The Metropolitan Museum of Art's new exhibition celebrates the human body as art

The Metropolitan Museum of Art's Costume Institute opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which pairs historical and contemporary garments with artworks from the Met's collection spanning 5,000 years. The exhibition debuted at the 2026 Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with celebrities like Rihanna, Emma Chamberlain, and Hunter Schafer wearing looks inspired by masterpieces such as Van Gogh's "The Starry Night" and Klimt's "Mäda Primavesi." The show runs from May 10, 2026, to January 10, 2027, in the new Condé Nast Galleries, a 12,000-square-foot space that centralizes fashion displays within the museum.

German Expressionism at the National Gallery

The National Gallery in London will stage its first exhibition of modern German paintings, 'German Expressionism: Modern Painting 1900–1918', in spring 2027, before traveling to the National Gallery of Ireland in Dublin in autumn 2027. This is the first UK and Ireland exhibition since the 1960s to cover both key Expressionist groups, Die Brücke and Der Blaue Reiter, featuring over fifty international loans from institutions such as Berlin's Neue Nationalgalerie, Brücke Museum, and the Art Institute of Chicago, alongside works from private collections.

Take a Look Inside This Year's 2026 Met Gala 'Costume Art' Exhibition

The Metropolitan Museum of Art has announced its spring 2026 Costume Institute exhibition titled "Costume Art," along with the accompanying Met Gala fundraiser scheduled for May 4, 2026, with a "Fashion is Art" dress code. The exhibition will debut in the newly designed 12,000-square-foot Condé M. Nast Galleries, featuring nearly 400 objects that juxtapose historical garments with fine art across thematic bodily categories such as the "Classical Body" and "Pregnant Body." Curated by Andrew Bolton, the show includes standout pairings like a Glenn Martens suit with an ancient marble statue and a Comme des Garçons ensemble with a Max Weber painting, with mannequins featuring polished steel heads by artist Samar Hejazi.

Here is what you'll see at the Lucas Museum of Narrative Art when it finally opens

The Lucas Museum of Narrative Art in Los Angeles will finally open on September 22, 2026, at Exposition Park. Founded by George Lucas and Mellody Hobson, the 300,000-square-foot spaceship-like building designed by MAD Architects will house a collection of over 40,000 objects, with 1,200 works on display across 30 galleries. The inaugural exhibitions span children's literature illustrations, manga and anime, comics, photography, cinematic storytelling, and classic American illustration, featuring artists from Norman Rockwell and Frida Kahlo to Jack Kirby and Alison Bechdel. A special cinema exhibition, 'Star Wars in Motion,' will showcase props and costumes from the first six films.

Amy Sherald Brings Her Painting to Life at the 2026 Met Gala

Amy Sherald, the artist known for her portrait of Michelle Obama, co-chaired the 2026 Met Gala and wore a custom dress by Thom Browne directly inspired by her 2013 painting *Miss Everything (Unsuppressed Deliverance)*. The black-and-white dress with starry polka dots and a tilted red hat replicated the outfit in the painting, which was itself inspired by *Alice's Adventures in Wonderland*. Sherald, attending her second Met Gala but first as a committee member, described Browne as uniquely able to translate her work into a garment that gives the painting another life.

Ahead of the 2026 Met Gala, the Metropolitan Museum of Art Introduced New Mannequins With Diverse Body Types Inspired by Real People

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art" ahead of the 2026 Met Gala, featuring mannequins with diverse body types—including larger, pregnant, trans, and disabled bodies—created through 3D printing and based on real-life models. The show pairs roughly 400 artworks with garments, aiming to shift the traditional perspective by viewing art through the lens of fashion rather than the reverse.

A History of the Human Body at “Costume Art,” the New Costume Institute Exhibit

The Metropolitan Museum of Art's Costume Institute has announced its latest exhibition, "Costume Art," opening May 10. Curated by Andrew Bolton, the show brings together garments and objects from across the museum's curatorial departments to explore the relationship between fashion and the human body. The exhibition is organized into thematic sections including the Naked & Nude Body, Classical Body, Abstract Body, Reclaimed Body, Pregnant Body, Corpulent Body, and Disabled Body, featuring works by designers such as Walter Van Beirendonck, LÛCHEN, Georgina Godley, Ann-Sofie Back, Di Petsa, Alessandro Michele for Gucci, and Vivienne Westwood, alongside historical art objects from Greek ceramics to Mesopotamian sculptures.

History of soccer exhibition open at Arlington museum ahead of FIFA World Cup

The Arlington Museum of Art has opened "More Than a Match," a large-scale exhibition exploring the history of soccer through World Cup memorabilia, historic jerseys, maps, and contemporary art. The show features items on loan from the National Soccer Hall of Fame, the University of Texas at Arlington's Special Collections, and the National Football Museum in Manchester, England. Highlights include a replica of the 2006 FIFA World Cup Trophy, a jersey worn by Pelé, and artworks by Andy Warhol, Kehinde Wiley, and Darío Escobar, as well as a mural by Dallas-based artist Colton Canava depicting Lionel Messi, Jude Bellingham, and Virgil van Dijk as saint-like figures. The exhibition runs through August 2, 2026, and is located near AT&T Stadium, which will host nine World Cup matches.

Garden Party: Nature on Paper

The McNay Art Museum in San Antonio presents "Garden Party: Nature on Paper," an exhibition running from May 7 to August 9, 2026, that explores humanity's relationship with the natural world. Featuring prints, drawings, photographs, paintings, and sculpture from the museum's permanent collection, the show includes works by René Magritte, Rufino Tamayo, Kara Walker, Luis Jiménez, and Honoré Daumier. Organized by Elizabeth Kathleen Mitchell, the exhibition is divided into two narratives: one celebrating nature's abundance through gardens and flowers, and another examining human extraction through hunting and exploitation imagery.

Black Artists Featured in Monet to Matisse Exhibition at Birmingham Museum of Art

The Birmingham Museum of Art (BMA) has opened its presentation of the traveling exhibition "Monet to Matisse: French Moderns, 1850–1950," which features over 100 masterworks from the Brooklyn Museum. Uniquely, the BMA version includes more than 40 additional works from its own collection, among them paintings by two Black American artists—Henry Ossawa Tanner and Charles Ethan Porter—who lived and worked in France during the period. Curator Dr. Maggie Crosland emphasized the importance of including these artists to highlight the contributions of Black Americans to French modernism, especially given the political climate that drove many to Paris between 1850 and 1950.

Montclair Art Museum Announces Retirement of Longtime Chief Curator Dr. Gail Stavitsky

The Montclair Art Museum (MAM) has announced that Dr. Gail Stavitsky, its Chief Curator, will retire on July 1, 2026, after a tenure of more than 30 years. Stavitsky joined MAM in 1994 as Curator of Collections and Exhibitions, was promoted to Chief Curator in 1998, and curated over 200 exhibitions, including landmark shows such as "Cézanne and American Modernism" (2009) and "Matisse and American Art" (2017). Her recent exhibitions include solo shows for vanessa german and Tom Nussbaum, and she co-curated "Shifting Terrain: Perspectives on Land in North America." She also oversaw major acquisitions and the care of the museum's collections of George Inness and Morgan Russell.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

Lillian Bassman—the Avant-Garde Photographer Who Transformed Harper’s Bazaar—Finally Gets Her Due

The Metropolitan Museum of Art has opened "Lillian Bassman: Bazaar and Beyond," an exhibition on view through July 26 that examines the career of photographer Lillian Bassman. Curated by Virginia McBride, the show highlights Bassman's work at Harper's Bazaar and Junior Bazaar, as well as her independent photography known for radical darkroom manipulations. The exhibition was made possible by a gift of 70 works from Bassman's estate, produced in collaboration with her children Lizzie and Eric Himmel, and marks a homecoming for the artist who drew inspiration from the Met's galleries.

Musée d’Orsay displays Renoir and Degas works looted by Nazis

The Musée d’Orsay in Paris has opened a new gallery dedicated exclusively to artworks suspected of being looted or forcibly sold during the Nazi occupation of France. Among the 13 works on display is Edgar Degas's *Dinner at the Ball* (1919), originally owned by Jewish collector Fernand Ochsé, who was deported to Auschwitz with his wife in 1941. The painting passed through multiple hands before being identified as one of over 100,000 artworks plundered by the Nazis. The museum has assembled a team of six provenance researchers to spend three years tracing the original owners of these works, which are part of the "MNR" (Musées nationaux récupération) collection—some 2,200 pieces deemed too important to sell but whose owners remain unknown.

Exclusive | Met Gala 2026 and ‘Costume Art’ brashly transform flesh, bones and guts into too-cool couture

The Metropolitan Museum of Art's Costume Institute will debut its spring 2026 exhibition, “Costume Art,” on May 10, preceded by the Met Gala on May 4. The exhibition explores the dressed body in all forms—nude, pregnant, plus-size, disabled, aging, and internal—and features fashion designer Renata Buzzo’s hand-stitched “Corset Anatomia” from her 2024 collection “The Body.” Buzzo was personally selected by curator Andrew Bolton and donated her pieces. The exhibition will be housed in the new Condé M. Nast Galleries, an 11,500-square-foot space that will make fashion galleries the first thing visitors see upon entering the Great Hall. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, raised a record $31 million in 2025 and will follow the dress code “Fashion is Art.”

Emily Carr University spotlights the first graduating class of its next century at The Show 2026, from May 13 to 27

Emily Carr University of Art + Design is presenting The Show 2026, an annual exhibition featuring final projects from more than 400 graduating students across Fine Arts, Media Arts, and Design. Running from May 13 to 27 at the ECU campus in Vancouver, the free public event showcases works in painting, sculpture, performance, interaction design, animation, film, and sound, marking the university's centennial year and the first graduating class of its second century.

Raymond Pettibon, the Artist Behind Some of the Most Iconic Album Covers

A new exhibition titled "Nervous Breakdown" at the Wilhelm-Hack-Museum in Ludwigshafen, Germany, presents the most comprehensive collection of Raymond Pettibon's album cover art to date. The show draws from over 200 works in the collection of Stefan Thull, spanning Pettibon's record, CD, and cassette covers from 1979 to the present, including iconic designs for Sonic Youth's "Goo" and Black Flag's logo. The exhibition is accompanied by a catalogue published by the museum and David Zwirner Books.

Ahead of the Met Gala, an Up-Close Look at “Costume Art”

DATALAND Preview: The World’s First Museum of AI Arts Co-Founded by Refik Anadol

DATALAND, the world's first museum of AI arts co-founded by artist Refik Anadol and Efsun Erkılıç, will open to the public on June 20, 2026, in downtown Los Angeles. Located in the Frank Gehry-designed building The Grand LA within the Grand Avenue Cultural District, the 35,000-square-foot venue will debut with the inaugural exhibition "Machine Dreams: Rainforest," an immersive 360-degree experience based on millions of images and sounds of nature. The custom AI model powering the exhibition was trained on data collected from 16 rainforests worldwide, with data partnerships established with the Smithsonian, Cornell Lab of Ornithology, Getty, iNaturalist, and the Natural History Museum in London.

Everything to know about the Met Gala 2026: Theme, hosts and what to expect

The Met Gala 2026 will take place on the first Monday in May, with the theme "Costume Art" and a dress code of "Fashion is Art." The accompanying exhibition at the Metropolitan Museum of Art explores depictions of the dressed body throughout time, pairing garments with artworks from the museum's collection. Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour are named co-hosts, while Jeff Bezos and Lauren Sánchez Bezos serve as honorary chairs. The event will debut the newly named Condé M. Nast Galleries, a permanent 12,000-square-foot space in the museum's Great Hall, allowing the exhibition to run for nine months from May 10, 2026 to January 10, 2027.

Monumental Portrait of Late Biennale Curator Koyo Kouoh Unveiled in Venice

A monumental portrait of late Venice Biennale curator Koyo Kouoh, created by American artist Derrick Adams, has been unveiled in Venice ahead of the Biennale's public opening. The collage, titled *Heavy is the head that wears the crown* (2026), is displayed near the Arsenale until September 24. Kouoh, who died unexpectedly in May 2025 at age 57, was the first African woman to curate the Biennale. Adams' work uses golden hues and flattened forms to celebrate Kouoh's legacy, referencing the pressures of leadership and the joy she brought to the art world.

lina lapelytė fills hamburger bahnhof with 400,000 cubes, inviting visitors to build and sing

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof museum with 400,000 lightweight foam cubes, creating an interactive installation titled "The Singing Cube." Visitors are invited to stack, carry, and rebuild the cubes while participating in collective singing performances, transforming the museum into a participatory sound and sculpture environment. The installation evolves over time through the collaborative actions of participants, blending architecture, music, and social interaction.

One of the most important galleries in Brazil is in Rome these weeks with an exhibition. The interview

Una delle più importanti gallerie del Brasile in queste settimane è a Roma con una mostra. L’intervista

Brazilian gallery A Gentil Carioca has brought the first Italian solo exhibition of artist Miguel Afa to the Fondazione Capitolina in Rome, in collaboration with the Rhinoceros space. Titled "Il tempo che vive in me" (The Time That Lives in Me), the show features works created during Afa's residency in Rome, exploring themes of time, memory, and light through oil paintings that blend Brazilian and Roman imagery.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

Met Gala Boycott Message Projected on Bezos’s Manhattan Penthouse

On May 3, 2026, the activist group Everyone Hates Elon projected messages condemning Jeff Bezos and Amazon onto Bezos's luxury penthouse in Manhattan's Madison Square Park, ahead of the Met Gala on May 4. The projections included a video testimony from Amazon warehouse worker Mary Hill, who called for honoring workers instead of billionaires, and slogans such as 'Boycott The Bezos Met Gala.' The group also projected onto the Chrysler and Empire State buildings. This action follows earlier protests, including littering the Met with fake urine bottles and wheatpasting posters across the city, all targeting Bezos's role as an honorary co-chair of the gala.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

Iran Withdraws From 2026 Venice Biennale

Iran has withdrawn from the 2026 Venice Biennale, the world's most important art event, organizers announced on May 4. No official reason was given, but the withdrawal comes amid an uncertain ceasefire in Iran's war with the United States and Israel. The Biennale confirmed the decision in a statement, noting that 100 countries will still participate, including newcomers Tanzania and Seychelles. This follows South Africa's withdrawal over a legal dispute concerning a Gaza-focused artwork, and the closure of the Russian Pavilion to the public after the EU withdrew €2 million in funding over Russia's involvement.

Stars feiern Mode und Kunst bei Met-Gala

The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.

Wintour: Met Gala still makes me nervous

Wintour: Met-Gala macht mich immer noch nervös

Anna Wintour, longtime host of the Met Gala, admitted at a press conference that even after nearly 30 years, the star-studded fundraiser still makes her nervous, calling it both her favorite and most terrifying time of year. The annual Costume Institute Benefit, which raises millions for the Metropolitan Museum of Art's Costume Institute, is expected to bring in more donations than ever this year, according to Wintour and museum director Max Hollein. This year's gala opens the exhibition "Costume Art" with the dress code "Fashion is Art," and new gallery spaces for the Costume Institute will debut. Co-chairs include Jeff Bezos and Lauren Sánchez Bezos, while New York Mayor Zohran Mamdani has publicly declined to attend.