Dahiye, il quartiere di Beirut che non esiste quasi più. Nelle foto di un artista italiano

Italian photographer Armando Perna (born 1981 in Reggio Calabria) has documented Dahiye, a southern suburb of Beirut known as Hezbollah's stronghold, using a digital camera hidden inside a car and controlled remotely via Bluetooth. His project, initiated in 2013 and exhibited in 2017 at the Fondazione Pino Pascali in Polignano a Mare (Bari), creates a street-view-style mapping of a neighborhood that has been heavily bombed by Israeli forces, most recently in the past weeks. The work was promoted by Planar gallery, founded by Antonio Ottomanelli, with Perna and Anna Vasta as part of the #showcase project.

Cultural workers at Venice Biennale to strike over Israel’s participation

Cultural workers and participants at the Venice Biennale plan to strike on 8 May during the opening week of the 61st edition, protesting Israel’s participation in the event. The strike, organized by the Art Not Genocide Alliance (ANGA) and supported by Italian trade unions, includes a rally near the Arsenale site. ANGA previously sent a letter signed by over 230 artists and curators demanding the cancellation of the Israeli pavilion, citing opposition to "genocide normalisation in culture" and precarious labor conditions. Israel is represented this year by sculptor Belu-Simion Fainaru, who opposes cultural boycotts.

There is an absent pavilion at the 2026 Venice Art Biennale that no one has talked about: Venezuela

C’è un padiglione assente alla Biennale d’Arte di Venezia 2026 di cui nessuno ha parlato: il Venezuela

The Venezuelan pavilion at the 2026 Venice Art Biennale remains closed, an absence that has gone largely unnoticed amid other controversies surrounding the Russian, Israeli, South African, and Iranian pavilions. Designed by architect Carlo Scarpa and built between 1953 and 1956, the pavilion now displays a trilingual sign stating it will "rise again soon," reflecting the country's collapse after the kidnapping and imprisonment of President Nicolás Maduro by the United States and the installation of a fragile pro-American interim government.

At the 2026 Venice Biennale, pavilions shut down for pro-Palestine strike. The map of protests

Alla Biennale di Venezia 2026 serrata dei padiglioni per sciopero pro Palestina. La mappa delle proteste

On May 8, 2026, the third VIP preview day of the 61st Venice Biennale, a massive strike shut down numerous national pavilions and disrupted the exhibition. Led by the Art Not Genocide Alliance (Anga), the protest demands Israel's exclusion from the Biennale over allegations of genocide in Palestine, and also targets poor labor conditions in the cultural sector. Pavilions closed one after another due to staff shortages, and protest posters appeared around artworks at the Giardini and Arsenale. The strike involved the Biennale Foundation itself, along with about twenty contractors managing services and national pavilions, with unions Adl Cobas, USB Lavoro privato, and Cub supporting the action. Tensions rose when the UK Pavilion reportedly replaced striking staff to remain open, and the Foundation issued a statement falsely denying that its employees were covered by the strike.

Art and politics: to take a stand or not? Nine artists and curators respond

Arte e politica: bisogna esporsi o no? Rispondono in 9 tra artisti e curatori

Nove tra artisti e curatori italiani rispondono alla domanda se l'arte debba esporsi politicamente, in un articolo pubblicato su Artribune. Marco Trulli, responsabile Cultura Arci e curatore, sostiene che l'arte non possa prescindere dal contesto storico e geopolitico, e che il mondo dell'arte debba mettere in discussione le connessioni tra istituzioni culturali, guerre e violenze sistemiche. Gabi Scardi, curatrice, rifiuta la categoria di 'arte politica' e invita gli artisti ad agire politicamente, citando esempi di padiglioni nazionali alla Biennale di Venezia (Turchia 2017, Israele 2015) come modelli di critica radicale dall'interno. Un altro contributo, legato al progetto 'Francesco 2026' per il Padiglione Internet a Venezia, propone una regola etica: l'arte deve minimizzare il danno alle persone più vulnerabili.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

Venice Biennale Opens Amid Strikes, Protests and Institutional Rupture.

The 61st Venice Biennale opened in May 2026 amid strikes, protests, and political unrest, rather than celebration. Coordinated by Italian labor groups and transnational coalitions, demonstrators targeted the Biennale's decision to allow participation by Israel and Russia during the ongoing wars in Gaza and Ukraine. The Art Not Genocide Alliance (ANGA) led protests against Israel's participation, while Pussy Riot and FEMEN activists staged a protest outside the Russian pavilion. The Israeli pavilion's relocation from the Giardini to the Arsenale added symbolic weight, with critics viewing it as institutional endorsement. The late curator Koyo Kouoh's vision for the exhibition, titled "In Minor Keys," emphasized tenderness and complexity, contrasting with the volatile atmosphere.

From Eurovision to the Venice Biennale, culture contests are being overshadowed by politics

The Venice Biennale and Eurovision Song Contest are being overshadowed by political controversies rather than artistic merit. At the Venice Biennale, the Russian pavilion opened for press previews for the first time since the Ukraine invasion, a decision that may cost the festival €2m in EU funds. The Israeli pavilion will open despite protests from 200 artists and curators, while the South African pavilion will remain empty after its government blocked an artist's tribute to a Palestinian poet. The Iranian pavilion is also shut, and the awarding jury has resigned en masse, meaning no Golden or Silver Lion awards will be given for the first time in 40 years. Similarly, Eurovision's 70th anniversary is dominated by five countries boycotting over Israel's participation, with little focus on the music.

Ada: My Mother the Architect review – illuminating profile of brilliant builder balances work and family

Architect-turned-filmmaker Yael Melamede directs a documentary portrait of her mother, Israeli architect Ada Karmi-Melamede, who co-designed the Supreme Court of Israel building in Jerusalem in the early 1990s with her brother Ram Karmi and later created Ben Gurion Airport. The film explores Karmi-Melamede's architectural philosophy of "architecture of the ground and of the sky," her departure from her brother's brutalism, and a painful family split when she left her husband and children in New York after being denied tenure at Columbia University.

At Maya Gallery, a Benefit Sale Becomes a Map of Israeli Contemporary Art

Maya Gallery in New York is hosting a benefit sale that features works by over 50 Israeli contemporary artists, including prominent names like Michal Rovner and Sigalit Landau. The sale aims to raise funds for the gallery's programming and to support Israeli artists amid ongoing geopolitical tensions.

Venice Biennale opens without a jury amid strife over Russian and Israeli participation

The Venice Biennale, one of the world's most prestigious contemporary art exhibitions, opens its most contested edition in memory without a jury after the jury resigned in protest over the participation of Israel and Russia, both under investigation by the International Criminal Court for human rights abuses. Protests have erupted outside the Israeli and Russian pavilions, with demonstrators clashing with police, while feminist groups from Ukraine and Russia converged on the Russian Pavilion and Palestinians remembered artists killed in Gaza. The Biennale has replaced the jury with a public vote via email, with winners announced at the close on November 22.

Jury for Venice Biennale's art prize resigns after refusing to recognise Israeli, Russian artists

The international jury of the 61st Venice Biennale art exhibition resigned just over a week before the May 9 prize ceremony, after announcing they would not consider artists from countries whose leaders face International Criminal Court charges—an apparent reference to Russia and Israel. The jury included president Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. In response, the Biennale established two Visitors’ Lions to be awarded by ticket-holder vote, postponed the awards to November 22, and reaffirmed that all national participations remain eligible, effectively reinstating Russian and Israeli artists.

Cultural Losses Across West Asia

Since February 28, 2026, US-Israeli strikes on Iran have escalated into a major military confrontation across the Middle East, causing heavy casualties and infrastructure damage. Multiple UNESCO World Heritage sites have been hit, including Tehran's Golestan Palace (damaged on March 2), Isfahan's Chehel Sotoun palace and Naqsh-e Jahan Square (attacked March 9), and Tel Aviv's White City Bauhaus architecture, which suffered severe damage from Iranian counterattacks.

Israeli Pavilion Artist Made Legal Threats Before Venice Biennale Jury Resigned

New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.

There are 21 artists supporting the new voyage of the Global Sumud Flotilla that set sail from Sicily with painted sails

Ci sono 21 artisti a sostegno del nuovo viaggio della Global Sumud Flotilla salpata dalla Sicilia con vele dipinte

A new humanitarian mission by the Global Sumud Flotilla set sail on April 26 from Augusta, Sicily, with 59 Italian and Spanish boats heading toward Gaza. The flotilla, which follows a first attempt in September 2025 that ended with activists arrested by the Israeli military, aims to deliver humanitarian aid by early May. Twenty-one artists have joined the initiative, called Vele d'Arte, painting the sails of the boats with symbolic artworks. Among the participating artists are Gio Pistone, Antonio Curcio, Escif, Lydia Giordano, Glenda Costa, Millo, Elia Novecento, MP5, Matteo Todeschini, Alleg, Sam3, Okuda, Antonella Santonocito, Fabrizio Foti, Igor Scalisi Palmiteri, Andrea Sposari, and Salvo Ligama. The project was conceived by Carlo Alberto Giardina, who hopes the energy painted on the sails will transform into positive forces.

London gallery cancels controversial art show over antisemitic imagery

An exhibition titled 'Drawings Against Genocide' by British artist Matthew Collings, scheduled to open at Delta House Gallery in Wandsworth, London, has been cancelled after complaints from UK Lawyers for Israel (UKLFI) about antisemitic content. The show, planned for May 2026, included graphic drawings depicting Jews with horns, devouring babies, and denying Hamas's October 7 attacks, and had previously sparked outrage at a Margate gallery. Gallery owners Pineapple Corporation and Delta House Studios Ltd confirmed the cancellation after UKLFI warned of legal risks under the Public Order Act 1986.

Pavilions of the Venice Biennale go on strike

Pavillons der Venedig-Biennale werden bestreikt

Cultural workers and participants of the Venice Biennale went on strike on Friday, protesting Israel's participation in the art exhibition. Organized by the Art Not Genocide Alliance (ANGA) alongside several cultural groups and Italian grassroots unions, the 24-hour walkout led to the closure of several national pavilions on the final preview day. A rally was planned near the Arsenale grounds. The strike aims to oppose the "normalization of genocide in culture" and poor working conditions at the Biennale, following an earlier open letter signed by over 230 artists and curators demanding the exclusion of the Israeli pavilion. Israel is represented by sculptor Belu-Simion Fainaru, who opposes cultural boycotts and advocates for dialogue. The Biennale's leadership has distanced itself from the strike, emphasizing adherence to regulations and support for freedom of speech and pluralism.

61st Venice Biennale: Cultural workers and artists strike and protest against the Israeli genocide in Gaza

Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.

UK artist defends pro-Palestine drawings after show cancellation

UK artist Matthew Collings has condemned the cancellation of his art exhibition "Drawings Against Genocide" in Margate, England, after UK Lawyers for Israel (UKLFI) accused the show of being antisemitic. The exhibit featured 130 drawings depicting Israeli military, political officials, and business leaders, which Collings describes as artistic metaphors for Zionism, brutality, and violence. Collings insists the work is against genocide, not against Jews, and criticizes the conflation of antisemitism with pro-Palestine activism.

Israel Advances Bill Granting Sweeping Civilian Authority over West Bank Archaeological Sites

Israel advanced a bill on Tuesday that would grant sweeping civilian authority over antiquities and archaeology in the occupied West Bank, replacing the current military-run system. The Likud-backed legislation would create a "Judea and Samaria Heritage Authority" under the Israeli heritage minister, empowered to purchase and expropriate land, oversee excavations, and manage heritage sites across Areas B and C of the West Bank. The bill passed its first of three votes (23-14) and would be led by Amichai Eliyahu, a far-right politician who advocates for annexation. Human rights groups and the Israeli NGO Emek Shaveh warned the move amounts to de facto annexation and a violation of Palestinian rights.

Israeli Artists Slam Venice Biennale Participation: 'Again, Israel as a Victim'

The 61st Venice Biennale opened on Saturday amid significant upheaval, including the unexpected death of its curator Koyo Kouoh and the passing of German artist Henrike Naumann. Israeli artists have publicly criticized their country's participation in the event, with one artist quoted as saying, 'Again, Israel as a victim,' reflecting ongoing anti-Israel protests and the resignation of the Biennale's judges.

Artists strike to protest Israeli participation ahead of Venice Biennale

A group of artists has announced a strike to protest Israel's participation in the upcoming Venice Biennale. The action is intended to draw attention to the Israeli-Palestinian conflict and to pressure the Biennale organizers to exclude Israel from the event, reflecting growing tensions around cultural boycotts in the art world.

On the Somalia Pavillion

At the 2026 Venice Biennale, Somalia has established its first-ever national pavilion, commissioned by the Somali government to showcase the richness of Somali culture through the theme of Saddaxleey, a triadic form of Somali poetry and proverbs. The pavilion features works by Somali Swedish artist Ayan Farah, UK-based Somali Danish multidisciplinary artist Asmaa Jama, and Somali British poet Warsan Shire. However, a collective of queer Somali artists, curators, and culture workers called Warbixinta Cidda has publicly criticized the pavilion for overrepresenting the diaspora, selecting an all-male advisory board, and appointing an Italian co-curator instead of Somali curators, raising concerns about representation and neocolonialism.

Venice Biennale previews in chaos, overshadowed by Israeli and Russian participation

The Venice Biennale previews have descended into chaos, with the event overshadowed by controversies surrounding Israeli and Russian participation. Protests and disruptions have marked the lead-up to the prestigious international art exhibition, as demonstrators voice opposition to the inclusion of Israel amid the Gaza conflict and Russia's ongoing war in Ukraine. The situation has created a tense atmosphere, drawing significant media attention and complicating the Biennale's usual celebratory preview period.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

Venice Biennale jury resigns amid row over Russian entry

The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.

IDF Soldiers Hide From Our Gaze

An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.

Ministry of Culture inspectors present report on Biennale: Russia pavilion will remain closed

Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso

Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.

'There's Always a Beef': A New Exhibition Turns Identity Politics Between Arabic Speakers Into Art

A new exhibition titled 'Mother Tongue' has opened at the Haifa Museum of Art, exploring the hierarchy of Arabic dialects and the politics of language among Arabic speakers. The show turns identity politics into art, examining how language can be a battlefield in a region where one language holds power over another and political expression can lead to legal consequences.

Venice Biennale jury resigns after demanding, in vain, that Israel and Russia be excluded

The jury of the Venice Biennale has resigned after their demand to exclude Israel and Russia from the event was rejected. The jurors had called for the removal of both countries' national pavilions due to ongoing geopolitical conflicts, but the Biennale organizers declined to comply, leading to the mass resignation.