aspen art fair kelly cornell 2026 hotel jerome

The Aspen Art Fair will hold its third edition from July 29 to August 1, 2026, at the historic Hotel Jerome, now under the direction of Kelly Cornell. Cornell, who will continue to lead the Dallas Art Fair, plans to bring her dealer-focused approach to the Aspen event, emphasizing support for galleries as the core of the fair's success. Co-founder Bob Chase of Hexon gallery stressed the fair's intimate identity is tied to its venue, with no plans to expand beyond the Hotel Jerome's capacity.

aipad 2026 photography show ehibitor list deborah willis

The Association of International Photography Art Dealers (AIPAD) has announced the 77 galleries and dealers participating in its 2026 Photography Show, set for April 22–26 at New York's Park Avenue Armory. The exhibitor list includes established names like Edwynn Houk Gallery and Yancey Richardson, alongside first-time participants such as Ruiz-Healy Art and Leica Gallery New York. A new 'Focal Point' section for solo presentations will be introduced, and the fair aims for greater gender parity, with a third of exhibitors being women-led or founded.

munich lohaus sominsky expands to tribeca

Munich-based gallery Lohaus Sominsky, founded by Ingrid Lohaus and Sofia Sominsky, will open its first New York space at 62 White Street in Tribeca next month. The inaugural exhibition, featuring new paintings and a site-specific installation by Berlin-based artist Charlie Stein, opens December 11, shortly after the gallery participates in Art Basel Miami Beach for the first time. The expansion follows three years of operations in Munich, where the gallery has mounted over 18 exhibitions with an international roster including Vera Molnár and Phoebe Derlee.

lucy sparrow museum crystal bridges momentary

British artist Lucy Sparrow will present her first U.S. museum exhibition, “The Beginning of Convenience,” at the Momentary, the contemporary art hub of Crystal Bridges Museum in Bentonville, Arkansas, opening in summer 2026. The immersive installation recreates an American supermarket entirely in felt, featuring approximately 20,000 hand-sewn plush products evoking the 1980s and 1990s. Sparrow researched Walmart’s archives to curate semi-vintage items, nodding to the museum’s founding family. Unlike her previous felt installations, nothing will be for sale, and the free exhibition will include a recreation of her studio and a documentary. Sparrow will also debut a candy shop titled “Sugar Rush” at Art Miami with TW Fine Art in December 2025.

project native informant gallery london closes

Project Native Informant, a London gallery known for its focus on internet-influenced art, announced it will close after 12 years. Founder Stephan Tanbin Sastrawidjaja cited the volatile global economic, political, and social environment, along with personal factors, as reasons for the decision. The gallery launched in 2013 in a Mayfair garage before moving to the East End, and its final show was a solo exhibition for Sean Steadman that closed over the summer.

paris internationale debut milan edition spring 2026

Paris Internationale, the emerging art fair known for hosting independent galleries, announced it will launch a Milan edition in April 2026, just before its 11th edition opened in Paris. The fair, founded in 2015 by a group of independent galleries, plans to establish a lasting presence in Milan, with founder Nerina Ciaccia citing alignment with the fair's values and approach to the art market. The Milan edition is partly driven by Italy's recent reduction of VAT on art exchanges from 22% to 5%, making it more competitive than France's 5.5%. The fair has not yet secured a venue but intends to choose an architecturally historic location, continuing its nomadic tradition.

elizabeth denny outsider art fair director

Elizabeth Denny has been appointed as the new director of the Outsider Art Fair, which was founded in 1993 and specializes in art brut, folk art, and self-taught art. Denny previously served as director at Eric Firestone Gallery and founded her own gallery in 2013 with locations in New York and Hong Kong. She holds degrees from the Courtauld Institute of Art and Columbia University, lectures at Columbia and Sotheby’s Institute, and is a founding board member of Less Than Half, an organization supporting underrecognized women artists. The fair's next edition is scheduled for March 2026 in New York.

frieze launches new seoul space

Frieze has announced the launch of Frieze House Seoul, a year-round exhibition and project space in the Yaksu-dong neighborhood, set to open alongside the fourth edition of Frieze Seoul from September 3 to 6, 2025. Housed in a four-story building dating from 1988, the venue will host short-term gallery residencies, special projects, and curated exhibitions beyond the fair dates, and features a permanent site-specific installation by SANAA founders Kazuyo Sejima and Ryue Nishizawa. The news comes as Frieze works to extend its five-year partnership with Kiaf, the fair run by the Galleries Association of Korea, which began in 2022 and is set to expire in 2026.

suki seokyeong kang dead

Suki Seokyeong Kang, a South Korean artist known for blending traditional Korean heritage with contemporary abstract forms, died on Sunday at age 47 (48 in Korean reckoning) after a battle with cancer. Her New York representative, Tina Kim Gallery, confirmed the cause. Kang's work spanned painting, textiles, sculpture, and installation, often incorporating postminimalist structures, craft techniques, and industrial materials. Notable series include her precarious "Grandmother Tower" sculptures and "Mountain" pieces made from curved steel and thread. She was born in Seoul in 1977, studied at Ewha Womans University and the Royal College of Art in London, and later became a professor of painting.

Angela de la Cruz review – wonky chairs and busted pianos are monuments to resilience

Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.

design stella ishii new york interiors

Designer Stella Ishii, co-owner of fashion showroom the NEWS and founder of label 6397, discusses her SoHo loft and the neighborhood's artistic legacy in an interview with curator Clarissa Dalrymple. Ishii, who moved from Japan to New York in the 1990s after working with Comme des Garçons founder Rei Kawakubo, bought a 3,000-square-foot cast-iron loft with her artist husband Jerry Kamitaki in 1997, preserving a rare artist-priced property in a rapidly gentrifying area. The conversation touches on SoHo's transformation from an artist haven—home to figures like Gordon Matta-Clark, Donald Judd, Joan Jonas, and gallerist Paula Cooper—to a commercial district, as well as Ishii's collecting habits and the loft's role as a creative space for performances and guests.

The Art Gallery Doing Urban Regeneration South of Milan (After Doing It in New York)

La galleria d’arte che fa rigenerazione urbana a sud di Milano (dopo averla fatta a New York)

Scaramouche Gallery has opened a new space in Milan's Scalo Romana district, marking its third location after establishing itself in New York's Chelsea and Lower East Side neighborhoods. The gallery, founded by gallerist Daniele Ugolini, is part of a wave of cultural institutions, including Fondazione Prada and Fondazione ICA, driving the urban regeneration of this former agro-industrial zone near the 2026 Winter Olympic Village.

Art Dubai to Present Significantly Smaller Event After Iran War Forces Postponement

Art Dubai has announced a significantly scaled-down 'special edition' fair to be held in May, replacing its postponed twentieth-anniversary event. The new iteration will feature just fifty exhibitors, down from the originally planned 120, and will be held at its traditional venue, Madinat Jumeirah.

The Hole Gallery Sued Over Unpaid Back Rent

The Hole, a prominent contemporary art gallery founded by Kathy Grayson, has shuttered its West Hollywood location amid a wave of legal and financial troubles. Court filings reveal that the gallery faces multiple lawsuits for unpaid rent and real estate taxes across its Los Angeles and Manhattan outposts, with debts totaling over $180,000. Beyond real estate disputes, the gallery has been dogged by allegations of financial instability and delinquent payments to artists, including a 2019 lawsuit from artist Dan Lam regarding unpaid sales and damaged works.

In Kyoung Chun: Make Room

The Halsey Institute of Contemporary Art at the College of Charleston is presenting "Make Room," a solo exhibition by South Korean-born, Atlanta-based artist In Kyoung Chun. The show features a mix of paintings and site-specific installations, including transparent houses and suspended structures that explore the artist's experience as an immigrant. By blurring the lines between interior and exterior spaces, Chun’s work invites viewers into environments that reflect on the fragility and resilience of home.

are museums spending enough marketing new report

A new report from Remuseum, an initiative of the Crystal Bridges Museum of American Art funded by collector David Booth and the Ford Foundation, reveals that American museums are struggling with post-pandemic visitation declines and rising costs, yet they invest less than three percent of their operating budgets on marketing—comparable to mining and construction industries. The report contrasts historical resistance to marketing, exemplified by former Met president William Luers, with the Getty's Harold Williams, who embraced it. Case studies from the Art Gallery of Ontario and the Peabody Essex Museum show how museums can use audience personas to boost attendance, but current spending remains far below the 13.9 to 18.7 percent of revenues that consultant Colleen Dilenschneider says is needed to reach full market potential.

men guilty forging selling fake royal furniture versailles

An antiques expert and a cabinet maker have been found guilty of forging and selling nine imitation 18th-century armchairs that they falsely claimed belonged to French royalty, including Marie Antoinette. Georges "Bill" Pallot, a leading furniture expert, and Bruno Desnoues, a former Versailles restorer, sold the fakes through Paris galleries and Sotheby's to the Château of Versailles and private collectors, including Qatari Prince Tamim ibn Hamad Al Thani and an Hermès family heir. Pallot was sentenced to four years in prison (44 months suspended), fined €200,000, and banned from working as an expert for five years; Desnoues received three years (32 months suspended) and a €100,000 fine. Both must pay €1.6 million in indemnities. The gallery Laurent Kraemer was acquitted, with the court ruling it was also a victim.

Christie’s to hold its first South Asian Modern art sale in London in seven years

Christie's auction house is launching a major sale titled 'Sublime Shadows' in London on June 11, featuring 93 works of South Asian Modern and contemporary art from an anonymous private collection. This marks the auction house's first dedicated South Asian Modern art sale in London since 2019, highlighting a surge in market activity and curatorial interest for the category.

design artist housing hell real estate

The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.

Art Basel Hong Kong 2026: Where The World Comes To See

Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.

Frieze New York will Open With 68 Galleries from 26 Countries, and Other News.

Frieze New York will open on May 13, 2026, at The Shed with 68 galleries from 26 countries, marking its 15th edition. The fair emphasizes Central and South American galleries, supported by new committee members Fátima González and Omayra Alvarado, alongside blue-chip exhibitors like Gagosian, Hauser & Wirth, and Pace. In other news, Phillips set a watch auction record with its $96.3 million Geneva sale, the Met Gala generated $1.56 billion in media value, and ICFF announced a November 2027 edition. Tiffany & Co. and the CFDA launched a new jewelry design scholarship.

Kevin Troyano Cuturi On Building A Singapore Art Gallery With Global Reach

Kevin Troyano Cuturi, raised on museum visits across Europe and trained in physics and finance, founded Cuturi Gallery in Singapore after co-founding Mazel Gallery in 2017. The gallery now operates a Paris outpost in the former Didier Ludot boutique and runs a discoveries platform for emerging artists, a residency program hosting over 20 artists, and has nurtured Singaporean talents like Aisha Rosli and Faris Heizer.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

San Juan’s Artists Are Shaping Puerto Rico’s Cultural Future One Space at a Time

Larissa De Jesús Negrón and other Puerto Rican artists are driving a cultural renaissance in San Juan, with grassroots galleries, collectives, and adaptive institutions redefining how art is produced and shared. This surge follows Hurricane Maria and the pandemic, bolstered by global attention from figures like Bad Bunny and exhibitions such as the 2023 Whitney show "no existe un mundo poshuracán." Art dealer Walter Otero notes that the scene has strengthened through local residencies, fellowships, and Puerto Rican curators in U.S. institutions, while spaces like EMBAJADA, founded by Christopher Rivera and Manuela Paz, reject the white-cube model to engage broader local audiences.

Philadelphia Art Museum exhibits Noah Davis’s tender depiction of Black life

The Philadelphia Art Museum has opened a new exhibition surveying the career of the late American artist Noah Davis, featuring over 60 works from 2007 to his death in 2015. The show, curated by Eleanor Nairne and Wells Fray-Smith, is the final stop of an international tour organized with DAS MINSK in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles. It includes paintings, sculptures, and works on paper that chronologically map Davis's multimedia practice, with a final room dedicated to his last three paintings.

In 2025, new ‘independent and nimble’ art fairs began redrawing the market map

In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).

How Artist Uman Channeled a Turbulent Year Into Calm Abstraction

Artist Uman opened her first solo museum exhibition in the United States, titled “After all the things…,” at the Aldrich Contemporary Art Museum in Connecticut. In an interview, she discusses her initial reluctance to enter the institutional world, preferring to focus on commercial success, but found the right partnership with chief curator Amy Smith-Stewart. The show features large paintings, a video, and works that blend landscape with abstraction, reflecting her life in upstate New York and a turbulent year transformed into calm, internal peace.

Noah Davis

The Philadelphia Art Museum is presenting an exhibition of works by the late artist Noah Davis, running from January 24 to April 26, 2026, in the Morgan, Korman, and Field Galleries. The show features paintings such as "Untitled" (2015), "40 Acres and a Unicorn" (2007), "Isis" (2009), "Mary Jane" (2008), and "1975 (8)" (2013), drawn from private collections and the Mellon Foundation Art Collection, with works courtesy of David Zwirner.

How Tate's Emily Kam Kngwarray show is revealing the fraught market dynamics of Aboriginal art

Tate Modern in London is hosting a major solo exhibition of Emily Kam Kngwarray, the celebrated Aboriginal artist who rose to fame in the late 1980s and early 1990s. The show, first presented at the National Gallery of Australia in Canberra, features works from the height of her career, deliberately omitting some of her final paintings due to concerns about the circumstances under which they were created. Curators Kelli Cole and Hetti Perkins highlight how Kngwarray's rapid success attracted dealers and entrepreneurs who exploited the artist and her community, revealing an opaque market system that took advantage of artists' inexperience and poor socio-economic conditions.

A New Contemporary Art Triennial Sets Its 2026 Debut in New York, and Other News

Medina, New York will host its inaugural contemporary art triennial in 2026, running from June 6 to September 7 across more than a dozen indoor and outdoor venues along the Erie Canal. The event will feature over 50 local, domestic, and international artists with site-responsive commissions, and a Medina Triennial Hub will open this September with programming in collaboration with Western New York arts institutions. Initiated by the New York Power Authority and the New York State Canal Corporation, the triennial is co-directed by Kari Conte and Karin Laansoo. In other news, Sotheby's RM will host a major Formula 1 auction titled 'The Champions – Schumacher and F1 Legends' from July 24–30; the Bakehouse Art Complex in Wynwood, Miami plans to build 60 affordable artist apartments; and artist Khaled Sabsabi has been reinstated as Australia's representative for the 2026 Venice Biennale after an external review found Creative Australia mishandled his withdrawal.