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Illustration Major Justine Massabny Thrives as Education & Design Intern at the Montclair Art Museum

Illustration major Justine Massabny has gained extensive professional experience at the Montclair Art Museum (MAM) through a series of roles including Education Intern, SummerArt Associate, and currently Education Design Intern. She led the redesign of the Family Learning Lab in conjunction with exhibitions featuring Tom Nussbaum and Christine Romanell, managed the project from concept to completion, and assisted with installation of educational vinyls. Her work also includes designing educational materials, supporting events like exhibition openings and docent training, leading gallery tours, and exhibiting her own artwork in MAM's Summer Staff Gallery. She discovered the internship through Handshake, supported by Montclair State University's partnership with MAM.

Buried lines and bold beginnings

Timothy Akis, born around 1944 in Tsembaga village, Madang, is recognized as a pioneer of contemporary art in Papua New Guinea. His 1969 solo exhibition at the University of Papua New Guinea (UPNG) is considered the country's first Western-style show by a Papua New Guinean artist, catalyzing a modern art movement. Akis developed a distinctive drawing style using ballpoint, felt pen, and ink, depicting highlands creatures like cassowaries and flying foxes. His work inspired younger artists, notably Mathias Kauage, who became PNG's most internationally visible contemporary painter after seeing Akis's exhibition. Akis's career included exhibitions in Australia, Europe, and the United States, and his works are held by institutions such as the National Gallery of Australia and the Queensland Art Gallery, Gallery of Modern Art.

Heritage experts call for international task force to plan Palmyra rebuild

Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

On Parkinson’s: Three Artists’ Journeys- Kristin Rehder, C. David Thomas, and Torrance York

The Richard F. Brush Art Gallery at St. Lawrence University is hosting an exhibition titled "On Parkinson’s: Three Artists’ Journeys" from October 20 to December 11, featuring works by Kristin Rehder, C. David Thomas, and Torrance York. Each artist uses photography and printmaking to explore their personal experiences with Parkinson’s disease: York’s "Semaphore" project uses metaphorical photographs to document her diagnosis in 2015; Thomas’s "FINDING PARKINSON’S, Doing Battle with My Brain" combines MRI scans, selfies, and lithographs; and Rehder’s "TREMOR" employs a slow shutter to transform her body’s tremors into creative energy.

Guest Artist Exhibition Opens at Center for the Visual Arts

The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.

Thai Art Center Censors Exhibition After “Pressure” From China

The Bangkok Art and Culture Center (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese Embassy in Thailand. Works by artists from Hong Kong, Tibet, and the Uyghur diaspora were blacked out or removed to avoid 'diplomatic tensions between Thailand and China.' The curators fled the country after Chinese officials and Thai police visited the museum. Affected artists include Doc Tenzin, Mukaddas Mijit, Clara Cheung, and Gun Cheng Yee Man, whose names were blacked out, along with Tibetan and Uyghur flags and a graphic comparing China to Israel.

‘A more complex picture’: Singapore marks 60th anniversary of independence from British rule with slew of cultural offerings

Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.

Can Hauser & Wirth's new Palo Alto space achieve what its rivals failed to?

Hauser & Wirth announced on July 30 that it will open a new location in Palo Alto, California, in spring 2025. The 2,600-square-foot space, located in a former post office on Hamilton Avenue near Stanford University and tech giants like Meta and Google, will be the Swiss mega-gallery's 17th location worldwide and its third in California, joining two existing spaces in Los Angeles. The gallery's president, Marc Payot, cited the Bay Area's dedicated collector community and museums as key reasons for the expansion.

Art Basel unveils gallery list and key highlights for its 2025 Miami Beach show

Art Basel has announced the gallery list for its 2025 Miami Beach edition, featuring 283 premier galleries from 43 countries and territories. The fair, taking place December 5-7 at the Miami Beach Convention Center, includes 48 debut exhibitors and will debut the new Art Basel Awards, presented in partnership with BOSS. The event will highlight Latinx, Indigenous, and diasporic artistic positions, with a strong focus on the Americas, including galleries from New York, Los Angeles, and Latin America.

Cincinnati Art Museum to open new East Asian inspired exhibit

The Cincinnati Art Museum will open a new exhibition titled "Rediscovered Treasures" this fall, featuring approximately 60 East Asian masterpieces from its own collections, including Japanese armor, Chinese scrolls, Korean lacquer, a Japanese bronze "magic mirror," a Qing dynasty portrait of Lady Nian, and a Meiji period sumo wrestler's embroidered apron. The exhibition runs from September 19, 2025 to January 18, 2026, and is organized into three thematic sections: Rediscovery, New Identities, and Conservation. Admission is free.

Explore Luxembourg’s open-air urban galleries

The article explores the street art scene in Luxembourg, highlighting cities and towns like Esch-sur-Alzette, Leudelange, Koler, and Ettelbruck where murals and graffiti adorn buildings, schools, and even waste bins. It traces the movement's origins to the 1980s hip-hop-inspired rebellion, when graffiti was illegal and artists like Sumo, Spike, Stick, Dan Sinnes, and Alain Tshinza emerged. Today, urban art is embraced as a tool for social cohesion and expression, with projects like Kufa's Urban Art Esch in Esch-sur-Alzette featuring over fifty murals by international artists. The article also notes techniques such as grid systems, projections, and reverse graffiti, exemplified by Klaus Dauven's 2023 tribute on the Vianden dam.

New videos of African cultural sites add contemporary context to Rockefeller Wing’s historical artefacts at the Met

The Metropolitan Museum of Art’s newly reopened Michael C. Rockefeller Wing features a series of short documentaries by Ethiopian American filmmaker Sosena Solomon, commissioned to add contemporary context to the wing’s historical artifacts from Africa, Oceania, and the ancient Americas. Solomon spent two years traveling to 12 sites across sub-Saharan Africa, creating videos that highlight royal burial grounds in Uganda, ancient rock paintings in Botswana, bronze casters in Benin City, and the rock-hewn churches of Lalibela and Tigray in Ethiopia. Three of the videos are displayed on screens in the wing, while others are accessible via QR codes and online.

Elsa James’s exhibition in my home county, Essex, is a potent rejection of the erasure of history

Elsa James's exhibition "It Should Not Be Forgotten" at Firstsite in Colchester, UK, confronts Britain's role in the transatlantic slave trade through immersive installations. The show features a floor covered with larger-than-life photographs of the artist, recalling the diagram of enslaved Africans on the slave ship Brooks, accompanied by a cello soundscape by Kirke Gross. Other works give voice to enslaved women Phibbah and Molia, documented in the journals of their 18th-century owner Thomas Thistlewood, subverting historical narratives. The exhibition builds on James's earlier "Black Girl Essex" residency, which challenged the racist and sexist "Essex Girl" stereotype.

Trude Fleischmann Photography Exhibition: Famous & Family , Opens May 2

The Fairfield University Art Museum's Bellarmine Hall Galleries will host 'Famous & Family: Through the Lens of Trude Fleischmann' from May 2 through July 26, 2025. This is the first American solo museum exhibition dedicated to the Austrian-born photographer Trude Fleischmann (1895-1990), featuring over 100 photographs that span her groundbreaking career in 1920s-30s Vienna and her influential work in the United States after fleeing Nazi persecution in 1938. The show includes portraits of cultural figures such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein, alongside never-before-exhibited works from family collections and a documentary film.

Fairfield University Art Museum Presents Famous & Family: Through the Lens of Trude Fleischmann, May 2 – July 26

Fairfield University Art Museum will present "Famous & Family: Through the Lens of Trude Fleischmann" from May 2 to July 26, 2025, marking the first solo museum exhibition of the Austrian-born photographer's work in the United States. The show features over 100 photographs spanning Fleischmann's career, including her early studio work in 1920s and 1930s Vienna capturing cultural figures, and her later portraits of luminaries such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein after she emigrated to New York in 1940. The exhibition includes never-before-exhibited works from family collections and a documentary film, and is curated by museum executive director Carey Weber alongside Fleischmann's cousin Barbara Loss.

Jon Pestoni at Zodiac Pictures

Jon Pestoni's exhibition "More Bermuda Than Pizza" is on view at Zodiac Pictures in Los Angeles from April 11 to May 9, 2026. The show presents a series of new paintings by the artist, documented through 32 images on the exhibition page, with a press release and works list available for reference.

Victoria Colmegna at Aspen Art Museum

Victoria Colmegna has opened a solo exhibition titled "Play Technique" at the Aspen Art Museum. The show, which features 53 documented works, will be on view from December 12, 2025, through March 29, 2026.

The Lucas Museum of Narrative Art Announces First Exhibitions Curated by George Lucas

The Lucas Museum of Narrative Art, set to open on September 22, 2026, in Los Angeles's Exposition Park, has announced its inaugural exhibition schedule curated by George Lucas. The museum will showcase a wide range of narrative art, from Americana works by Thomas Hart Benton and Norman Rockwell to documentary photography by Gordon Parks, Dorothea Lange, and Robert Capa, as well as public murals by Diego Rivera and Judith F. Baca. The collection also includes production designs, props, and costumes from the Lucas Archives, alongside illustrations by Frank Frazetta, Maxfield Parrish, and N.C. Wyeth, children's literature art by Beatrix Potter and Jacob Lawrence, and comics and manga by Jack Kirby, Alison Bechdel, and Mœbius.

ai weiwei confronts memory, catastrophe, and resilience at MAXXI l'aquila exhibition

Chinese artist and activist Ai Weiwei presents a new exhibition at MAXXI L'Aquila, titled 'Ai Weiwei: Confronting Memory, Catastrophe, and Resilience.' The show explores themes of collective trauma, historical catastrophe, and human resilience through a range of media including sculpture, installation, and documentary works. It draws on Ai's ongoing engagement with political dissent, migration, and the fragility of cultural memory.

[Gallery Walk] The Vanished Rooms of Women Reopened

Leeum Museum of Art in Seoul is presenting "Into Other Spaces: Synesthetic Environments by Women Artists 1956-1976," a major exhibition opening May 5 that reconstructs immersive environmental artworks by 11 women artists from Asia, the Americas, and Europe. The show features full-scale recreations of works that were often dismantled or lost, including Jeong Gangja's "Muchejeon" (1970), which was shut down by authorities after just days. Curators Andrea Lissoni and Marina Pugliese used archival materials, photographs, and direct consultations with artists or their estates to piece together these ephemeral pieces.

The Vatican brings Hildegard of Bingen to the Biennale. "The ear is the eye of the soul", by Brian Eno and Patti Smith

The Holy See Pavilion at the 61st Venice Biennale, titled "The Ear is the Eye of the Soul," centers on the 12th-century Benedictine abbess and visionary Hildegard of Bingen. Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the pavilion spans two Venetian venues—the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice—and features new sound works by 24 artists, musicians, and poets including Brian Eno, Patti Smith, FKA Twigs, Meredith Monk, and Jim Jarmusch. The title is borrowed from the final work of German director Alexander Kluge, who died in March 2026, and his monumental film installation forms a core part of the exhibition.

Artist Lynn Rogers shares lifelong love of art as Munson docent

Artist Lynn Rogers has volunteered as a docent at the Munson museum in Utica, New York, for over 15 years. She credits her lifelong passion for art to childhood visits to the Yale Art Museum with her mother, an artist, and now uses similar interactive teaching methods to guide visitors through Munson's collections and special exhibitions.

From Gaza to Syria: Stories from Middle East dominate art exhibition in Portugal

The Anozero – Bienal de Coimbra in Portugal is presenting a significant number of works addressing conflict and displacement in the Middle East. The biennial, curated by John Zeppetelli and Hans Ibelings, features projects like Taysir Batniji's "Just in Case #2," a series of 250 photographs of keys belonging to displaced Palestinians, and Adam Broomberg and Rafael Gonzalez's "Anchor In The Landscape," documenting destroyed olive trees.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

Chrome, Canvas, Cultura: Art On Main’s Chicano Exhibition Redefines East Dallas Experience

Art on Main in East Dallas is hosting "Chicano," a massive group exhibition featuring 79 works by 58 artists from the Dallas-Fort Worth area and beyond. Curated by Junanne Peck and Ariel Esquivel, the show spans painting, photography, metal sculpture, and printmaking to explore themes of identity, resilience, and the lived experiences of the Mexican-American community. Highlights include Rodrigo Paredes’ tribute to street vendors and Lisa Batchelder’s surrealist explorations of her Oak Cliff upbringing.

[Interview] Framing Space Through the Human Experience: Michael Najjar x Samsung Art Store

German artist and future astronaut Michael Najjar has partnered with the Samsung Art Store to feature his work "europa" (2016) as part of the Art Basel Hong Kong 2026 Collection. Najjar, who is scheduled to become the first contemporary artist in space via a 2027 Virgin Galactic flight, uses his practice to explore the intersection of technology, space exploration, and human ambition. The collaboration allows his large-scale digital constructions to be displayed on Samsung Art TVs, bridging the gap between the physical art fair and domestic environments.

Artist shows agriculture droning forward

Chinese artist Cao Fei is set to debut her latest multimedia project, "Dash" (known as "Super Farms" in China), at the Fondazione Prada in Milan on April 9. The exhibition is the result of three years of field research across China and Southeast Asia, where Cao documented the rise of smart farming and the integration of AI, drones, and autonomous vehicles into traditional agricultural landscapes. Her work captures a unique cultural synthesis where modern technology is sometimes integrated into ancient rituals, such as the worship of drones as deities.

A world of magic and monsters arrives at the CU Art Museum

The CU Art Museum at the University of Colorado Boulder has launched "Fairy Tales and the Power of Wonder," an exhibition that explores the dark and complex origins of folklore. Moving away from sanitized modern interpretations, the show features a diverse array of works including Jaro Hess’s "The Land of Make Believe," Don Ed Hardy’s "Sea Dragon," and rare illustrated books like William Wallace Denslow’s "Wonderful Wizard of Oz." The display utilizes early fantasy maps and historical artifacts to ground visitors in the "geography of the impossible."

A new home for Asian contemporary art opens in landmarked building in Manhattan's Chinatown

The Wang Contemporary has officially opened its doors in a landmarked Beaux Arts building at 58 Bowery in Manhattan’s Chinatown. Founded by fashion designer Alexander Wang and his mother, Ying Wang, the cultural organization debuted with a site-specific installation by the Brooklyn-based conceptual collective MSCHF titled '20,000 Variations On A Paper Plane In Flight.' The performance featured red and gold paper planes launched from the building's central oculus, blending traditional Lunar New Year symbolism with conceptual art in a space that formerly served as a bank.