The British Museum bets on 'total immersion' to display the Bayeux Tapestry, which will be presented flat

Le British Museum mise sur « l’immersion totale » pour exposer la tapisserie de Bayeux qui sera présentée à plat

The British Museum has announced plans for an exceptional exhibition of the Bayeux Tapestry, which will be displayed flat for the first time in its history, rather than hung vertically as it has been for decades in Bayeux. The 70-meter-long 11th-century embroidery depicting the Norman conquest of England will be shown in London from September 10, 2026, to July 11, 2027, with tickets priced between £25 and £33. The museum promises an 'immersive' experience featuring raking light, digital devices, and loaned objects to contextualize the 58 scenes and 626 characters.

Man Can’t Tell if Friend’s Art Show Surrealist or Bad

Local man Brian Jacobs attends a friend's high-profile surrealist art show in New York but cannot determine whether the works are genuinely surrealist or simply poorly executed. He describes a painting of a five-eyed fisherman holding a melting bowling ball as looking like it was painted by a first grader. The artist, Gavin McCloud, interprets Jacobs's bewildered reactions as impressed awe and plans to gift him the melting bowling ball painting. Gallery owner Christine Morgan admits she sometimes hosts derivative work from donors' children in exchange for large checks, and advises artists to claim ambiguity as the real art if questioned.

Art Born of Pain: Frida Kahlo

This article is a promotional piece for the DW English program 'Arts Unveiled,' highlighting several upcoming segments. It announces the start of the 61st Venice Biennale, the world's largest art exhibition, and poses questions about its standout features and art's role in times of crisis. Other segments explore the American Dream as a nightmare on the 250th anniversary of US independence, and feature Indigenous artist Britta Marakatt-Labba, who creates embroidered polar landscapes reflecting Sámi culture.

‘In Minor Keys’: discover the themes that define the 61st Venice Biennale exhibition

The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.

Anti-Russia Protests Spread Beyond the Biennale and Into Venice

Protests against the reopening of the Russian pavilion erupted at the Venice Biennale and spread across the city on the second day of the 61st edition. Visual artist Shalva Nikvashvili, who grew up in post-Soviet Georgia, began a silent performance wearing a muzzle-style mask and carrying a chair, holding a sign reading “La Biennale di Venezia” and “violence.” Shortly after, a group of about 20 protesters led by Pussy Riot co-founder Nadya Tolokonnikova gathered outside the Russian pavilion, chanting against Vladimir Putin, waving Ukrainian flags, and releasing a pink smoke flare. The protests followed the Biennale's decision to allow Russia to participate for the first time since its 2022 invasion of Ukraine, despite calls from artists and politicians to exclude the country.

Brussels, Russia and the Venice Biennale

The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.

Meet the Canadian artists heading to Venice Biennale

Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.

Michelangelo and Rodin: Finding the Living Spirit in Stone

The New York Times article examines the artistic kinship between Michelangelo and Auguste Rodin, focusing on how both sculptors sought to animate stone with a sense of living spirit and emotional intensity. It explores their shared techniques, such as leaving surfaces unfinished to suggest movement and inner life, and highlights key works including Michelangelo's "Slaves" and Rodin's "The Gates of Hell."

I wanted to hate the new LACMA. Then I went back

The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

Exploring the magical colors of Matisse

The Times Art Museum has launched a major retrospective of Henri Matisse’s printmaking, featuring 100 works that span his career from early line drawings to his iconic late-period cut-outs. Titled "Bathe in Color — A Journey of Lines, Body and Dreams," the exhibition includes significant collaborations with Paris-based workshops Mourlot Studios and Atelier Auval, highlighted by the vibrant composition La Gerbe.

Artist shows agriculture droning forward

Chinese artist Cao Fei is set to debut her latest multimedia project, "Dash" (known as "Super Farms" in China), at the Fondazione Prada in Milan on April 9. The exhibition is the result of three years of field research across China and Southeast Asia, where Cao documented the rise of smart farming and the integration of AI, drones, and autonomous vehicles into traditional agricultural landscapes. Her work captures a unique cultural synthesis where modern technology is sometimes integrated into ancient rituals, such as the worship of drones as deities.

PRESS RELEASE: Christie’s First London-Based Middle Eastern Modern & Contemporary Art Evening Auction Builds On Dubai’s Success, Achieving £5,235,125 / $6,863,249 / €5,826,694 - Christie's

Christie’s successfully transitioned its Middle Eastern Modern & Contemporary Art evening auction from Dubai to London, achieving a total of £5.2 million ($6.8 million). The sale boasted high sell-through rates of 85% by lot and 88% by value, driven by bidders from 23 different countries. Significant highlights included world auction records for Iraqi artist Jewad Selim, whose painting "The Watermelon Seller" fetched over double its estimate, and Mahmoud Sabri, whose work "Grief" sold for more than ten times its high estimate.

EU threatens to pull funding from Venice Biennale over return of Russian pavilion

The European Union has threatened to withdraw a €2m grant from the Venice Biennale following the foundation's decision to allow Russia to reopen its national pavilion for the first time since the 2022 invasion of Ukraine. EU commissioners Henna Virkkunen and Glenn Micallef, supported by 22 European culture ministers, argue that the Biennale must not provide a platform for Kremlin propaganda or individuals who justify military aggression. The Russian pavilion's return is reportedly being organized by the Gnesin Russian Academy of Music under the direction of the Russian Ministry of Culture.

Christie’s to Auction 3 of Agnes Gund’s Art Jewels

Christie's will auction three significant pieces of jewelry from the collection of philanthropist and art collector Agnes Gund. The sale includes a 1969 brooch by Alexander Calder, a 1973 necklace by Anni Albers, and a 1970s bracelet by Louise Nevelson, all artists whose primary work is in other mediums. Proceeds from the sale will benefit Gund's philanthropic organization, the Art for Justice Fund.

Afghanistan’s heritage comes to the fore in acclaimed Doha show

A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.

Japan’s favourite puffed corn snack was just sold at auction for ¥1.15 million

A limited-edition artwork by Japanese contemporary artist Tomokazu Matsuyama, titled 'Umaibo: Contemporary Art Flavour', sold at auction for ¥1.15 million (approximately $7,600 USD). The piece reimagines the iconic ¥15 Umaibo corn puff snack, a beloved cheap candy in Japan. Originally released in 2025 as a run of 50 sticks priced at ¥100,000 each, the work was first shown at Matsuyama's solo exhibition 'Tomokazu Matsuyama: First Last' at Azabudai Hills Gallery in Tokyo. The auction result represents over ten times the original retail price.

Inside Overtown’s 'Everyday People,' the Soul Basel exhibit celebrating Black art and community

The 'Everyday People' exhibition, part of Miami's Soul Basel celebration, has opened in Overtown across three venues: the City of Miami Black Police Precinct Courthouse and Museum, the Overtown Performing Arts Center, and The OVRTWN Corner. Featuring over 80 artworks by Black artists from around the world, the exhibit is curated by Terrance Cribbs-Lorrant, executive director of the Black Police Precinct Museum, and Elijah Rashaed, a curator from the Dayton, Ohio NAACP. The show includes historic works from the Miami Black Art Workshop, a pioneering 1970s collective that helped ignite South Florida's Black visual arts movement, and will run through March 2026.

Comment | Fine balance: fairs up the exclusivity while appealing to younger clients

Art Basel Paris in October introduced a new ultra-exclusive preview called Avant Première, catering to top-tier galleries with seven- and eight-figure works, while some emerging exhibitors felt sidelined. Meanwhile, the fair's organizers dropped the term "VIP," renaming its dedicated department to "collector and institutional relations," as CEO Noah Horowitz explained that the term could be off-putting to a new generation of buyers. Parallel events like Trauma, a curatorial platform founded by artist Adrian Ghenie, and the Basel Social Club offered more inclusive, youth-driven alternatives, though they still maintained guest lists.

In a Billionaire’s Playground, Six Artworks Could Predict the Market

The New York Times reports on a closely watched auction at Christie's in Palm Beach, where six high-value artworks from a billionaire's collection are expected to set market benchmarks. The sale, taking place in the exclusive playground of the ultra-wealthy, features works by artists such as Basquiat and Richter, and is seen as a barometer for the current state of the art market amid economic uncertainty.

MAD's lucas museum of narrative art in los angeles prepares for september 2026 opening

The Lucas Museum of Narrative Art in Los Angeles's Exposition Park has announced its public opening for September 22, 2026. Designed by MAD (Ma Yansong), the futuristic building features a sculptural canopy with over 1,500 fiberglass-reinforced polymer panels, a 56-meter central archway, and a four-story elliptical oculus. Co-founded by filmmaker George Lucas and Mellody Hobson, the museum will house 9,290 square meters of galleries drawing from a collection of more than 40,000 works spanning classic illustration, muralism, comic art, science fiction imagery, and cinematic artifacts. Landscape architect Mia Lehrer is transforming surrounding parking lots into a shaded public oasis with over 200 trees. Sandra Jackson-Dumont, the former CEO, left her post in April 2025 as the museum restructured, splitting the roles of director and CEO, with Lucas steering artistic content.

The Big Review | 36th Bienal de São Paulo ★★★★

The 36th Bienal de São Paulo has opened with a site-specific installation by Nigerian-American artist Precious Okoyomon, titled "Sun of Consciousness. God Blow Thru Me – Love Break Me" (2025), which features a spiraling path of moss-covered earth and waterfalls evoking Brazil's deforested Cerrado region. The biennial, curated by Bonaventure Soh Bejeng Ndikung with an international team, includes 125 artists—97 international and 28 Brazilian—with more than half of the works commissioned for the exhibition. Notable presentations include a career-spanning display of over 20 paintings by British artist Frank Bowling, alongside works by Brazilian artist Gervane de Paula, who has the largest presence in the show.

We All Know Grandma Moses, Right? But Not Fully, It Seems

A New York Times article reexamines the life and legacy of the beloved American folk artist Grandma Moses (Anna Mary Robertson Moses), suggesting that the public's understanding of her is incomplete. It delves into lesser-known aspects of her biography and artistic practice, challenging the simplistic, sentimental image often associated with her work.

Happy 100th Mirthday, Robert Rauschenberg

The New York Times celebrates the centennial of artist Robert Rauschenberg, born in 1925, reflecting on his groundbreaking career and enduring influence. The article highlights his innovative combines, which blurred the boundaries between painting and sculpture, and his collaborative spirit that reshaped postwar American art.

Here's where to see the best art in Singapore this week (Oct 3)

This article from The Straits Times, dated October 3, highlights a series of cultural events in Singapore during the first week of October. It details a literary conference hosted by Nanyang Technological University's English department from October 3 to 5, featuring public talks by notable writers including Singaporean author Amanda Lee Koe, Malaysian novelist Tan Twan Eng, graphic novelist Sonny Liew, and American poet Alice Lyons. The article also covers a new dining theatre experience called 'Rasa' at Dempsey, which combines 12th-century Sanskrit poetry, bharatanatyam dance, live Carnatic music, and a curated vegetarian menu. Additionally, it announces an exhibition at the Museum of Contemporary Art at Tanjong Pagar Distripark, organized by Lianhe Zaobao and Qiu Zhai Art Studio, celebrating the 35th anniversary of diplomatic relations between Singapore and China, featuring 368 works by Singaporean and Chinese artists.

The Dutch Masters Were Women, Too

A New York Times article highlights the overlooked contributions of women artists in the Dutch Golden Age, challenging the traditional male-dominated narrative of Dutch Masters. It profiles several female painters such as Judith Leyster, Rachel Ruysch, and Maria Sibylla Merian, whose works were historically undervalued or attributed to men.

Art’s New Season Offers Rauschenberg and More Headliner Shows for Fall

The New York Times reports on the upcoming fall art season, highlighting major museum exhibitions headlined by Robert Rauschenberg and other prominent artists. The article previews a slate of high-profile shows scheduled across leading institutions, signaling a robust return to large-scale programming after quieter periods.

‘Unicorn’ collection, expected to fetch $180m, comes to Christie's

The Weis family, secretive mega-collectors behind the supermarket chain Weis Markets, are selling 80 artworks from their private collection at Christie's in November. The collection, assembled over nearly seven decades by the late Robert F. Weis and his wife Patricia G. Ross, includes major works by Pablo Picasso, Mark Rothko, Max Ernst, and Henri Matisse, and is expected to fetch over $180 million. Christie's secured the sale by offering an advance of nearly $200 million, reflecting strong confidence in the trove.

Playful and Provocative, the Artist Tom Friedman Lands in Seoul and New York

The New York Times profiles American artist Tom Friedman, known for his playful and provocative sculptures and installations that often use everyday materials like toothpicks, aspirin, and cereal boxes. The article highlights his concurrent exhibitions in Seoul and New York, showcasing his career-spanning work that blends humor, meticulous craftsmanship, and conceptual depth.

WIASC art exhibition in the heart of Pointe-Claire Village

The West Island Art Studio Circuit (WIASC) is presenting a free café-exhibition titled "Circuits" at Studio 77 in Pointe-Claire Village, Quebec, from September 1 through 30, 2025. The show features works by 11 local artists who participated in the WIASC's inaugural Open Studio Day on August 16, 2025, including pieces such as "Colors of the Autumn" by Preetha Mitran, "Pain Waves" by Sandra Woods, and "Flight Paths" by Donna McGee. A special public vernissage will be held on September 21.