Chicago's Intuit Art Museum set to unveil $10m renovation

Chicago's Intuit Art Museum has completed a two-year, $10 million renovation that triples its footprint and adds a lower level featuring the Henry Darger Room, a permanent installation recreating the artist's apartment. The museum will preview publicly on April 25 during Expo Chicago and officially reopen on May 23. The renovation, led by president and CEO Debra Kerr and local architecture firm Doyle & Associates, balances improved accessibility and natural light with preservation of the building's historic character. The inaugural exhibition, "Catalyst: Im/migration and Self-taught Art in Chicago" (May 23–January 11, 2026), features 75 works by 22 artists exploring migrant and immigrant contributions to outsider art from the 1930s to today.

UAE art guide: 12 museum and gallery exhibitions to see, including Gallery Isabelle's 20th anniversary show

The UAE art scene is currently hosting a diverse array of exhibitions across Abu Dhabi, Dubai, and Sharjah, despite regional disruptions. Key highlights include a major Picasso retrospective at Louvre Abu Dhabi, a 10th-century anniversary celebration at 421 Arts Campus titled 'Rays, Ripples, Residue,' and the inaugural photography exhibition at Sharjah Art Foundation’s new Al Manakh venue. These shows range from historical surveys of the human form to contemporary explorations of UAE’s urban development and climate change.

Sad Cowboy

What Pipeline gallery presents "Sad Cowboy," a group show organized for Miguel Bendaña at The Falstaff Project in El Paso, running from May 28 to July 4, 2026. The exhibition features three Detroit artists—Israel Aten, Cay Bahnmiller, and Dylan Spaysky—whose works explore American mythology, masculinity, and identity through collage, drawing, and sculpture. The title references a collage by Bahnmiller incorporating Amiri Baraka's poem "Sad Cowboy," critiquing the lone cowboy myth. Aten's colossal figures blend medieval iconography with video games, Bahnmiller's text-based works deconstruct language, and Spaysky's carbon paper drawings capture disposable media moments.

Independent Opens With Solo Presentations, Early Sales and (Most Importantly) Breathing Room

Independent art fair opened on May 14, 2026, at a new location in Lower Manhattan’s Pier 36, offering a larger, less central venue than its previous Tribeca home. The fair emphasizes solo presentations, which make up 70 percent of the booths, and features tightly focused displays. Gallerist Susanne Vielmetter reported early sales and museum reservations for works by Samuel Levi Jones, Robert Pruitt, and Nate Lewis. Brazilian gallery Almeida & Dale shares a booth with David Nolan Gallery, showcasing Chakaia Booker and Miguel Rio Branco, while New York dealer Charles Moffett reported strong interest in late Swiss artist Silvia Heyden’s tapestries.

Art in Chicago: A Guide for Collectors, Curators and the Curious

This article introduces a comprehensive guide to Chicago's art world, published by a local outlet. The guide features multiple sections exploring the city's art history, key institutions, and lesser-known venues, including feature stories on the Hyde Park Art Center, the Arts Club of Chicago, the National Museum of Mexican Art, the South Side Community Art Center, the Renaissance Society, and the School of the Art Institute of Chicago. It also includes a massive 22-page "Art Geography" directory of museums, nonprofits, galleries, and alternative spaces, written by seasoned art critics. The editor, Brian Hieggelke, acknowledges the daunting task of covering a hometown art scene after forty years, but aims to provide both a resource for newcomers and fresh insights for longtime locals.

NEXT in the Gallery: Preview Pittsburgh summer with a 'Pity Party,' dog sculptures and so much more art

NEXTpittsburgh's May 2026 gallery preview highlights a packed month of art events leading into the Three Rivers Arts Festival. Key offerings include the 59th Carnegie International at Carnegie Museum of Art, opening May 2 with works by 61 artists from 24 countries and four new commissions at local institutions. Other featured shows include 'Down to Earth: Revealing the Natural World' at James Gallery, Jody Shell's 'Shoebox Memories,' Dominique Swift's 'Uli Awakened,' and a three-artist exhibition at Irma Freeman Center featuring Laura Jean McLaughlin, James Simon, and Robert Qualters.

72 Hours of Art in Salt Lake City: Museum Hopping, Spiral Jetty and Sculpture on the Slopes

Billionaire Reed Hastings, the former CEO of Netflix, has transformed Utah’s Powder Mountain ski resort into a unique 'skiable outdoor art museum.' Collaborating with landscape architect Reed Hilderbrand, the resort now features major installations by artists such as Nancy Holt, James Turrell, and EJ Hill. This development positions the resort as a contemporary companion to the region's historic land art landmarks, including Robert Smithson’s Spiral Jetty and Holt’s Sun Tunnels.

Texas Art Legend Robert Rauschenberg is Celebrated in Groundbreaking Nasher Exhibition

The Nasher Sculpture Center in Dallas has launched "Rauschenberg Sculpture," a major exhibition marking the first museum presentation dedicated exclusively to Robert Rauschenberg’s three-dimensional works in three decades. Organized by senior curator Dr. Catherine Craft in collaboration with the Robert Rauschenberg Foundation, the show features over two dozen works spanning the 1950s to the 1990s, including his iconic "Combines," rotating Plexiglas "Revolvers," and experimental clay and metal assemblages.

New York Galleries: Openings and Closings (02/02-02/08)

A flurry of gallery activity is scheduled for the week of February 2-8, 2026, in New York City. Numerous exhibitions are opening, including "Interstice: Whirled Music" at Kiang Malingue, "Everything She Touches" by Alix Vernet at Eric Firestone Gallery, and "Anima" by Felipe Baeza at Print Center New York. Concurrently, many shows are in their final days, such as "A Retrospective by Ruth Asawa" at the Museum of Modern Art, "FDR Drive Musel, 1984" by Keith Haring at Martos Gallery, and "West Coast Women of Abstract Expressionism" at Berry Campbell.

New exhibits at Rose Art Museum delve into photorealism, notions of refuge

Two new winter exhibitions open February 11, 2026 at the Rose Art Museum at Brandeis University: “Photorealism in Focus” and “Yinka Shonibare: Sanctuary.” The first brings together pioneering Photorealists like Richard Estes, Charles S. Bell, Audrey Flack, and Ralph Goings alongside contemporary artists, exploring the blurred line between painting and photography. The second features the U.S. debut of Yinka Shonibare’s installation “Sanctuary City” (2024), comprising 18 illuminated miniature buildings that served as historical refuges, lined with the artist’s signature Dutch wax textiles. Both shows are curated by Gannit Akori, the museum’s director and chief curator.

Here’s Your Guide to the 13 Must-See Gallery and Museum Shows in Miami This Week

CULTURED magazine has published a guide to 13 must-see gallery and museum shows in Miami this week, highlighting exhibitions across the city during Art Basel Miami Beach. Featured shows include Studio Lenca's first solo show in Miami at David Castillo Gallery, Jeffrey Deitch's pop-up exhibition in the Miami Design District, Aneta Grzeszykowska's "DISORDER" at Voloshyn Gallery, a posthumous survey of Richard Hunt at the Institute of Contemporary Art Miami, Woody De Othello's hometown museum solo at Pérez Art Museum Miami, Shayla Marshall's installation at a Walgreens storefront organized by the Bass and Bakehouse Art Complex, and Lawrence Lek's "NOX Pavilion" at the Bass, among others.

Art for fall 2025: From the Art Institute to the Architecture Biennial, 10 exhibits for all kinds of realities

A Chicago-based art critic presents a curated guide to 10 exhibitions for fall 2025, ranging from a major traveling survey of activist artist Elizabeth Catlett at the Art Institute of Chicago to a textiles show exploring mourning and survival, a Helen Frankenthaler printmaking exhibit at the Block Museum, and the final programming at the Roman Susan Art Foundation in Rogers Park. Other highlights include a collaborative museum debut by artists Mayumi Lake and Bob Faust inspired by the Japanese design principle shakkei.

Culture Type | The Month in Black Art: Here’s What Happened in August 2025

The Studio Museum in Harlem announced it will reopen on November 15, 2025, after being closed since 2018 for construction of its new building on 125th Street. The museum shared details about opening celebrations, community day, suggested admission prices, and hours. In other August 2025 news, Brazilian artist Ana Cláudia Almeida joined Stephen Friedman Gallery (London/New York) alongside Quadra and Fortes D’Aloia & Gabriel; Ekow Eshun was named curator of British Art Show 10, opening in September 2026 across five UK cities; and Vanity Fair previewed the new Studio Museum building in its September issue, featuring interviews with Director Thelma Golden and artists Karon Davis and Tshabalala Self.

New York Dealer Hal Bromm Can’t Remember His Last Art Fair. He Couldn’t Be Happier

Hal Bromm, a New York art dealer who opened his gallery in Tribeca decades before it became a gallery hub, is celebrating 50 years in the neighborhood. He opened in 1974, predating the wave of galleries that moved to Tribeca around 2013, and has remained at 90 West Broadway since 1977. To mark the milestone, he will present the exhibition “50: The View from Tribeca” on September 19 and publish a book, *New Art, Old Buildings: Stories from Hal Bromm’s Tribeca*. Bromm reflects on his early career, including introducing artists like Donald Judd, Alighiero Boetti, and Mario Merz to New York audiences, and his instinct-driven approach to selecting artists.

Frieze London & Masters 2025 New collaborations across arts organisations, foundations + public institutions.

Frieze has announced the collaborations, funds, and prizes for Frieze London and Frieze Masters 2025, working with arts organizations, foundations, British brands, and public institutions. Key initiatives include the Frieze Masters Art Fund Curator Programme, offering fully funded places to 18 international and UK curators in partnership with Art Fund and The National Gallery; the Frieze x Deutsche Bank Emerging Curators Fellowship, now in its fifth year, hosted by MIMA in Middlesbrough; and the return of the Camden Art Centre Emerging Artist Prize, won last year by Nat Faulkner. The fairs will also feature curatorial conversations, private tours, and offsite activations by former fellows.

Prix de West 2025 Celebrates Excellence In Western Art In Grand Tradition

The 53rd annual Prix de West Invitational Art Exhibition & Sale took place in late June at the National Cowboy & Western Heritage Museum in Oklahoma City, featuring nearly 300 original works by nearly 100 artists. The event generated over $3.2 million in sales, with Utah-based artist James Morgan winning the prestigious Purchase Award for his oil-on-linen painting *White on White*, which will enter the museum's permanent collection. Morgan also received the Robert Lougheed Memorial Award for best display of three or more works.

Susan Philipsz: East by West | June 13, 2025

Susan Philipsz is presenting a new exhibition titled "East by West" at Tanya Bonakdar Gallery, opening June 13, 2025. The show features the artist's signature sound-based installations, exploring themes of geography, memory, and displacement through audio works that blend field recordings and musical compositions.

Ten Museum Exhibitions Across New England Worth Seeing

Boston Art Review (BAR) has published a curated list of ten museum exhibitions across New England that are currently worth seeing. The article highlights a diverse range of shows, from contemporary art to historical surveys, taking place at various institutions throughout the region.

The Wallace Collection appoints Selldorf Architects to lead masterplan to transform its historic London home

The Wallace Collection in London has appointed Selldorf Architects, led by Annabelle Selldorf, to lead a masterplan for Hertford House, its historic home. Selldorf, who recently oversaw renovations at the Frick Collection and the National Gallery's Sainsbury Wing, will collaborate with UK practices Purcell and Lawson Ward Studio. The project aims to improve access, sustainability, and visitor experience at the museum, which opened to the public in 1900 and houses over 5,500 works including masterpieces by Velázquez, Hals, and Rubens.

Many Hands Make Great Work at the Weatherspoon’s Student-Curated Show

Cannon Crawford-Wilson, a sculpture and ceramics student at UNC Greensboro, took Art History 490: Museums and Exhibition Spaces and helped curate the exhibition “Embodied: Finding Meaning in the Human Form” at the Weatherspoon Art Museum. Under the guidance of Dr. Emily Stamey, she and her classmates selected artworks, wrote labels, and designed the gallery layout for the Spring 2025 season, working with museum staff like preparator Susan Taaffe. The show features pieces such as Toyin Ojih Odutola's “What’s in a Mistake?” (2014) and Do Ho Suh's “Bowl with Hands.”

art maren hassinger sculptures metal

Maren Hassinger, the 78-year-old artist known for her sculptural work with steel and wire rope, discusses her upcoming retrospective at the Berkeley Art Museum and Pacific Film Archive, opening in June. In an interview, she reflects on her early rejection from a dance major at Bennington College, which led her to sculpture under the mentorship of Isaac Witkin, and her long collaboration with fellow artist Senga Nengudi since the 1970s. She also talks about her current studio practice, creating large-scale vessels, and her move from Los Angeles to New York to sell her work.

Sophia Rivera’s Mythology of Everyday New York

The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.

Is This What “Made in America” Looks Like?

Christopher Payne's exhibition "Made in America: The Industrial Photography of Christopher Payne" at the Cooper Hewitt, Smithsonian Design Museum showcases 72 large-format photographs documenting active American factories and manufacturing processes. The trained architect turned photographer spent a decade visiting dozens of production sites across the United States, from the New York Times printing plant in Queens to the Bollman Hat Company in Pennsylvania, capturing workers' craftsmanship and the intricate steps involved in making everything from Peeps candies to jet engines. The exhibition is organized into three sections—traditional handcraft, large-scale production, and cutting-edge technologies—and coincides with the Smithsonian's celebration of the nation's 250th anniversary.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.

Reclaiming the Self-Taught Artist’s Creative Identity

The American Folk Art Museum (AFAM) in New York will present "Self-Made: A Century of Inventing Artists" this spring, a major exhibition examining the historical definition of the "self-taught artist" through authorship, agency, and self-representation. Featuring over 90 works spanning the early 20th century to today, the show is organized around three strategies—self-portraiture, alter egos, and autobiography—and includes pieces by Henry Darger, Clémentine Hunter, Martín Ramírez, Aloïse Corbaz, Adolf Wölfli, Nicole Appel, Susan Janow, and Joe Coleman, many on view for the first time.

40 Years Later, Houston's FotoFest Keeps Its Edge

Houston’s FotoFest is celebrating its 40th anniversary with a massive retrospective titled "Global Visions: FotoFest at 40," featuring over 450 artists from 58 countries. Founded by Wendy Watriss and Frederick Baldwin after a transformative trip to the Rencontres d'Arles, the biennial was established to combat American parochialism by introducing international photography to the U.S. The current iteration spans multiple venues, including the Sawyer Yards Galleries and Project Row Houses, showcasing the festival's history of thematic curation ranging from Russian Pictorialism to contemporary Arab media.

Why the Photo Market Is Moving Closer to Painting, With Unique Works Leading the Way

Artnet Auctions has launched its Spring Photographs sale, running through April 16, 2026, featuring works by blue-chip artists such as Peter Beard, Adam Fuss, and Diane Arbus. The auction highlights a significant shift in the photography market toward unique, one-of-a-kind works—including photograms, hand-painted images, and collages—that blur the lines between photography and painting. This trend is evidenced by increasing auction prices, with several works recently crossing the $1 million and $2 million thresholds.

Monopol gives away 5 × 2 tickets for Peter Hujar and Liz Deschenes at the Gropius Bau

Monopol verlost 5 × 2 Tickets für Peter Hujar und Liz Deschenes im Gropius Bau

Monopol magazine is giving away 5 × 2 tickets to the exhibition "Peter Hujar / Liz Deschenes: Persistence of Vision" at the Gropius Bau in Berlin. The show pairs Hujar's iconic black-and-white photographs of New York's downtown scene—featuring figures like Susan Sontag, Divine, and David Wojnarowicz—with Liz Deschenes' abstract, material-focused works on glass and photosensitive paper. To enter, readers must email their name with the subject line "Hujar" by May 30.

Frick Inks Three-Year Partnership with Louis Vuitton, with Support for Exhibitions and Free Fridays

The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.

Famous Cranach painting spotted in rare photograph of Hitler’s apartment

A rare photograph from the early 1940s reveals that Lucas Cranach the Elder's painting *Cupid complaining to Venus* (1526-27), now a masterpiece in the National Gallery, London, once hung in Adolf Hitler's private Munich apartment. The image, previously published in Germany by provenance expert Birgit Schwarz, appears for the first time in an English-language publication. The painting was acquired by the National Gallery in 1963 from E. and A. Silberman Galleries in New York, which provided a false provenance. It had been taken from a warehouse of recovered art in 1945 by American journalist Patricia Lochridge, who smuggled it into the United States.