American artist Alma Allen is presenting his bronze and marble sculptures at the Venice Biennale, placing his work on an international stage. The sculptures, though made of heavy materials, are described as ethereal and airy in effect.
The Dallas Museum of Art (DMA) has named 21 recipients for its 2026 Awards to Artists, selected from a record 160 applicants. The grants total nearly $42,000 and are divided into three categories: the Clare Hart DeGolyer Memorial Fund (up to $1,500 for artists aged 15–25 in a five-state region), the Arch and Anne Giles Kimbrough Fund (up to $3,500 for Texas artists under 30), and the Otis and Velma Davis Dozier Travel Grant (up to $6,000 for professional Texas artists over 30). All awardees are current Texas residents, with 16 based in the Dallas-Fort Worth area. A public celebration will be held at the DMA on May 19, 2026.
Hearts Gallery made its debut on May 2, 2026, in Los Angeles with an exclusive group exhibition at Modern Multiples, a historic print studio in Chinatown. The opening attracted artists, collectors, celebrities, and style leaders from fashion, film, and contemporary art, featuring works by Richard Duardo, Erika Galvez, Julian Prolman, Shepard Fairey, Ed Ruscha, Chaz Bojorquez, Estevan Oriol, and others, while celebrating Modern Multiples' legacy with icons like Diana Ross, Madonna, Keith Haring, Jean-Michel Basquiat, Andy Warhol, and RuPaul.
The Akron Art Museum is presenting "Transfiguration: Rachel Libeskind and the Tiffany Window," an exhibition centered on a 137-square-foot stained glass window crafted by Frederick Wilson of Tiffany Studios in 1917. The window, originally installed at St. Paul’s Episcopal Church, was rescued after a 2018 fire destroyed the church. Developer Tony Troppe purchased the property in 2022, and Whitney Stained Glass Studio restored the panels. New York-based artist Rachel Libeskind created accompanying works that reframe the window as art rather than a devotional object, with the show running through July 5.
The New Britain Museum of American Art in Connecticut will present "John Hitchcock: We are Defined by the Beat" from May 16 to November 29, 2026, marking the artist's first mid-career retrospective. John Hitchcock, an enrolled member of the Kiowa Tribe of Oklahoma with Comanche and Northern European ancestry, has spent over three decades transforming the sonic and cultural rhythms of his homeland into a distinct visual language. The exhibition explores his integration of visual and sonic forms across printmaking, neon, textiles, sound, video, and installation, featuring series such as "Flatlander" (2011-18), "Bury the Hatchet" (2019-2020), "Blanket Songs" (2022-2023), "Soundscapes" (2021-2024), and "Celebration" (2025). Hitchcock's work pays homage to his ancestors, confronts histories of Indigenous displacement and trauma, and celebrates community, resilience, and survival, drawing on the sounds and landscapes of his ancestral home in Medicine Park, Oklahoma.
The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.
HistoryMiami, the historical museum of South Florida, has rebranded as the Museum of Miami, adopting a 'museum without walls' concept. The change reflects a shift away from a traditional brick-and-mortar institution toward a more flexible, community-engaged model that will operate across various locations and digital platforms throughout Miami.
The New York Times reports that the Metropolitan Museum of Art's Costume Institute is undergoing a major transformation, moving from its basement location to become the museum's main entrance gallery. This shift, framed as "Costume Art," elevates fashion exhibitions to a central, welcoming role within the institution, signaling a new era for the department.
Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.
Il collettivo Claire Fontaine e Ugo la Pietra aprono la nuova stagione della Fondazione La Rocca di Pescara
The Fondazione La Rocca in Pescara has announced its upcoming exhibition program for 2026-2027, including a solo show by Ugo La Pietra (June–October 2026) and a solo exhibition by the feminist conceptual collective Claire Fontaine (December 2026–March 2027). The foundation has also appointed Simone Ciglia as its new Chief Curator, who will work alongside the presidency to shape future artistic research. The season opens with La Pietra's 'Alla finestra,' curated by Giacinto Di Pietrantonio, featuring around seventy works exploring the window as a threshold. Claire Fontaine's 'Manuale d’uso,' curated by Ciglia, is conceived as an exhibition-essay based on Anita Chari's monograph. Additionally, the foundation launches 'FLR Incontra,' a public program of interdisciplinary talks and performances.
Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.
This article presents the artwork "Nhat Binh" (2026) by Vietnamese Canadian artist Tuan Vu, offered through Kristin Hjellegjerde Gallery. The painting, executed in oil and oil stick on linen, measures 35 2/5 × 29 1/2 inches and is a unique, hand-signed work accompanied by a certificate of authenticity. The listing includes details about the artist's background, his immigration to Canada as a refugee, his shift from engineering to full-time art practice in 2021, and his exhibition history including a solo show at Simard Bilodeau Contemporary in 2023 and subsequent shows in Berlin, London, New York, and across Canada.
Belfast's murals, long used as tools of political expression and territorial marking during the Troubles, are gradually changing. Research shows that three-quarters of the most intimidatory murals in the loyalist Shankill area have disappeared since 1998. Newer murals commemorate figures like Queen Elizabeth II and King Charles III, while non-sectarian artistic murals—including tributes to murdered journalist Lyra McKee—are appearing across the city. However, some paramilitary-linked murals persist, and a 2024 incident saw a wall in north Belfast rebuilt and its threatening imagery repainted, reflecting ongoing tensions and the complex politics of 'conflict transformation' funding.
Denkmäler in Bewegung
Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.
Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.
Qatar has made its debut at the Venice Biennale with an official national pavilion, marking a major cultural milestone as the first new national pavilion in the Giardini in 30 years. Led by artist Rirkrit Tiravanija, the project titled "Untitled 2026: A gathering of remarkable people" transforms the space into a living environment featuring live music, film screenings, shared meals, and ongoing performances. The pavilion brings together artists, musicians, and chefs from across the Arab world and its diasporas, emphasizing cultural exchange rather than a single national narrative.
The 61st Venice Biennale opened under heavy protest as Russia returns to the event for the first time since its 2022 invasion of Ukraine. Ukrainian feminist collective Femen and Russian punk band Pussy Riot demonstrated outside the Russian pavilion, with activists accusing Russia of using art as a weapon in a hybrid war. Meanwhile, pro-Palestinian protesters gathered outside Israel's pavilion, holding banners reading 'No artwashing genocide' and demanding Israel's exclusion over the war in Gaza. The Biennale's international jury resigned last month, refusing to award prizes to countries led by figures subject to ICC arrest warrants, namely Vladimir Putin and Benjamin Netanyahu. EU foreign policy chief Kaja Kallas called Russia's participation 'morally wrong' and threatened to cut €2 million in funding, while culture ministers from 22 European countries urged organizers to reconsider.
The Condé M. Nast Galleries have opened at the Metropolitan Museum of Art's Costume Institute, a 12,000-square-foot space designed by architecture firm Peterson Rich. The galleries feature white granite floors, classic pedestals, and recessed uplighting to protect fragile fabrics, creating a seamless integration with the museum's existing architecture.
At the opening reception of "Fermata: Hong Kong in Venice," a Collateral Event of the 61st Venice Biennale, Hong Kong's Secretary for Culture, Sports and Tourism, Miss Rosanna Law, delivered a speech celebrating the exhibition. The event marks Hong Kong's 25th year of participation in the Biennale, featuring artists Kingsley Ng and Angel Hui, who present five new site-specific installations that explore stillness and overlooked rhythms of everyday life, in resonance with the Biennale's theme "In Minor Keys." For the first time, the Hong Kong Museum of Art co-organized the exhibition with the Hong Kong Arts Development Council, curating a dialogue between the two artists.
A new contemporary art gallery, kumalo | turpin, has opened in Johannesburg's Parktown North neighborhood, housed within the Nine Yards precinct. The gallery launched with an exhibition titled "gender/genre," featuring works by women artists across sculpture, painting, and photography. Co-founders Zanele Kumalo and MJ Turpin, the latter formerly co-director of the Kalashnikovv Gallery, aim to showcase emerging artists from the global majority. The opening attracted a crowd of local art-world figures, collectors, and creatives, including Marc Lubner, Niki Judelman, and photographer Trevor Stuurman.
An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened at Bikaner House in New Delhi, bringing together 23 contemporary Indian artists. Curated by Kiran K Mohan with a critical essay by art historian Johny ML, the show features works by veterans like Ashok Bhowmick and emerging talents like Nilisha Phad, spanning paintings, sculptures, and mixed media. The non-chronological arrangement aims to present artistic lineages as a landscape rather than a linear progression, encouraging dialogue across generations. The exhibition runs until May 14 before moving to Shailja Art Gallery in Gurugram from May 17 to June 13.
The Smithsonian’s National Museum of Asian Art in Washington, D.C., has opened "Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms," an exhibition featuring 48 paintings and colored drawings that trace the evolution of Pahari painting across three key periods between 1620 and 1830. The show highlights the genre’s ties to the region’s landscapes, courtly life, and devotional practices, with works created using opaque watercolors, beetle wings, and gold, many of which have not been publicly displayed before. The exhibition runs until July 26.
Two Hyderabad galleries are hosting long-duration summer exhibitions this year, breaking from the city's traditional lean season. Kalakriti Art Gallery in Banjara Hills opened "Prakriti: A Quiet Continuum," a group show of contemporary artists including Lal Bahadur Singh and Sumanto Chowdhury, alongside "Living Lineages," featuring folk and indigenous artists such as Bhuri Bai and Venkat Raman Shyam. Meanwhile, Srishti Art Gallery in Jubilee Hills is presenting the fifth edition of its annual exhibition "Triloka," with works by Moumita Basak, Nayanjyoti Barman, and Nirmal Mondal that explore everyday materials and social change.
Newcastle Art Gallery in Australia has unveiled two groundbreaking accessibility commissions: a digital guide named Nancy and architectural-scale sculptures by artist Fayen d'Evie. The digital guide offers a 24-stop tour with audio, Auslan-interpreted video, and written descriptions, developed through a 'by community, for community' model involving d/Deaf consultants, Auslan interpreters, and First Nations consultants. The sculptural solution addresses the gallery's original floating staircases, providing safe navigation for visitors who are blind or have low vision. A panel talk and Auslan-interpreted tour on Saturday will highlight these initiatives.
A Louvre agent appeared before a judge. The article, published in Le Journal des Arts on May 2, 2026, covers multiple art world stories including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, a resized project for Bourges 2028 by Yann Galut, a new contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and auctioneer Hubert L'Huillier's emergency sales.
Dataland, the world's first museum of AI arts, has partnered with L'Oréal Luxe to create an olfactory art experience for its inaugural exhibition, *Machine Dreams: Rainforest*. Co-founded by Refik Anadol and Efsun Erkılıç, the museum opens on 20 June in downtown Los Angeles. L'Oréal Luxe has developed 12 unique 'olfactive imprints' that will be diffused through smart devices, responding to artworks and visitor presence. The scents, including 'Scent of Rain' and 'Scent of Data', are drawn from Anadol's Large Nature Model, an open-source AI system based on data from 16 rainforests worldwide. The exhibition runs through 31 January 2027.
The Venice Biennale has announced the voting rules for the new Visitors' Lion awards, which replace the traditional Golden Lions after the original jury resigned before the opening. On the same day the popular voting opened, dozens of artists from the central exhibition 'In Minor Keys' and several National Pavilions announced their withdrawal from the competition in solidarity with the resigned jury, releasing a statement via e-flux on May 9, 2026. The voting system requires visitors to have attended both the Giardini and Arsenale venues, with anonymous voting open until November 22, 2026.
Jean-David Malat, founder of JD Malat Gallery, opened a new outpost in Downtown Dubai in early 2025, expanding from his established Mayfair space in London. The gallery launched with a group show, *Carte Blanche*, and has since hosted solo exhibitions, with plans for a *Made in UAE* initiative that received over 1,000 applications. Malat cites the slowing London market and growing momentum in the UAE as key factors in his decision to invest in Dubai, where he spent a month building relationships with collectors and the local community before opening.
Pinakotheke Cultural, founded by Max Perlingeiro in Rio de Janeiro in 1979, will open a new, significantly larger gallery space in São Paulo on May 16. Located on Rua Minas Gerais in the Higienópolis neighborhood, the venue nearly doubles the size of the gallery's previous São Paulo outpost. The inaugural exhibition, "Surrealisms: Art Beyond Reason," curated by Max Perlingeiro and Tadeu Chiarelli, will feature approximately one hundred works by sixty artists from Europe, Latin America, North America, and the Caribbean, offering a comprehensive overview of the surrealist movement.
Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.