2025 bienal de sao paulo artist list 1234744762

The Bienal de São Paulo has announced the 120 artists for its 2025 edition, titled “Not All Travellers Walk Roads – Of Humanity as Practice,” opening September 6 at the Ciccillo Matarazzo Pavilion. Curated by Bonaventure Soh Bejeng Ndikung, the selection was inspired by bird migration patterns and rivers, aiming to avoid nation-state classifications. Notable participants include Isa Genzken, Firelei Báez, Wolfgang Tillmans, Forensic Architecture, and 19 Brazil-based artists, alongside 20 deceased figures such as Bertina Lopes and Ernest Cole.

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An augmented reality (AR) experience is reviving Christo and Jeanne-Claude’s iconic 2005 installation *The Gates* in New York’s Central Park. Starting in February 2025, visitors can use the Bloomberg Connects app to view virtual saffron-colored fabric panels suspended over 23 miles of park pathways, recreating the original work that featured 7,503 panels on metal arches. The project is a collaboration between the Christo and Jeanne-Claude Foundation, the New York City Parks Department, the Central Park Conservancy, and Bloomberg Philanthropies, with support from former Mayor Michael Bloomberg. The Shed is concurrently hosting an exhibition documenting the project’s history, including original arches and a scale-model diorama.

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Christie’s, Sotheby’s, and Phillips collectively fell short of their spring auction expectations, bringing in just over $1 billion in evening sales against estimates of $1.2 billion to $1.6 billion. The hammer total of $837.5 million was down from $1.4 billion in the same week last year and $1.8 billion in 2022, with a notable drop in high-priced works and fading interest in emerging artists. The top ten lots generated $278.6 million, a 63 percent decline from 2022, and only a handful of artists under 45 appeared in evening sales, compared to previous years.

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Artnet News' gossip column Wet Paint reports on a Valentine's Day dining experience aboard a simulated Princess Cruises ship at Pier 59 in Chelsea Piers, New York. The event, titled "Love by Britto: First Artistically Inspired Dining Experience Celebrating 'Love'," was designed by Miami-based artist Romero Britto, featuring his signature kaleidoscopic pop art on plates, wine labels, paperweights, and even toilet paper roll stickers. Chef Rudi Sodamin prepared the meal, which included a cocktail with edible glitter and heart-shaped desserts. Britto himself attended a run-through the previous night, and the $214 tickets for the final evening were sold out.

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A long-lost Gustav Klimt portrait of an African prince, missing since World War II, has resurfaced and is now on view at TEFAF Maastricht with a €15 million ($16.4 million) price tag. The painting, titled *Prince William Nii Nortey Dowuona* (1897), was brought to W&K – Wienerroither & Kohlbacher Gallery in 2023 in poor condition, but a stamp from Klimt's estate led to its identification by catalog raisonné author Alfred Weidinger, who had searched for it for two decades. The work depicts an Osu prince from present-day Ghana, created after Klimt attended an ethnographic exhibition at Vienna's Tiergarten am Schüttel where Osu people were put on display. The painting had been owned by Ernestine and Felix Klein, Jewish collectors who fled the Nazis, and is now being shown after a restitution settlement with Klein's heirs.

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Chris Reitz, an art historian and chair of Louisville’s Commission on Public Art, has resigned in protest over the city’s plan to restore a statue of King Louis XVI that was damaged by protesters in May 2020 following the police killing of Breonna Taylor. In an op-ed, Reitz argued that the $200,000 restoration cost is unjustified for a statue he deems beyond repair, and accused city officials of trying to erase evidence of the protests. The statue, created by Achille Valois, was originally erected in France in 1829 and gifted to Louisville in 1966; it was vandalized on the same day the city released 911 calls from Taylor’s killing.

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Peter Paul Rubens, the renowned Baroque painter known for dramatic altarpieces and 'Rubenesque' figures, also led a secret career as a diplomat and spy for the Holy Roman Empire and Spanish Habsburgs. The article details his early life, education, and apprenticeship, and reveals how he used his artistic access to European courts to gather intelligence, including while working on commissions for Marie de' Medici in France. His diplomatic efforts helped broker peace between Spain and England, and he was appointed Secretary of the Flanders' Council.

may marquee auctions recap analysis christies sothebys 1234742284

Christie's marquee auctions in New York generated $489 million across two sales, led by the $272 million 'Leonard & Louise Riggio: Collected Works' sale and a $217 million 20th century art evening auction. The house guaranteed all 39 lots in the Riggio sale and used third-party guarantees on many others to mitigate risk in a soft market. Top lots included Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black, and Blue* (1922) at $47.6 million, Claude Monet's *Peupliers au bord de l'Epte, crépuscule* (1891) at $49.2 million, and Mark Rothko's *No. 4 (Two Dominants) [Orange, Plum, Black]* (1950–51) at nearly $39 million. Two Warhols were pulled before the sale, highlighting ongoing challenges in selling high-value works at auction.

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Sotheby's modern art evening sale in New York on Tuesday night achieved $186.4 million with buyer's premium across 60 lots, with a sell-through rate of 83.3%. Top lots included Pablo Picasso's *Homme assis* ($15.1 million), Georgia O'Keeffe's *Leaves of a Plant* ($13 million), and a new auction record for Paul Signac's *Saint-Georges. Couchant (Venise)* ($8.1 million). However, the sale was overshadowed by the failure of Alberto Giacometti's *Grande tête mince*, a 1955 bronze bust estimated north of $70 million, which went unsold after bidding stalled at $64 million.

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Edvard Munch, the Norwegian Expressionist and Symbolist painter, often worked and stored his paintings outdoors on the grounds of his 45-acre estate, Ekely. This unconventional approach led to many works suffering damage from the elements, including water damage, dog paw prints, and an enduring urban legend that white smears on his iconic painting *The Scream* (1893) were bird droppings. In 2016, researchers at the University of Antwerp used X-ray radiation to debunk this myth, proving the marks were actually candle wax.

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Smith and Partner, a London-based art investment firm, has been accused of defrauding over a thousand investors out of $11 million through a scheme involving high-pressure sales of limited edition art prints with promises of future returns that rarely materialized. The company, founded by Austrian citizen Peter Paul Adam in 2015, faced complaints from 2020 onward, leading to its bank freezing accounts and an investigation by British Trading Standards. Liquidators are seeking $17 million in compensation, and a High Court judge has upheld asset freeze orders against former director Luke Sparkes and his company Zeno Fine Art, which allegedly inflated print prices by nearly 500 percent.

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A rare complete set of Claude Lalanne's green-painted 'Ginkgo' dining suite will be auctioned at Christie's London on June 5, 2025, as part of a single-owner sale from the collection of Baron Diego von Buch. The 12-piece set, sold as four individual lots, is expected to fetch over £1 million ($1.4 million) total, with individual estimates ranging from £100,000 to £300,000 per lot. The sale includes 100 lots from von Buch's homes across Europe, featuring works by François-Xavier Lalanne, Fernand Léger, Fernando Botero, and Lee Ufan.

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British artist Stuart Semple has lost a trademark infringement lawsuit in a French court filed by the estate of Yves Klein. The court ruled that Semple's product “Easy Klein Incredibly Kleinish Blue” violated the Yves Klein trademark, ordering him to pay €16,000 ($18,200) in damages and legal fees. Semple, who claims he was unaware of the lawsuit until it was reported, has two months to appeal. The lawsuit was brought by Yves Amu Klein, the artist's son and operator of Pia Gallery in Scottsdale, Arizona, along with Blue Bay Limited, which holds the international trademark for “Yves Klein.” Semple released the paint in 2021 after a decade of development.

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The Dutch municipality of Maashorst accidentally threw out a valuable Andy Warhol silk-screen print of former Queen Beatrix, along with nearly 50 other artworks, during a town hall renovation. An independent investigation commissioned by the municipality, first reported by the New York Times, was inconclusive, and officials acknowledged the error in a letter to the council, stating that recovery of the missing works is unlikely. The Warhol print, from the Reigning Queens series (1985), is valued between $40,000 and $50,000.

‘It’s like a Ouija board – I listen to the painting’: the supernatural art of Sanya Kantarovsky

Russian-born, New York-based artist Sanya Kantarovsky presents his new exhibition "Basic Failure" at Venice's Institute of Sciences, Letters and Arts, timed to coincide with the Venice Biennale. The show features his signature dishevelled, otherworldly figures—including a pallid boy with a cigarette, a child spinning in innocence, and a glass bust of a young boy with a dead spider under its eye—that explore tension, alienation, and the supernatural. Kantarovsky describes his process as listening to the painting like a Ouija board, and the exhibition includes works that confound narrative expectations, such as a scruffy toy panda and a recreation of Antonello Gagini's 16th-century sculpture.

Dark clouds, protests and resignations dampen start of 61st Venice Biennale

The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.

‘Even more beautiful than I imagined’: the nifty Japanese printing gadget uniting artists worldwide

Designer Gabriella Marcella has curated a new exhibition at Glasgow’s Glue Factory Galleries celebrating the global community of risograph printing. The show highlights work from her 'Riso Club' initiative, a non-profit program that distributes monthly sets of artist-designed postcards from cities ranging from Kyiv to Damascus. Originally developed in Japan in the 1980s as an affordable office tool, the risograph has been reclaimed by independent creatives for its unique soy-ink aesthetic and tactile, screenprint-like quality.

Jean Katambayi Mukendi “RATIO” at KW Institute for Contemporary Art, Berlin

Congolese artist Jean Katambayi Mukendi has opened a solo exhibition titled "RATIO" at the KW Institute for Contemporary Art in Berlin. The show features works that interrogate fundamental dualities such as the natural versus the artificial, growth versus destruction, and the dynamics between resources and power.

Julia Heyward “Voices of Many Voices” at Westfälischer Kunstverein, Münster

The Westfälischer Kunstverein in Münster is presenting "Voices of Many Voices," a significant exhibition dedicated to the pioneering work of Julia Heyward. The show highlights Heyward’s multidisciplinary practice, which emerged from the 1970s New York performance scene, blending vocal experimentation, monologues, and complex multimedia orchestrations. By juxtaposing music, image, and language, the exhibition captures the artist's unique ability to navigate emotional extremes and the "simultaneity of opposites."

Al Park’s picks of 2025 - local and international artists all make the cut

Al Park, a longtime music impresario in Lyttelton and Christchurch, shares his personal cultural highlights of 2025 in an end-of-year feature for The Press. His picks span books, films, music, poetry, and visual art, including the exhibition "Whāia te Taniwha" at Christchurch Art Gallery, which features works like Piri Cowie's bronze sculpture "Te Wheke – Aro Hā Series 2024." Park also looks ahead to 2026, noting his weekly event 'Al P and his P.A.Ls' and the upcoming "The Art of Banksy" exhibition at Christchurch Convention Centre Te Pae.

The Metropolitan Museum of Art Announces the Opening of the Condé M. Nast Galleries, Designed by Peterson Rich Office

The Metropolitan Museum of Art has announced the opening of the Condé M. Nast Galleries, a 12,000-square-foot exhibition space designed by the New York-based architecture firm Peterson Rich Office (PRO). The galleries, located adjacent to the museum's Great Hall, will be inaugurated in May 2026 by The Costume Institute's spring exhibition titled "Costume Art," which explores the dressed body by juxtaposing garments from the Institute's holdings with treasures from the museum's broader collections. The project is part of a larger renovation that also includes a redesign of the Fifth Avenue and 83rd Street entrance to improve visitor flow.

THE SMOKING SECTION: GOTHAM CHELSEA UNVEILS FIRST ASHTRAY ART EXHIBITION FEATURING COMMISSIONED WORKS BY PREMIER ARTISTS

Gotham, the world's first cannabis concept store, has unveiled 'The Smoking Section,' its first commissioned art exhibition at Gotham Gallery in Chelsea, New York. Running from November 6, 2025, to January 5, 2026, the show features over 45 artists and designers—including Ridykeulous (Nicole Eisenman and A.L. Steiner), Daniel Gordon, Mika Tajima, Deborah Czeresko, and Peter Shire—who each created original ashtrays that range from functional to conceptual. Curated by Rachel Berks, Gotham's VP of Product Development & Partnerships, the exhibition explores the ashtray as both a ritual object and cultural symbol, linking cannabis culture to contemporary art.

Is an auction house's loss a gallery's gain? Pilar Ordovas collaborates with former Sotheby's specialists for African and Oceanic art show

Pilar Ordovas opens an exhibition at her Mayfair gallery titled *Dialogues: European, American, African and Oceanic Art from the 20th and 21st Centuries*, running from 9 October to 12 December. The show is a collaboration with Jean Fritts, former international chairman of African & Oceanic Art at Sotheby’s, and Pierre Mollfulleda, formerly head of Sotheby’s African & Oceanic Art department in Paris. It pairs Modern and contemporary Western works with African and Oceanic objects that inspired them, including pieces from the landmark 1984 MoMA exhibition "Primitivism" in 20th Century Art.

Where to see art in Houston now: 9 fun new exhibits opening in July

Nine new art exhibitions are opening in Houston in July, spanning traditional paintings, sculptures, high-tech immersive shows, and textile works. Highlights include Nick Vaughan and Jake Margolin's "Town Meeting 1978-2028" at Art League Houston, which uses wind-drawing techniques to explore pre-Stonewall queer histories; Jeffly Gabriela Molina's "Fragmentos de un sueño que yo también soñé," focusing on immigrant experiences of home and memory; and Lin Qiqing's "Every Fiber of Their Bodies," weaving narratives of gender, immigration, and human relationships. The Menil Collection also re-installs René Magritte paintings after their return from a major retrospective in Sydney.

A Deep Dive Into Westchester’s Arts Scene Right Now

This article surveys the visual arts scene in Westchester County, New York, highlighting museums, galleries, public displays, and artist profiles north of Manhattan. It features institutions such as the Neuberger Museum of Art, ArtsWestchester, Hammond Museum & Japanese Stroll Garden, Hudson River Museum, and Hudson Valley MOCA, noting specific exhibitions like "Smoke in Our Hair: Native Memory and Unsettled Time" and "Bill Viola: Moving Stillness." The piece emphasizes that Westchester offers a vibrant, bucolic alternative to New York City's art scene, with historic estates and contemporary spaces showcasing both established and emerging artists.

Red Grooms, Mimi Gross, and The Ruckus Construction Co.: Excerpts from “Ruckus Manhattan”

The Brooklyn Museum is presenting "Red Grooms, Mimi Gross, and The Ruckus Construction Co.: Excerpts from 'Ruckus Manhattan'," a focused exhibition drawn from the original 1976 installation "Ruckus Manhattan." The show, on view from June 13, 2025 to June 5, 2026, marks the first time in over 30 years that elements of this sprawling, 6,400-square-foot "sculptural comic book" are being publicly displayed. Created by artists Red Grooms and Mimi Gross with their collaborative team, the original work satirized 1970s New York City through a vibrant mix of painting, sculpture, performance, and puppetry. Key pieces on view include "Dame of the Narrows" (returning for the first time since 1994) and "42nd Street Porno Bookstore," both offering a playful yet critical look at urban life.

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8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

Without Consciousness, No Creativity

"Ohne Bewusstsein keine Kreativität"

Matthias Hornschuh, a speaker at the German Creative Economy Summit in Hamburg, discusses artificial intelligence and its impact on art and creativity in an interview with Monopol. He argues that AI systems lack intentionality and true creativity, describing them as "probability-based imitation" rather than genuine creative tools. Hornschuh warns against the hype surrounding AI, noting that efficiency gains are often overstated and that users can become trapped in unproductive interactions with these systems.

What Hans Memling's Last Judgment Still Tells Us

Was uns Hans Memlings Jüngstes Gericht noch sagt

Hans Memling's 15th-century triptych "The Last Judgment" is currently undergoing restoration at the National Museum in Gdańsk, Poland, and is expected to be off view until the end of the year. The artwork, painted before 1465, has a dramatic provenance, having been captured at sea by a privateer en route from Bruges to Florence and eventually finding a permanent home in Gdańsk after various displacements.