephen Dudro and Elisa Quiñonez. The event transforms the city's historic downtown into a walkable festival with live music, artisan vendors, and interactive pop-up galleries.
Evolved Gallery in Ventura, California, has announced an open call for its upcoming exhibition titled "SE7EN," themed around the seven deadly sins. Founded by Christina Van Ryzin in late 2025, the gallery is seeking traditional and digital paintings or illustrations that explore these vices through modern social or political lenses. The submission deadline is April 15, with the exhibition scheduled to run from April 25 through June 28, 2024.