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The Victoria and Albert Museum in London has opened a major exhibition titled "Marie Antoinette Style," showcasing items from the French queen's life and death, including her final letter, a guillotine blade, and a plain linen chemise she wore in prison. The exhibition explores her legacy as a style icon and the public's enduring fascination with her execution during the French Revolution, featuring objects linked to her imprisonment and the macabre history of Madame Tussauds' Chamber of Horrors.

guggenheim new art prize catherine telford keogh winner 1234766496

The Guggenheim Museum has announced a new biennial art prize, the Jack Galef Visual Arts Award, endowed by the estate of Jack Galef with a $50,000 honorarium. The first recipient is Catherine Telford Keogh, a sculptor whose work explores found materials, environmental contamination, and the global economy. Keogh plans to use the award to support projects examining microbial life in Brooklyn's Gowanus Canal and a solo exhibition in Portland tracing the history of instruments that regulate eating.

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The article explores the little-known tradition of figurative Islamic art depicting the prophet Muhammad, which has existed since at least the 13th century in Persian and Turkish cultures. It notes that while a ban on such imagery is widely observed in Arab countries, no explicit prohibition appears in the Quran, and devotional images—often in miniature form—have been created by Muslims for personal and religious use. Examples include a mural in Tehran and a work at the Metropolitan Museum of Art. Scholars like John Esposito, Omid Safi, and Christiane Gruber are quoted to contextualize this tradition in the wake of the Charlie Hebdo attacks, which reignited debate over depictions of Muhammad.

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The article explores the discovery and significance of the Amarna Letters, a collection of 382 clay tablets found in the ancient Egyptian city of Amarna. Initially dismissed as forgeries due to their unusual material (clay instead of papyrus) and language (cuneiform Akkadian, not Egyptian), the letters date to the 14th century B.C.E. and were written by vassal rulers and rival kings to the pharaoh, primarily Akhenaten. They document diplomatic correspondence, including reports on trade, governance, and military operations, as well as gift exchanges and marriage proposals between equal powers.

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Artist Gail Morris presents "Blue Note," a solo exhibition at Bonner David Galleries in New York, featuring bold abstract paintings that explore the emotional and psychological experience of light, space, and music. The show's title references the musical concept of a "blue note," which Morris reinterprets as a compositional strategy to create tension and balance in her works. While starting from physical landscapes—such as natural sites, urban parks, or islands—Morris obscures specific details, using titles like "Down By the River" (2025) and "Bird of Paradise" (2025) to evoke universal moods rather than literal scenes. The exhibition runs through November 29, 2025.

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Inigo Philbrick, the disgraced art dealer who defrauded investors and dealers out of millions of dollars, appears on camera in a forthcoming BBC documentary titled "The Great Art Fraud." Philbrick was sentenced in 2022 to seven years in US prison for wire fraud and identity theft, ordered to forfeit $86 million and two paintings, and was released early in 2024. The two-part documentary, previewed by The Guardian, features Philbrick expressing remorse but also boasting about his past deals and ambition to return to the art trade. It explores his background—son of a former museum director and a Harvard-educated writer—his internship at White Cube, and his life with socialite Victoria Baker-Harber, with whom he hid in Vanuatu before FBI arrest.

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The Smithsonian Institution is facing renewed scrutiny from the Trump administration, this time targeting the National Museum of American History's permanent exhibition "Entertainment Nation." Fox News reported that the White House has raised concerns about wall texts in the display, which opened in 2022 and explores the entertainment industry's impact on American pop culture. One text notes that Mickey Mouse's design has roots in blackface minstrelsy, while another describes pop star Selena Quintanilla-Pérez as sparking conversations about identity and Latinx influence. A 1923 circus poster is accompanied by a placard linking circuses to colonial impulses. White House lawyer Lindsey Halligan criticized the exhibition as framing American culture as "inherently violent, imperialist, or racist." The Smithsonian has stated it is reviewing content to ensure it meets its standards of unbiased scholarship.

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New research challenges the long-held belief that Pharaoh Thutmose III destroyed statues of his predecessor Hatshepsut out of vengeful rage after her death in 1458 B.C.E. Jun Yi Wong, a research fellow at the Metropolitan Museum of Art, examined hundreds of statue fragments from Hatshepsut's mortuary temple at Deir el-Bahri in Luxor. His study, published in Antiquity on June 24, reveals that the statues were broken according to a ritual practice called deactivation—snapped at the neck, waist, and knees—while faces were left intact. Wong found that the fragments were not immediately buried but later reused by everyday Egyptians as building materials, suggesting pragmatic reuse rather than targeted erasure.

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An exhibition titled "Hidden Treasures" at Andalusia Farm in Milledgeville, Georgia, is showcasing dozens of previously unseen artworks by celebrated Southern Gothic writer Flannery O’Connor, including childhood drawings, cartoons, paintings on wood, a stuffed doll, and a 1952 self-portrait. The works were recently rediscovered in a storage unit behind a fast-food restaurant and in the attic of a townhouse belonging to O’Connor’s late cousin Louise Florencourt, who had guarded the archive for decades. The exhibition marks the centennial of O’Connor’s birth and is organized by the Andalusia Interpretive Center in partnership with Georgia College & State University.

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The inaugural Aral Culture Summit (ACS) took place in Nukus, Uzbekistan, organized by the Uzbekistan Art and Culture Development Foundation (ACDF). The summit brought together around 500 attendees to explore how arts, cultural heritage, and design can support environmental regeneration in the Aral Sea region, which has suffered catastrophic ecological collapse due to Soviet-era river diversions for cotton farming. Speakers included Ivana Živković of the UNDP, Elena Kan of KIVA Center for Agroinnovations, Kazakh biodesigner Dana Molzhigit, and Belgian landscape architect Bas Smets, who discussed afforestation, climate resilience, traditional knowledge, and microclimate design.

ronen zien tel aviv museum of art 1234739623

Ronen Zien, an artist born in the Arab city of Shefa Amr in northern Israel, presents a solo exhibition titled "Walking Into" at the Tel Aviv Museum of Art. The show features works that explore memory, time, and borders, including a life-size video piece where Zien walks into a faded family photograph from the 1990s. Using chroma key technology, he inserts himself into images from his childhood and historic photographs, such as a 19th-century print by Félix Bonfils. The exhibition draws on Zien's family history within the Druze community, which is divided by the Israel–Syria border, and includes works created in the six months before its February 2025 opening, amid ongoing war tensions.

LATIN AMERICA AT THE VENICE BIENNALE: A VISUAL TOUR OF THE CENTRAL EXHIBITION

LATINOAMÉRICA EN LA BIENAL DE VENECIA: UN RECORRIDO VISUAL POR LA MUESTRA CENTRAL

The 61st Venice Biennale, titled "In Minor Keys," opened its preview days on May 8, 2025, curated by the late Koyo Kouoh (1967–2025). The central exhibition, realized by a team she selected before her death, features 110 participants from around the world, with a strong Latin American presence of 15 artists, collectives, and organizations. The show explores themes of colonial history, plantation economies, geological memory, and environmental crisis through works that emphasize shared materials, politics, and poetics across geographies from Dakar to San Juan.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

Arts of the Earth

ARTES DE LA TIERRA

The Guggenheim Museum Bilbao has inaugurated "Artes de la Tierra" (Arts of the Earth), a multidisciplinary exhibition curated by Manuel Cirauqui that examines the relationship between contemporary art and the soil. Spanning from the mid-20th century to the present, the show integrates visual arts, architecture, and ancestral Basque knowledge to explore themes of composting, terraforming, and ecological repair. Featured artists include pioneers of Land Art and Arte Povera such as Ana Mendieta, Fina Miralles, and Meg Webster, whose works are presented alongside archival materials and architectural models.

Santiago Yahuarcani: The Beginning of Knowledge

SANTIAGO YAHUARCANI: EL PRINCIPIO DEL CONOCIMIENTO

The Museu de Arte de São Paulo (MASP) is hosting "El principio del conocimiento," the first solo exhibition in Brazil for Peruvian artist Santiago Yahuarcani. Curated by Amanda Carneiro, the show features approximately 35 paintings on llanchama (tree bark) that explore the Uitoto worldview. The exhibition is organized into five thematic sections that navigate the sensory experience of the Amazon, the spiritual significance of sacred plants like coca and tobacco, and the brutal historical memory of colonial extraction.

In Karyn Lyons’s Paintings, the Ghost of Girlhood Lingers

American painter Karyn Lyons explores the longing and desolation of adolescent girlhood in her solo exhibition “Day for Night” at Stems Gallery in Paris, which opened ahead of Art Basel Paris. The show features paintings of an adolescent girl in affluent yet lonely settings, which Lyons describes as metaphoric pages from her diary. After studying journalism and working in advertising and fashion, Lyons earned a post-baccalaureate degree from the School of the Museum of Fine Arts in Boston in 2003, but kept her work private for nearly two decades until a creative breakthrough during the pandemic led her to explore her own adolescence more psychologically.

Lévy Gorvy Dayan Recreates the Dazzle of 1980s New York

Lévy Gorvy Dayan has opened "Downtown/Uptown: New York in the Eighties," a sweeping survey staged at its Beaux-Arts townhouse on East 64th Street. Organized in collaboration with legendary dealer Mary Boone, the exhibition brings together a stellar roster of artists whose careers defined the decade, including neo-expressionists like Keith Haring, Jean-Michel Basquiat, and Julian Schnabel, as well as appropriation and conceptual artists such as Cindy Sherman, Barbara Kruger, Andy Warhol, and Jeff Koons. The show explores the era's dual currents—raw painterly energy versus critical media interrogation—while acknowledging the AIDS epidemic, Reagan-era excess, and the rise of the art star. Immersive staging, a custom disco soundtrack, and works spanning multiple floors evoke the decade's theatricality and volatility.

A New Show Explores the Cutting-Edge Designs of Fashion’s Mad Scientist, Iris van Herpen

Iris van Herpen's mid-career retrospective "Iris van Herpen: Sculpting the Senses" has opened at the Brooklyn Museum, marking the designer's first major museum presentation in the United States. Originally mounted at the Musée des Arts Décoratifs in Paris in 2023, the exhibition features over 140 haute couture looks alongside artworks, design objects, fossils, videos, and natural specimens. The show begins with a water-themed section and includes garments made from materials such as glass bubbles, bioluminescent algae, and 3D-printed polyamide, exploring themes of skeletal structures, primordial fear, and cosmic movements. A centerpiece room, the Atelier, displays swatches, prototypes, and experimental materials, highlighting van Herpen's scientific approach to fashion design.

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The article explores the creative freelancer's financial landscape, focusing on the tax write-off strategies used by artists, writers, musicians, and other cultural workers. It features anecdotes from figures like writer Michelle Tea, photographer Luisa Opalesky, artist Josh Kline, and musician Ben Levi Ross, who share the unusual items they have deducted as business expenses—ranging from cat food and luxury handbags to Skittles, NyQuil, and even a vintage truck used in a film.

art new museum building new humans

The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.

art 2026 whitney biennial review artists

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, features 56 artists and collectives without a unifying theme or title. The review describes the exhibition as intentionally incoherent, reflecting America's current state of irrationality and violence. Notable works include Oswaldo Maciá's scent-based 'Requiem for the Insects', Zach Blas's apocalyptic AI installation, Emilie Louise Gossiaux's sculptures honoring her guide dog, Ash Arder's multimedia works exploring ecology and infrastructure, and Enzo Camacho and Ami Lien's politically charged diorama 'For a Just War Against America'. The show's atmosphere is dominated by clanging percussion, ominous drones, and discordant sounds, with a general tenor of unease.

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CULTURED magazine assembled a roundtable of three Black women leaders at prominent Black art museums in the U.S.—Key Jo Lee of the Museum of the African Diaspora (MoAD) in San Francisco, Cheryl Finley of the Atlanta University Center Art History and Curatorial Studies Collective (AUC), and Amy Andrieux of the Museum of Contemporary African Diasporan Arts (MoCADA) in New York. The discussion explores how each arrived at her role, the challenges these institutions face—including financial pressures and heightened scrutiny under the current U.S. administration—and their strategies for preserving and building legacies. Lee, who joined MoAD three years ago after a tenure at the Cleveland Museum of Art, is curating the exhibition “UNBOUND: Art, Blackness & the Universe,” named one of Hyperallergic’s top 25 of 2025. Finley, a curator, art historian, critic, and author, directs the AUC collective at Spelman College. Andrieux, who came from music and media roles at Red Bull Media House and MTV World, was recruited in 2018 to save MoCADA from closure and later became its executive director and chief curator, overseeing a capital expansion in 2023.

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The article explores the intersection of art and playground design, highlighting how artists have created inspiring play spaces that double as works of art. It begins with the 1954 Museum of Modern Art competition for creative playground equipment, won by Virginia Dortch Dorazio's Fantastic Village, and discusses Isamu Noguchi's Playscapes, including his only U.S. installation in Piedmont Park, Atlanta, commissioned by the High Museum of Art in 1975. The piece then profiles four artist-designed playgrounds: Carsten Höller's Pink Mirror Carousel in St. Moritz, Toshiko Horiuchi MacAdam's Woods of Net in Japan, Niki de Saint Phalle's Tarot Garden in Italy, and others, each blending sculpture with interactive play.

art lorenzo amos young artist

Lorenzo Amos, a 23-year-old painter based in New York, held his debut solo exhibition at Gratin gallery last fall. The show featured paintings that blend Abstract Expressionist mark-making with the composed clarity of David Hockney portraits, all rooted in the intimate space of his living room-studio. Amos describes his approach as "Material Realism," where image and paint become inseparable, and his work as "painting about painting." He cites his friend Alex as a key influence, emphasizing the freedom found in imperfection.

art fashion luc tuymans yohji yamamoto

Luc Tuymans and Yohji Yamamoto, two towering figures in visual art and fashion, sat for a rare conversation in Paris moderated by critic Donatien Grau. The dialogue, initiated by CULTURED magazine, took place after Yamamoto's Fall/Winter 2025–26 menswear show, which Tuymans and his wife, artist Carla Arocha, attended. The discussion explored their shared experiences of anger rooted in wartime trauma—Yamamoto's father died in WWII, and Tuymans grew up amid familial conflict over wartime allegiances—and how they transform that anger into creative brilliance.

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The Andy Warhol Museum held its annual fundraising dinner at La Tête d’Or, chef Daniel Boulud’s steakhouse in New York’s One Madison, on Monday. The event gathered the city’s cultural vanguard, including artists Mickalene Thomas and Isabelle Brourman, museum director Mario Rossero, philanthropist Jeanine Heriveaux, and collectors Nathalie and Stan Doobin. Highlights included a live auction conducted by Sotheby’s Christy Coombs, featuring works by Mickalene Thomas and a limited-edition Dom Pérignon set with Basquiat artwork, and a try-on session of Piaget’s Warhol-inspired watches designed by creative director Stéphanie Sivrière.

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The article is a personal essay by a writer reflecting on the play "Purpose" and its depiction of a Black political family's home, which triggers memories of his own childhood in the Morehouse College president's residence. He observes a recent surge in popular culture's portrayal of Black bourgeois aesthetics, citing examples like the Met Gala exhibition "Superfine: Tailoring Black Style," Ralph Lauren's Oak Bluffs collection, and the HBO series "And Just Like That…" with its focus on the Todd Wexley family's art-filled apartment.

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This article from Cultured explores the history and evolution of the art heist genre across film, television, and books. It traces the genre's origins from the 1911 theft of the Mona Lisa by Vincenzo Peruggia to its appearance in 19th-century detective serials by Agatha Christie and Arthur Conan Doyle, and later in French New Wave noirs and slick 1990s heist films. The piece highlights recent entries like Kelly Reichardt's film *The Mastermind* starring Josh O'Connor, and compiles a list of key works including *Animal Crackers* (1930), *How to Steal a Million* (1966), *The Thomas Crown Affair* (1968/1999), and *Hudson Hawk* (1991), noting how the genre reflects changing attitudes toward wealth, crime, and the sublime power of art.

art young photographer jasmine clarke

Jasmine Clarke, a photographer and MFA candidate at the Yale School of Art, is featured in Cultured's "Art Young Photographer" series, nominated by renowned photographer Stephen Shore. Her tender images of home and family have been exhibited at the Brooklyn Museum and the Phoenix Art Museum. Clarke describes her work as a form of "biomythography," blending history, biography, and myth to explore memory, cultural identity, and the nature of seeing.

site santa fe international

Site Santa Fe has announced its 12th International exhibition, titled "Once Within a Time," opening June 27 and running through January 2026. Curated by Cecilia Alemani, who previously curated the 59th Venice Biennale, the show draws its name and dreamlike logic from a 2022 film by Santa Fe artist Godfrey Reggio. Featuring over 70 artists and more than 300 works—including new commissions, archival interventions, and contemporary selections—the exhibition uses 20 figures with ties to New Mexico as narrative catalysts, among them Navajo code talker Chester Nez, novelist Willa Cather, and the Fire Spirit from local folklore. For the first time, the International will be fully embedded within Santa Fe's urban fabric, activating sites such as a historic foundry, a toy store, and a dispensary alongside traditional cultural partners. Participating artists include Simone Leigh, David Horvitz, and Dominique Knowles, with contributions from writers Tommy Orange, Lucy R. Lippard, and Estevan Rael-Gálvez.