La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

La loi-cadre sur les restitutions définitivement adoptée par le Parlement

The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.

Bespoke Glass Studio’s Sculptures Challenge Traditional Conventions of Stained Glass

Lesley Green, founder of Bespoke Glass Studio, creates stained glass sculptures that break from traditional window-mounted forms. Her work includes three-dimensional pieces that project colored light onto walls, functional room dividers, and sculptural objects made using hand-cut copper foil techniques. Green aims to shift perception of stained glass from architectural feature to standalone art object, emphasizing pure color and texture.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

A Firenze nasce la “nuova” istituzione GAMB che riunisce la Galleria dell’Accademia di Firenze e i Musei del Bargello (con nuovo logo d’autore)

A new museum institution called GAMB (Galleria dell’Accademia di Firenze e Musei del Bargello) has been established in Florence, unifying seven cultural sites under a single autonomous museum system. The sites include the Galleria dell’Accademia, Museo Nazionale del Bargello, Orsanmichele, Casa Martelli, Palazzo Davanzati, Cappelle Medicee, and the former Church of San Procolo. A new visual identity designed by Milanese studio Migliore+Servetto features a pictogram that maps the geographic distribution of the venues, along with a custom typeface and color palette unique to each location. The launch also coincides with the start of a public restoration project for the base of Benvenuto Cellini’s *Perseo* at the Bargello, open to visitors from May 12 to September 5, 2026.

Artist explores shifting perspective on family story

Artist Avi Amesbury has opened her new exhibition, 'Shifting Perspectives: The Self Reconciliation Project', at Bundaberg Regional Art Gallery in Australia. The show combines ceramics, mixed media, and sound to explore her personal family history as a descendant of white settler colonists in Western Australia. Over three years, Amesbury traveled across the country for residencies at Fremantle Arts Centre and Central Craft in Alice Springs, collecting wild clays and collaborating with composer MJ from Those Who Ride With Giants to incorporate poems, writings, and landscape sounds into the installation.

Public Tour | Graduation Weekend Tour: Looking Back Toward the Future

The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.

Mennello Museum’s 'Our Orlando' group show returns, featuring three innovative local artists

The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.

Doosan Yonkang Foundation Becomes First-Time Sponsor of Korean Pavilion at Venice Biennale

The Doosan Yonkang Foundation, the philanthropic arm of South Korean conglomerate Doosan, is sponsoring the Korean Pavilion at the 61st Venice Biennale for the first time. The pavilion, titled "Liberated Space: Fortress and Nest," runs from May 9 to November 22 at the Giardini park in Venice, and explores political events and historical transitions in Korean society from 1945 to the present. Participating artist Noh Hye-ri is an alumna of the foundation's Doosan Art LAB program, and artistic director Choi Binna serves as a supervisor of the Doosan Curator Workshop, highlighting the foundation's direct investment in nurturing artistic talent.

AMP art walk: making art more accessible

Western Washington University's Arts & Music Productions (AMP) launched a monthly art walk on the first Friday of October, continuing the tradition each month after the closure of the Viking Union Gallery. The event, conceived by AMP supervisor Casey Hayden, aims to introduce students to Bellingham's art scene in a guided, social setting. Skylar Cooney, AMP's visual arts coordinator, leads tours to smaller venues like Bay Street Studios, and the walks have drawn a diverse academic crowd. Participating galleries, such as Voxel Gallery, report increased foot traffic and community engagement, while local artists and professors like Garth Amundson emphasize the importance of free, accessible events for fostering inclusion.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

Art Collectors Bet on Known Quantities Amid Market Reset

The Impressionist and Modern art category became the most lucrative market segment in 2025, generating $4.7 billion in sales—a 29.5% increase from 2024—as collectors favored established names amid a cautious market. The $10-million-plus bracket surged 68.6% to $1.5 billion, while the number of lots sold hit a decade high of 122,213. Postwar and contemporary art ranked second with $4.1 billion, but its average price per lot dropped to a decade low of $23,027. Old Masters saw a 41.2% rise to $708.6 million, partly driven by the Thomas A. Saunders III collection at Sotheby’s, though that sale fell short of estimates. Ultra-contemporary art continued its four-year decline, falling 26.5% to $229.9 million, with average prices tumbling 72.4% from their 2021 peak.

'Optical debris': Be transported to a world of light and shadows at unique art exhibit

Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.

The Navy and the painters: a splendid exhibition of maritime paintings at the Navy Museum - photos

The Navy Museum in Paris is hosting a major exhibition titled "The Navy and the Painters" from May 13 to August 2, 2026, featuring nearly 150 paintings spanning the 17th to 20th centuries. The show traces the evolution of maritime art and the French Navy's history, with works by artists such as Manet, Signac, and Le Lorrain, alongside a special section on the Navy's Official Painters (POM) with 84 contemporary works.

Art: UOB Painting of the Year set to elevate artistic excellence in its 45th edition with a festival and more

The UOB Painting of the Year competition, now in its 45th edition, is expanding beyond its traditional awards format to launch its first-ever arts festival in Singapore. Running from late August to early September, the festival will feature exhibitions, workshops, and artist talks, showcasing semi-finalists from the Emerging Artist category alongside veteran winners. The competition, established in 1982, has grown into one of Southeast Asia's most recognized art awards, with editions in Singapore, Indonesia, Malaysia, Thailand, and Vietnam, and has launched over 1,000 artists' careers. This year also introduces stricter criteria for the Established Artist category, requiring a stronger professional track record.

At TEFAF New York, Lesser-Known Artists Delight

At TEFAF New York, held at the Park Avenue Armory, the art fair known for its European roots showcased a range of works. Our critic highlights five lesser-known artists who stood out, offering fresh perspectives that cut through the traditional art-world star system.

Six Unforgettable Artists at the Biggest Independent Fair

The article reports on the return and expansion of a major independent art fair, now located on the far side of Chinatown. It highlights six standout artists whose works are featured at the fair, emphasizing the event's stylish and curated atmosphere.

Best Booths at Frieze, the Workhorse of Contemporary Art

The article highlights standout booths at Frieze New York, held at the Shed, featuring 65 galleries. It notes a dominant presence of paintings alongside a surprising array of small sculptures, offering a curated look at the fair's most compelling presentations.

Can Three Auction Houses Sell $2.6 Billion Worth of Art in One Week?

The New York Times reports that three major auction houses are poised to sell $2.6 billion worth of art in a single week during the spring season, driven by five luxury artworks. The sales are among the most anticipated in years, with major buyers shifting focus away from female and younger artists toward more traditional, established names.

Dynamic Artistic Duos are on Display in New York This Spring

Three exhibitions in New York this spring are showcasing the works of artistic duos, pairing artists to highlight how their creations either complement or contrast with each other. The shows aim to explore the dynamics of collaboration and dialogue between artists, offering viewers a unique perspective on creative relationships.

How do art auctions change if everything online seems like a video game?

Come cambiano le aste d’arte se online tutto sembra un video game?

The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.

NBMAA chooses its first Hamm Family Curatorial Fellow

The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.

London artist’s new exhibition captures quiet beauty of Southwestern Ontario’s back roads

London, Ont.-based artist Craig Guthrie has opened a new solo exhibition titled *Outskirts: Landscapes From the Road* at LAB 203 inside the TAP Centre for Creativity. The show, running from May 12 to June 6, 2026, features quiet, soft-hued paintings inspired by photographs Guthrie took while driving rural roads around the London region. Many works were shot from inside his vehicle to evoke the feeling of traveling through the landscape, capturing the overlooked beauty of fields, hydro lines, and back roads that lie between destinations.

Artistic Licence: John Redmond’s New Sculpture Exhibition Beyond Form

Irish artist John Redmond presents a new collection of sculptures in his exhibition "Beyond Form" at Gormleys Gallery in Dublin, running from May 22 to June 4. The show marks a significant evolution in his practice, as he moves from abstract painting into three-dimensional works for the first time, using mixed materials such as bronze, resin, and marble, with pieces cast at a foundry in Greece.

Art market trends 2025: Impressionist & Modern hit $4.7B, up 29.5%

According to the 2025 art market trends, Impressionist and Modern art generated $4.7 billion in auction sales, a 29.5% increase from 2024, overtaking Postwar and Contemporary art to become the year's largest auction segment. Meanwhile, Ultra-contemporary art continued its decline, and Old Masters gained ground, signaling a broader shift in collector behavior toward established, blue-chip works.

See these LGBTQ+ artists and more at The Other Art Fair this weekend

The Other Art Fair has returned to Dallas for its largest and most ambitious edition to date, featuring 135 independent artists—the most ever presented in the Dallas market. The fair, presented by Saatchi Art, transforms Dallas Market Hall into a marketplace where artists sell directly to collectors and art lovers, with highlights including immersive installations, live neurofeedback art, and a special focus on LGBTQ+ artists. A short list of queer artists featured includes Ty Hays, Patricia Juppet, Jake Trujillo, and others, with Christopher Sonny Martinez receiving The New Futures award for first-time exhibitors.

Tatiana Malinovscaia | 130x100cm-Blue Distance in Quiet Light (2026) | For Sale

Tatiana Malinovscaia's painting "Blue Distance in Quiet Light" (2026) is being offered for sale by Artseeker Gallery. The 100x130 cm acrylic on canvas work features a restrained abstract composition with muted blues, ivories, beiges, and charcoals, built through layered textures and tonal contrasts. Malinovscaia, a self-taught Moldovan artist, explores the interplay between architectural clarity and atmospheric abstraction, with light acting as a central structural element that reveals nuanced variations across the textured surface throughout the day.

The Biennale and the Weight of Flags. What Is the Point of National Pavilions?

La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?

The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.

Downtown Janesville art gallery, maker space Raven's Wish plans to move

Raven's Wish, a downtown Janesville art gallery and maker space, is relocating from its current 4,000-square-foot location at 101 W. Milwaukee St. to a smaller downtown space. Owner Kegane Rynes, who bought the business from former owner Alicia Reed two years ago, says the move is driven by a need for a layout that better suits the shop's evolving focus on art classes and creative workspace. The business, which includes a pottery studio called Pottery By Five run by partner Heather Hansen, has seen growing demand for classes and aims to separate retail, framing, and workshop areas more intentionally.

AAM 2026 | a guide to this year's event

The article previews the 2026 AAM Annual Meeting & MuseumExpo, scheduled for May in Philadelphia. It highlights key sessions, speakers, and events planned for the gathering of museum professionals, focusing on trends in audience engagement, digital innovation, and institutional resilience.