The Pierro Gallery in South Orange is hosting the opening night for "Female Hysteria," a group exhibition featuring nine women artists. The show directly confronts the historical use of "hysteria" as a misogynistic medical diagnosis used to pathologize female emotions and bodies, instead reclaiming the term as a source of creative power.
The gallery Anthony Meier in San Francisco is hosting "Barbara Stauffacher Solomon: Garden = Grid = City," the first exhibition of the late artist’s work since her estate began being co-represented by the gallery and von Bartha. The show highlights Solomon’s diverse eight-decade career, moving beyond her famous "supergraphics" to showcase rarely seen paintings and drawings from the 1980s that explore the intersection of city grids and landscape architecture.
A massive pop-up art exhibition titled '99CENT' has taken over a former 99 Cents Only store at the intersection of Wilshire Boulevard and Fairfax Avenue in Los Angeles. The immersive installation repurposes the defunct retail space, utilizing original shelving, freezers, and checkout counters to display a wide array of West Coast art styles, graffiti, and sculptures. Highlights include shopping carts transformed into suspended installations and video art integrated into the store's infrastructure.
South Korean artist Kim Hankyul has unveiled a major immersive installation titled 'Shore' at MUNCH in Oslo. The exhibition, which serves as the fifth edition of the museum’s SOLO OSLO series, features a subaquatic landscape constructed from motorized sculptures, holograms, and Foley-inspired soundscapes. Hankyul’s work draws on the personal testimonies of North Korean defectors, female free divers, and rescue teams to explore the ocean as a site of both survival and memory for those marginalized by land-based social structures.
The Metropolitan Museum of Art has unveiled details for its Spring 2026 Costume Institute exhibition, titled "Costume Art," and the accompanying Met Gala. Opening May 10, 2026, the exhibition will explore the relationship between the dressed body and art history by pairing garments with artworks from the museum's permanent collection. The event will also inaugurate the new 12,000-square-foot Condé M. Nast Galleries, designed by Peterson Rich Office, which are dedicated to fashion and cross-departmental displays.
Los Angeles is hosting a surge of high-profile exhibitions to coincide with the arrival of Frieze Los Angeles and its various satellite fairs. The city's gallery and museum circuit is currently anchored by major debuts and surveys, including Leiko Ikemura’s mystical explorations at Lisson Gallery, Sarah Sze’s immersive video and painting installations at Gagosian, and Alejandro García Contreras’s folklore-inspired ceramics at Anat Ebgi.
Seventh Circle, an independent art space in Birmingham's Digbeth district, has inaugurated its new, expanded location with an open-call exhibition titled "Renaissance." Featuring works by 40 local artists across various media—including sculpture, ceramics, and fine art—the show explores themes of rebirth and renewal. To support the local creative economy, the gallery introduced a dual-award system: a Director’s Choice Award granting a solo exhibition and a People’s Choice Award providing bespoke framing services.
The Bruce R. Watkins Cultural Heritage Center in Kansas City has launched a new group exhibition titled “Our Voices, Our Truth... In Peace.” The showcase features diverse works from 25 local and national artists, utilizing various mediums including oil painting and poetry to explore themes of identity and heritage.
Gideon Appah has launched his debut New York solo exhibition, 'Beneath Night and Day', at Pace Gallery. The show features a new body of work from his 'Swimmers and Surfers' series, which explores themes of leisure, vulnerability, and the psychological space between night and day. Inspired by the coastal life of Ghana’s Busua and Kokrobite beaches, the exhibition also includes archival materials like movie stills and newspaper clippings to provide insight into the artist's creative process.
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A marble fragment from the tusk of Gian Lorenzo Bernini’s 17th-century 'Elephant and Obelisk' monument was found broken off in Rome’s Piazza della Minerva. Local authorities and the Capitoline Superintendency recovered the four-inch piece, which is believed to be part of a 1977 restoration rather than the original 1667 marble. Police are currently reviewing security footage to determine if the damage resulted from intentional vandalism or natural structural wear.
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The German art world is mourning the death of sculptor Henrike Naumann, who passed away in Berlin at age 41 following a brief battle with cancer. Naumann was a rising star known for her immersive installations that utilized furniture and domestic objects to explore the complex sociopolitical legacy of East Germany and the psychological tensions of reunification. Her death comes just months before she was scheduled to represent Germany at the 2024 Venice Biennale.
Tobias Pils's exhibition "Shh" at mumok in Vienna presents a decade-spanning survey of his work, marking his first major institutional show since 2013. The exhibition charts his evolution from abstraction to figuration and a broader color palette, centered on recurring motifs of fractured bodies and archetypal figures that explore the structure of pictorial language itself.
The Van Gogh Museum in Amsterdam has launched a new exhibition titled "Yellow: Beyond Van Gogh’s Colour," running until May 17. The show explores Vincent van Gogh’s profound obsession with the color yellow, featuring eight of his works alongside pieces by contemporaries like Paul Gauguin and Aubrey Beardsley. It highlights Van Gogh's technical use of chrome yellow pigments to capture the "high yellow note" of the Provencal sun and the symbolic association of the color with modernity and life-giving energy.
The Department of Art & Design has announced the Integrative Studio II student-led exhibitions, scheduled to run from March 3rd through March 6th, 2026, at the Finley Gallery and Annex Galleries. The showcase is the result of a six-week intensive study where visual arts majors used the piñata as a conceptual starting point to explore themes of history, materiality, and transformation. The exhibition is split into two distinct sections: "From the Outside In," which focuses on personal memory and cultural background, and "Divergence of Reactions," which addresses complex emotional themes such as anxiety and the fragility of life.
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Dóra Maurer, a preeminent figure of Hungarian conceptual art, has died at the age of 88. Known for her multidisciplinary approach spanning film, photography, and painting, Maurer rose to prominence for her experimental work created under Soviet rule in Hungary. Her practice frequently explored themes of displacement, perception, and the mathematical shifting of forms, ranging from her 1970s performance-based photography to her later vibrant, geometric "Overlappings" paintings.
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Cuban artist Rachel Valdés has opened a solo exhibition titled "Light and Matter" at the Gary Nader Art Centre in Miami. The show features a new body of work that explores the phenomenon of diffraction and the concept of afterimages—the optical illusions that persist after a light source is removed. Valdés uses these sensory echoes to bridge the gap between physical light and psychological experience, creating abstract compositions that mimic cellular or internal visions.
A fragment of the tusk from Gian Lorenzo Bernini’s 17th-century elephant sculpture in Rome’s Piazza della Minerva was discovered broken off and lying on the ground. Local authorities and police are currently reviewing security footage to determine if the damage to the marble work was caused by intentional vandalism or recent heavy rainfall.
Kendall Hamelryck, the current artist-in-residence at Milligan University, has debuted her solo exhibition titled “Building a Life” at the Milligan Art Gallery. The showcase features mixed-media installations and sculptures, including the centerpiece “Be Content,” which explores themes of domesticity, faith, and the simplicity of childhood. The works reflect Hamelryck’s personal transition into marriage and family life, utilizing everyday objects like tea sets and stuffed animals to convey spiritual contentment.
The James Wise Gallery at Norfolk State University has unveiled "Define Yourself!", a traveling exhibition organized in partnership with the Chrysler Museum of Art. Inspired by James Baldwin’s "The Fire Next Time," the show features 15 works by artists including Kara Walker, Emma Amos, and Carl Van Vechten that explore themes of Black identity, media representation, and double consciousness. The initiative is part of the Atlantic Coast Cohort, a program funded by the Art Bridges Foundation to share museum collections with historically Black colleges and universities (HBCUs).
The Milton Rhodes Center for the Arts in Winston-Salem is set to debut "By Any Means Necessary," a collaborative exhibition featuring local artists Owens Daniels, Leo Rucker, and Affee Vickers. Opening February 27, 2026, the show integrates digital photography, traditional portraiture, and mixed-media sculpture to explore themes of activism, personal identity, and community history. Each artist utilizes a distinct medium—from Daniels’ layered digital canvases to Rucker’s historical murals and Vickers’ engineered material studies—to address the central question of what causes individuals are willing to pursue at any cost.
The Royal West of England Academy in Bristol is hosting "Cosmos: The Art of Observing Space," an expansive exhibition curated by artist Ione Parkin. The show bridges the gap between hard science and artistic imagination, featuring works that range from Susan Derges’s lunar photography to Christopher Le Brun’s monumental 12-panel painting of the moon’s phases. By blending scientific inquiry with creative expression, the exhibition explores how celestial phenomena, NASA data, and planetary movements inspire contemporary visual art.
The 38th annual Young At Art (YAA) exhibition has opened at the Wailoa Center in Hilo, showcasing 125 juried artworks created by K-12 students from 18 schools across Hawaii Island. This year's theme, "SHIFT," prompted young artists to explore concepts of change and transition through various mediums. The event marks a significant return to a centralized venue and a new collaboration between the East Hawaii Cultural Center (EHCC) and the Wailoa Center, following years of decentralized satellite displays during the pandemic.
Marie-Laure Bernadac’s new biography, 'Knife-Woman: The Life of Louise Bourgeois', provides a comprehensive look at the French-American artist’s prolific career and traumatic upbringing. The book explores how Bourgeois transformed childhood wounds—specifically her father’s infidelity and psychological cruelty—into a radical body of work spanning sculpture, installation, and textiles. From her early encouragement by Fernand Léger to her late-career fame with the 'Maman' spider sculptures, the biography traces her evolution from a painter to a boundary-defying sculptor who utilized materials ranging from latex to marble.
Emerging multidisciplinary artist Isabella Kennedy has unveiled her installation 'Ballast' at Firstdraft in Sydney, a site-specific work that blends paper sculpture, video projection, and sound. The exhibition draws on the unfinished research of her late father, journalist Les Kennedy, regarding the 1941 disappearance of the HMAS Sydney II. Through delicate stitched paper forms and immersive blue light, Kennedy explores themes of familial grief, maritime history, and the meditative acts of remembrance that bridge personal and national narratives.
Korean-born, Los Angeles-based artist Ken Gun Min is set to debut his third solo exhibition, 'Strange Days of a Quiet Sun,' at Nazarian/Curcio in Los Angeles. The showcase features a new body of work including a monumental double-sided folding screen and paintings that utilize Min's signature technique of combining embroidery, beading, and hand-applied materials with traditional pigments. The exhibition explores themes of sadness and estrangement through the astronomical metaphor of a 'quiet sun,' blending Western art history with East Asian traditions.
Artist Victoria Dugger has launched her third solo exhibition, "Freak Flags," at Sargent’s Daughters in New York. The show features six mixed-media works that reimagine the American flag through a maximalist, Southern Gothic lens, utilizing materials like gingham, glitter, nipple tassels, and barbed wire. Drawing inspiration from Jasper Johns’s iconic flag paintings, Dugger’s versions replace traditional colors with hot pinks and bright greens, with several displayed upside down to signal national distress.
Artist Mia Westerlund Roosen is currently presenting a solo exhibition titled "Then and Now" at Nunu Fine Art in New York, on view through February 21. The show spans her work from the 1970s to the present, featuring sculptures and drawings that explore materiality and the human body, including her notable 1981 phallic forms *Heat* and *Conical*.
The Spencer Museum of Art in Kansas is presenting the largest exhibition to date of work by Jimmy Tsutomu Mirikitani, an artist who faced incarceration and homelessness. The show, titled 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' features drawings, collages, and mixed media works that explore themes of displacement, trauma, and resilience.
The University of North Texas abruptly canceled artist Victor Quiñonez's (Marka27) exhibition 'Ni de Aquí Ni de Allá' at its College of Visual Arts and Design shortly after its opening. The show, which explores dual identity and cultural heritage, was taken down and covered with paper, with the university providing no explanation for its removal, leading to confusion and frustration for the artist.
Mangkuluhur ARTOTEL Suites in Jakarta has opened a solo exhibition titled "Weaving The Unseen" by local artist Ratih Alsaira. The show, featuring ten primary works, explores the resilient strength and multifaceted nature of women, using tailoring and domestic crafts as central metaphors. It runs from February 13 to May 30, 2026, at the hotel's ARTSPACE gallery.