The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA

The Los Angeles County Museum of Art (LACMA) commissioned Tokyo-based textile designer Reiko Sudō to create custom curtains for its new David Geffen Galleries, which feature floor-to-ceiling glass windows. Sudō developed sputter-plated chrome textiles—in matte and gloss finishes—that are both transparent and light-protective, solving the challenge of shielding light-sensitive artworks while preserving panoramic views of the surrounding city. The textiles, produced by Sudō’s company NUNO, are now installed as curtains and will also appear in her retrospective "Textile Alchemy: The Art of Reiko Sudō and NUNO" at LACMA opening September 20, 2026.

David Plowden’s Iowa Exhibit Opening Reception Today at 4:00 PM

The Sioux City Art Center is hosting an opening reception today at 4:00 PM for an exhibition of black-and-white photographs by David Plowden, titled "David Plowden’s Iowa." The show features 90 images taken from the 1960s through the 2000s, documenting Iowa’s rural communities, agricultural landscapes, barns, grain elevators, and small-town structures. The exhibition was organized by curator Christopher Atkins and originally toured the state from 2012–2014 via Humanities Iowa. The reception includes free margaritas in celebration of Cinco de Mayo.

The Metropolitan Museum of Art's new exhibition celebrates the human body as art

The Metropolitan Museum of Art's Costume Institute opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which pairs historical and contemporary garments with artworks from the Met's collection spanning 5,000 years. The exhibition debuted at the 2026 Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with celebrities like Rihanna, Emma Chamberlain, and Hunter Schafer wearing looks inspired by masterpieces such as Van Gogh's "The Starry Night" and Klimt's "Mäda Primavesi." The show runs from May 10, 2026, to January 10, 2027, in the new Condé Nast Galleries, a 12,000-square-foot space that centralizes fashion displays within the museum.

Here is what you'll see at the Lucas Museum of Narrative Art when it finally opens

The Lucas Museum of Narrative Art in Los Angeles will finally open on September 22, 2026, at Exposition Park. Founded by George Lucas and Mellody Hobson, the 300,000-square-foot spaceship-like building designed by MAD Architects will house a collection of over 40,000 objects, with 1,200 works on display across 30 galleries. The inaugural exhibitions span children's literature illustrations, manga and anime, comics, photography, cinematic storytelling, and classic American illustration, featuring artists from Norman Rockwell and Frida Kahlo to Jack Kirby and Alison Bechdel. A special cinema exhibition, 'Star Wars in Motion,' will showcase props and costumes from the first six films.

Amy Sherald Brings Her Painting to Life at the 2026 Met Gala

Amy Sherald, the artist known for her portrait of Michelle Obama, co-chaired the 2026 Met Gala and wore a custom dress by Thom Browne directly inspired by her 2013 painting *Miss Everything (Unsuppressed Deliverance)*. The black-and-white dress with starry polka dots and a tilted red hat replicated the outfit in the painting, which was itself inspired by *Alice's Adventures in Wonderland*. Sherald, attending her second Met Gala but first as a committee member, described Browne as uniquely able to translate her work into a garment that gives the painting another life.

lina lapelytė fills hamburger bahnhof with 400,000 cubes, inviting visitors to build and sing

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof museum with 400,000 lightweight foam cubes, creating an interactive installation titled "The Singing Cube." Visitors are invited to stack, carry, and rebuild the cubes while participating in collective singing performances, transforming the museum into a participatory sound and sculpture environment. The installation evolves over time through the collaborative actions of participants, blending architecture, music, and social interaction.

Best Exhibitions Starting in May 2026

Tokyo Art Beat has curated a selection of the best art exhibitions opening across Japan in May 2026, with a heavy concentration in Tokyo. Highlights include a retrospective of nihonga painter Kawai Gyokudō at the Yamatane Museum of Art, a Gaudí exhibition at 21_21 Design Sight, the third edition of the Tokyo Architecture Festival, a solo show of illustrator Mizumaru Anzai at Play! Museum, painter Yoko Matsumoto's first large-scale museum solo at Fuchu Art Museum, a Hiroko Koshino retrospective at the Museum of Contemporary Art Tokyo, a Van Gogh exhibition at Ueno Royal Museum, and a qipao fashion history show at the Japan-China Friendship Center Art Museum.

Lucas Museum of Narrative Art unveils opening exhibitions

The Lucas Museum of Narrative Art in Los Angeles has announced its inaugural exhibitions ahead of its opening on September 22. Founded by filmmaker George Lucas and philanthropist Mellody Hobson, the museum was designed by MAD Architects founder Ma Yansong. The opening will feature 18 thematic exhibitions showcasing over 1,200 works across 30 galleries, spanning genres such as cinema, photography, comics, manga, and anime, with dedicated shows for illustrators like Norman Rockwell, Jessie Willcox Smith, and Frank Frazetta. The collection also includes works by Beatrix Potter, Frida Kahlo, Winsor McCay, Alison Bechdel, Gordon Parks, and Dorothea Lange, alongside the Lucas Archives containing props and costumes from Lucas's film career.

designboom radar: exhibitions to see around the world this may

Designboom has published its monthly roundup of must-see art exhibitions around the world for May 2026. Featured shows include Nick Doyle's 'Collective Hallucinations' at Perrotin, Nicola Turner's 'Time’s Scythe' in collaboration with Annely Juda Fine Art at YSP, and Katharina Grosse's 'I Set Out, I Walked Fast' at White Cube. The article also includes a tribute to Georg Baselitz, the influential German painter who recently passed away at 88, and a guide to the 61st Venice Art Biennale 2026.

Blank Spaces. Sung Tieu by Sarah Johanna Theurer

Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

Exhibition | Jorge Molder, 'Lusco-fusco' at Galerie Bernard Bouche, Paris, France

Galerie Bernard Bouche in Paris is presenting 'Lusco-fusco', a new exhibition by Portuguese photographer Jorge Molder, opening March 28. The show features two interrelated photographic series, 'Dorothy' (black and white) and 'Cesare' (color), which extract and rework still images from Robert Wiene's 'The Cabinet of Dr. Caligari' (1920) and Victor Fleming's 'The Wizard of Oz' (1939). Molder halts the cinematic narrative to explore stillness, ambiguity, and the motifs of masks, dreams, and multiple identities through self-portraiture.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

Beyond the Sagrada Família: These 6 Surprising Places in Barcelona Reveal a Lesser-Known Gaudí

Au-delà de la Sagrada Família, ces 6 lieux étonnants à Barcelone qui révèlent un Gaudí méconnu

Beaux Arts Magazine highlights six lesser-known architectural works by Antoni Gaudí in Barcelona, beyond his famous Sagrada Família. The article features Casa Vicens (1883–1885), his first private commission; Torre Bellesguard (1900–1909), a medieval-inspired tower with panoramic views; Casa Calvet (1897), a residential building with textile-themed details; and the Finca Güell and Palau Güell, experimental projects for his patron Eusebi Güell. These sites showcase Gaudí's organic style, fusion of nature and architecture, and influences from Japanese, Arabic, and Catalan Gothic traditions, with several recently opened to the public.

Shoot the Shit With Jack Kerouac

An exhibition at the Grolier Club in New York City, titled "Running Through Heaven: Visions of Jack Kerouac," presents over 60 pieces of ephemera and unpublished correspondence from the Beat Generation icon's life. Curated by antiquarian collector Jacob Loewentheil, the show includes first editions, a Buddhist mala, a tobacco pouch, and a signed 1964 portrait of Kerouac, organized thematically around religion, jazz, and family. The exhibition runs through May 16 and offers an intimate look at the man behind the myth.

Dyani White Hawk: LISTEN at the Nasher Museum of Art at Duke University

Dyani White Hawk's eight-channel video installation "LISTEN" (2020–ongoing) is on view at the Nasher Museum of Art at Duke University. The work features Indigenous women speaking in their native languages on their tribal homelands, with no subtitles or explanatory text, encouraging viewers to physically move closer to each screen to hear and engage with the speakers' voices and surrounding environments.

Trippy Film by British-Ethiopian Artist Theo Eshetu Hits the Venice Biennale

British-Ethiopian artist Theo Eshetu is presenting a new installation, *The Garden of the Broken-Hearted* (2026), at the Venice Biennale. The work features a live olive tree mounted on a rotating dais, with a video of the tree projected onto itself, marking a shift from his decades-long practice of multi-screen video installations. Eshetu discusses the project's origins in conversations with the late Biennale curator Koyo Kouoh, framing the tree as a space for mourning, human consciousness, and elemental storytelling.

‘Exclusion can only satisfy the ego’: Venice Biennale president hits out at critics amid Russia and Israel controversy

Venice Biennale president Pietrangelo Buttafuoco defended the institution against critics at a conference on May 6, three days before the public opening, amid controversy over Russia's return to the event for the first time since its 2022 invasion of Ukraine and ongoing disputes over Israel's participation. He accused critics of “narcissism” and “censorship,” while Italian culture minister Alessandro Giuli sent inspectors to investigate whether Russia's involvement breached sanctions; a report was submitted to Prime Minister Giorgia Meloni's office. Meanwhile, the Biennale faces legal threats from the artist representing Israel over alleged discrimination, and protests have erupted, including a demonstration by Art Not Genocide Alliance and a Pussy Riot action at the Russia pavilion.

Comment | Degenerate art all over again? Nazi attack on Modern art is not far away from trends in today’s world

The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.

Taking a Deep Dive into a Connecticut Ranch House

Artist couple Janis Provisor and Brad Davis transformed an indoor swimming pool in their Connecticut ranch house into a studio, prioritizing their creative work over leisure. The article explores how they adapted the unconventional space to suit their artistic practices.

A Dutch Art Studio Lights Up Venice’s Grand Canal

Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.

This Professor Won the ‘Bauhaus Bathroom’ Design Competition for the Gropius House

The New York Times Art section announced the winner of a competition to design a public restroom at the historic Gropius House in Lincoln, Massachusetts. The winning design, dubbed the 'Bauhaus Bathroom,' was created by a professor whose identity has not been disclosed in the provided text. The competition aimed to add a functional, contemporary restroom that respects the iconic Bauhaus architecture of the house, which was designed by Walter Gropius in 1938.

Sung Tieu on Representing Germany at the 61st Venice Biennale

Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.

The 15th-century Ca' Giustinian Faccanon reopens in Venice. It will be a space for exhibitions and events

A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi

The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."

San Francisco’s Vaillancourt Fountain Catches Fire During Controversial Removal

San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.

Art: Amanda Heng’s ‘A Pause’ opens at the 61st International Art Exhibition of La Biennale di Venezia to represent Singapore

Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.

Exhibition | Tommaso Spazzini Villa, 'The Time That’s Left' at TOTAH, New York, United States

TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.

Bones and crystals greet visitors at Marina Abramovic show in Venice

Marina Abramović, the Serbian pioneer of performance art, inaugurated her latest exhibition "Transforming Energy" at the Gallerie dell’Accademia in Venice, days before the official opening of the Biennale International Art Exhibition. The show features a pile of plaster bones and crystal objects, with guides in white coats encouraging visitors to interact with the crystals to detox from modern technology. Abramović is the first living woman artist to present an exhibition at the Gallerie, which is known for its Renaissance masterpieces.

Not Just the Biennale: What to See in Venice in Spring 2026 Among Galleries, Independent Spaces, and Special Projects

Non solo Biennale: cosa vedere a Venezia nella primavera 2026 tra gallerie, spazi indipendenti e progetti speciali

The article highlights a curated selection of exhibitions to see in Venice during spring 2026, beyond the main shows of the 61st Venice Biennale. It features projects in galleries, independent spaces, and historic venues, including a group show titled "Waves" at Casa Sanlorenzo with works by Alexander Calder and Lucio Fontana, a video installation by Ieva Lygnugarytė at Oratorio dei Crociferi, a Judy Chicago survey at Galleria Alberta Pane, a solo show by Hanna Rochereau at Mare Karina, and a Barry X Ball retrospective at the Abbey of San Giorgio Maggiore.