The Times of Israel reports that a series of portraits titled 'Chutzpah Girls' will be showcased in art exhibits across the United States. The series features portraits of Jewish women who exemplify boldness and resilience, created by an unnamed artist or collective. The exhibits are set to tour multiple venues, bringing these empowering images to a wide American audience.
The New York Times reports on a new museum exhibition that centers on disability, posing the provocative question 'Who’s Sorry Now?' The show challenges conventional narratives around disability, moving beyond pity or inspiration to explore themes of agency, identity, and societal attitudes. It features works by disabled artists and aims to reframe how disability is represented in cultural institutions.
River Press, a new art studio and shop in Milwaukee's Riverwest neighborhood, is opening its first micro-exhibition on August 29. The inaugural show, titled "Life Should Make More Sense Than This," features a solo presentation by Milwaukee artist Sarah Jane Sutterfield, including metallic monotypes and three sculptural pieces exploring love, grief, and transformation. The exhibition runs through November, with a reception from 5-9 p.m. on opening night.
A free exhibition titled 'Diversity' has opened at Stamford Arts Centre gallery in St Mary’s Street, running until August 30. Organized by Stamford Diversity Group, the show features a wide range of work including art by HMP Stocken inmates, photographs by Ukrainian artist Oleksii Klitovchenko, paintings by Marina Stognieva, sketches by Ella, dresses by a local Afghan family, a neurodivergency awareness journal, and zines supporting the trans community, alongside poetry and photographic portraits from the group's previous projects.
Visual artist and actress Teala Stampley has opened Creative Minds Center of the Arts in Oak Park’s Southtown District, a live/work space where mental health and art intersect. The center hosts events such as The Painted Tongue: Open Mic and Art Exhibition and Let’s Talk About It Paint and Conversation, combining art-making with licensed therapy. Stampley, who also acts in the Chicago-based drama The Chi and other productions, began painting a year and a half ago as a form of healing for her own anxiety and depression, inspired by her uncle.
Yale University's latest Humanitas column highlights several arts and humanities developments: an exhibition by artist Nontsikelelo Mutiti at Schwarzman Center titled "Rusununguko," inspired by Black hair-braiding traditions and community; a new interdisciplinary certificate in Native American and Indigenous Studies approved by Yale College Faculty; and a Yale-run art space opening to local New Haven artists. Mutiti's installation uses black vinyl braids to transform the domed gallery, reflecting her experiences as a Zimbabwean graduate student finding community in Harlem's hair-braiding salons.
Norman Teague is the subject of a documentary film produced by Firelight Media in association with The WNET Group for the PBS series 'American Masters.' The film, directed by Adewole A. Abioye and produced by Aderemi Abioye, explores Teague's life and creative journey as a visual artist. The program is part of the 'In the Making' series and is funded by multiple foundations including the Corporation for Public Broadcasting and the Rosalind P. Walter Foundation.
Music composer Joy Sarkar inaugurated 'Echoes in Colours', a solo art exhibition by emerging artist Anupama Arora Mallik, at a prominent art gallery in Kolkata. The event was attended by notable figures including Ayon Ghosh, Badal Pal, and Prosanta Kumar Basu, who praised the artist's evocative work. Anupama, a self-taught artist and former consultant pathologist of two decades, transitioned from medicine to pursue painting, blending representational and abstract styles inspired by nature and Impressionism. Her signature palette knife technique creates richly textured layers on canvas, tile, wood, and glass. The exhibition was curated by Madhuchanda Sen.
A new Indigenous art gallery, the Maltha Waru Arts Workshop, has officially opened at Outback at Isa in Mount Isa, Queensland, on May 30, 2025. Councillor Travis Crowther delivered the opening speech, marking the culmination of months of work by local Indigenous artists and Outback at Isa staff. The gallery, which began operating in December 2024, displays and sells art created by Indigenous artists from North West Queensland, including paintings, jewellery, textiles, carvings, spinifex paper, and contemporary works. Featured artists include Barbara Sam, Rebecca Sam, Hazel Munro, and others.
The Avondale Arts Center in Avondale, Georgia, is hosting 'American Asian,' a group exhibition curated by Nicole Kang that features 16 Georgia-based artists of Asian descent. The multimedia show explores the 'third culture' experience of belonging, with works ranging from intimate portraits and experimental abstraction to visual narratives examining heritage and homeland. Featured artists include Sanithna, Helen Choi, Killamari, Crystal Jin Kimm, and Janice Rago, among others.
Trucha RGV, an arts organization in the Rio Grande Valley, is planning an art exhibit that will focus on social and political issues affecting the 956 area code region of South Texas. The exhibition aims to highlight local concerns through visual art, providing a platform for community dialogue and expression.
The New York Times profiles six contemporary artists whose market performance is being closely watched as a bellwether for the broader art market. The article examines how their auction results, gallery representation, and collector demand reflect shifting trends in the art economy, particularly in a period of uncertainty following a post-pandemic boom.
Lumi Tan, the curator of Frieze New York’s Focus program, discusses her approach to planning the section of the fair dedicated to emerging and underrepresented galleries. The article outlines her selection criteria, which prioritize conceptual rigor and diverse geographic representation, and highlights specific galleries and artists she has chosen for the upcoming edition.
The third Student Art Exhibition was held on April 24 at the Lemonis Center for Student Success at Marquette University, featuring eight student artworks centered on themes of "Culture & Career," "Inclusivity at Marquette," and "Defining Success." Organized by Courtney Hanson, director of the Career Center, the exhibition was sponsored by the Lemonis Center, the Office of Inclusion and Belonging, and Enterprise Mobility. Student artists from various colleges—including Nursing, Engineering, Arts & Sciences, and Communication—submitted proposals and received a $500 stipend to create their pieces, which are now on permanent display alongside works from previous years.
Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.
Une anthologie sur le temps
The publishing house Citadelles & Mazenod has released a new anthology titled "Écrire le temps. De l’Antiquité à nos jours" (Writing Time: From Antiquity to the Present Day). Edited by Pascal Dethurens, the 480-page volume compiles a vast array of literary sources on the concept of time, from ancient thinkers to contemporary writers, and pairs these texts with a wide variety of artistic representations.
Artsy's monthly "Artists on Our Radar" series highlights five emerging artists who gained significant attention in March. The selections are based on the publication's expertise and data, tracking impact through new gallery representation, exhibitions, auctions, art fair appearances, or the release of fresh work.
Artist Ben Schumacher opened a solo exhibition titled "I was a teenage victim of the scarlet withholding" at the gallery zaza' in Milan. The show ran from February 18 to March 28, 2026, and was documented with 14 images on Contemporary Art Daily.
Lawrence Leaman at Roland Ross
Lawrence Leaman has opened a solo exhibition of new photoprints at the Roland Ross gallery in Kent. The show, which runs from February 21 through March 29, 2026, is comprehensively documented with fourteen installation photographs, providing a detailed visual record of the presentation.
Artist David Morrison has released a new series of hyperrealistic botanical drawings, created with colored pencil. The works, including pieces titled "Botanical Series No.4 Drawing" and "Iceland Poppy," focus on flowers, seeds, and plants, capturing intricate textures and organic forms with delicate lines and smooth gradients that create a soft, luminous effect.
Goldsmiths CCA in London is hosting a retrospective exhibition dedicated to the influential US media collective Paper Tiger Television. The show features a large-scale installation of a shattered television frame as its entry point, evoking themes of media critique and technological disruption central to the collective's work.
Artist with disabilities debuts their first solo exhibition in Williamsburg, Brooklyn, as reported by the Brooklyn Eagle. The show marks a significant milestone for the artist, who has navigated barriers in the art world to present a body of work in a professional gallery setting.
Jasper Arts presents a solo exhibition titled 'Talitha Cumi' by Marion, Indiana artist Tashema Davis at the Thyen-Clark Cultural Center, running May through July 2026. The show features original oil and acrylic paintings, with an opening reception and gallery talk on May 7, followed by additional receptions on June 4 and July 2. Davis, who teaches art at Marion High School, creates vibrant portraits focused on brown faces, drawing from her childhood in Gary, Indiana, and her graduate training at Ball State University.
The RISD Museum in Providence is spotlighting diversity through a series of exhibitions and programs in spring 2026. Highlights include the third Black Biennial, titled "Please Catch Me When I Fall," organized by students Karma Johnson, Khalil McKnight, and King Meulens, featuring over 50 works by Black artists from the school and local community. Other exhibitions range from "A Shared Journey: The Barkan Contemporary Ceramic Collection" to "Natchiq | Onkeehq | Isuwiq: Indigenous Artists Honor the Seal" and "The Artistry and Reunion of Two Surimono Albums," alongside ongoing displays like "Shimmering Beauty: Kingfishers in Art and Poetry."
The 30th annual High Energy exhibition at the Art Gallery of St. Albert (AGSA) features over 120 artworks from students at three local high schools: École Secondaire St. Albert Catholic High School, Paul Kane High School, and Bellerose Composite High School. The 2025 theme, 'Look Up and Marvel,' encourages exploration of wonder and perspective. Curator Emily Baker notes a rise in car and truck imagery due to changing student demographics, alongside recurring subjects like music celebrities, fantasy landscapes, and pop culture. Bellerose marks Black History Month with pieces honoring figures such as Zendaya, Nina Simone, and Tupac Shakur. The exhibition opens May 8 with a reception where six Christopher Kazaleous Awards will be presented.
The Blue Phrog Gallery, a staple of the downtown Montevallo art scene for over 15 years, has announced its permanent closure. Founded in 2009 by Phil and Suzanne Hurst in a repurposed bank building, the gallery served as a primary venue for Alabama-based artists and University of Montevallo students to showcase and sell their work. The building at 955 Main Street is currently listed for sale following the recent passing of co-founder Phil Hurst.
La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?
The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.
Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video
The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.
A Milano torna la fiera dedicata agli artisti emergenti. Aperte le iscrizioni per la sesta edizione di ReA! Art Fair
ReA! Art Fair has officially launched its open call for the sixth edition, scheduled to take place from October 22 to 25, 2026, at the Fabbrica del Vapore in Milan. Organized by the non-profit association ReA Arte, the fair will select 50 emerging international artists to showcase their work in a curated group exhibition format. Applications are open until May 1, 2026, welcoming a wide range of disciplines including digital art, performance, and traditional media.
Thames Art Gallery in Chatham-Kent, Ontario, is organizing an exhibition titled "Queer Portraits" that celebrates the local 2SLGBTQIA+ community. The gallery is now accepting submissions from artists, with entries required to show a meaningful connection to Chatham-Kent, be created from the perspective of or in allyship with the 2SLGBTQIA+ community, and portray a specific person or their defining characteristics. A jury will review submissions, which are due by 4 p.m. on May 29, with up to two pieces per artist accepted across various media.