The British Museum has agreed to a six-month loan of the Vrindavani Vastra, a 350-year-old Himalayan tapestry, to the Assam State Museum in India. This 2027 homecoming is contingent on the construction of a specialized preservation facility in Guwahati to house the fragile nine-meter silk textile, which depicts the life of Krishna and features the earliest known Assamese script.
Archaeologist Mike Pitts has challenged the prevailing narrative surrounding the removal of Hoa Hakananaiʻa, the iconic Easter Island moai held by the British Museum. Drawing on a newly discovered 1869 eyewitness account from the Army and Navy Gazette and a rare historical photograph, Pitts argues that the statue's excavation was a collaborative effort involving hundreds of Indigenous Rapa Nui people rather than a simple act of imperial theft. The evidence suggests the British crew traded tobacco for assistance and were guided to the statue's location by the islanders.
Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.
The House Oversight Committee has released a crude drawing that President Donald Trump reportedly gave to convicted sex offender Jeffrey Epstein for his 50th birthday in 2003. The sketch, first reported by the Wall Street Journal, features a marker outline of a naked woman with Trump's apparent signature placed where her pubic hair would be. Trump has denied creating the drawing, claiming he has never drawn, and has filed a $10 billion libel lawsuit against the Wall Street Journal and its owner Rupert Murdoch. The New York Times compared Trump's signature on the drawing with his correspondence from 1987 to 2001 and found they "closely matched."
Artnet News senior reporter and columnist Katya Kazakina has won the Newswomen’s Club of New York’s 2025 Front Page Award for specialized reporting in arts and entertainment for the second consecutive year. The award recognizes her July story “Keeping Up With the Clients: The Art World Lifestyle Can Be Dangerously Alluring,” which investigated how dealers and advisors overextend themselves financially and legally to maintain social ties with wealthy patrons. The piece grew out of her earlier scoop on dueling lawsuits between ultra-high-end art advisors Barbara Guggenheim and Abigail Asher.
The Victoria and Albert Museum in London has opened a major exhibition titled "Marie Antoinette Style," showcasing items from the French queen's life and death, including her final letter, a guillotine blade, and a plain linen chemise she wore in prison. The exhibition explores her legacy as a style icon and the public's enduring fascination with her execution during the French Revolution, featuring objects linked to her imprisonment and the macabre history of Madame Tussauds' Chamber of Horrors.
Thieves broke into the Louvre Museum in Paris and stole several pieces of the French Crown Jewels from the Galerie d'Apollon, including a diadem, necklace, earrings, and brooches from the parures of Queen Marie-Amélie, Queen Hortense, Empress Marie-Louise, and Empress Eugénie. Two items—the reliquary brooch and the corsage bow—were dropped and recovered, and a ninth item, Empress Eugénie's crown, was also taken but later recovered. The thieves triggered alarms and fled after a fast, violent break-in, leaving behind a cherry picker; no injuries were reported.
Australian-born artist Petrina Ryan-Kleid's 2012 student painting *Parsing Bill*, depicting Bill Clinton in a blue dress, went viral after the Daily Mail revealed it had been owned and prominently displayed by convicted pedophile Jeffrey Epstein. The work, created as a satirical thesis piece at the New York Academy of Art, was intended to critique how opposition parties caricature presidents, referencing Monica Lewinsky's blue dress. Ryan-Kleid, who sold the painting for about $1,300 at the 2012 Tribeca Ball fundraiser, has since distanced herself from the political narrative, expressing discomfort and clarifying the piece's original intent.
Archaeologists excavating the ancient Roman military stronghold of Satala in northeastern Turkey have unearthed a bronze bust of the Egyptian goddess Isis. The eight-inch-tall sculpture, found in a necropolis, dates to the 2nd or 3rd century CE and depicts Isis atop a circular base with calyx-shaped leaves. The discovery was led by Elif Yavuz Çakmur of Karadeniz Technical University and marks the first sculpture found at the site since the Satala Aphrodite was unearthed in 1872.
Andrea Gyorody has resigned as director of Pepperdine University’s Frederick R. Weisman Museum of Art after the university removed or obscured artworks deemed “political” from the exhibition *Hold My Hand in Yours*, which she curated. The administration turned off Elana Mann’s video *Call to Arms 2015–2025* and covered an “Abolish ICE” patch in a collaborative sculpture by the collective Art Made Between Opposite Sides (AMBOS). Gyorody’s departure, effective October 24, was described by the university as mutual, and the exhibition was shuttered six months early after artists withdrew their work in protest.
The Museums Association (MA) in the United Kingdom has proposed a new code of ethics that, for the first time, explicitly mentions fossil fuel companies. The guidelines recommend that museums transition away from sponsorship by organizations involved in environmental harm, human rights abuses, or other activities misaligned with museum values, and instead seek ethical funding that serves community interests. MA members will vote on ratifying the changes from September 15 until the annual conference on October 7, with the last code updated in 2015.
Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry from France to the British Museum in London. The petition, launched in July by French art historian Didier Rykner, cites warnings from textile restorers that transporting the 1,000-year-old embroidered linen could cause irreparable damage. The tapestry is scheduled to be displayed at the British Museum from September 2026 to July 2027 while its home, the Bayeux Tapestry Museum in Normandy, undergoes renovation. The loan was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron. Prominent French cultural figures, including former Bayeux Tapestry Museum director Isabelle Attard, and British conservation watchdog ArtWatch UK director Michael Daley have voiced concerns. Rykner hopes to unite French and British opposition to stop the exchange, which also includes Anglo-Saxon and Medieval objects from the British Museum moving to France.
James Sundquist and Jack Chase founded U-Haul Gallery in May 2024, a commercial art space operating out of rented U-Haul trucks to bypass New York's high real estate costs. The gallery mounts pop-up exhibitions in unconventional locations, such as public parks and sporting events, and recently staged a performance titled "Show of Stolen Goods" by artist Victoria Gill. This September, the duo will launch the U-Haul Art Fair, running concurrently with the Armory Show in West Chelsea, featuring 10 exhibitors each stationed in their own U-Haul truck.
Taipei Dangdai, the art fair in Taiwan, has canceled its 2026 edition as organizers undertake a "strategic re-evaluation" of the fair's model, timing, scale, and format. The fair, which held its sixth edition in May 2025, is part of The Art Assembly, a conglomerate overseeing three regional Asian fairs including Art SG and Tokyo Gendai. The number of participating galleries dropped from over 90 in its 2019 inaugural edition to 54 in 2025, with no mega-galleries participating this year. The announcement follows a similar "strategic pause" by the Art Dealers Association of America (ADAA) for its flagship fair, The Art Show, and comes amid broader challenges for the fair's organizer, Angus Montgomery Arts, which also canceled recent editions of Photofairs in Hong Kong and New York.
Former U.K. Prime Minister Liz Truss and right-wing group Great British Pac have sent a letter to current Prime Minister Keir Starmer, Culture Secretary Lisa Nandy, and British Museum trustees, threatening legal action against an alleged "covert" deal to return the Parthenon Marbles to Greece. The letter, signed by 34 individuals including historian David Starkey, claims the British Museum is engaged in an "accelerating campaign" to remove the sculptures and warns of seeking an injunction to halt negotiations. The British Museum confirmed receipt of the letter but stated that discussions with Greece about a Parthenon partnership are "ongoing and constructive."
Cambridge University has removed a Benin bronze statue of a cockerel, known as an “okukor,” from display at Jesus College after students campaigned for its removal. The bronze was looted by British colonizers from what is now Nigeria in the 19th century, and students voted for the artwork to be returned to Nigeria. The college is now considering repatriation and has permanently removed the statue from its dining hall, with students proposing that a new commissioned piece replace it.
The Syrian government has announced plans to reopen the ancient city of Palmyra to tourists as early as next summer, following extensive damage inflicted by ISIS. The historic UNESCO World Heritage Site, once attracting 150,000 visitors annually, was occupied twice by the terrorist group, which destroyed iconic structures including the Temple of Bel, the Temple of Baal Shamin, and the Arch of Triumph, and beheaded the city's head of antiquities, Khalid al-As'ad. Restoration efforts are underway with assistance pledged from UNESCO, Russia, Poland, and Italy, focusing on repairing the Old City and restoring artifacts such as the Lion of Al-lāt statue.
Tony Karman, the longtime director of Expo Chicago, will step down from his role at the end of June, remaining as president in an advisory capacity while the fair searches for a new director. Karman founded Expo Chicago in 2011, succeeding Art Chicago, and has led the fair through 14 editions, including its most recent one last month with 170 exhibitors and over 35,000 visitors. The transition follows Frieze's acquisition of Expo Chicago and the Armory Show in July 2023, and comes amid broader ownership changes at Frieze itself, which was recently sold to a company founded by Ari Emanuel and is now fully owned by private equity firm Silver Lake.
A survey exhibition titled "Françoise Sullivan: Le temps du geste" is on view at Galerie Simon Blais in Montreal, showcasing the multidisciplinary career of French Canadian artist Françoise Sullivan. The show spans works from the 1940s to the present, including painting, sculpture, photography, and choreography, and highlights dialogues between different phases of her practice. Sullivan, who signed the Refus Global manifesto in 1948, is the only active member of that group, and the exhibition features pieces such as the watercolor "Sans titre – Turquie, Ruines de Commagène à Nemrut Dağ" (1996) and the geometric abstraction "Les damiers no. 4" (2018). The exhibition runs through June 14, 2025.
A shooting outside the Capital Jewish Museum in Washington, D.C., on Wednesday night killed two Israeli embassy staff members, Yaron Lischinsky and Sarah Milgrim, in what authorities have called an antisemitic attack. The gunman, Elias Rodriguez of Chicago, opened fire as the victims exited a diplomatic event hosted by the American Jewish Committee, then entered the museum where he was detained by security. Police reported that Rodriguez shouted “free, free Palestine” after being taken into custody. The museum expressed heartbreak and condemned the violence, while the Israeli embassy mourned the loss of the couple, who were engaged to be married.
An exhibition titled "Hidden Treasures" at Andalusia Farm in Milledgeville, Georgia, is showcasing dozens of previously unseen artworks by celebrated Southern Gothic writer Flannery O’Connor, including childhood drawings, cartoons, paintings on wood, a stuffed doll, and a 1952 self-portrait. The works were recently rediscovered in a storage unit behind a fast-food restaurant and in the attic of a townhouse belonging to O’Connor’s late cousin Louise Florencourt, who had guarded the archive for decades. The exhibition marks the centennial of O’Connor’s birth and is organized by the Andalusia Interpretive Center in partnership with Georgia College & State University.
Two legal challenges advanced on Thursday against the Trump administration's cuts to U.S. cultural agencies. A coalition of academic groups—the American Council of Learned Societies, the American Historical Association, and the Modern Language Association—filed a lawsuit to stop the "illegal dismantling" of the National Endowment for the Humanities, which in April announced a 70–80 percent staff reduction and cancellation of over 1,000 grants. Separately, a federal judge issued an emergency order temporarily blocking similar cuts to the Institute of Museum and Library Services, after the Department of Government Efficiency placed its 75-person staff on leave and the American Libraries Association brought suit.
The inaugural Aral Culture Summit (ACS) took place in Nukus, Uzbekistan, organized by the Uzbekistan Art and Culture Development Foundation (ACDF). The summit brought together around 500 attendees to explore how arts, cultural heritage, and design can support environmental regeneration in the Aral Sea region, which has suffered catastrophic ecological collapse due to Soviet-era river diversions for cotton farming. Speakers included Ivana Živković of the UNDP, Elena Kan of KIVA Center for Agroinnovations, Kazakh biodesigner Dana Molzhigit, and Belgian landscape architect Bas Smets, who discussed afforestation, climate resilience, traditional knowledge, and microclimate design.
A new inquest has determined that the death of British abstract painter Sarah Cunningham at age 31 last year was accidental. Cunningham, represented by Lisson Gallery, went missing after a night out in London on November 2, 2023, and was later found dead on the tracks at Chalk Farm Underground Station. The Poplar Coroner's Court concluded on April 9 that although she jumped onto the track, she did not intend to take her own life, noting she was intoxicated at the time. Her body was discovered after a train struck her 18 minutes later.
A long-lost fragment of the Bayeux Tapestry, the 11th-century embroidered chronicle of the Norman Conquest of England, has been rediscovered in the Schleswig-Holstein State Archives in Schleswig, Germany. The roughly one-inch linen piece belonged to the estate of archaeologist Karl Schlabow, who had been part of a Nazi-affiliated group that re-measured the tapestry in 1941. The fragment will be repatriated to France later this year, but first it will go on public display at the Museum of Archaeology at Gottorf Castle as part of the exhibition “Viking Twilight: Turning Point in the North” from April 16 through November 2.
Iris van Herpen's mid-career retrospective "Iris van Herpen: Sculpting the Senses" has opened at the Brooklyn Museum, marking the designer's first major museum presentation in the United States. Originally mounted at the Musée des Arts Décoratifs in Paris in 2023, the exhibition features over 140 haute couture looks alongside artworks, design objects, fossils, videos, and natural specimens. The show begins with a water-themed section and includes garments made from materials such as glass bubbles, bioluminescent algae, and 3D-printed polyamide, exploring themes of skeletal structures, primordial fear, and cosmic movements. A centerpiece room, the Atelier, displays swatches, prototypes, and experimental materials, highlighting van Herpen's scientific approach to fashion design.
TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.
Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance in a 16th-century shipyard complex in Venice that has been inaccessible since World War II and never open to the public. Commissioned by the nonprofit Scuola Piccola Zattere, the work will bring up to 500 people into the 32,291-square-foot open-air ruin for two nights during the 2026 Venice Biennale preview week. The rental fee from the performance will help stabilize and restore the floors of the historic Galeazze site.
Diya Vij has been appointed as the new commissioner of New York City's Department of Cultural Affairs, the largest municipal funder of culture in the United States. Vij, a 40-year-old arts administrator with experience at Powerhouse Arts, the High Line, Creative Time, and the Queens Museum, previously worked for the department from 2014 to 2018 under former commissioner Tom Finkelpearl. She now oversees a $300 million annual budget and a 50-person staff, tasked with sustaining artistic communities across the five boroughs amid federal funding cuts to the NEA and NEH.
The article explores the creative freelancer's financial landscape, focusing on the tax write-off strategies used by artists, writers, musicians, and other cultural workers. It features anecdotes from figures like writer Michelle Tea, photographer Luisa Opalesky, artist Josh Kline, and musician Ben Levi Ross, who share the unusual items they have deducted as business expenses—ranging from cat food and luxury handbags to Skittles, NyQuil, and even a vintage truck used in a film.