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CUANDO LOS OBJETOS HABLAN. MUSEO HECHIZO, DE JUAN JOSÉ SANTOS

Juan José Santos's book "Museo hechizo" (Metales Pesados, 2025) challenges the perceived neutrality of the Western museum, presenting it as an institution shaped by colonial logics of classification, extraction, and representation. The essay centers on the concept of "lo hechizo"—understood as both artisanal precariousness and disruptive enchantment—and explores small, community-based Latin American museum experiences that operate from precarity, reciprocity, and care. Santos argues that the museum is a space of conflict where voices, narratives, and ways of constructing history are contested, and he proposes thinking of the museum through its minor, situated, and alternative forms in Latin America.

SOL HENARO: “BAJAR LA VELOCIDAD ES POLÍTICO Y, AUNQUE CUESTA MUCHO, HAY QUE SEGUIR INTENTÁNDOLO”

Sol Henaro, director of the Museo Universitario del Chopo in Mexico City, argues in an interview for Artishock Revista that museums must resist neoliberal pressures to accelerate production, spectacularize content, and convert cultural experience into immediate consumption. She advocates for the museum as a space of plurality, deceleration, and critical thought, emphasizing the need for horizontal, careful practices that allow for dissent and coexistence. The interview is part of a series on International Museum Day featuring directors from Latin American and Ibero-American institutions.

architecture frida escobedo serpentine pompidou

Frida Escobedo, a Mexican architect who founded her Mexico City studio at age 23, is profiled as part of Cultured's 2026 CULT100 honorees. She became the youngest architect to win the Serpentine Pavilion commission and is set to debut her biggest project yet in 2030: the Metropolitan Museum of Art's new modern and contemporary wing. The article presents a Q&A format covering her influences, including architect Lebbeus Woods, her views on patience and imagination, and her reflections on career challenges such as protecting her time.

art olivia walton crystal bridges

Olivia Walton, former TV journalist and current board chair of the Crystal Bridges Museum of American Art in Bentonville, Arkansas, discusses her leadership and vision in an interview for Cultured's 2026 CULT100 honorees. She took over from founder Alice Walton, her husband's aunt, in 2021 and has championed free admission and expanded access. The museum is set to open a major expansion in May, doubling its public space and celebrating its 15th anniversary alongside America's 250th birthday.

Contrast Reigns in Austn Fischer’s Conspicuous Black-and-White Photos

Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.

Animals Wander through Neighborhood Streets at Twilight in Nicholas Moegly’s Illustrations

Artist Nicholas Moegly creates illustrations and oil paintings depicting quiet American neighborhoods at twilight, where animals like deer and foxes wander through empty streets and yards. His work evokes a dreamy, timeless realism, drawing comparisons to photographer Todd Hido and illustrator Chris Van Allsburg.

Nolan Lucidi “Bildersaal” at Kunsthaus Glarus

Kunsthaus Glarus presents "Bildersaal," the first institutional solo exhibition by Swiss artist Nolan Lucidi (b. 2000, based in Basel). The installation combines videos and objects to explore male homosexual desire drawn from literature, art history, and personal experience, while also interrogating formal language and claims to authority.

“In the Presence of Others” at Nørrebro Teater, Copenhagen

Nørrebro Teater in Copenhagen is hosting its first major contemporary art exhibition, "In the Presence of Others," featuring works by Marina Abramović, Laurie Anderson, and Miranda July. The show focuses on the artists' engagement with sound and will be staged throughout the entire theatre building.

Top Seattle art shows to see in May 2026

Seattle's art scene in May 2026 features six diverse exhibitions. Highlights include 'Influences: Japanese Prints and Northwest Art' at the Cascadia Art Museum, exploring the impact of Japanese woodblock printing on regional artists; a site-specific installation by Carly Sheehan at the appointment-only Double Garage Gallery; Clare Johnson's exhibition of over 6,000 artworks on sticky notes at Gallery 4Culture; Emma Bergman's surreal multimedia installation 'The World to Come' at Specialist Gallery; and a landmark retrospective of light-art pioneer Tom Lloyd at the Frye Art Museum.

Bharti Kher Commissioned by Powerhouse Parramatta for Major Public Artwork

British Indian artist Bharti Kher has been commissioned by Powerhouse Parramatta to create a large-scale public artwork for the museum, which is set to open later this year in Parramatta, Western Sydney. Titled *Tree of Life*, the seven-meter-tall bronze sculpture features four stacked heads and incorporates clay fragments from figurines found in Indian secondhand markets, drawing on themes of ancestral memory, interconnectedness, and community.

Dozens of Pavilions Close During Strike at 61st Venice Biennale

On May 8, 2026, a 24-hour strike organized by the Art Not Genocide Alliance (ANGA) and several Italian activist groups brought the 61st Venice Biennale to a standstill. Approximately 27 of the 100 national pavilions closed fully or partially in solidarity with protesters demanding Israel’s exclusion from the event, including those of Austria, Belgium, France, Great Britain, Japan, South Korea, and Ukraine. Over 3,500 people marched through Venice, with speakers including artist Gabrielle Goliath and curator Caroline Dumalin. The main exhibition, "In Minor Keys," curated by the late Koyo Kouoh, closed by late afternoon, and riot police were stationed outside the Arsenale. The Israeli pavilion, already shuttered during previews, remained closed.

The Met Will Expand by Merging With the Nearby Neue Galerie

The Metropolitan Museum of Art will acquire the Neue Galerie's Fifth Avenue building and its collection of 20th-century Austrian and German art, starting in 2028. The collection was built by cosmetics magnate Ronald S. Lauder, who founded the Neue Galerie in 2001.

From a waterfall cube to a field of mushrooms: Vivid Sydney 2026 – in pictures

Vivid Sydney 2026 has launched, transforming the city with bold light installations, projections, and digital art. The festival features a 6.5km light walk from Barangaroo to Darling Harbour, along with live music, panel discussions, and pop-up dining. Highlights include works like 'Vaiola' by Sāmoan/Australian artist Angela Tiatia, projected onto the Museum of Contemporary Art. The event runs until 13 June.

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

Comment | Degenerate art all over again? Nazi attack on Modern art is not far away from trends in today’s world

The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.

Genuine Fake Premium Economy review – brilliantly obnoxious millennial rage at a rigged financial world

The exhibition "Genuine Fake Premium Economy" at a London gallery features works by American artists Jenna Bliss, Buck Ellison, and Jasmine Gregory, all born in the mid-1980s. Their pieces—including Bliss's shaky videos of New York's financial district, Ellison's fictional bank advertisements pairing classical paintings with cynical taglines, and Gregory's luxury watch ads stripped of watches—collectively express millennial rage at a rigged financial system and the aftermath of the 2008 crash.

Family of Nonagenarian Sculptor Is Fighting to Halt Demolition of Iconic Brutalist Fountain in Downtown San Francisco

The family of 96-year-old Quebecois sculptor Armand Vaillancourt is fighting to halt the demolition of his 710-ton concrete fountain, known as Québec Libre! or the Vaillancourt Fountain, in San Francisco’s Embarcadero Plaza. The city began dismantling the 1971 public artwork this week, citing a planned plaza renovation, and the disassembly is expected to cost $4 million. Vaillancourt’s son Alexis and the group Friends of the Plaza have filed an appellate petition challenging the city’s use of an emergency exemption under the California Environmental Quality Act, arguing that the fountain’s disrepair does not constitute a sudden emergency requiring immediate action.

New space dedicated to Oleg Prokofiev—whose abstract art was censored by Soviet Russia—opens in London

A new art space called Prokofiev Studio has opened in Hackney, London, dedicated to the Russian artist Oleg Prokofiev. Its inaugural exhibition, 'Bending Time,' presents abstract works from the 1950s that were banned under Soviet censorship and long thought lost. The space was founded by Prokofiev’s children, including composer Gabriel Prokofiev, in collaboration with curator Anzhela Popova. The works were rediscovered in 1994 when Prokofiev returned to his former Moscow home and found them preserved by the new owner.

‘Sensitive, sexy and surreal’: Japan’s Kyotographie festival

Kyotographie, Japan's leading international photography festival, opened its 2025 edition with the theme 'Edge,' featuring 14 exhibitions across Kyoto. The festival includes a major retrospective of Daido Moriyama, the 86-year-old pioneer of the 'are-bure-boke' aesthetic, showcasing over 200 images, 400 magazines, and 100 books. Also featured are British artist Linder Sterling, known for her punk-era feminist photomontages and album art for Buzzcocks, and Kenyan photographer Thandiwe Muriu, this year's African artist in residence, who uses patterned kitenge fabric to explore identity and female empowerment.

Who is Gladys Hynes? Show reinstates forgotten artist who once represented Britain at the Venice Biennale

The exhibition "Gladys Hynes: Radical Lives" opens this month at Charleston in Lewes, aiming to resurrect the career of Gladys Hynes (1888-1958), a forgotten artist who once represented Britain at the 1924 Venice Biennale. The show brings together 120 paintings, drawings, graphic designs, and sculptural pieces, including works by Hynes and her contemporaries, curated by Sacha Llewellyn. Hynes trained with Stanhope Forbes, Frank Brangwyn, and William Nicholson, worked with Roger Fry's Omega Workshops, associated with Wyndham Lewis and the Vorticists, and was commissioned by Ezra Pound to illustrate his Cantos. Despite her achievements, only one of her paintings is in a British public collection.

Nymphs, mermaids and rosy cherubs: mansion filled with hidden wall paintings makes Victorian Society’s endangered buildings list

A derelict mansion called Parndon Hall, located within the grounds of Princess Alexandra Hospital in Harlow, Essex, has been named to the Victorian Society’s annual list of the top ten at-risk buildings in England and Wales. The house, built in 1867, contains a hidden trove of wall paintings by the almost-forgotten Victorian artist Elizabeth Arkwright, who covered walls, ceilings, and doors with nymphs, mermaids, and cherubs—many still concealed under Edwardian whitewash. The building has been used for storage and has sat unoccupied since flood repairs in 2024.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Michael Jackson Accessories Hit the Market Amid Biopic Buzz

GWS Auctions is offering nine pieces of Michael Jackson memorabilia in a May 2 sale, including a signed pair of the late singer's Florsheim loafers. The auction features 734 items from the collection of Prince Lorenzo de' Medici, with highlights such as a crystal-studded white glove from Jackson's 1984 Victory tour and Swarovski-embellished socks from his Dangerous tour. The loafers, authenticated by Jackson's assistant Rosemary Chavira, carry a starting bid of $7,500, and the sale coincides with the record-breaking opening weekend of a new Michael Jackson biopic.

Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.

Bow Arts launches open call for 2027 East London Art Prize

Bow Arts has announced an open call for the 2027 edition of the East London Art Prize, now entering its third cycle. The prize will support 12 shortlisted artists with exhibitions, mentoring, and career development, awarding one artist £15,000 and a solo exhibition at Nunnery Gallery, and another a year-long studio residency. The judging panel includes Brendan Cormier, Alex Needham, Marine Tanguy, and artist Michelle Williams Gamaker, with submissions open from 14 May to 16 August 2026.

Tate St Ives to host first UK museum exhibition of groundbreaking artist

Tate St Ives will present the first UK museum exhibition of Aleksandra Kasuba, a Lithuanian American artist (1923–2019), from May 2 to October 4, 2026. The show spans seven decades of her career, featuring early paintings, mosaics, sculptures, and public artworks, including the spatial environment *Spectrum: An Afterthought* and a recreation of her *Live-In Environment*. Works are drawn from the Lithuanian National Museum of Art's collection, where Kasuba donated her pieces.

For the People: Lubbock’s First Friday Art Trail Engages Thousands of Art-Goers Each Month

Lubbock’s First Friday Art Trail (FFAT), now in its 22nd year, has grown from a small gathering of a few dozen attendees to regularly drawing thousands to the downtown arts district each month. In October 2025, the Louise Hopkins Underwood Center for the Arts (LHUCA) distributed 6,000 wristbands before running out. The event features exhibitions, open studios, craft vendors, music, hands-on activities, drinks, and food trucks, with streets closed to traffic and visitors moving on foot or by trolley. The trail began organically in August 2004, spearheaded by artist Steve Teeters of St. Eligius Studio, and was inspired by a First Friday event in Corpus Christi.

2026 BFA and MFA thesis exhibitions to open at NMSU Art Museum

New Mexico State University's University Art Museum will host its annual BFA and MFA thesis exhibitions, opening May 1. The MFA exhibition, 'Where We Ended Up,' features interdisciplinary artists Arch Jones and Ezekiel Martey, while the BFA show, 'Raw Perception,' showcases works by nine graduating students across diverse media including painting, sculpture, photography, and ceramics.