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A new generation of young gallerists is revitalizing the art market by specializing in historical art forms—from ancient jewelry and Old Master drawings to Art Deco and overlooked women Impressionists. The article profiles seven dealers who launched their businesses between ages 22 and 41, with half based in London. Notable figures include Pauline Pavec and Quentin Derouet (co-founders of Pavec, focusing on 19th- and 20th-century women artists), Baron Lorne Thyssen-Bornemisza (Kallos Fine Jewellery, ancient jewelry), and Maxime Flatry (20th-century art and design). Two of the dealers will exhibit at Frieze Masters this October, directed by Emanuela Tarizzo, who emphasizes that collectors and institutions increasingly seek cross-century narratives.

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Cultured magazine has partnered with Samsung to launch a "CULTURED Collection" on the Samsung Art Store, available exclusively to owners of Samsung's The Frame and QLED TVs. Starting in October, 60 artworks by contemporary artists including Adam Pendleton, Dominique Fung, Oscar yi Hou, Chris Martin, and Emma Webster will be displayed in the TV's art mode. A temporary pop-up gallery, the Samsung Art Store Gallery, will open to the public on Oct. 9–10 at 545 W 23rd St in New York, offering a preview of the collection.

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Cultured magazine publishes an interview with French conceptual artist Sophie Calle, conducted by a journalist who navigates Calle's characteristic conditions for the conversation. The article recounts the process of securing the interview—including a preliminary phone call from Calle to set rules—and describes Calle's home in the South of France, her tan arms, black sleeveless top, and signature glasses. The journalist references Calle's early photobooks published by Siglio, her "Unfinished" series displayed at the Musée Picasso in Paris (2023–24), and her project "The Address Book," which involved interviewing acquaintances of a stranger whose address book she found on the streets of Paris. The interview also touches on a companion catalog of moldy works after a flood in Calle's storage space, and a large photograph of dried flowers from architect Frank Gehry.

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Alex Katz presents a new body of work titled "White Lotus" at Gray Chicago, on view through September 20. The exhibition features large-scale portraits and cool, cinematic scenes inspired by a beach in Maine and Antonioni's *L'Avventura*, with only a superficial connection to the TV series *The White Lotus*. Katz, now in his late 90s, continues his seven-decade practice of prioritizing style over narrative, focusing on surfaces, garments, and glances. Concurrently, his work is also on view at SCAI Piramide in Tokyo, San Diego's Museum of Contemporary Art, and Gladstone Gallery will host a fall exhibition of his orange abstractions. The article includes an interview where Katz discusses his studio habits, influences (Fra Angelico, Veronese, Goya), and his resilience in the face of early career criticism.

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Collector Amitha Raman shares her journey into art collecting, which began with late-night classes at MoMA under art historian Agnes Berecz, where she explored empty galleries after hours. Her first acquisition was Mary Beth Edelson's "Hounds of Hell" (1973), and she now serves as co-chair of MoMA's Young Patrons Council and a member of its Black Arts Council. Raman's collection includes works by Rashid Johnson, Wolfgang Tillmans, Tracey Emin, Jenny Holzer, and Jeffrey Gibson, and she actively loans pieces to major museums worldwide.

OSCAR MURILLO: PAINTING AS A WELL OF ACCUMULATION

ÓSCAR MURILLO: LA PINTURA COMO POZO DE ACUMULACIÓN

The article profiles Colombian-born artist Oscar Murillo and his expansive, socially-engaged practice. It details his rise to international prominence in the early 2010s with large-scale paintings that incorporate text, textiles, and studio detritus, and highlights his ongoing, collaborative project 'Frequencies,' which involves students from over thirty countries creating works on canvases attached to school desks. The piece also references his major solo exhibitions, including 'El pozo de agua' at kurimanzutto in Mexico City (2026), 'Masas' at WIELS in Brussels (2024), and 'The flooded garden' at Tate Modern (2024).

"A Radical Change": Art Brussels Reinvents Itself for Its Collectors

« Un changement radical » : Art Brussels se réinvente pour ses collectionneurs

Art Brussels, the Belgian art fair, is implementing a significant strategic overhaul for its 42nd edition. The fair is reducing its size by 18%, featuring 136 galleries, and consolidating into a more compact layout to prioritize visitor experience and quality over quantity. It is introducing a new artistic advisory desk to guide collectors and launching a curated section for monumental works.

Death of Artist Fabien Verschaere

Disparition de l’artiste Fabien Verschaere

The French contemporary art world is mourning the sudden death of artist Fabien Verschaere at the age of 50. Represented by Galerie Brugier-Rigail since 2012, Verschaere was known for a prolific and singular body of work that blended childhood imagery, fairy tales, and pop culture icons like Mickey Mouse and Batman into a complex personal mythology. His career was marked by significant exhibitions at major institutions including the Palais de Tokyo, the Musée d’art contemporain de Lyon, and the Grand Palais.

Independent art fair makes the most of more spacious digs

The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.

Lucy Liu Paints the ‘Emotional Truth’ of Family Memories

Lucy Liu, best known for her acting career in films like "Kill Bill" and the TV series "Elementary," is currently presenting a new exhibition of paintings titled "Hard Feelings" at Alisan Fine Arts in New York. The show features works that explore family memory and personal history, including pieces like "Family Portrait" (2016) and newer, more gestural paintings such as "What Stays" (2023) and "Hourglass" (2026). Liu, who studied at the New York Studio School from 2004 to 2007, uses layered and obscured imagery to reflect the unstable, fragmentary nature of memory, drawing on family photographs and her own childhood experiences following her father's death.

With New Tribeca Outpost, Gratin Gallery Doubles Down on Young Artists

Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.

‘It smells like my ranch!’ Diva of dirt Delcy Morelos and her amazing 30-tonne earthworks

The article profiles Colombian artist Delcy Morelos and her immersive earthwork installations, focusing on two major works: 'The Womb Space' in Mexico City, which has drawn over 60,000 visitors in its final month, and 'Origo', a new 24-metre-wide outdoor pavilion opening at the Barbican in London. Morelos creates vast soil sculptures sourced from specific regions, evoking sensory experiences of smell, touch, and memory, and invites visitors to contemplate their connection to the earth. The piece includes her reflections on Andean cosmovision, the sacredness of nature, and her 14-year artistic inquiry into soil as a humble yet life-sustaining material.

Mary Lovelace O’Neal, Abstract Painter Who Refused to Conform, Dies at 84

Mary Lovelace O’Neal, an abstract painter known for her gestural, unruly works that defied categorization, died on Sunday in Mérida, Mexico, at age 84. Her galleries, Jenkins Johnson and Marianne Boesky, announced her passing. O’Neal produced sprawling paintings characterized by tangles of drippy strokes, often using lamp black pigment to create intensely black canvases. She rejected labels like Abstract Expressionist or Minimalist, insisting she was simply a painter. Her series "Whales Fucking" (1979) and a 2020 exhibition at Mnuchin Gallery revived her profile, leading to inclusion in the 2024 Whitney Biennial.

Soft armour, pert nipples: how London design team made Kim Kardashian’s Met Gala breastplate

Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.

Isabel Nolan’s Work Challenges Everything We Think We Know About Creativity

Artist Isabel Nolan recently discovered she has aphantasia, a rare neurological condition that prevents her from visualizing mental images. Despite this, Nolan has built a successful career creating abstract sculptures, drawings, and tapestries, and her work is featured in the Irish Pavilion at the Venice Biennale. Her exhibition, "Dreamshook," explores themes of imagination versus reality and draws inspiration from late medieval history and the printer Aldo Manuzio.

Salon review – like getting to know fascinating guests at a fabulous party

The article reviews a salon-style exhibition curated by Matthew Higgs, director of New York's White Columns gallery, at an unnamed gallery space. The show features 43 paintings by a diverse group of artists including Denzil Forrester, Andrew Cranston, Kaye Donachie, Merlin James, Margot Bergman, Gillian Carnegie, Bill Lynch, and Adam Keay, arranged around mismatched chairs facing white windows painted on the walls. The reviewer describes moving through the space, engaging with individual works, and highlights the eclectic, unthemed curation that prioritizes personal taste and conversation over academic or political messaging.

Stockholm's Market Art Fair wants to prove the 'periphery is now essential'

The 20th edition of Stockholm's Market Art Fair for Modern and contemporary art opens in a new waterfront venue at Magasin 9 in the Frihamnen docks area, running until 26 April. This year, 54 dealers—mostly from the Nordics—are joined by international galleries from the US and UK, including Anthony Wilkinson gallery (London) and albertz benda (New York). The fair expanded its reach last year by opening applications to galleries without existing Nordic ties. Notable presentations include new works by Ólafur Elíasson (i8 gallery, Iceland), dystopian paintings by Munan Øvrelid (Galleri Haaken, Oslo), and textile works by Petra Lindholm (Magnus Karlsson gallery). Prices range from SEK 28,000 to €195,000, with strong early sales reported.

Ghosts, nudes and lesbian pageant queens: highlights from NYC’s Photography Show – in pictures

Aipad: The Photography Show is taking place at the Park Avenue Armory in New York from April 22-26, 2026, featuring works from over 70 galleries. The exhibition highlights include Bill Brandt's 1952 nude, Rania Matar's portrait of a young woman in Lebanon, and Zanele Muholi's 2009 portrait of a lesbian pageant queen, alongside works by Tania Franco Klein, Ruth Thorne-Thomsen, and others that explore themes of identity, anxiety, and alternative realities.

'It was my job to create the view': US artist Liza Lou on making colourful works in her windowless warehouse

American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.

‘I wanted my work to be shameless’: 93-year-old artist Joan Semmel on her trailblazing nudes

Nonagenarian painter Joan Semmel is preparing for a major career moment with a retrospective at the Jewish Museum and a dual-city exhibition, 'Continuities', at Alexander Gray Associates in New York and Brussels. At 93, Semmel continues to produce large-scale, vibrant works from her SoHo studio that focus on the aging female nude, using her own body as a primary reference. The new works, including 'Here I Am' (2025), maintain her lifelong commitment to depicting the female form through a non-idealized, authentic lens that rejects the traditional male gaze.

Artists respond to the continuing toll of colonialism in the Americas

The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition is the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.

ariana papademetropoulos thaddaeus ropac paris exhibition

Ariana Papademetropoulos has debuted a new solo exhibition titled "Glass Slipper" at Thaddaeus Ropac’s gallery in Paris. The show features a diverse range of works, including hyper-realistic paintings of dry-cleaned dresses, surrealist landscapes featuring floating chairs, and a central immersive installation. This centerpiece consists of a mattress and a fish tank filled with 150 kissing fish, accompanied by a commissioned ambient soundtrack by Nicolas Godin of the band Air, designed to evoke a meditative, ritualistic experience.

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Artist Kara Walker has transformed a decommissioned monument of Confederate General Stonewall Jackson into a new, grotesque sculpture titled "Unmanned Drone" (2023). After curator Hamza Walker secured the bronze statue from Charlottesville, Virginia, the artist reconfigured its parts at a New York foundry to create a 12-foot horse-man hybrid that subverts traditional heroic iconography. The work is currently the centerpiece of the "Monuments" exhibition at the Brick in Los Angeles, co-presented by MOCA LA.

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Fashion designer Dries Van Noten and his partner Patrick Vangheluwe have announced the launch of Fondazione Dries Van Noten, a new cultural institution in Venice. Housed in the historic 15th-century Palazzo Pisani Moretta on the Grand Canal, the foundation will host residencies, collaborative projects, and exhibitions focused on the intersection of craftsmanship and contemporary art. The inaugural exhibition, "THE ONLY TRUE PROTEST IS BEAUTY," curated by Van Noten and Geert Bruloot, is set to open on April 25 and will feature over 200 objects spanning fashion, sculpture, and collectible design.

frieze los angeles satellite fairs report

The Felix Art Fair kicked off LA Art Week at the Hollywood Roosevelt Hotel, drawing significant crowds despite logistical hurdles. While long lines for elevators slowed the initial flow of visitors to the upper floors, exhibitors reported steady interest and early sales. New York-based dealers faced particular challenges arriving for the opening due to a major Nor’easter that disrupted flights across the East Coast, forcing many to finalize their booths just hours before the VIP preview.

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Artist Mia Westerlund Roosen is currently presenting a solo exhibition titled "Then and Now" at Nunu Fine Art in New York, on view through February 21. The show spans her work from the 1970s to the present, featuring sculptures and drawings that explore materiality and the human body, including her notable 1981 phallic forms *Heat* and *Conical*.

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Dealer Gordon VeneKlasen has announced plans to open his own eponymous gallery after separating from Michael Werner Gallery, where he ran the New York space for over 30 years. As part of the agreement, VeneKlasen will take over Werner's New York and London locations, while the short-lived Los Angeles branch of Michael Werner Gallery will close. Two longtime employees, Justine Birbil and Kadee Robbins, have been promoted to partners at VeneKlasen Gallery. The gallery will debut at the inaugural Art Basel Qatar with a solo presentation of works by Issy Wood, followed by exhibitions of Sigmar Polke's paintings in New York and London.

rediscovering luis fernando zapata

Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.

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Mernet Larsen, whose painting *Getting Measured* (1999) appears on the cover of the Winter 2025 issue of *Art in America*, discusses the work's origin and evolution in an interview from her home in Tampa, Florida. She explains how the painting marked a turning point from abstraction to a representational style inspired by 12th-century Japanese narrative painting and the parallel perspective technique used by architects, while also incorporating elements from her own abstract works and a self-portrait titled *Indecisive Woman*.

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Laura Footes, a British artist living with chronic illness, opened her solo exhibition “Anamnesis” at Shrine NYC in early December 2024. Her paintings feature translucent, ethereal bodies in hallucinogenic landscapes, exploring themes of entrapment, escape, and the porous, temporal nature of the body. Footes, who has Crohn’s disease, draws on her hospital experiences and was discovered by Tracey Emin in 2022 after Emin saw her work on social media. Emin later mentored Footes at TKE Studios in Margate and curated her solo show “A Healing Dream” at Carl Freedman Gallery in late 2024.