The Rhode Island School of Design (RISD) will hold its annual graduate thesis exhibition, RISD Grad Show 2026, from May 21 to 30 at the Rhode Island Convention Center. The show features work from students across 19 advanced degree programs, including Architecture, Ceramics, Graphic Design, Painting, and Sculpture. A digital version will be available online at risdgrad.show starting May 21, with a public opening reception on May 20.
The City of Whittlesea's Belong: 2026 Art Exhibition has opened at the Plenty Ranges Arts and Convention Centre (PRACC) in South Morang, Australia. Now in its 17th year, the exhibition has reached a record size with 176 artists submitting 245 artworks across diverse media including painting, photography, sculpture, pottery, mosaics, and glasswork. Award winners were announced on May 6, with Rosemary Lugg winning the Mayor's Award for her work 'Fragments,' and other prizes recognizing use of materials, originality, and youth participation. The exhibition runs until May 27 and includes artist talks, workshops, and a People's Choice Award.
The article explores the artistic practice of Thai painter Vichit Nongnual, examining how his work engages in a continuous dialogue with art history. It highlights his unique approach to blending traditional Thai artistic elements with contemporary techniques, positioning his paintings as a bridge between past and present visual cultures.
Award-winning journalist Will Higgins has curated a comedic art exhibition titled “The Speedway’s Attic” at the Contemporary Art Museum of Indianapolis (CAMi), opening May 7, 2026. The show presents absurd and humorous true stories from the history of the Indianapolis Motor Speedway, including sections on the first Indy 500 streakers, a car once owned by Hitler, and a journalist who disguised herself as a mechanic to ride in a race car. The only real artifact on display is a jacket that belonged to local Chicken Mobile creator Orval "Ducky" Love, on loan from the Indiana State Museum.
Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.
The article announces a series of regional events in the Adirondacks, including the Adirondack Paddlefest, the Gloversville Downtown Art Walk, a writing workshop with bestselling author Kate Fagan, an artist reception for Robert Coppen's exhibit "Upstate New York in Paintings" at the Old Forge Library, a touring production of Kurt Weill and Bertolt Brecht's "Happy End" presented by Seagle Festival and partners, and the Ausable River Two-Fly Challenge fishing tournament. These events span mid-May 2025 and are open to the public.
The Howard Whittemore Memorial Library in Naugatuck, Connecticut, will host a new exhibition titled 'Mandalas and More' throughout May 2026, featuring artwork created by students of local artist and retired public school art teacher Rose-Ann Chrzanowski. The pieces were produced in Chrzanowski's Osher Lifelong Learning Institute (OLLI) course, which uses mandala-making and mixed-media techniques to encourage personal reflection and relaxation. The exhibit includes works using jewelry, torn handmade paper, feathers, paint, and sand, and will be displayed on the Whittemore Gallery Wall and in the library display case through June 1.
The Smithsonian National Museum of African Art has opened "Here: Pride and Belonging in African Art," the largest exhibition of LGBTQ+ African art to date, featuring nearly 60 artworks by 30 queer artists from across Africa and its diasporas. Curated by Kevin D. Dumouchelle and Serubiri Moses, the exhibition was originally scheduled to coincide with WorldPride DC 2025 but was delayed to early winter 2026, shortly after President Donald Trump issued an executive order targeting the Smithsonian for material deemed "divisive ideology," including discussions of gender identity. Museum officials attributed the postponement to budget and fundraising challenges rather than political pressure.
Morocco inaugurated its national pavilion at the 61st Venice Biennale International Art Exhibition on Friday, with Head of Government Aziz Akhannouch presiding over the ceremony. The pavilion features the project “Asǝṭṭa,” led by artist Amina Agueznay and curator Meryem Berrada, and will be on view at the Doges through November. The presentation aligns with the Biennale’s overarching theme, “In Minor Keys,” and showcases Moroccan heritage through contemporary artistic expression.
An exhibition of Kazakh art has opened in Baku, organized by the culture ministries of Kazakhstan and Azerbaijan. Featuring 30 paintings from the Abylkhan Kasteyev National Museum of Art, the show includes works by masters such as Abylkhan Kasteyev, Moldakhmet Kenbayev, and Kanafiya Telzhanov, as well as contemporary artists exploring tradition, spirituality, and national identity. The exhibition will run for four months at an unspecified venue in Baku.
Sruli Recht's exhibition "LAIR" has opened at the SWCAC museum in Shenzhen, featuring 68 sculptures across 11 installations that took 15 years to create. The works employ unconventional materials such as lava casting, lightning-formed glass, and bee-skin fur, presented as ceremonial artifacts. The immersive experience includes custom musical architecture by Valgeir Sigurðsson, whose score changes with each room, and 14 fragrances developed by perfumer Alex Lee and IFF, made from strange ingredients to set the mood. Visitors receive a small scent object upon leaving.
The Hungarian Academy of Arts (MMA) and the Hall of Art (Műcsarnok) have opened an outdoor panel exhibition in front of the Műcsarnok building on Bajza Street to celebrate the 130th anniversary of the institution's opening. Designed by Albert Schickedanz, the building was completed in 1896 for the Millennium alongside Heroes' Square and the Museum of Fine Arts. The exhibition, which will be on view until November 22, looks back on the Műcsarnok's 130-year history, and a fall anniversary exhibition is also planned.
Inspiration Space in Bangkok presents "Ganesha," a dual-artist exhibition running from 9 May to 5 July 2026, curated by Kullaya Kassakul. The show features paintings by Piya Charoenmuang, who created thousands of Ganesha works daily during the COVID-19 lockdown (2021–2024), exploring faith, success, and imperfection through mixed media and texture. It also includes a ceramic Ganesha sculpture by Yonkwan Thanyaset (Paint), fired at high temperatures and repaired with Kintsugi, highlighting cracks as beauty. The exhibition unfolds in two phases: Piya's paintings from 9 May, with the full ceramic installation joining from 6 June.
The article explores the Shekhawati region of northern Rajasthan, India, known as the world's largest open-air art gallery. It focuses on the 18th–20th century merchant havelis (mansions) hand-painted with intricate frescoes, many of which are now being restored as heritage hotels. The author recounts a personal stay at Malji Ka Kamra, a restored haveli in Mandawa, describing its blend of Italianate and Rajput architecture and the overwhelming frescoes covering every surface, depicting portraits, floral motifs, and scenes of daily life.
Architect and artist François Valentiny, together with his wife Edith Burggraff, has opened a joint exhibition titled "L'art en partage" at the Valentiny Foundation in Remerschen, Luxembourg. Running until 10 May, the show features paintings and sculptures by the couple and is accompanied by concerts, workshops, and community events. Valentiny, known for designing landmarks like KPMG Luxembourg's headquarters and the Bijou building, studied architecture in Vienna and splits his time between Luxembourg and Austria.
Art Omi is staging a photography exhibition featuring the work of Onnis Luque. The article, published by Archpaper.com, was not accessible due to a security verification block, preventing detailed reporting on the exhibition's content, dates, or specific artworks.
Lisa Homann, an Associate Art & Art History Professor at UNC Charlotte, will participate in the 2024 Venice Biennale (May 9–Nov. 22) alongside West African Masquerade artist David Sanou. Homann co-curated the traveling exhibition "New African Masquerades: Artistic Innovations and Collaborations," which opened in New Orleans and will conclude at the Smithsonian National Museum of African Art. She was invited by Kevin Dumouchelle, the museum's main curator, to join the African Art in Venice Forum, a critical dialogue aimed at giving voice to contemporary African artists often excluded from mainstream contemporary art narratives. Homann's work with the Sanou family spans nearly two decades, beginning with David's father, Andre Sanou, in 2008.
Schreyer Honors College at Penn State has opened a new art gallery called “Illuminate” on the ground floor of Atherton Hall, featuring artwork from four Schreyer Scholars. The inaugural exhibition includes pieces by Olivia Knoechel, Jessica Matinchek, Paige Rishel, and Lisa Wang, selected by a panel of staff, students, and alumni artist Kaleigh Quinnan. The gallery opened on April 10 with a celebration attended by family, friends, and college staff.
The Los Alamos Arts Council and the Plein Air Painters of New Mexico present 'Let’s Go Fly A Kite', a paint-out and exhibition opening Friday, May 1 at the Fuller Lodge Art Center Gallery. The show features works created by 28 local and regional artists who painted outdoors at the 30th Annual Kite Festival and around the community, with many pieces depicting kites and their fliers at Overlook Park. A reception for LAAC members runs from 4:30-5:30 PM, followed by a public reception from 5:30-7 PM; the exhibition continues through May 29th.
The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.
Dubai-based Indian Folk Art Corridor (IFAC) held its first-ever exhibition in Mumbai, titled 'Harshit — Experience the Joy of Indian Arts' (April 6–11). The show featured 30 artists—15 from the UAE and 15 from India—curated by IFAC founder Vidisha Pandey. It showcased diverse Indian folk and tribal art forms including Kalighat, Madhubani, Sohrai, Bhil, Warli, Pichwai, Miniature, Jogi, Manjusha, and Tholu art. Dignitaries such as Maharashtra Minister Ashish Shelar, singer Anup Jalota, and actress Sadhna Singh attended. Several artworks were acquired, including a Tholu piece by Shelar and two works by Shoma Banerjee purchased by Jalota; Pandey's works were placed at the Ministry of Culture in Mumbai.
The article reports on the upcoming 61st Venice Biennale in 2026, focusing on the Korean Pavilion's exhibition titled "Liberation Space: Fortress and Nest." The Korean Pavilion, built in 1995 as the 26th national pavilion in Giardini Castello Park, will present itself as a temporary monument exploring Korea's post-colonial history, specifically the liberation period (1945-1948) and the concept of sovereignty. Artistic director Choi Bit-na has curated the exhibition to address Korea's geopolitical context, viewing the pavilion's 1995 entry as a key moment of decolonization alongside the demolition of the Government-General building and the founding of the Gwangju Biennale.
Photographer Rusty Costanza opened an exhibition of his black-and-white photographs at the Art House in Covington, documenting his life and perspective since being diagnosed with ALS (Lou Gehrig's Disease). The show was the featured exhibit of the annual Spring for Art celebration, with a special preview for friends, family, and patrons.
Interdisciplinary artist Jinsun Kim presents a solo exhibition titled 'C.O.C.O.O.N.: HEALING' at K Space Contemporary in Corpus Christi, Texas. The exhibition features mixed-media sculptures that create immersive, cocoon-like environments exploring themes of healing, survival, and transformation. The works are informed by Kim's childhood memories of her mother's illness and recovery, translating personal experience into universal spatial narratives.
En Grèce, le musée archéologique Thessalonikéon Métropolis ouvre ses portes
The Thessalonikéon Métropolis archaeological museum opened on May 7 in Thessaloniki, Greece, inside the renovated Pavlos Melas barracks (Building A3). Its collection of over 300,000 objects—including ceramics, jewelry, mosaics, sarcophagi, and architectural fragments—was unearthed during the construction of the city's metro system, which began in 2006 and became the largest rescue excavation in northern Greece. The centerpiece is the Decumanus Maximus, a well-preserved Roman-Byzantine commercial street discovered at the Venizelou station, nicknamed "Byzantine Pompeii." The museum's restoration cost about €14.5 million, partly funded by European Union funds, while the total archaeological interventions cost between €75 and €203 million.
Gérard Lhéritier, founder of the investment firm Aristophil, has had his prison sentence reduced to two years under electronic monitoring after pleading guilty in a French plea-bargaining procedure. Originally sentenced in December 2025 to five years in prison for fraud, Lhéritier's scheme involved selling shares in manuscripts and historical documents, causing losses estimated at several hundred million euros to nearly 18,000 investors.
L’Iran absent de la Biennale de Venise
Iran will be absent from the 2026 Venice Biennale, marking a notable gap in the international art exhibition. The decision reflects ongoing geopolitical tensions and logistical challenges that have prevented the country from participating in one of the world's most prestigious cultural events.
Démission du jury de la Biennale de Venise
The entire jury of the Venice Biennale has resigned. The mass resignation follows internal disputes over the selection process for the next edition's artistic director, with jurors citing a lack of transparency and interference from the Biennale's board.
Architecture contemporaine
Two buildings in Nancy, France, have been awarded the "Architecture Contemporaine Remarquable" (Remarkable Contemporary Architecture) label. The Foyer du Groupe des Étudiants du Cours Léopold, built in the 1930s, and the Faculty of Science and Technology of Lorraine, built in the 1970s, received this official designation.
Le savant dosage des sites régionaux « Bern 2026 »
The French Heritage Foundation (Fondation du patrimoine) has announced the 2026 list of 18 emblematic regional sites selected for the 'Loto du patrimoine' (Heritage Lottery) funding initiative. The sites, chosen from 650 endangered candidates, include religious buildings like the Chapelle Notre-Dame du Kreisker in Saint-Pol-de-Léon and the Antana-Bé Mosque in Mayotte, forts and castles such as the Royal Castle of Senlis and Fort Boyard, as well as industrial, rural, and residential ensembles like the Beaufonds sugar factory in La Réunion. The selection balances architectural significance, state of decay, project maturity, and potential for revitalization.