“Selma Burke African American Art Show” at Phillips’ Mill

Phillips’ Mill Community Association in New Hope, Pennsylvania, has announced a new exhibition titled “The Selma Burke Invitational African American Art Show,” running from May 31 through June 29. The show pays homage to Selma Burke, a prominent 20th-century sculptor and art educator who lived in New Hope for the last 40 years of her life. It features over 60 works by African American artists Burke mentored, taught, or inspired, including James E. Duprée and Kimberly Camp, alongside historical pieces by artists such as Faith Ringgold, Romare Bearden, and Thornton Dial. The exhibition also includes works loaned from collectors like Lawrence Hilton.

Artist couple open north London not-for-profit in former Zabludowicz gallery

Artist couple Philip and Charlotte Colbert have opened a new not-for-profit art space called Camden Arts Projects (CAP) in north London, taking over the former Zabludowicz Collection gallery at 176 Prince of Wales Road. The venue, a former Methodist church, was bought by the Colberts last year and now operates under an umbrella company called Contemporary Culture Collective. The opening exhibition features works by Turner Prize-winning artist Martin Creed, including an immersive balloon installation and a neon piece, and is free to the public. Curator Hala Matar, formerly of The Little House in Los Angeles, is running the exhibition programme.

Kent Monkman's Miss Chief

Kent Monkman's exhibition "History is Painted by the Victors" is on view at the Denver Art Museum (DAM) through August 17, before traveling to the Montreal Museum of Fine Arts on September 27. The show centers on Miss Chief Eagle Testickle, a fictional narrator who appears throughout Monkman's work to disrupt false narratives about Indigenous history and colonization. The article excerpts a catalog essay explaining how Monkman created Miss Chief as a campy, humorous, and empowering figure who infuses Indigenous perspectives into art history, often inserting her into iconic artworks to subvert colonial tropes.

Veronica Ryan: Unruly Objects

The Pulitzer Arts Foundation and the Wexner Center for the Arts have co-organized an exhibition titled "Veronica Ryan: Unruly Objects," curated by Tamara H. Schenkenberg with curatorial assistant Molly Moog. At the Wexner Center, the presentation is further organized by Schenkenberg and Julieta González, head of Visual Arts. The exhibition is supported by a range of funders including ENGIE, the American Electric Power Foundation, and the Mellon Foundation, among others.

The Broad invites art lovers to Jeffrey Gibson exhibition

The Broad museum in Los Angeles has announced free Thursday evening tickets for "Jeffrey Gibson: the space in which to place me," an exhibition on view through September 28. The show features over 30 works including paintings, sculptures, flags, murals, and a video installation, adapted from Gibson's 2024 U.S. Pavilion presentation at the 60th Venice Biennale, where he became the first Indigenous artist to represent the United States with a solo exhibition. This is Gibson's first single-artist museum exhibition in Southern California.

Metropolitan Museum receives 6,500 works from photography collector Artur Walther

The Metropolitan Museum of Art in New York has received a promised gift of more than 6,500 works from German American photography collector Artur Walther and his Walther Family Foundation. The trove spans post-war and contemporary photography from Africa, Japan, Germany, and China, alongside vernacular photos from Europe and the Americas. A special showcase of African photographers' works will debut in the Met's Michael C. Rockefeller Wing when it reopens after renovation later this month. The collection, which has operated exhibition spaces in Neu-Ulm, Germany, and New York's Chelsea district since 2010, includes major names such as Malick Sibidé, Zanele Muholi, Ai Weiwei, Bernd and Hilla Becher, and Thomas Struth.

This Berkeley MFA exhibition probes how museums and institutions exclude disabled bodies

Priyanka D’Souza's Master of Fine Arts thesis installation, "b. Call in sick," opens today at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) as part of the annual MFA exhibition at UC Berkeley. D’Souza, one of six graduating MFA students, created works that critique how museums and institutions exclude disabled bodies, using angled shelves, rolling stools, and seating to privilege seated viewers over standing ones. Her practice draws on campus protest photos from Berkeley archives, transformed into semi-abstract renderings, and builds on her earlier Instagram project "Resting Museum," developed after a residency at the Delfina Foundation in London.

Why is the art market turning Gulf-wards?

The art market is shifting its focus toward the Gulf region, particularly Saudi Arabia and the United Arab Emirates, following a sharp decline in Chinese luxury goods sales (18–20% drop in 2024) and a 31% slump in Chinese art sales. Auction houses like Sotheby’s and Christie’s have established outposts in Saudi Arabia, with Sotheby’s first auction in Diriyah generating $17.3 million and attracting 35% new buyers. The UAE’s tax-haven status and lack of sanctions on Russians have drawn wealthy residents, while Saudi Arabia’s Vision 2030 campaign, led by Mohammed bin Salman, is pouring money into cultural projects such as AlUla, Art Week Riyadh, the Islamic Arts Biennale, and a new teamLab Borderless museum in Jeddah.

Could 17th-century Italy provide a useful model for today’s challenging art market?

An exhibition at Nicholas Hall Gallery in New York, titled "Beyond the Fringe," explores the understudied early art market of 17th-century Italy, featuring 30 works on loan from public and private collections. The show highlights how barbers, tailors, innkeepers, and other tradespeople became part-time art dealers, while a decentralized network of collectors and middlemen emerged alongside foreign artists in Rome, such as the Bentvueghels, who produced new genres like landscape and genre scenes. The exhibition and its catalogue, with new research by art historians Patrizia Cavazzini and Caterina Volpi, trace the rise of art as an alternative asset class independent of traditional aristocratic and ecclesiastical patronage.

Man Ray: When Objects Dream

The Metropolitan Museum of Art in New York will present "Man Ray: When Objects Dream," an exhibition exploring the artist's pioneering rayographs—camera-less photographs created by placing objects on light-sensitive paper. Featuring approximately 60 rayographs and 100 additional works from the Met's collection and over 50 international lenders, the show is the first to situate this technique within Man Ray's broader practice of the 1910s and 1920s, including paintings, sculptures, prints, drawings, films, and photographs.

‘Degenerate’ or ‘woke,’ Paris museum exhibit shows what happens to art in the crosshairs of politics

The Picasso Museum in Paris has opened an exhibition titled "Degenerate Art: Modern Art on Trial Under the Nazis," the first such show in France, running until May 25. It features works by Van Gogh, Klee, Picasso, Kandinsky, Chagall, and others that were condemned by Hitler and the Third Reich as "degenerate" — targeted for destruction, sale, or concealment. The exhibition is organized thematically around Nazi persecution, including sections on race, museum purges, and the art trade, and highlights the fates of artists like Ernst Ludwig Kirchner, who died by suicide, and Otto Freundlich, who was murdered in a concentration camp.

May Book Bag: from a comic compendium inspired by MoMA to a turning point in the history of photography

The article reviews three new art-related book releases. It highlights 'Edward Weston: The Flame of Recognition', a 60th-anniversary reissue of Aperture's first monograph, which pairs Weston's photographs with excerpts from his Daybooks and letters, marking a milestone in photography criticism. It also covers 'Drawn to MoMA: Comics Inspired By Modern Art', an anthology of 25 graphic artists exploring the intersection of comics and museum experiences, and 'The Fatal Scroll: A Herculaneum Mystery', a thriller about the antiquities trade and ancient papyrus scrolls.

Ford Foundation Gallery and NXTHVN presents THIS IS NOT A RETREAT! NXTHVN Through the Years

The Ford Foundation Gallery and NXTHVN present "THIS IS NOT A RETREAT! NXTHVN Through the Years," an exhibition opening June 5, 2025, at the Ford Foundation Center for Social Justice in New York. The show features work by alumni artists from the first five years of NXTHVN's intensive 10-month fellowship program, which has supported 41 artists and 12 curators since 2018. Co-founded by artist Titus Kaphar and impact investor Jason Price, the exhibition is curated by Marissa Del Toro and spans drawing, painting, prints, installation, etchings, and sculpture. A concurrent group show, "The Things Left Unsaid," featuring NXTHVN's Cohort 06 Fellows, runs from May 8 to June 21, 2025, at James Cohan Gallery.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

Celebrating the 2024–25 Academic Year Interns

The Bowdoin College Museum of Art (BCMA) celebrates its 2024–25 academic year intern cohort, highlighting the contributions of six student interns: Audrey Fillion, Pilar Saavedra-Weis, Karime Borrego, Neiman Mocombe, Julia Smart, and Chris Zhang. Interns worked on projects ranging from co-curating the exhibition "John McKee: As Maine Goes" to developing campus engagement surveys, leading gallery tours, and organizing community events. Emily Jacobs, Curatorial Assistant and Manager of Student Programs, authored the piece, noting the interns' diverse academic backgrounds—from art history and English to biochemistry—and their collaborative work with museum staff.

Artist’s Choice: Arthur Jafa—Less Is Morbid

Arthur Jafa has curated a new exhibition at the Museum of Modern Art (MoMA) as part of the museum's ongoing Artist's Choice series. Titled "Less Is Morbid," the show runs through July 5 and features over 80 objects selected from MoMA's collection. Jafa, an artist and filmmaker known for his emotionally charged collages and installations, brings together works by figures such as Jean-Michel Basquiat, Cy Twombly, Lygia Clark, Roy DeCarava, Piet Mondrian, and Lutisha Pettway. The exhibition challenges binary oppositions like minimalist/maximalist and sparse/dense, and critiques the historical hierarchies that have governed art institutions.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

Gotta Have Art: Scottsdale galleries have evolved over decades

The article explores the evolution of art galleries in Scottsdale, Arizona, over the past several decades. It traces how the local gallery scene has transformed from a small, desert-focused art community into a diverse and sophisticated hub for contemporary, Native American, and Western art, attracting both local collectors and international visitors.

Untitled: Artist Takeover April 2025

The Denver Art Museum hosted 'Untitled: Artist Takeover' in April 2025, an evening event featuring performances, artmaking, and installations by Indigenous artists. Highlights included a fashion show by SunRose IronShell, drag tours of the Kent Monkman exhibition, poetry readings, dance performances, and a finale titled 'Planting Seeds' with Sarah Ortegon Highwalking. Drop-in experiences offered ledger art, yarn art, temporary tattoos, and frybread-making, alongside one-night-only installations by Sarah Ortegon Highwalking.

Art initiative brings 10 new contemporary works by local artists to Johns Hopkins

Johns Hopkins University has acquired 10 new contemporary artworks by local Baltimore artists as part of an initiative launched in 2023 to collect and display art by regional talents. The second round of acquisitions includes works by Brandon Donahue-Shipp, Bria Sterling-Wilson, and Jerrell Gibbs, among others. The pieces will be displayed at the Irene and Richard Frary Gallery in Washington, D.C., as part of the exhibition "Strong, Bright, Useful, and True: Recent Acquisitions and Contemporary Art from Baltimore" before being installed across Johns Hopkins campuses.

Outgoing Tate Director Argues for Bigger Tax Breaks for Donors

Outgoing Tate director Maria Balshaw has publicly called on UK Chancellor Rachel Reeves to implement larger tax breaks for wealthy philanthropists who donate to museum endowment funds. She argues this would level the playing field with US institutions and provide crucial financial stability for UK museums.

Humans, Machines, and Possible Futures: The Last 100 Years at New Museum

HUMANS MACHINES AND POSSIBLE FUTURES THE LAST 100 YEARS AT NEW MUSEUM

The New Museum has launched "New Humans: Memories of the Future," a massive exhibition spanning its entire building and featuring over 200 international contributors. The show traces a century of artistic, scientific, and social evolution, pairing 20th-century masters like Constantin Brâncuși and Salvador Dalí with contemporary commissions from artists such as Hito Steyerl and Wangechi Mutu. By exploring themes of automated labor, artificial intelligence, and mechanized warfare, the exhibition frames the relationship between humanity and technology as a series of cyclical leaps and reversals rather than linear progress.

CRUZ DIEZ AT ISLAA COLOR AS AN EXPERIENCE IN CONSTANT TRANSFORMATION

The Institute for Studies on Latin American Art (ISLAA) in New York is presenting "Carlos Cruz-Diez: Color at Stake," an exhibition of twenty-three works by the late Venezuelan artist. Spanning from 1955 to 1988, the show highlights his pioneering investigations into color as a dynamic, participatory experience, featuring key series like Physichromie and Chromointerférence alongside archival materials.

LATIN AMERICAN ARTISTS AT THE BIENNALE DI VENEZIA 2026

The 61st Venice Biennale, titled 'In Minor Keys' and curated by the late Koyo Kouoh, will run from May to November 2026. The exhibition will feature 15 artists from Latin America, including Alvaro Barrington, Carolina Caycedo, Alfredo Jaar, and Guadalupe Maravilla, among others, who will present works across the Giardini, Arsenale, and other Venetian venues.

miami bakehouse art complex celebrates 40 years

The Bakehouse Art Complex in Miami’s Wynwood district is celebrating its 40th anniversary and the 100th anniversary of its Art Deco building, which originally opened as a bakery in 1926. Founded in 1985 by a group of artists who purchased the abandoned industrial bakery for $10, the nonprofit has provided studio space to over 1,500 local artists. The celebration kicked off with an exhibition titled “Bakehouse at Forty: Past, Present, Future,” attended by more than 1,000 guests, and included a gala fundraiser with affordable ticket prices. The organization is now planning to build 60 units of affordable artist housing as part of a revitalized campus.

more artists claim owed money london arusha gallery

Ten artists issued a joint statement accusing London's Arusha Gallery of failing to pay nearly $700,000 in long overdue payments. The artists—Pippa Young, Anna Rocke, Plum Cloutman, Ilona Szalay, Megan Rea, Kate Walters, Gail Harvey, Morwenna Morrison, Helen Flockhart, and Charlotte Keates—claimed they faced extreme difficulty obtaining payment for sold work, often waiting months or years. Charlotte Keates, represented by lawyer Jon Sharples, said she is owed £430,000 ($580,000) from sales dating back to 2023, though the gallery's owner, Bella Arusha Collins King, disputed the amount. Additional artists, including Beth Carter, Andrei Pokrovskii, Fiona Finnegan, and the trust of Norman Gilbert, also came forward with claims of non-payment. The gallery acknowledged that some payments are missing and expressed regret.

White Girls and the Global South

The article is a curated list of art books for spring reading, featuring a diverse range of subjects. It highlights two main critical reviews: one critiques a new novel, *Flat Earth* by Anika Jade Levy, as another navel-gazing story about disaffected white women, while the other praises a scholarly work, *Non-Aligned: Art, Decolonization and the Third World Project in India* by Atreyee Gupta, which examines the international solidarity networks of Indian modernist painters long before the term "Global South" became popular.

Islamic Futurism Here and Now

Hyperallergic's daily newsletter highlights several key art world stories, including a protest by nearly 200 artists, curators, and staff at the 61st Venice Biennale calling for Israel's exclusion from the event. It also features a guide to New York's spring art fairs, a new exhibition on Frida Kahlo, a campaign against a Palestinian artist in Germany, and a profile on artists advancing Islamic Futurism through calligraphy and installation.

One of LACMA's first commissions finds new life at David Geffen Galleries

Alexander Calder's monumental fountain sculpture "Three Quintains (Hello Girls)" has been reinstalled at the Los Angeles County Museum of Art's new David Geffen Galleries, more than 60 years after it was first commissioned for the museum's original 1965 campus. The colorful, whimsical piece features four water jets that propel mobile-like paddles, and its water jets were turned back on in March 2025. The sculpture now anchors the northeast corner of the new building, placed alongside the main cafe and near the W.M. Keck Education Center, with a technically advanced filtration system to address previous environmental challenges.

Gallery Guide

A comprehensive guide lists numerous art galleries and exhibition spaces across Virginia, primarily in the Richmond area, with some in Ashland, Hanover, and Charles City. It provides details on their locations, contact information, and artistic focuses, ranging from contemporary fine art and nonprofit spaces to specialized collections like 20th-century Russian realism.