Pinta Lima Offered Curated Content–and Context–for the Curious

Pinta Lima, the 13th edition of the art fair, opened with a vibrant VIP preview and strong attendance of 16,000 visitors. The fair features around 50 booths and special presentations, with a curation-driven approach that includes sections like NEXT (curated by Juan Canela) and RADAR (curated by Ilaria Conti), as well as FORO panel discussions. The fair emphasizes Latin American art, particularly Peruvian contemporary art, and is part of the broader Pinta network that stages fairs and Art Weeks across Latin America and the U.S. Textile, fiber, and ceramic works are notably prominent, recontextualizing indigenous craft traditions.

100 anni tra arte e poesia per annullare i confini. Intervista a Lamberto Pignotti

Lamberto Pignotti, the 100-year-old Florentine artist and poet and a leading figure in visual poetry, is celebrated with two concurrent exhibitions: "Pignotti 100. Pop-esie visive" at the Mart in Rovereto (in collaboration with the Collegio Cairoli of Pavia) and the dual solo show "Identikit di Pignotti e Hogre" curated by Marco Giovenale at Galleria Bianco Contemporaneo in Rome. The latter exhibition, born from a dialogue between Pignotti and the anonymous artist Hogre, centers on a collection of envelopes Pignotti has saved for over fifty years—each addressed to him with varying titles (architect, artist, poet, professor) or altered names (Alberto, Lorenzo, Mario, Giuseppe)—revealing his fragmented identity. Pignotti co-founded the Gruppo '70 in Florence in 1963 with Eugenio Miccini, a movement that brought together multidisciplinary artists including Lucia Marcucci, Ketty La Rocca, and musicians Giuseppe Chiari and Sylvano Bussotti.

Stories the Soil Remembers Exhibition by Jyoti Tyagi to Open at Shridharani Gallery in New Delhi

A solo exhibition titled "Stories the Soil Remembers" by Delhi-based artist Jyoti Tyagi will open from 8 May to 14 May 2026 at Shridharani Gallery, Triveni Kala Sangam, New Delhi. Curated by poet and art critic Prayag Shukla, the show features works in charcoal, acrylic, and mixed media on paper and canvas, exploring themes of nature, memory, and ecological sensitivity. Recurring motifs such as trees, birds, and landscapes reflect on the interdependence between humans and nature, while Tyagi's technique of scratching into painted surfaces evokes a sense of time and transformation.

Ruggero Baragliu brings the painting of "how much is enough" to Rome

From May 30 to June 30, 2026, Blocco 13 in Rome hosts "Qb," the first Roman solo exhibition of Sardinian artist Ruggero Baragliu (born 1987). Curated by Antonello Cuccu and Chiara Manca, the show presents oils, papers, and bas-reliefs that explore the boundary between painting and sculpture through an essential, layered language. Works include small-format oils on panel such as "Colossus" (2026), the multi-year "Untitled with Checkers" (2019–2024), and the bas-relief "Garbata," which transforms brushstroke into volume. The exhibition is part of Blocco 13's "Guests" section, which has previously hosted artists like Pierluigi Fresia and Alessandro Finocchiaro.

List of small Italian museums dedicated to writing. Among diaries, typewriters and memories

Lista dei piccoli musei d’Italia dedicati alla scrittura. Tra diari, macchine da scrivere e memorie

The article highlights the phenomenon of cultural overbooking, where major museums like the Louvre, Vatican Museums, and British Museum attract millions of visitors, turning art appreciation into a physical endurance test. It then pivots to a series of small, specialized museums across Italy dedicated to writing, diaries, and memory, offering a quieter, more intimate alternative. Featured institutions include the Piccolo Museo del Diario in Pieve Santo Stefano, which houses over 10,000 personal diaries and letters, and the Museo della Lettera d’Amore in Torrevecchia Teatina, with 25,000 love letters. Other stops include the Parco Poesia Pascoli in San Mauro Pascoli, dedicated to the poet Giovanni Pascoli.

An exhibition in Milan brings visionary contemporary landscapes into dialogue with a great Turner watercolor. Review and interview

Una mostra a Milano fa dialogare visionari paesaggi contemporanei con un acquerello del grande Turner. Recensione e intervista

The exhibition "Continuum" at Robilant+Voena in Milan marks the first solo show in the city for American artist Maria Kreyn. It presents a selection of her contemporary landscapes—charged with pathos, abstract geometries, and references to art history—alongside a rare watercolor by J.M.W. Turner, *The Splügen Pass* (1842–43). Kreyn’s seascapes, influenced by her background in mathematics and philosophy, feature turbulent waves, ovoid and parabolic forms, and a sense of latent tension, creating a visual dialogue with Turner’s Romantic vision of nature.

The Forgotten of Art: The Story of Artist Valeria Alberti

I dimenticati dell’arte. La storia dell’artista Valeria Alberti

Valeria Alberti (1930-2011), a courageous, rebellious, and nonconformist Italian artist, had a brief but intense career before disappearing from the art world. Recent research by scholar Manuel Barrese reconstructs her trajectory as the only woman in a circle of artists and intellectuals around poet Emilio Villa and the Galleria Appia Antica. Alberti debuted in 1957 alongside Alberto Sartoris, collaborated with ceramist Mario Molli, and created painted panels for the transatlantic liners Leonardo Da Vinci and Michelangelo. She exhibited at Galleria Ferro di Cavallo and Galleria Azimuth, and received Piero Manzoni's Certificate of Authenticity No. 26 in 1961. Her later work included geometric metal sculptures, but she ultimately vanished from the art scene.

The regeneration of Rome's former barracks begins, where the Museum of Science will also rise. Objectives and timeline of the construction site

Parte la rigenerazione delle ex caserme di Roma, dove sorgerà anche il Museo della Scienza. Obiettivi e tempi del cantiere

The Italian government, through Cassa Depositi e Prestiti (CDP) and COIMA Sgr, has launched the regeneration of the former Guido Reni military barracks in Rome's Flaminio district. The 5-hectare site, abandoned since 2019 and located opposite the MAXXI museum, will be transformed into a mixed-use urban district including housing, retail, a hotel, green spaces, and a new Museum of Science. Demolitions are set to begin in October 2026, with the project expected to be completed by 2029. The museum will be designed by Rome-based studio ADAT, which won an international competition in 2023.

Nella Tenuta Todini in Umbria sta per aprire un parco di sculture d’arte contemporanea. Le immagini

A new contemporary sculpture park, Parco Sculture Todini, is set to open on May 23 within the Tenuta Todini estate in Collevalenza, near Todi, Umbria. The debut features two site-specific works: "VITE" by Matteo Attruia, which plays on the double meaning of vine and lives, and "Tempus Mirabilis" by Silvia Ranchicchio, a reflective environmental sculpture that changes with light and seasons. The park is curated by Massimo Mattioli and supported by the Arvedi steelworks of Terni and entrepreneur Luisa Todini.

In Lombardia la Fondazione dello scultore Giancarlo Sangregorio inaugura un nuovo spazio dentro un parco

The Fondazione Giancarlo Sangregorio in Sesto Calende, near Varese, has inaugurated a new exhibition space called Spazio Luce, created from the renovation of an old rural building. The space opens with the show "Incontri. Da Fontana a Baj, da Rotella a Mondino. Una collezione svelata," curated by Lorella Giudici, featuring 34 works from Sangregorio's personal collection, including pieces by Lucio Fontana, Enrico Baj, Mimmo Rotella, Aldo Mondino, and Giancarlo Sangregorio himself. The exhibition runs from May 16 to September 27, 2026.

7 new art and culture books in bookstores. Maps of the present: between art, work, memory and forms of perception

7 nuovi libri d’arte e cultura in libreria. Mappe del presente: tra arte, lavoro, memoria e forme della percezione

This article from Artribune presents a curated selection of seven new art and culture books recently released in Italy. The featured titles range from a theoretical lexicon for 21st-century arts edited by Nicolas Martino, which redefines key terms like 'author,' 'AI,' and 'care,' to a poetic pop-up book by Japanese designer Katsumi Komagata titled 'Piccolo Albero,' which uses paper engineering to narrate the cycle of life. Other works explore themes of labor, memory, domestic space (Giorgio Morandi), inner labyrinths (Andrea Bocconi), and direct testimony from Gaza, all aiming to provide new frameworks for understanding a fractured present.

Being a Street Photographer. Interview with Simone Morelli, the Artist of Slowness

Essere street photographer. Intervista a Simone Morelli, l’artista della lentezza

Simone Morelli, a street photographer born in Rome in 1987, discusses his slow, analog approach to photography in an interview with Artribune. He began after receiving a Praktica film camera as a gift in Sweden in 2012, and was captivated by the process of shooting and printing on film. Morelli describes his method as instinctive yet deliberate, often working on long-term projects that build a coherent visual narrative rather than seeking single 'beautiful' images. He cites Josef Koudelka as a key influence and emphasizes the importance of patience and reflection in an era dominated by fast, digital imagery.

Il fotoreport Andy Rocchelli morto nel Donbass nel 2014 ha un giardino a lui dedicato a Pavia

On May 24, the Collegio Ghislieri in Pavia inaugurated the Giardino della Ricerca, a garden dedicated to photojournalist Andy Rocchelli, who was killed in 2014 in the Donbas region of Ukraine alongside human rights activist Andrei Mironov. The garden, opened on the twelfth anniversary of his death, features a commemorative plaque and includes speeches by Gherardo Colombo and Michele Serra, as well as a podcast by Agostino Zappia and Enrico Rotondi. Italian courts have ruled that Rocchelli and Mironov were killed by Ukrainian army fire, but no one has been convicted.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

A Roma una mostra celebra il leggendario scenografo e costumista Dante Ferretti

A new exhibition titled "Dante Ferretti. Con i miei occhi" has opened at the Musei di San Salvatore in Lauro in Rome, celebrating the legendary Italian set designer and costume designer Dante Ferretti. Curated by Raffaele Curi, the show runs until July 19, 2026, and features a collection of Ferretti's sketches, charcoal drawings, and collages that served as the foundational visual ideas for films by directors including Pier Paolo Pasolini, Martin Scorsese, Federico Fellini, and Tim Burton. The exhibition presents these preparatory works not merely as production tools but as autonomous works of art, tracing Ferretti's visual genealogy from Renaissance painters like Piero della Francesca and Caravaggio to contemporary cinema.

In her Venice exhibition, Hanna Rochereau wants to archive the archive

Nella sua mostra a Venezia, Hanna Rochereau vuole archiviare l’archivio

Hanna Rochereau (Paris, 1995) presents her first solo exhibition in Italy, titled "Data Divas," at Mare Karina gallery in Venice. The show explores archival systems through a dialogue between painting and sculpture: canvases depict orderly shelves and filing cabinets filled with impenetrable boxes, while sculptural elements—tailor's mannequins, scattered papers, open drawers—introduce disorder. Rochereau uses a restrained palette of white and wood tones, referencing early 20th-century cubist and metaphysical art, particularly Morandi. The exhibition runs until July 18, 2026.

Ville Aperte in Brianza. Tornano i weekend di visita nel patrimonio lombardo tra storia e verde

The 24th edition of Ville Aperte in Brianza returns in 2026 with the theme "Storie che restano" (Stories That Remain), highlighting the ability of Lombardy's historic villas and gardens to preserve centuries of memories. The spring edition runs from May 9–17, and the autumn edition from September 19–October 4, featuring 48 cultural sites across 35 municipalities in the provinces of Monza and Brianza, Milan, Lecco, and Como. The symbol of this year is Villa Tittoni (Villa Cusani Traversi Antona Tittoni) in Desio, designed by architect Giuseppe Piermarini and later expanded by Pelagio Palagi. Special programs include guided tours by three associations of licensed guides, children's activities, and a school contest exhibition on the 80th anniversary of the Liberation.

Art and politics: to take a stand or not? Nine artists and curators respond

Arte e politica: bisogna esporsi o no? Rispondono in 9 tra artisti e curatori

Nove tra artisti e curatori italiani rispondono alla domanda se l'arte debba esporsi politicamente, in un articolo pubblicato su Artribune. Marco Trulli, responsabile Cultura Arci e curatore, sostiene che l'arte non possa prescindere dal contesto storico e geopolitico, e che il mondo dell'arte debba mettere in discussione le connessioni tra istituzioni culturali, guerre e violenze sistemiche. Gabi Scardi, curatrice, rifiuta la categoria di 'arte politica' e invita gli artisti ad agire politicamente, citando esempi di padiglioni nazionali alla Biennale di Venezia (Turchia 2017, Israele 2015) come modelli di critica radicale dall'interno. Un altro contributo, legato al progetto 'Francesco 2026' per il Padiglione Internet a Venezia, propone una regola etica: l'arte deve minimizzare il danno alle persone più vulnerabili.

Un’importante collezione tedesca d’arte per la prima volta in mostra in Italia a Venezia

The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

Are the Visitors' Lions at the Venice Biennale an Opportunity for Art Criticism? Let's Seize It?

I Leoni dei Visitatori alla Biennale di Venezia sono un’opportunità per la critica d’arte. Cerchiamo di coglierla?

The article discusses the newly instituted "Leoni dei Visitatori" (Visitors' Lions) at the Venice Biennale, established after the resignation of the International Jury. The author, Alberto Villa, argues that this change shifts significant influence to art media and critics, as visitors will rely on reviews and recommendations from specialized magazines, websites, and social media to decide which pavilions to prioritize. Villa calls on critics to embrace this responsibility with heightened critical rigor, seeing it as an opportunity to revive the mediating role of art criticism.

History of the Branca Tower in Milan returning as protagonist thanks to Fabio Volo's TV show

Storia della Torre Branca di Milano che torna protagonista grazie alla trasmissione tv di Fabio Volo

The Torre Branca in Milan, originally designed by architect Gio Ponti in 1932 for the V Triennale di Milano, is experiencing renewed cultural relevance. After years of abandonment and restoration by Fratelli Branca Distillerie (which gave it its current name), the tower reopened to the public in 2002. In April 2026, it became the set of "Kong – Con la testa tra le nuvole," a new television program hosted by Fabio Volo on Rai 3, featuring celebrities and cultural figures discussing existential themes. Additionally, the tower was recently reinterpreted through contemporary photography in an exhibition by Francesco Jodice at Galleria Frittelli Rizzo in Milan.

La Seconda guerra mondiale con gli occhi dei grandi fotografi in una mostra a Gorizia

Palazzo Attems-Petzenstein in Gorizia hosts the exhibition "Back to Peace? La guerra vista dai grandi fotografi Magnum," which presents the Second World War and its aftermath through two hundred photographs, video installations, and soundscapes by legendary Magnum photographers. The show features iconic works by Robert Capa, Eve Arnold, Henri Cartier-Bresson, David Seymour, Eric Hartmann, René Burri, Thomas Hoepker, George Rodger, Wayne Miller, and Werner Bischof, covering the Normandy landings, the liberation of Bergen-Belsen, the atomic devastation of Hiroshima, and the return of French prisoners. Curated by Andrea Holzherr and Marco Minuz, the exhibition is divided into two sections: one focusing on wartime imagery and the other on the immediate consequences of the conflict, including the suffering of civilians and the fragile hope of reconstruction.

Italian culture minister will not attend opening of Venice Biennale

Italian culture minister Alessandro Giuli has announced he will not attend the opening of the Venice Biennale next week, protesting Russia's involvement in the exhibition. Russia, which has a permanent pavilion in the Giardini, has been absent from the Biennale since 2022 but is returning this year, sparking widespread criticism. The European Union recently cut its €2 million grant to the Biennale following Russia's return, and Golden and Silver Lion jurors have stated they will not consider pavilions from countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Russia.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

Jorge Nava | Untitled (2022) | Art & Prints

This article presents Jorge Nava's 2022 painting "Untitled," an oil-on-linen work measuring 180 × 180 cm, offered by Arma Gallery in Madrid. Nava, a Spanish artist born in Gijón in 1980, studied at the University of the Basque Country and Kunsthochschule Berlin Weissensee under Professor Katherina Grosse. His career includes participation in international fairs such as ARCO, CIRCA in Puerto Rico, Scope Art Fair in New York, and Photo Miami Art Basel, as well as exhibitions at Alzueta Gallery and the Barjola Museum. His work belongs to collections including the María Cristina Masaveu Peterson Foundation and private collections across Europe and North America.

Sharjah Biennial 17 Assembles 109 Artists Across a Restless Global Landscape.

Israel’s Artist Reportedly Pressured Venice Biennale Before Jury’s Resignation

Artist Belu-Simion Fainaru, Israel’s representative at the Venice Biennale, reportedly pressured the exhibition’s organizers before the five-person jury abruptly resigned last week. The jury, tasked with selecting Golden Lion winners, had stated it would not consider nations charged with crimes against humanity by the International Criminal Court—applying to Israel and Russia. According to Italian news agency Adnkronos, Fainaru alleged “racial discrimination” and “antisemitism,” threatened to take his claims to the European Court of Human Rights, and the Biennale warned jury members they could be held personally liable for damages. Hyperallergic confirmed the threats of legal action, and a Biennale spokesperson acknowledged the reports were true.

Endre Koronczi on Representing Hungary at the 61st Venice Biennale

Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."