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Chanel and Guggenheim Launch Transatlantic Curatorial Fellowship

Chanel and the Solomon R. Guggenheim Foundation have announced a new transatlantic curatorial fellowship, set to launch in 2027. The Chanel Culture Fund Fellowship is a one-year program for MA- and PhD-level scholars, who will begin at the Guggenheim Museum in New York before moving to the Peggy Guggenheim Collection in Venice. The announcement coincides with the start of the Venice Biennale, and the open call for fellows will begin this fall. The fellowship includes a stipend and travel support, and is designed to complement the Peggy Guggenheim Collection's existing International Fellowship.

Simply divine: the extraordinary supernatural visions of Francisco de Zurbarán

Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

‘It’s not much but, at the same time, it’s very much’: the enduring impact of Sade’s style

The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.

Art Basel’s Swiss Fair Will Include a New Initiative Where Galleries Will Withhold Works from Their PDF Previews

Art Basel has announced a new initiative called "Basel Exclusive" for its upcoming Swiss fair, running June 18–21 with VIP previews June 16–17. Under the program, participating galleries will withhold at least one artwork—or even their entire booth—from the PDF previews sent to clients ahead of the fair, encouraging collectors to visit in person. So far, 170 of 232 exhibitors (nearly 75%) have signed on, including major galleries like Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, Gladstone, Lehmann Maupin, Lisson, Matthew Marks, Paula Cooper, Thaddaeus Ropac, and White Cube, as well as secondary-market dealers such as Galerie 1900-2000, Helly Nahmad, Landau, Mayoral, Pace Di Donna Schrader, and Van de Weghe. Art Basel’s chief artistic officer Vincenzo de Bellis described it as a "gallery-led process" developed from conversations with exhibitors, formalized during Art Basel Hong Kong.

Tiffany Window From Connecticut Church Could Fetch $2 M. at Christie’s

A late 19th-century stained-glass window by Tiffany Studios, known as the Boyd Family Memorial Window (The Falls), is set to be auctioned at Christie's New York in June with an estimate of up to $2 million. The window, commissioned in 1898 and installed in 1899 at the Second Congregational Church in Winsted, Connecticut, depicts a waterfall landscape and has been in the church for about 125 years.

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

Pooh in pencil: sketches for original Winnie-the-Pooh book shared for first time

Two previously unseen preliminary pencil sketches of Winnie-the-Pooh by illustrator E.H. Shepard have been revealed to the public for the first time. Shared by the artist’s family to mark the centenary of A.A. Milne’s classic stories, the drawings depict scenes from the "expotition" to the North Pole and the hunt for a "Woozle" that were never included in the final 1926 publication. These rare works are set to go on display at Peter Harrington Rare Books in London starting April 17.

Historic Tiffany Window, Once Hidden in Texas Church, Reemerges at Crystal Bridges

Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.

Versailles Restores Royal Bedroom to Its 1789 Splendor

The Palace of Versailles has completed a multi-decade restoration of the King’s Private Bedroom, meticulously recreating the space as it appeared on October 6, 1789, the day the royal family fled the French Revolution. The project involved an intergenerational team of curators and master craftspeople who utilized archival descriptions and surviving fabric scraps to reconstruct the room's ornate Rocaille embellishments, silk tapestries from Lyon, and a central gilded bed carved from linden wood.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

How a Hopi Potter Named Nampeyo Became a 19th-Century Art Star

The Hopi-Tewa artist Nampeyo (1859–1942) is being celebrated as a foundational figure in modern ceramics for her role in the Sikyátki Revival. By studying ancestral pottery shards from archaeological excavations, Nampeyo revitalized centuries-old techniques and motifs, transforming Pueblo pottery into a globally recognized art form. Her career spanned from selling works at regional trading posts to becoming a celebrated figure who demonstrated her craft at the Grand Canyon and exhibited at major fairs in Chicago.

After three years, investigations and now a $4.4m lawsuit, Australia’s most controversial art exhibition finally opens

The National Gallery of Australia has finally opened 'Ngura Puḻka – Epic Country,' a landmark exhibition of 30 large-scale paintings by Indigenous artists from the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands. The show’s debut comes after a three-year delay caused by explosive allegations in the media suggesting that white studio assistants had improperly intervened in the creation of the artworks. These claims sparked multiple independent investigations, a $4.4 million defamation lawsuit, and a previous last-minute cancellation of the exhibition in 2023.

‘It was a way of processing violences I’ve survived’: how iconoclastic musician Arca beat burnout with frenzied painting

The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.

Gisela Colón on Puerto Rico, Bad Bunny, and the Power Beneath the Island

Artist Gisela Colón is the subject of two concurrent solo exhibitions: "Radiant Earth" at the Bruce Museum in Connecticut and "The Mountain, The Monolith" at the Museo de Arte Contemporáneo de Puerto Rico. This dual presentation marks a significant career milestone and a homecoming for the Puerto Rican-born artist, who has built an international profile over the past decade with installations from Desert X AlUla to sites near the Pyramids of Giza.

A New Exhibition at the British Museum Dismantles the Popular Understanding of Samurai

The British Museum has opened a major exhibition titled 'Samurai,' which challenges the widespread, simplified portrayal of samurai as solely honor-bound, hyper-violent warriors. The show, curated by Rosina Buckland, presents them as a complex social class who were also bureaucrats, administrators, and cultural figures, emphasizing their roles during periods of peace and governance.

whitney biennial 2026 systems infrastructure andrea fraser carmen de monteflores emilie gossiaux david johnson

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.

François-Xavier Gbré Uses His Photography to Fill in History’s Gaps

Artist François-Xavier Gbré's photographic series "Radio Ballast" made its US debut in a duo exhibition at the International Center of Photography in late January. The work documents the century-old railroad system in Côte d'Ivoire, built by French colonizers, exploring the country's colonial history, independence, and modernization through landscapes, train stations, and the communities shaped by the railway.

Goldfish on cars and ceramic flowers: artists take over the Peninsula Hotel in Hong Kong

Three artists have installed site-specific works at The Peninsula Hong Kong hotel as part of its annual Art in Resonance program, coinciding with Hong Kong Art Week. Angel Hui's 'Swimming in Light' features embroidered goldfish imagery on plastic bags and the hotel's glass frontage, Albert Yonathan Setyawan's 'Metamorphic Modulation' fills a circular structure with 700 ceramic elements, and William Lim's 'Walking on a Bright Future' is a textile and spatial intervention in the hotel's café.

ktx biennial dallas launch

The Katy Trail, a prominent 3.5-mile urban greenway in Dallas, has announced the launch of the KTX Biennial, a new public art initiative set to debut in Spring 2027. Curated by Jovanna Venegas, currently of New York’s SculptureCenter, the inaugural edition will feature site-specific commissions and sculptures installed along the trail for up to 18 months. The project is an evolution of a pilot public art program started in 2021 by the Friends of the Katy Trail, intended to integrate contemporary art into the daily experience of the park's two million annual visitors.

quattro gatti official gin 2026 venice biennale

Quattro Gatti Gin, a spirits brand founded by the prominent Mordant family of art patrons, has been named the official gin of the 61st Venice Biennale in 2026. The gin will be served at the Giardini and Arsenale venues, as well as during the high-profile professional preview days. Developed by Simon and Catriona Mordant alongside their children, the brand utilizes local Umbrian juniper and botanicals, marking a commercial extension of the family's deep ties to Italy and the international art world.

british museum explains removal palestinian wall texts

The British Museum has disputed a Telegraph report claiming it removed the word 'Palestinian' from wall texts under pressure from the pro-Israel group UK Lawyers for Israel (UKLFI). The museum stated that while some text was changed last year, using 'Canaanite descent' for a specific historical period, it continues to use 'Palestinian' as a cultural identifier where appropriate and that the changes predated the UKLFI letter. Museum director Nicholas Cullinan denied the changes were a response to the group's complaint, expressing frustration over the situation.

british museum palestine backlash

The British Museum has revised labels for ancient Middle Eastern artifacts in its Levant and Egypt galleries, removing the term 'Palestine' from descriptions of ancient civilizations. The institution states the changes are part of an ongoing review, driven by audience feedback and a recognition that the term is no longer historically neutral due to contemporary political sensitivities.

british museums samurai show reveals the untold story of women warriors

The British Museum has opened a major exhibition titled "Samurai" that challenges popular perceptions of the warrior class. It reveals that after 1615, half of all samurai were women, though they did not engage in combat, and explores the evolution of samurai from medieval fighters to Edo-period bureaucrats and cultural figures. The show features over 280 objects, from armor and weapons to everyday items like a woman's dressing set, and examines the contrast between historical reality and modern pop culture portrayals.

philadelphia art museum new director

The Philadelphia Art Museum has appointed Daniel Weiss, former CEO of the Metropolitan Museum of Art, as its new director, effective December 1. Weiss takes over amid a legal battle with recently ousted director Sasha Suda, who filed a wrongful-termination lawsuit after her November 4 dismissal. The museum has escalated its defense, alleging Suda misappropriated funds prior to her firing. Weiss, who previously restored fiscal stability at the Met, is expected to guide the institution through this tumultuous period, which also includes backlash over a controversial rebrand.

georg wilsons pilar corrias

London artist Georg Wilson opens "Against Nature," her second solo exhibition with Pilar Corrias, exploring the hidden world of poisonous plants in the English countryside. The show features paintings of henbane, thorn apple, and nightshade, depicting them as rebellious agents that thrive in abandoned, uncultivated land. Wilson's work coincides with her institutional debut at Jupiter Artland in Edinburgh, titled "The Earth Exhales." Her research began by collecting second-hand botanical books, which led her to notice toxic flora growing unnoticed around London, including a towering thorn apple near her studio.

national gallery artemisia gentileschi provenance

The National Gallery in London is preparing to unveil Artemisia Gentileschi's 'Self-Portrait as Saint Catherine of Alexandria,' a major 2018 acquisition. However, the museum has quietly added the painting to its list of works that could have been looted during the Nazi era due to a gap in its provenance from 1615 to the 1940s, specifically concerning its ownership by the French Boudeville family during the war.

schiaparelli paris recreates stolen louvre jewels

Schiaparelli's artistic director Daniel Roseberry debuted dramatic recreations of crown jewels stolen from the Louvre during the brand's Paris Haute Couture Week show. The pieces, worn by actor Teyana Taylor, were inspired by a pearl-and-diamond tiara and bow brooch once owned by Empress Eugénie, which were among an estimated $102 million in gems taken in a heist last October.

rare greek funerary sculpture tefaf david aaron

A rare ancient Greek funerary sculpture, the Stele of Medeia (375-350 BCE), is being offered for sale at the TEFAF art fair by the London gallery David Aaron. The piece, priced at £450,000, depicts an unmarried young woman and retains significant original pigment. It has already attracted significant interest from a major US museum.

adolf hitler artwork auction germany

A group of 14 watercolors and drawings by Adolf Hitler, dated from 1904 to 1922, will be auctioned at the Weidler auction house in Nuremberg, Germany, between June 18 and 20. The works are expected to sell for between €1,000 and €45,000 each, following a previous sale of a Hitler watercolor that fetched €130,000 in November last year.