food quattro gatti gin venice biennale

Quattro Gatti has been named the official gin of the 61st Venice Biennale, which opens in May 2026. The Umbrian-crafted spirit will be the exclusive gin available across Biennale sites including the Giardini della Biennale and the Arsenale, with a special Biennale cocktail planned. The brand was founded in 2022 by the Mordant family, led by Simon Mordant, a British-born arts patron who served as Commissioner for the Australia Pavilion in 2013 and 2015 and is Global Ambassador for Australia in 2026. The Mordants also led the rebuilding campaign for the Australian Pavilion, which opened in 2015 as the first 21st-century pavilion in Venice.

architecture artists playground design noguchi

The article explores the intersection of art and playground design, highlighting how artists have created inspiring play spaces that double as works of art. It begins with the 1954 Museum of Modern Art competition for creative playground equipment, won by Virginia Dortch Dorazio's Fantastic Village, and discusses Isamu Noguchi's Playscapes, including his only U.S. installation in Piedmont Park, Atlanta, commissioned by the High Museum of Art in 1975. The piece then profiles four artist-designed playgrounds: Carsten Höller's Pink Mirror Carousel in St. Moritz, Toshiko Horiuchi MacAdam's Woods of Net in Japan, Niki de Saint Phalle's Tarot Garden in Italy, and others, each blending sculpture with interactive play.

parties guggenheim museum gala 2025 rashid johnson

The Guggenheim Museum held its 2025 gala, titled "Under the Oculus: A Celebration of Visionaries," honoring artist Rashid Johnson, whose solo exhibition "A Poem for Deep Thinkers" is on view at the institution, alongside the National Basketball Association and National Basketball Players Association. The event featured a seated dinner by Chef Marcus Samuelsson, a performance by Questlove and the Roots, and drew a crowd of art-world figures, sports leaders, and patrons including Abigail and Joseph Baratta, Wendy Fisher, NBA Commissioner Adam Silver, and gallerist David Kordansky.

art ruinart sam falls art basel miami beach

Champagne house Ruinart has commissioned Los Angeles-based artist Sam Falls to create a two-part installation for its Conversations with Nature series at Art Basel Miami Beach. Falls, who grew up in Vermont, used organic materials from Ruinart's Taissy vineyard in France's Champagne region as tools, pigments, and stencils on canvas, with the composition partly inspired by the stained-glass windows of Reims Cathedral. The installation transforms the Ruinart Plaza Bar and Collectors Lounge at the Miami Beach Convention Center, on view through December 7.

parties art fashion warhol museum gala piaget

The Andy Warhol Museum held its annual fundraising dinner at La Tête d’Or, chef Daniel Boulud’s steakhouse in New York’s One Madison, on Monday. The event gathered the city’s cultural vanguard, including artists Mickalene Thomas and Isabelle Brourman, museum director Mario Rossero, philanthropist Jeanine Heriveaux, and collectors Nathalie and Stan Doobin. Highlights included a live auction conducted by Sotheby’s Christy Coombs, featuring works by Mickalene Thomas and a limited-edition Dom Pérignon set with Basquiat artwork, and a try-on session of Piaget’s Warhol-inspired watches designed by creative director Stéphanie Sivrière.

culture jamieson webster psychoanalysis ai sex

Psychoanalyst Jamieson Webster launches a new column for CULTURED titled "Neurotica," exploring the intersection of psychoanalysis, technology, and sexuality. In the debut installment, she interviews artist and theorist Mindy Seu about her work "A SEXUAL HISTORY OF THE INTERNET," which traces how sex workers were integral to developing digital platforms like chat rooms, e-commerce, and webcams, only to have their innovations co-opted by Big Tech. Webster reflects on how AI, chatbots, and online intimacy are reshaping human desire, pleasure, and relationships, drawing on Freud's pleasure-principle and contemporary anxieties about AI psychosis and digital dependency.

art cady noland thomas eggerer jochen klein

Cultured magazine reviews Cady Noland's 2025 exhibition at Gagosian Gallery's 24th Street location in New York, running through October 18. The show features the artist's signature objects—Budweiser cans, shotgun shells, barricades, and images of Patty Hearst and Lee Harvey Oswald—arranged in a fragmented, almost sale-like display. The review notes the inclusion of Steven Parrino's works alongside Noland's, referencing their collaboration at White Columns in 1988, and highlights new elements like "SALE" signs with manicule illustrations. The critic describes the exhibition as a "fascinating mess" rather than a straightforward success.

parties getty images prize ann philbin

The J. Paul Getty Trust awarded its annual Getty Prize to Ann Philbin, who served as director of the Hammer Museum at UCLA for 25 years. A celebratory dinner was held at the Getty Center in Los Angeles, attended by artists, philanthropists, and museum directors. Philbin used the prize's $500,000 grant to support NPR, KCRW, and LAist, emphasizing the importance of free speech and public broadcasting.

art made in la biennial hammer museum

The Hammer Museum has announced the lineup for the seventh edition of its biennial survey "Made in L.A.," curated by Essence Harden and Paulina Pobocha. Starting with a list of over 1,000 artists and no predetermined theme, the curators visited numerous studios over six months to select 28 participants. The exhibition includes artists working beyond traditional definitions, such as online archivist Jerald Cooper and DJ programmer Michael Donte, alongside experimental filmmakers, choreography, ceramics, and installations. The show features works by Pat O'Neill, Carl Cheng, Greg Breda, and others, reflecting Los Angeles's car culture, light, and evolving landscape.

art raul de nieves pioneer works

Raúl de Nieves, a queer Mexico-born artist based in Williamsburg, Brooklyn, is preparing for his latest institutional exhibition, “In Light of Innocence,” opening September 12 at Pioneer Works in Red Hook. The show features 40 new stained glass assemblages made from tape, acetate, and inexpensive materials, installed above a single floor-bound work—a departure from his typically maximalist style. De Nieves, who has exhibited at the ICA Boston, the Baltimore Museum of Art, and the Cleveland Museum of Art, and gained prominence after the 2017 Whitney Biennial, describes the exhibition as a valediction, stating it will be the last time he creates this kind of work.

art burning man dustin yellin

Artist and Pioneer Works founder Dustin Yellin discusses his annual tradition of attending Burning Man in the Nevada desert with journalist Sophia Cohen. Yellin, who first attended the festival in 2012 despite initial skepticism, describes the transformative experience of biking through the Playa with its lights and large-scale artworks. After this year's Burning Man, he will return to New York to complete *The Politics of Eternity*, a 10,000-pound sculpture debuting at the Armory Show.

alison saar david c driskell prize 2

Alison Saar has been named the 2025 recipient of the David C. Driskell Prize by Atlanta’s High Museum of Art, recognizing her significant contributions to the African American art canon. The announcement was made in New York at a celebration held at the Fifth Avenue Hotel in partnership with CULTURED, with a formal gala planned for September featuring a performance by John Legend. Saar, a Los Angeles native known for her commanding sculptures and mixed-media works exploring race, gender, and spiritual identity, joins past honorees including Naomi Beckwith, Ebony G. Patterson, Amy Sherald, and Rashid Johnson.

dustin yellin pioneer works birthday party

Pioneer Works founder Dustin Yellin celebrated his 50th birthday with a fundraiser called Village Fête, raising $1.4 million for the nonprofit arts and sciences center he founded 13 years ago. The event featured a cocktail hour, seated dinner, performances by Annie & the Caldwells and David Byrne, and an afterparty co-hosted by CULTURED, with attendees including Claire Danes, Moses Sumney, Maggie Rogers, and Darren Aronofsky. Speakers included lead sponsor Gabriela Hearst, artist Nate Lewis, artist Azikiwe Mohammed, and founding team members Gabriel Florenz and Janna Levin, who highlighted the institution's impact on over 450 artists.

The Enviable Life of a 1970s Soho Gallerist

Paula Cooper opened her pioneering gallery in Soho in 1968, betting on the then-desolate industrial neighborhood as artists began moving into its lofts. She cultivated deep, personal relationships with the artists she represented, such as Lynda Benglis and Joel Shapiro, as well as with other major figures like Jasper Johns, fostering a slower, more humane art world pace. Her success helped transform Soho into a major gallery district, attracting institutions like Sonnabend and Castelli.

Stephan Balkenhol New Bronze Sculptures 2026 - Man in a White

German sculptor Stephan Balkenhol has unveiled two new hand-painted bronze editions, "Man in a White Shirt and Black Pants 2026" and "Venus 2026." Released in editions of 30 and standing 68 cm tall, the works are being showcased and sold through Frank Fluegel Galerie across its Nuremberg and Kitzbühel locations. The release coincides with the artist's participation in the Art Cologne Palma de Mallorca Fair and precedes his 70th birthday in 2027.

Robert Mnuchin, the blue-chip gallerist who loved the drama of the auction saleroom, has died aged 92

Robert Mnuchin, the prominent New York gallerist who transitioned from a 33-year career on Wall Street to become a major force in the art world, has died at age 92. After heading the trading desk at Goldman Sachs, he co-founded C&M Arts in 1992 with James Corcoran, later establishing L&M Arts with Dominique Lévy in 2005, which was renamed Mnuchin Gallery in 2013. Known for his aggressive bidding at auction, Mnuchin made headlines with high-profile purchases including Roy Lichtenstein's *Sinking Sun* (1964) for $15.6 million in 2006 and Jeff Koons's *Rabbit* (1986) for $91.1 million in 2019, the latter a record for a living artist at the time.

Drawing attention

Collector Patricia Poon and artist Angel Hui are among the figures highlighted in a series examining how Hong Kong women artists are gaining market share and recognition. The article reports that major auction houses Christie's, Sotheby's, and Phillips have moved their Asia headquarters to Hong Kong and now employ young women in key auctioneering roles. It notes a sharp increase in women artists featured in Chinese auctions, from 79 in 2019 to 231 in 2024, with 201 of those in Hong Kong. Works by artists like Firenze Lai, Elaine Chiu, and Kristy M Chan have performed strongly at auction, and Phillips has made promoting Hong Kong women artists a key priority.

A dreamscape in violet: Zao Wou-Ki’s "27.01.83" sells for US$2.3m at China Guardian Hong Kong

China Guardian Hong Kong's 2025 Autumn Auctions achieved approximately HK$70 million (US$8.9 million) in its Asian 20th Century and Contemporary Art Sale on 8 October. The top lot was Zao Wou-Ki's abstract canvas *27.01.83* (1983), which sold for HK$17.7 million (US$2.3 million), more than doubling its low estimate. The second-highest result was Li Chen's bronze sculpture *Dragon-Riding Buddha* (2001), which fetched nearly HK$11.15 million (US$1.4 million). The sale recorded an 85% sell-through rate across 99 lots.

New York gallery Kasmin will close this autumn as leadership launches new venture, Olney Gleason

The Chelsea gallery Kasmin will close this autumn after 35 years of operation, transitioning into a new venture called Olney Gleason. The new gallery will be led by Kasmin president Nick Olney and senior director Eric Gleason, both longtime employees who say the move aligns with the wishes of the late founder Paul Kasmin. Olney Gleason will continue working with an unspecified number of artists and estates from Kasmin's roster, including François-Xavier and Claude Lalanne, Lee Krasner, and Jackson Pollock's estate, and will open a flagship space in Chelsea with an inaugural show this autumn.

Venice in Crisis Mode

Venedig im Krisenmodus

The 61st Venice Biennale has opened under extraordinary circumstances, marked by political protests, a jury resignation, and canceled awards. The Biennale's jury resigned en masse after announcing they would exclude Israeli and Russian contributions from their decisions, leading to the cancellation of the Golden Lion awards and a crisis over the international competition's legitimacy. A newly introduced audience prize also faced boycotts from artists in solidarity. Protests, closed pavilions, and pro-Palestinian actions dominated the preview days, with artists pasting protest posters directly onto their works, reflecting heightened tensions.

Max Mara will stage next cruise show in Shanghai’s Long Museum West Bund - FashionNetwork

Max Mara has announced that its next cruise show, the Resort 2027 collection, will take place at the Long Museum West Bund in Shanghai on June 16, 2026. The event will also mark the opening of a public exhibition titled 'The Max,' curated by French fashion expert Olivier Saillard, celebrating the brand's 75th anniversary. The show continues Max Mara's tradition of staging cruise collections in museums, following previous shows at Berlin's Neues Museum and Venice's Doge Palace.

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

The Delicate Bouquet of Roses and Peonies by Redouté and Thilo Westermann at Malmaison

Le délicat bouquet de roses et de pivoines de Redouté et de Thilo Westermann à Malmaison

An exhibition titled "Roses & Pivoines" has opened at the Château de Bois-Préau in Malmaison, France, pairing the 19th-century botanical watercolors of Pierre-Joseph Redouté with contemporary glass-painting works by German artist Thilo Westermann. Redouté, famous for his meticulous rose and peony illustrations commissioned by Empress Joséphine Bonaparte, is shown alongside Westermann's pointillist technique on glass, which he developed from 2014 onward. The show also includes works by Jan-Frans van Dael and Cornelis van Spaendonck, plus scent stations for visitors to smell rose essences.

À Nîmes, la peinture sans entrave de Tursic & Mille envahit le Carré d’art

The article covers the retrospective exhibition of French artist duo Ida Tursic and Wilfried Mille at the Carré d'art in Nîmes. Titled "Dissonances à géométries variables," the show traces their career from student works at the École nationale supérieure d'art de Dijon to recent paintings, featuring a critical, humorous, and materially rich approach to figurative painting. The duo draws from press images, internet sources, art history, and archives, disrupting reproductions with paint splatters and odd details, and the exhibition is organized thematically from "happiness" to "melancholy."

Nicéphore Niépce in 2 Minutes

Nicéphore Niépce en 2 minutes

Joseph Nicéphore Niépce, a Burgundian engineer and inventor, is credited with creating the world's first permanent photograph, "Point de vue du Gras," in 1827. Using a process he termed heliography, Niépce utilized bitumen of Judea on pewter plates to fix images captured in a camera obscura. Despite his groundbreaking achievement, he died in relative obscurity in 1833, shortly after entering a partnership with Louis Daguerre, who would later receive the primary credit for the invention of photography.

Boats and trains, not planes: reflections on a greener—but sometimes greenwashed—Venice Biennale

The article recounts the author's train journey from London to Venice for the 61st Venice Biennale, highlighting the environmental benefits and pleasant experience of traveling by rail versus flying, despite higher costs and longer duration. It then focuses on the Biennale's central exhibition "In Minor Keys" curated by the late Koyo Kouoh, which foregrounds environmental themes through works that engage with earth, nature, and ecological stakes, featuring artists like Otobong Nkanga, Célia Vasquez Yui, Theo Eshetu, Linda Goode Bryant, and Annalee Davis.

Enter the unsettled space of Asian American abstraction

The Milton Resnick and Pat Passlof Foundation in New York is hosting the exhibition "How Asian Is It?", featuring 12 pioneering East Asian American abstractionists born between 1928 and 1955. Curated by Lilly Wei, the show includes works by Barbara Takenaga, Emily Cheng, Charles Yuen, and David Diao, among others. These artists navigated an art world where downplaying their Asian identities often felt necessary for survival, especially after the 1965 Immigration and Nationality Act reshaped US immigration policy. The exhibition explores how their abstraction—marked by attention to interval, pause, and what remains unsaid—reflects a disciplined negotiation with space rather than a shared style or manifesto.

Who Owns the Megayachts Docked Outside the Venice Biennale?

The article examines the megayachts docked outside the Venice Biennale, focusing on the 170-foot vessel 'Private GG' owned by Giancarlo Giammetti, cofounder of the Valentino fashion house. Giammetti, a serious art collector, was in Venice for the Biennale opening, posting photos of artworks and a dinner with actress Salma Hayek and her husband François-Henri Pinault, a major art collector. The yacht, built in 2022 by CRN, features luxury amenities including a jacuzzi, cinema saloon, and beach club.

Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week

Patrizia Sandretto Re Rebaudengo, an ARTnews Top 200 collector, inaugurated a new art site on the island of San Giacomo in Venice’s Northern Lagoon during the rainy preview week of the Biennale. The island, purchased in 2018, features two Napoleonic-era powder magazines transformed into exhibition spaces: one hosting the group show “Don’t have hope, be hope!” from the Sandretto Re Rebaudengo Collection, and the other presenting “Fanfare/Lament,” a solo exhibition by Matt Copson curated by Hans Ulrich Obrist. The site also includes permanent installations by artists such as Claire Fontaine, Mario Garcia Torres, Hugh Hayden, Goshka Macuga, Pamela Rosenkranz, and Thomas Schütte, and will serve as a venue for exhibitions, performances, and residencies.

An Unprecedented 24-Hour Strike Could Upend the Venice Biennale

An unprecedented 24-hour strike is set to interrupt the Venice Biennale's opening week on Friday, May 8, in protest of Israel's participation in the global art event. The action, organized by the activist group Art Not Genocide Alliance (ANGA), follows a letter signed by over 230 Biennale participants demanding Israel's exclusion. The strike has exposed divisions among participants, with some artists and pavilion teams weighing solidarity against the rare opportunity to platform their own political messages. The Slovenian pavilion, represented by Nika Grabar of the Nonument Group, has committed to the strike, while others like Ecuador's Tawna Collective remain undecided, balancing protest with their mission to highlight ecological crises in the Amazon.