Photographer Joseph Ford collaborates with street artists like Antonyo Marest, Alex Senna, and MadC on his 'Impossible Street Art' series. The artists create trompe-l'œil interventions on Ford's photographs of massive infrastructure sites, which he then documents on an easel placed in front of the actual location, creating the illusion of monumental, site-specific street art.
A new short film titled 'Silvesterchlausen' by writer and director Andrew Norman Wilson documents the centuries-old Swiss New Year's tradition of the same name. The film captures groups of men and boys in the Appenzell regions who don elaborate, handmade masks and headdresses made from natural materials like pinecones and moss, forming groups to yodel, ring bells, and visit homes over 18-hour days to mark the turn of the year on both the Gregorian and Julian calendars.
‘A Language We Share’ Traces a Photographic Lineage Between Gordon Parks and Beverly Price
A new exhibition, "A Language We Share," opens this month at the Center for Art and Advocacy, placing the work of photographer Beverly Price in direct conversation with the legendary Gordon Parks. The show highlights their shared focus on social advocacy through imagery, particularly documenting the lives of children and communities in areas like Southeast Anacostia in Washington D.C., a location both photographers have captured across different eras.
Dani Guindo’s Dramatic Aerial Photos Reveal the Ghostly Outline of an Icelandic Glacier
Spanish artist Dani Guindo has released a striking new aerial photography series titled *Terminus*, which captures the Múlajökull glacier in Iceland. Using a drone, Guindo documented the glacier's intricate rivulets and, more significantly, a ghostly semi-circular outline etched into the rocky landscape below, revealing the glacier's former, much larger footprint.
Glasstire has released its weekly 'Top Five' list of essential art exhibitions across Texas for April 2026. The selection highlights a diverse range of regional talent, including a group show at the Rubin Center in El Paso focused on Chihuahuan Desert ecology, a 50-year retrospective of digital pioneers MANUAL at Moody Gallery in Houston, and a lifetime survey of Vietnam veteran and educator Hector Homero Rubio in Corpus Christi. Other featured shows include Freddy Ortega’s MFA thesis at TCU and Juan Pablo Hernandez’s multimedia glasswork.
A new documentary film titled "Turner & Constable" attempts to dramatize the artistic rivalry between the two iconic British landscape painters, J.M.W. Turner and John Constable. The film is based on a recent exhibition of the same name at Tate Britain in London.
The Art Museum of Southeast Texas (AMSET) opens two new exhibitions today: "Julius Stockfleth: Dawn of a Century" and "Bill Pangburn: Printed Traces - A Neches River Journal." The Stockfleth exhibition features early Texas artist Julius Stockfleth's paintings of the 1900 Galveston hurricane and Texas coastal history, marking a homecoming as his work was first shown at AMSET in 1987. The Pangburn exhibition presents a new series of large-scale abstract woodcut prints inspired by the Neches River. Both run through July 5, with a free public reception tonight and a musical performance by composer Nathan Felix on May 30.
Camille Guichard presents 'Corps littoral' (Coastal Bodies), her first solo exhibition in Paris, at the Rachel Hardouin Gallery from May 21 to June 21, 2026. The show blends contemporary photography, poetic texts, and the artist's own nude body against coastal landscapes, exploring themes of vulnerability, erosion, and the relationship between the body and the living world. Guichard, who also works as a filmmaker and writer, includes series such as 'Ces rivages perdus' documenting the Aquitaine coast and 'Pulsions, corps et figures' focusing on bodily fragments.
Sue Tompkins presents 'Love Ahead,' a solo exhibition at The Modern Institute in Glasgow, running from March 13 to May 16, 2026. The show features a selection of works by the artist, documented through 14 images on the exhibition page, with photography by Matt Barnes.
Reina Sugihara presents a solo exhibition at Midway Contemporary Art in Minneapolis, running from March 7 to May 2, 2026. The show features works by the artist, with images courtesy of the artist and MISAKO & ROSEN, Tokyo, and photographs by Aaron Van Dyke and Kei Okano. The exhibition documentation includes 21 images and no videos, with none containing text descriptions.
English farmer Nicholas Wood, known as the "Great Eater of Kent," was famed in the 17th century for consuming staggering quantities of food, including a mutton shoulder—bones and all. The article highlights other historic eating feats, from Nathan's Famous first hot dog contest in 1972 to extravagant 19th-century "Fat Men's Clubs" and a massive ice cream sundae competition in 1976.
The National Museum of Korea has opened a new exhibition titled *Danwon Kim Hong-do, Painting the Era* in its renovated painting and calligraphy gallery, showcasing 96 works from 50 collections. The exhibition highlights Kim Hong-do's versatility beyond his famous genre paintings, featuring landscapes, documentary paintings, and floral art, including the first public display of *Chongseokjeongdo* (1795) from a private collection. Director You Hong-june emphasizes Kim's unmatched lyrical depth and technical skill across all genres.
The Anchorage Museum is hosting "Everyday Anchorage: Duke Russell & Ward Wells," an exhibition pairing two artists from different generations who capture ordinary life in Anchorage, Alaska. Ward Wells, a commercial photographer, documented the city after World War II, while Duke Russell uses paint to record post-pipeline scenes. The show runs through August 2027.
Taiwan has revoked the National Award for Arts from Indigenous artist Sakuliu Pavavaljung after his sexual assault conviction was upheld by the Supreme Court. The Ministry of Culture and the National Culture and Arts Foundation announced the withdrawal on 17 April 2025, and Pavavaljung must return the NT$1 million prize. The conviction stems from a February 2021 incident involving a woman under his artistic mentorship; he was sentenced to four years and six months in prison. Allegations first surfaced in December 2021 via social media, prompting further accusations. Pavavaljung had previously been dropped from representing Taiwan at the Venice Biennale and suspended from Documenta 15.
The Arizona State University Art Museum is set to open "Carmen Lomas Garza: Picturing the Familiar" this May, a retrospective dedicated to the 76-year-old Chicana artist and author. The exhibition highlights Garza’s career-long commitment to documenting South Texas and Mexican-American life through paintings, prints, and children's book illustrations. Her work focuses on intimate, everyday scenes—from domestic interiors to community celebrations—that were heavily influenced by her involvement in the Chicano movement.
The Virginia Tech Carilion School of Medicine is launching a dual exhibition featuring "From These Hills" and "Making it in America," opening April 14 in Roanoke. "From These Hills," on loan from the William King Museum of Art and curated by Kathy Foley, showcases contemporary Appalachian art across various media that explore regional identity and memory. Complementing this, photojournalist Heather Rousseau’s "Making it in America" documents the lived experiences of immigrants and refugees in Southwest Virginia, capturing the resilience of Afghan, Ukrainian, and Latino newcomers through five years of visual storytelling.
The San Diego Museum of Art (SDMA) is marking its 100th anniversary with a special exhibition titled 'SDMA: 100 Years.' The show, curated by Lucas Perez, traces the institution's chronological evolution from its origins after the 1915 Panama-California Exposition, through its founding in 1926 as the Fine Arts Gallery, to its present-day identity. It features rediscovered archival materials, including early children's art and photographs documenting periods like its conversion into a naval hospital during World War II.
Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.
Grace Lau's exhibition 'Portraits in a Chinese Studio' opens at Hastings Museum & Art Gallery on January 13, 2025. The show features photographs taken in Hastings and St Leonards between 2005 and 2025, depicting local people posed on mock traditional Chinese furniture with modern items like mobile phones and plastic bags, creating a contrast between past and present. The project was funded by Arts Council England and supported by John Hansard Gallery, and runs until March 29, 2026.
The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.
Illustration major Justine Massabny has gained extensive professional experience at the Montclair Art Museum (MAM) through a series of roles including Education Intern, SummerArt Associate, and currently Education Design Intern. She led the redesign of the Family Learning Lab in conjunction with exhibitions featuring Tom Nussbaum and Christine Romanell, managed the project from concept to completion, and assisted with installation of educational vinyls. Her work also includes designing educational materials, supporting events like exhibition openings and docent training, leading gallery tours, and exhibiting her own artwork in MAM's Summer Staff Gallery. She discovered the internship through Handshake, supported by Montclair State University's partnership with MAM.
Timothy Akis, born around 1944 in Tsembaga village, Madang, is recognized as a pioneer of contemporary art in Papua New Guinea. His 1969 solo exhibition at the University of Papua New Guinea (UPNG) is considered the country's first Western-style show by a Papua New Guinean artist, catalyzing a modern art movement. Akis developed a distinctive drawing style using ballpoint, felt pen, and ink, depicting highlands creatures like cassowaries and flying foxes. His work inspired younger artists, notably Mathias Kauage, who became PNG's most internationally visible contemporary painter after seeing Akis's exhibition. Akis's career included exhibitions in Australia, Europe, and the United States, and his works are held by institutions such as the National Gallery of Australia and the Queensland Art Gallery, Gallery of Modern Art.
Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.
The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.
The Richard F. Brush Art Gallery at St. Lawrence University is hosting an exhibition titled "On Parkinson’s: Three Artists’ Journeys" from October 20 to December 11, featuring works by Kristin Rehder, C. David Thomas, and Torrance York. Each artist uses photography and printmaking to explore their personal experiences with Parkinson’s disease: York’s "Semaphore" project uses metaphorical photographs to document her diagnosis in 2015; Thomas’s "FINDING PARKINSON’S, Doing Battle with My Brain" combines MRI scans, selfies, and lithographs; and Rehder’s "TREMOR" employs a slow shutter to transform her body’s tremors into creative energy.
The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.
Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.
The Bangkok Art and Culture Center (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese Embassy in Thailand. Works by artists from Hong Kong, Tibet, and the Uyghur diaspora were blacked out or removed to avoid 'diplomatic tensions between Thailand and China.' The curators fled the country after Chinese officials and Thai police visited the museum. Affected artists include Doc Tenzin, Mukaddas Mijit, Clara Cheung, and Gun Cheng Yee Man, whose names were blacked out, along with Tibetan and Uyghur flags and a graphic comparing China to Israel.
Hauser & Wirth announced on July 30 that it will open a new location in Palo Alto, California, in spring 2025. The 2,600-square-foot space, located in a former post office on Hamilton Avenue near Stanford University and tech giants like Meta and Google, will be the Swiss mega-gallery's 17th location worldwide and its third in California, joining two existing spaces in Los Angeles. The gallery's president, Marc Payot, cited the Bay Area's dedicated collector community and museums as key reasons for the expansion.
Art Basel has announced the gallery list for its 2025 Miami Beach edition, featuring 283 premier galleries from 43 countries and territories. The fair, taking place December 5-7 at the Miami Beach Convention Center, includes 48 debut exhibitors and will debut the new Art Basel Awards, presented in partnership with BOSS. The event will highlight Latinx, Indigenous, and diasporic artistic positions, with a strong focus on the Americas, including galleries from New York, Los Angeles, and Latin America.